16/04/2026
The first few months of 2026 at Museo Camera have been full of strong, distinct voices, each exhibition bringing its own way of seeing, remembering, and responding to the world.
✨ January began with The Visual Archives of Kulwant Roy, offering an intimate look into India’s past—moments of history captured with honesty and quiet intensity, curated by Aditya Arya.
✨ In February, Reflections Through Time by Neeti Aggarwal brought a contemplative pause—her contemporary paintings explored rhythm, symmetry, and the passage of time through layered textures and luminous detail, inviting viewers into a meditative visual experience.
✨ In March, Margaret Bourke-White and Sunil Janah: A Photographic Collaboration brought together two remarkable practices, reflecting on a shared visual legacy that continues to shape how we understand history today.
✨ Around the same time, Jung Eunha’s Hanji: Capturing the Colors of India explored material and memory—using traditional Korean paper to interpret the textures and colours of India in a deeply personal way.
✨ Carpe Diem Art Collective – Edition 4 filled the space with energy—bringing together a wide range of artists and practices in a show that felt vibrant, immediate, and alive.
✨ Closing the month, ‘She Who Saw the Deep’ by Yogita Pendharkar, Leena Dewan, and Varsha Singh slowed things down—inviting viewers into a quieter, more reflective engagement with form through ceramic sculpture.
Different mediums, different approaches—but all part of a shared commitment to meaningful artistic dialogue.
We look forward to seeing more magic unfold across the galleries at Museo Camera.
