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27/08/2026

‘Reflections from the Exhibition’

Girish Shahane (curator and art critic) speaks about our recent presentation, ‘(Re)claiming the Rights of Render(ing)’, at LTC, Bikaner House, New Delhi.

20/08/2026

From our latest presentation, ‘(Re)claiming the Rights of Render(ing)’ curated by Manan Shah at LTC Bikaner House, New Delhi.

The first of its kind in India, this digital art exhibition brought together artists exploring digital tools and technology to extend their artistic enquiries and venturing into a new form vocabulary.

Exhibiting artists: Alex Davis | Atul Bhalla | Gigi Scaria | GR Iranna | Riyas Komu | Sibdas Sengupta | Teja Gavankar | Vibha Galhotra | Waswo X. Waswo

14/08/2026

With some familiar faces and some new ones, we are overwhelmed with your support and encouragement.

Thank you for making our exhibition, ‘(Re)claiming the Rights of Render(ing)’, a resounding success.

09/08/2026

Thank you Delhi for such a warm welcome!

Some glimpses from the preview day of the exhibition, (Re)claiming the Rights of Render(ing)

Catch the show at LTC Bikaner House till 14th Aug , 11am to 7Pm

05/08/2026

(Re)claiming right of render(ing)
6-14th August
11 am to 6 pm
Bikaner House

04/08/2026

While digital art has become a global phenomenon, it remains a largely unexplored medium within the South Asian art ecosystem, specifically in India. A prevailing scepticism surrounds its authenticity, scope, and value, often questioning whether it can truly be considered art.

Join Manan Shah from NewArtX, in conversation with Alex Davis, Amitesh Grover, Gigi Scaria, Vishwajyoti Ghosh for the panel that seeks to examine the role of digital art in public spaces, interrogating both its transformative potential and its limitations. It asks what it means to create dynamic, inclusive environments through digital means, while remaining attentive to the risks of spectacle over substance, aesthetic novelty over meaning, and participation over dialogue.

Time: 5pm onwards
Date: 09 Aug 2026
Venue: LTC Bikaner House

exhibition Delhi

02/08/2026

Waswo X. Waswo | NewArtX

The Udaipur-based American artist Waswo X. Waswo has spent over twenty years as a member of the Indian art fraternity. Using both photography and miniature painting, he playfully explores his own insider/outsider relationship to India. Through his work, a three channel video in the exhibition (Re)claiming Rights of Render(ing) , the artist is seen in both his photographic representation and his cartoonish miniature avatar. As the “Fedora Man,” his signature character, we find him aloft a vintage propeller-driven dirigible, scanning the lush miniature-style landscape below with his trusty telescope, as if he were a nineteenth-century explorer.

Preview: 06 Aug
Public Days: 07-13 Aug | 11am - 6pm

01/08/2026

Teja Gavankar X NewArtX

In the exhibition (Re)claiming Rights of Render(ing) curated by Manan Shah, Teja Gavankar’s body of work extends her preoccupation with built spaces and their impact on human psychology. Amidst a backdrop of uncertainty, the artist questions notions of stability and permanence projected by architectural spaces, which often conceal fragility and displacement. Drawing from the personal as a starting point, she examines the idea of rootedness in relation to building a home.

Preview: 06 Aug | 6pm onwards
Public Days: 07-13 Aug | 11am - 6pm

exhibition Delhi

30/07/2026

Vibha Galhotra X NewArtX

In her most recent intervention with digital art in the exhibition ‘(Re)claiming Rights of Render(ing)’ curated by Manan Shah , Galhotra onsets to explore VR (virtual reality) bringing her widely acclaimed work, ‘Who Owns the Earth’ to the audience in an entirely different setting.

28/07/2026

Sibdas Sengupta X NewArtX

In the work, ‘The Age of Rendered Ghost’ in the exhibition ‘(Re)claiming Rights of Render(ing)’ curated by Manan Shah, Sibdas explores the transition of the “rendered ghost”, originally a faceless, semi-transparent entity used in architectural visualisations, into a potent ideological symbol of our contemporary digital condition. Drawing from James Bridle’s navigation of the “New Dark Age,” this work investigates how computational systems generate a specific kind of opacity, where the human figure is used to clarify spatial scale while simultaneously obscuring the realities of labour, agency, and lived identity.

Preview: 06 Aug
Public Days: 07-13 Aug | 11am - 6pm

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