Affandi Museum

Affandi Museum Affandi's unique house and his lifetimes artworks filled on a three square meters Museum complex since 1974 all under a Banana leaf shaped roofs.

The official Affandi Kusuma Museum page
Managed by the Affandi Museum Yogyakarta

12/05/2026

Halo Sobat Affandi! 👋✨

Lima hari penuh cerita, budaya, dan inspirasi! 🎨🌾

Museum Affandi merasa bangga bisa menjadi bagian dari PAMERAN ABHIRAMA RANGGAWARSITA 2026 dengan tema:
“Pangan dalam Jejak Budaya: dari Warisan Leluhur menuju Pangan Masa Depan”
yang berlangsung pada 6–10 Mei 2026 di Museum Jawa Tengah Ranggawarsita.

Melalui pameran ini, Museum Affandi ikut menjadi bagian dari perjalanan budaya yang memperlihatkan bahwa pangan bukan sekadar soal rasa, tetapi juga tentang tradisi, warisan leluhur, dan cerita yang terus hidup dari generasi ke generasi. 🌱

Terima kasih kami sampaikan kepada Restu Gunawan, Dinas Kebudayaan Kundha Kabudayan Kabupaten Sleman, Forum Komunikasi Museum Kabupaten Sleman, serta seluruh pihak yang telah mendukung dan menyukseskan kegiatan ini. 💛

Sampai jumpa di perjalanan budaya berikutnya! ✨

**ENGLISH VERSION**Not just animal paintings…In Affandi’s hands, every animal carries a story.There’s love, empathy, eve...
07/05/2026

**ENGLISH VERSION**

Not just animal paintings…
In Affandi’s hands, every animal carries a story.
There’s love, empathy, even unrest—captured directly on canvas. 🎨

Swipe to discover the stories →

Slide 3: “Died in My Hands”
This painting was inspired by a real moment after World War II, when Affandi found a small bird that had been shot and died in his hands.
The birds once accompanied him while sitting beneath a banyan tree near his home, but over time their songs disappeared. Through this work, Affandi expresses grief and anger toward the destruction of nature caused by humans.

Slide 4: “Turtle Enclosures”
In this piece, Affandi portrays turtles trapped in cramped spaces without freedom. Inspired by what he witnessed on Serangan Island, Bali, the painting reflects his empathy toward living beings confined by human actions. Through expressive brushstrokes, he reminds us of the fragile relationship between humans and nature.

Slide 5: “Bird Market in Jogja”
Unlike the previous works, this painting captures a lively atmosphere at Pasar Ngasem, Yogyakarta. Interestingly, Affandi completed it in only around 30 minutes—showing how familiar and connected he felt with the place. Bird cages, large trees, and colorful rooftops all come together to portray the vibrant rhythm of the traditional market.

Slide 6: “Crabs”
Through this work, Affandi explored a subject rarely painted. Inspired by his experiences by the sea, he was fascinated by crabs as creatures that live between two worlds. With his expressive style, the painting feels dynamic—almost as if the crabs are moving across the canvas.

Through these works, Affandi reminds us that animals are not merely objects to paint, but living beings connected to human life, emotion, and the environment.

ENGLISH VERSIONIn many of his works, Affandi often portrayed female figures.But they’re more than just subjects—they ref...
27/04/2026

ENGLISH VERSION

In many of his works, Affandi often portrayed female figures.
But they’re more than just subjects—they reflect relationships, emotions, and moments from his personal life.

Swipe to discover the stories →

Slide 3: “Back of a N**e Woman
This painting portrays Maryati, Affandi’s wife, who often became his model during difficult times. With limited resources, Affandi kept creating—even piecing together paper to paint.
Unable to hire professional models, Maryati stepped in, agreeing to pose n**e as long as her face wasn’t shown. This work reflects not only Affandi’s dedication, but also Maryati’s quiet yet powerful support.

Slide 4: “Mother in Her Room”
Affandi also painted the first woman in his life—his mother. This work captures a moment when she felt saddened by his plan to study in India.
She is shown walking toward the kitchen with a heavy expression. More than a painting, it’s a deeply personal memory of their bond.

Slide 5: “The Painter and His Daughter”
The role of women continues through his daughter, Kartika Affandi. In this painting, Affandi expresses his feelings as Kartika prepares for marriage.
Kartika stands in a soft pink kebaya, while Affandi appears partially on the side—suggesting distance. Behind it lies a mix of pride, joy, and the quiet struggle of letting go.

Slide 6: “Affandi and His First Grandchild”
This story extends to the next generation. Affandi depicts the birth of his first grandchild, Helfi Artistien, set against a dark night background.
Both figures are painted n**e, symbolizing purity, while the act of holding reflects care and protection. A crow adds a spiritual layer—symbolizing life and a subtle fear of loss.

Slide 7: “My Mother-in-Law”
Affandi also showed empathy toward his mother-in-law. In this work, he portrays her with a tired expression—reflecting her strength in raising children alone after losing her husband.
Through this painting, Affandi expresses deep respect and appreciation.

22/04/2026

Di balik nama besar Kartika Affandi, ada perjalanan panjang yang mungkin belum banyak orang ketahui. Tumbuh di lingkungan seni bersama sang ayah, yaitu Affandi Koesoema, Kartika Affandi tidak hanya sekedar “meneruskan”, tetapi juga menemukan identitasnya sendiri sebagai seniman.
Ia membuktikan bahwa menjadi perempuan dalam dunia seni adalah tentang menciptakan jejak, bukan sekadar mengikuti. ✨

Pada tahun 2026 ini, perjalanan itu mendapat apresiasi melalui penghargaan Anugerah Puspa Bangsa KOMPAS TV dalam kategori Puspa Pesona, sebuah penghargaan bagi perempuan atas dedikasi, konsistensi, dan kontribusinya bagi seni dan budaya Indonesia.

Di momen Hari Kartini, Kartika Affandi menjadi salah satu pengingat bahwa perempuan memiliki ruang, suara, dan peran penting dalam setiap langkah kehidupan. 💛

Terima kasih kami sampaikan kepada Rosiana Silalahi (Direktur Utama Kompas TV), Arifah Fauzi (Menteri Pemberdayaan Perempuan & Perlindungan Anak), Sinta Nuriyah Wahid (Ibu Negara ke-4 Republik Indonesia), Ni Luh Puspa (Wakil Menteri Pariwisata), serta seluruh pihak yang telah memberikan dukungan dan apresiasi dalam Anugerah Puspa Bangsa 2026.

Karena setiap karya bukan hanya soal estetika, tapi juga tentang keberanian, perjalanan, dan identitas.

Credit Documentary Video: Heni Matalalang

**ENGLISH VERSION**Ever looked at a painting at Museum Affandi and thought:“What am I actually looking at?”“What does it...
16/04/2026

**ENGLISH VERSION**

Ever looked at a painting at Museum Affandi and thought:
“What am I actually looking at?”
“What does it even mean?” 👀

Swipe to uncover the stories behind the artworks →

Slide 3: “After Failing to Paint”
Created in 1981 in Bali, this work began when Affandi planned to paint the Barong dance. A sudden rain interrupted the process.
Instead of giving up, he turned the moment into a self-portrait—apparently finished in just one hour. With a playful touch, he even said his own face was more interesting than the Barong. Through symbols like the sun, hands, and feet, the painting reflects how he transformed disappointment into expression.

Slide 4: “Mother’s Anger”
This piece explores the emotional bond between a mother and her child. The figures are inspired by Affandi’s own mother (two women in blue kebaya) and Affandi himself (a man in a sarong).
Behind it is a personal story—his frequent travels abroad made his mother feel left behind. The tension is clear: Affandi tries to comfort her, while she responds with silence. Through expressive gestures, the painting captures emotion, distance, and time in one frame.

Slide 5: “Self Portrait with 7 Suns”
Painted in 1950 in Santiniketan, India, this work was inspired by the extreme heat that left Affandi physically weak.
He portrays himself as thin and fragile, surrounded by two crows and seven blazing suns—symbols of anger, pain, and frustration. It’s a powerful example of how physical suffering becomes a visual expression.

Slide 6: “Four Dead Chickens and Legs”
In this piece, Affandi responds to animal cruelty. He depicts four roosters left to die after a cockfight—surrounded by flies, neglected, and discarded.
While winners are valued, the defeated are abandoned. Through this, Affandi invites us to reflect on empathy and how we treat other living beings.

11/04/2026

Halo Sobat Affandi! 👋🎨

Beberapa waktu lalu, Museum Affandi mengajak teman-teman internship dari FISIP UAJY dan Arkeologi UGM untuk ikut field trip seru mengeksplorasi berbagai cara bercerita di ruang museum dan seni.

3 tempat, 3 pengalaman, 1 perjalanan yang nggak terlupakan! ✨

Mulai dari cerita sejarah yang kuat di Diorama Arsip Jogja, vibes budaya di Museum Sonobudoyo, hingga pengalaman seni yang unik di Cemeti Institute for Art and Society.

Setiap tempat punya cara berbeda dalam menyampaikan cerita—ada yang informatif, visual, sampai yang benar-benar mengajak kita ikut 'merasakan'. Dan ternyata, belajar sejarah dan seni bisa seseru ini! 👀

Dari perjalanan ini, banyak insight menarik yang didapat:

💡 Tim Koleksi
Melihat langsung tiga institusi dengan karakter berbeda membuka perspektif baru tentang dunia museum dan seni. Meski punya pendekatan masing-masing, tetap ada benang merah yang menghubungkan. Penyajian karya pun beragam—nggak cuma lukisan dua dimensi, tapi juga berbagai media lain yang bikin pengalaman pengunjung jadi lebih kaya dan nggak membosankan.

💡 Tim Edukator
Belajar bahwa peran guide itu krusial—bukan cuma soal cara menyampaikan, tapi juga pemahaman mendalam agar bisa menjawab rasa ingin tahu pengunjung. Selain itu, tata letak dan caption yang variatif dan to the point bikin pengalaman jadi lebih menarik. Dari sisi interaktivitas, Diorama Arsip Jogja dan Museum Sonobudoyo menghadirkan teknologi seperti AI, touchscreen, dan VR, sementara Cemeti menawarkan pengalaman yang lebih personal lewat interaksi langsung dengan seniman.

Seru, ya! Dari sini kita jadi makin sadar kalau museum bukan cuma tempat melihat, tapi juga ruang untuk belajar, merasakan, dan terhubung dengan cerita. 💛

ENGLISH VERSIONHow much has it changed?Museum Affandi: THEN vs NOWCan you spot the differences? 👀Through this Now & Then...
07/04/2026

ENGLISH VERSION

How much has it changed?
Museum Affandi: THEN vs NOW

Can you spot the differences? 👀
Through this Now & Then series, we invite you to explore how the museum has evolved over time. Because behind every change, there’s a story that continues to live on.

Swipe to see the transformation →

In the past, the museum’s entrance was simple—marking the beginning of Affandi’s artistic journey. Today, it has become more iconic and expressive, featuring its signature curved form along with symbolic elements like the sun, hands, and feet, representing energy, creativity, and life’s journey.

The exterior of Gallery 1 has always had its distinctive curved shape, but now it feels more alive with the addition of the Wisdom of the East relief—turning it into more than just an entry point, but also a space to appreciate art.

Inside Gallery 1, the atmosphere has also transformed. What was once a simple space relying on natural light is now enhanced with spotlighting, creating a more intimate and comfortable viewing experience.

The graves of Affandi and his wife, once modest and quietly blended into the garden, now feel more personal with the addition of a sculpture by Kartika Affandi.

The entrance to Gallery 2 has also evolved—from a curved triangular form inspired by the letter “A” into a design that aligns more closely with Gallery 1.

And what used to be a movable resting space designed by Affandi for Maryati—like a small caravan—has now been repurposed into a mushola, a quiet place for prayer within the museum.

Different times, different forms—yet the spirit remains the same. ✨

🎉🎂 Selamat Ulang Tahun ke-53, Museum Affandi! 🎂🎉53 tahun menjadi rumah seni, inspirasi, dan cerita tak ternilai ✨Terima ...
13/12/2025

🎉🎂 Selamat Ulang Tahun ke-53, Museum Affandi! 🎂🎉

53 tahun menjadi rumah seni, inspirasi, dan cerita tak ternilai ✨
Terima kasih sudah menemani perjalanan lintas generasi—dari yang baru kenal seni sampai yang jatuh cinta sejak lama. 💛🎨

🎁 KADO SPESIAL BUAT KAMU!
Punya tanggal lahir 15 Desember? Wah, kita satu tanggal! 😆
Datang ke Museum Affandi pada 15 Desember dan nikmati TIKET MASUK GRATIS khusus buat kamu yang ulang tahunnya sama dengan Museum Affandi! 🥳

📌 Catatan penting:
Promo HANYA berlaku 15 Desember, ya. Jangan sampai kelewatan! 🎨✨

PromoMuseum 15Desember WisataBudaya SeniItuSeru

Dengan penuh duka kami sampaikan, Pasar Maryati pada 3 Agustus 2025 ditiadakan sebagai bentuk penghormatan atas kepergia...
29/07/2025

Dengan penuh duka kami sampaikan, Pasar Maryati pada 3 Agustus 2025 ditiadakan sebagai bentuk penghormatan atas kepergian Didit Slenthem, putra dari Ibu Kartika Affandi.⁣

Kami mohon doa dan ketulusan hati untuk keluarga yang ditinggalkan.⁣

Pasar Maryati akan hadir kembali pada 7 September 2025.⁣
Nantikan hangatnya kebersamaan dan kejutan manis yang sedang kami siapkan.⁣

Sampai jumpa bulan depan, Sahabat Museum. 🧡⁣
⁣

Address

Jalan Laksda Adi Sucipto 167
Yogyakarta City
55281

Opening Hours

Monday 09:00 - 16:00
Tuesday 09:00 - 16:00
Wednesday 09:00 - 16:00
Thursday 09:00 - 16:00
Friday 09:00 - 16:00
Saturday 09:00 - 16:00

Telephone

+62818271028

Website

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