Threshold Art Gallery

22/04/2026

Shaurya Kumar is a contemporary artist whose work engages deeply with themes of memory, cultural loss, and the transformation of sacred objects and practices.

Kumar’s artistic investigations center on the shifting meanings of cultural and religious artifacts in an era of digitization, displacement, and commodification. His works—often constructed from print, sculpture, drawing, and hybrid media—explore how objects once regarded as sacred are transformed through museumification, digital replication, or physical destruction. By engaging with the fragility of history and the politics of preservation, his practice asks urgent questions about the erasure and reinterpretation of cultural narratives.

20/04/2026

Debjani’s chosen materials, whether paper, clay or glass domes, are treated as mortal entities with their own intentions and limitations, adding a delicate balance of control and chance to her artistic process.Debjani successfully creates fantasy worlds that evoke curiosity, imagination, and wonder from her audience as they look into these small windows containing three-dimensional stories. Her miniature tunnel books based on scenes from the Panchatantra tales depict stories that are rich with vivid imagery and moral lessons bring the timeless stories of the Panchatantra to life in a visually stunning and immersive format.Her artistic journey is a testament to the power of storytelling, imagination, and exploration infused with ambiguity that opens the audience’s mind and imagination to their own interpretation and fantasy.
-excerpt by Kristine Michael

18/04/2026

Debjani Bhardwaj is a captivating visual storyteller whose art delves into the depths of legend and folklore, uncovering the obscured narratives and unseen elements within. Her creative impulse drives her to reinterpret epic tales, presenting them in a manner that is vaguely familiar yet profoundly altered, offering a contemporary reimagining infused with ambiguity and incompleteness.

13/04/2026

“This work follows the fragile lives that persist in the dusk of a changing world- drifting and surviving not through dominance but through dissolution. They hover at the boundaries of ruin, becoming part of the atmosphere that remakes the land after catastrophe.”
Anindita Bhattacharya

11/04/2026

Ravikumar Kashi has travelled extensively across the globe, searching for different techniques, formulae and methods to develop paper into a versatile material to work with. He studied handmade papermaking in 2001 under J Parry, at the Papermaking Resource, Glasgow School of Art, in Glasgow, UK, with a Charles Wallace India Trust grant. In 2009, he went on to learn the art of hanji, traditional Korean papermaking from Jang Yong Hoon and Seong-woo at Jang Ji Bang, South Korea, supported by InKo Centre, Chennai. These deep engagements with the craft of papermaking became the basis for much of his works, later. Over the years, he has visited and interacted with papermakers in various papermaking units in Bangalore, Sanganer-Jaipur, Ahmedabad, Pondicherry, Sikkim, Nepal and Mexico, trying to understand best practices in different traditions of the art of papermaking. The artist now holds a keen desire to visit Egypt, to learn more about papyrus making, and hopes to explore Japanese traditions of paper as well as learn from Kashmiri papier-mâché craftsmanship.

09/04/2026

We are happy to announce that our artist, Ravikumar Kashi has been shortlisted for The 2026 Sovereign Asian Art Prize! Swipe to see the shortlisted artwork and the exciting events to follow.

View the shortlisted artworks online and vote for your favourite on ’s website . The artist with the most support from the public will be awarded the Public Vote Prize, so please remember to cast your vote!

05/04/2026

“As an artist’s role changes, the method, the output, the nature of work changes.

I now see my role as a perceiver.

As one perceives deeper, the world gets finer, lesser, slower. One begins to sense things more and more subtly, often surrendering to stillness.

For a perceiver-artist, the surface, the tools, the colours become companions. The stillness that one is able to experience, takes life in one’s work. The absence, the space becomes nourishing - to the artist, and to a sensitive viewer. “

Rahul Inamdar

03/04/2026

29/03/2026

If you wish to discover the secrets, you will destroy everything but if you wait, they shall be revealed and you will know everything- Alok Johri

27/03/2026

“Still Life, I am intrigued, fascinated and sometimes moved by the simplest of objects around me; they reveal so much about life. I do not question why; I simply jot down the idea or make an image of them. I live with this for some time and see if it leaves me or sticks around, when, without much thought, it transforms into a painting. While I am working on a piece I do not think or worry about ‘what’s next.’ “
-Alok Johri

24/03/2026

“‘Still Form’. The phrase tumbled out during my first significant interaction with Alok. There was a quiet energy in the still lifes and a sense of calm repose in the male forms. What brings this together. aside from the artist, is a question I’ve pondered over these last months. The answer didn’t come as a flash or an epiphany but revealed itself in layers, much like Alok’s works and words.
There is a sense of dynamic stillness in these works: they depict everyday objects and people-mundane, and to the aesthete brought up on a steady dose of conceptual art.”
-Jaiveer Johal

21/03/2026

Intimate Terrains, a deeply immersive and transformative experience, where the voices of two strong women artist and their tales of resilience have echoed through the halls of threshold