25/09/2026
Today we’re taking a closer look at the work ‘Barbara Novak’, 1993 by George Segal, currently on display as part of our exhibition IMMA Collection: Art as Agency.
George Segal made a cast of Barbara Novak’s head, following her pose for a full-length piece, ‘Street Crossing’, 1992, which is now in the Segal Room in the Montclair Art Museum, New Jersey.
This work uses the process which launched his career as a sculptor in 1961: the unprecedented technique of wrapping the sitter in plaster bandages and then wetting them so that they set to form casts. Removed in sections when dry, they were then re-assembled, the form was adjusted and the surface treated. The pure white colour of most of Segal‘s works, as the artist himself claimed, did away with details which could distract the onlooker‘s attention.
Segal has always sought in his work to evoke a feeling of revelation and of psychological truth. Here, the plaster head is strikingly disposed against a background comprising a section of an old door and its adjacent frame, a fragment of a real-life architectural setting and small-scale relation of the large architectural environments he created for his life-size tableaux. Segal salvaged household hardware and fittings and discarded bedroom furniture which he cut up and incorporated into his sculptures.
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IMMA Collection: Art As Agency is kindly supported by
📷 Installation View, George Segal, ‘Barbara Novak’, 1993, Wood, plaster, Collection Irish Museum of Modern Art, The Novak/O'Doherty Collection at IMMA Donation, The American Ireland Fund, 2011. Photography by Ros Kavanagh.