Anant Art

Anant Art Anant Art is a customized platform which keeps pace with the current global contemporary art trends, the evolving patterns and motives of art buying.

Anant Art is a relaunch of Anant Art Gallery which played a significant role in promoting contemporary Asian art in 2000s. Anant Art Gallery has not only hosted significant South Asian contemporary artists, it also played a crucial role in defining new standards in display, artist residencies and catalogue writing. The enduring values of Anant Art Gallery are integrity, quality and service which h

ave been carried forth in our present model. Our unique virtual art gallery offers affordable art from the nation's most acclaimed artists. Our expert panel carefully selects each artist and artwork so that you can purchase paintings, prints, and sculpture with confidence and ease. Anant Art is your vehicle to embark on a unique visual and aesthetic journey to experience and own remarkable works of art. Our attempt is to build a new generation of art collectors and patrons by offering them the convenience and flexibility of a virtually curated platform.

Deep diving into the we’ve come across some absolute gems of photographs. Starting today, we’ll be taking you on a jou...
16/09/2025

Deep diving into the we’ve come across some absolute gems of photographs. Starting today, we’ll be taking you on a journey through the gallery’s exhibition programming.

Today's pictures are from the opening reception of Shukla Sawant’s solo, The Triumph of Labour - II, 2006. Seen here are, Shukla Sawant, Jyotindra Jain, Jatin Das, Bharti Kher, Subodh Gupta, Manisha Gera Baswani, Shobha Broota, Manisha Parekh, Vidya Shivadas, and Ashim Purkayastha.

Triumph of Labour Part II
Shukla Sawant
19 August - 06 September 2006
Anant Art, Defence Colony, New Delhi

[Triumph of Labour, Shukla Sawant, Indian Contemporary Art, Anant Art, Anant Archives]

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में गहराई से जाते हुए हमें कुछ अनमोल फोटोग्राफ़्स मिले हैं। आज से हम आपको गैलरी की प्रदर्शनी प्रोग्रामिंग की एक यात्रा पर लेकर चलेंगे।

आज की तस्वीरें शुक्ला सावंत की एकल प्रदर्शनी The Triumph of Labour – II, 2006 के उद्घाटन समारोह से हैं। यहाँ नज़र आ रहे हैं: शुक्ला सावंत, ज्योतिंद्र जैन, जतिन दास, भारती खेर, सुबोध गुप्ता, मनीषा गेरा बसवानी, शोभा बृटा, मनीषा पारेख, विद्या शिवदास, और आशिम पुर्कायस्थ।

Triumph of Labour Part II
शुक्ला सावंत
19 अगस्त – 06 सितम्बर 2006
अनंत आर्ट, डिफेंस कॉलोनी, नई दिल्ली

[ट्रायम्फ ऑफ़ लेबर, शुक्ला सावंत, भारतीय समकालीन कला, अनंत आर्ट, अनंत आर्काइव्स]

Niroj Satpathy’s works are now on view at the Bergen Assembly 2025, Norway. Drawing from his experience as a night super...
15/09/2025

Niroj Satpathy’s works are now on view at the Bergen Assembly 2025, Norway.

Drawing from his experience as a night supervisor in the Waste Management Department, Niroj Satpathy’s practice engages with questions of land, community, politics, ecology, and the dynamics of a material-driven society. Rooted in a process-based approach, his work involves collecting materials and objects from garbage dumps, landfills, second-hand markets, natural environments, and other everyday sites. These materials are reshaped or transformed, guided by his reflections on material use and systems of sourcing. While installations form the core of his practice, he also works across drawing, painting, sculpture, as well as photographic, digital, and video documentation.

Our heartiest congratulations, and more power to your voice and work !

‘My modest village’ by Niroj Satpathy is exhibited as part of F**A’s display at Bergen Assembly 2025, titled AgriForum: Acts of Re/Collection

Bergen Assembly 2025
11 September – 9 November 2025
Halfdan Kjerulfs gate 4, 5017 Bergen, Norway
https://2025.bergenassembly.no/en

हिंदी विवरण कमेंट्स सेक्शन में।

[Niroj Satpathy, Bergen Assembly, F**A, Anant Art]

Vikrant Bhise’s works are now on view at the Bergen Assembly 2025, Norway. Vikrant’s artistic practice iterates his comm...
12/09/2025

Vikrant Bhise’s works are now on view at the Bergen Assembly 2025, Norway.

Vikrant’s artistic practice iterates his commitment to the revolutionary spirit inherent in the Ambedkarite consciousness. At the forefront of the struggle against caste-based domination and its vertiginous implications on land, liberty and labour, he is committed to the expression of social justice, the realisation of enduring reform through activism, and the remembrance of struggles against caste, class and gender-based oppression. Working across monumental scrolls and multi-panelled paintings Vikrant’s iconography is informed and deliberate in its radicality.

Our heartiest congratulations, and more power to your voice and work !

Much thanks to Ravi Agarwal for these images and congratulations on convening the 2025 edition of the Bergen Assembly along with Adania Shibli (a writer and visual culture researcher) and Bergen School of Architecture (BAS, an alternative educational institution).

Bergen Assembly 2025
11 September – 9 November 2025
Halfdan Kjerulfs gate 4, 5017 Bergen, Norway
https://2025.bergenassembly.no/en

[Vikrant Bhise, Bergen Assembly, Ravi Agarwal, Anant Art]

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विक्रांत भीसे की कृतियाँ अब नॉर्वे में बर्गन असेंबली 2025 में प्रदर्शित हैं।

विक्रांत की कलात्मक साधना उनके अंबेडकरवादी चेतना में निहित क्रांतिकारी भावना के प्रति समर्पण को पुनः अभिव्यक्त करती है। जाति-आधारित प्रभुत्व और उसके भूमि, स्वतंत्रता और श्रम पर गहरे प्रभावों के विरुद्ध संघर्ष की अग्रिम पंक्ति में रहते हुए, वे सामाजिक न्याय की अभिव्यक्ति, सक्रियता के माध्यम से स्थायी सुधार की प्राप्ति, और जाति, वर्ग व लिंग-आधारित उत्पीड़न के विरुद्ध संघर्षों की स्मृति के लिए प्रतिबद्ध हैं। भव्य स्क्रॉल्स और बहु-पैनल पेंटिंग्स में कार्य करते हुए, विक्रांत की प्रतीक-योजना उनकी सोच-समझ और उनके क्रांतिकारी स्वरूप को स्पष्ट रूप से दर्शाती है।

हमारी हार्दिक बधाई और आपके स्वर तथा कार्य को और अधिक शक्ति मिले !

इन छवियों के लिए रवि अग्रवाल का विशेष आभार और बधाई कि आपने अदानिया शिब्ली (लेखिका और दृश्य संस्कृति शोधकर्ता) तथा बर्गन स्कूल ऑफ आर्किटेक्चर (BAS, एक वैकल्पिक शैक्षणिक संस्था) के साथ मिलकर बर्गन असेंबली 2025 का सफल आयोजन किया।

बर्गन असेंबली 2025
11 सितम्बर – 9 नवम्बर 20

At The Armory Show 2025 | Vikrant Bhise, They Made Us Wear It (2025)This large-scale work takes its point of departure f...
06/09/2025

At The Armory Show 2025 | Vikrant Bhise, They Made Us Wear It (2025)

This large-scale work takes its point of departure from caste-coded practices of humiliation and survival. At its centre is the matka, the earthen pot historically forced onto Mahar communities to hang from the neck, collecting their spit so it would not touch the ground. Around it, fragments of carcasses recall labour that continues to be caste-assigned—cleaning, skinning, burying.

Bhise refuses to treat these as relics of the past. His fractured composition collapses history into the present, making clear that caste violence is not an old wound but a living demand. The body is pressed, contorted, almost indistinguishable from the structures that constrain it.

In this work, the imposed object becomes something else: a mark to be named, confronted, and broken. Bhise does not allow the violence of humiliation to remain hidden—he makes it visible, insistent, and impossible to wear silently any longer.

Special thanks to Camille Okhio for featuring Anant Art, and Vikrant Bhise in Elle Decor’s top 7 picks from the Armory Show 2025.

Anant Art
The Armory Show 2025
Booth No. 204
Javits Center, New York

Dates: 05–07 September 2025
Vip Preview Dates: 04 September 2025
For tickets and other details, visit: https://www.thearmoryshow.com/tickets

हिंदी विवरण कमेंट्स सेक्शन में।

The Armory Show 2025: Day 01 UpdatesSome snapshots from a very busy day at Anant Art, Booth No. 204, The Armory Show, Ja...
05/09/2025

The Armory Show 2025: Day 01 Updates

Some snapshots from a very busy day at Anant Art, Booth No. 204, The Armory Show, Javits Center, New York. Thank you to all the friends and visitors who came by to say hi.

We're here until 07 September 2025, and we look forward to seeing you at our booth.



[The Armory Show, Bushra Waqas Khan, Probir Gupta, Vikrant Bhise, Chithra Ganesh, Sahana Ramakrishnan, Anant Art, Javits Center]

Now on View | Mycelial Legacies IV: The Ground We ShareThis iteration of Deeksha Nath’s curatorial project, Mycelial Leg...
02/09/2025

Now on View | Mycelial Legacies IV: The Ground We Share

This iteration of Deeksha Nath’s curatorial project, Mycelial Legacies, turns its gaze toward the youngest generation of women artists connected to the Faculty, exploring how their practices reflect, resist, and reconfigure what is often referred to as the “Baroda School.” Long associated with intellectual rigour, historical consciousness, and deep engagement with the everyday through radical subjectivity, this legacy is approached here not as a static tradition, but as an evolving, insurgent, and interwoven system of thought and expression.

Mycelial Legacies IV: The Ground We Share
Curated by Deeksha Nath
21 Aug - 27 Sep 2025
Mon - Sat | 11:00 am – 5:00 pm
Anant Art, Noida

[Mycelial Legacies, Contemporary Indian Art, Baroda, MSU, Faculty of Fine Arts, Deeksha Nath, Anant Art]

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अब प्रदर्शनी में | माइसीलियल लेगेसीज़ IV: द ग्राउंड वी शेयर

दीक्षा नाथ की क्यूरेटोरियल परियोजना माइसीलियल लेगेसीज़ का यह संस्करण, फ़ैकल्टी से जुड़ी सबसे युवा महिला कलाकारों की पीढ़ी पर केंद्रित है, यह खोजते हुए कि उनकी कलात्मक साधनाएँ उस परंपरा—जिसे प्रायः “बड़ौदा स्कूल” कहा जाता है—को किस प्रकार प्रतिबिंबित करती हैं, उसका प्रतिरोध करती हैं और उसे पुनः रूपांतरित करती हैं। बौद्धिक कठोरता, ऐतिहासिक चेतना और गहन आत्मनिष्ठता के माध्यम से दैनिक जीवन के साथ गहरे संलग्नता से लंबे समय से जुड़ी यह विरासत, यहाँ एक स्थिर परंपरा के रूप में नहीं, बल्कि एक विकसित होती हुई, विद्रोही और अंतर्संबद्ध चिंतन व अभिव्यक्ति की प्रणाली के रूप में प्रस्तुत की गई है।

माइसीलियल लेगेसीज़ IV: द ग्राउंड वी शेयर
क्यूरेटर: दीक्षा नाथ
21 अगस्त – 27 सितम्बर 2025
सोमवार – शनिवार | प्रातः 11:00 बजे – अपराह्न 5:00 बजे
अनंत आर्ट, नोएडा

[माइसीलियल लेगेसीज़, समकालीन भारतीय कला, बड़ौदा, एम.एस.यू., फ़ैकल्टी ऑफ़ फ़ाइन आर्ट्स, दीक्षा नाथ, अनंत आर्ट]

At The Armory Show 2025 | Bushra Waqas Khan, Rosa-e-Zar (2025)Nearly five hundred roses, each with up to eighteen petals...
30/08/2025

At The Armory Show 2025 | Bushra Waqas Khan, Rosa-e-Zar (2025)

Nearly five hundred roses, each with up to eighteen petals, cover the surface of Rosa-e-Zar. Derived from stamp-paper motifs, Khan first encloses each rose, then opens and stitches every petal, filling the surface until no space remains. Gold-leafed organza and metallic tones replace red, with black Swarovski crystals marking each centre. The rose—long a cipher of secrecy and love—here becomes dense, heavy, self-supporting. The weight of the fabric defines its form. Khan turns a familiar emblem into something at once ornamental and enduring, where labour and inheritance are carried through repetition.

Anant Art
The Armory Show 2025
Booth No. 204
Javits Center, New York

Dates: 05–07 September 2025
Vip Preview Dates: 04 September 2025
For tickets and other details, visit: https://www.thearmoryshow.com/tickets

हिंदी विवरण कमेंट्स सेक्शन में।

[Anant Art, The Armory Show, Frieze, Bushra Waqas Khan, Probir Gupta, Vikrant Bhise]

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द आर्मरी शो 2025 | बुशरा वक़ास खान, रोज़ा-ए-ज़र (2025)

लगभग पाँच सौ गुलाब, प्रत्येक में अठारह तक पंखुड़ियाँ, रोज़ा-ए-ज़र की सतह को आच्छादित करते हैं। स्टाम्प-पेपर रूपांकनों से प्रेरित, खान पहले प्रत्येक गुलाब को सीमित करती हैं, फिर हर पंखुड़ी को खोलकर सीती हैं, जब तक कि पूरी सतह भर न जाए। लाल रंग के स्थान पर स्वर्ण-मढ़ित ऑर्गेन्ज़ा और धात्विक आभा प्रयुक्त की गई है, प्रत्येक केंद्र को काले स्वारोवस्की क्रिस्टलों से चिह्नित किया गया है। गुलाब—जो लंबे समय से गोपनीयता और प्रेम का प्रतीक रहा है—यहाँ घना, भारी और स्वायत्त रूप धारण करता है। कपड़े का भार ही उसके स्वरूप को परिभाषित करता है। खान एक परिचित प्रतीक को ऐसा रूप देती हैं, जो एक साथ अलंकरणीय और स्थायी है, जहाँ श्रम और विरासत पुनरावृत्ति के माध्यम से संजोए जाते हैं।

अनंत आर्ट
द आर्मरी शो 2025
बूथ नं. 204
जैविट्स सेंटर, न्यूयॉर्क

तिथियाँ: 05–07 सितम्बर 2025
वीआईपी प्रीव्यू तिथि: 04 सितम्बर 2025
टिकट और अन्य विवरण हेतु देखें: https://www.thearmoryshow.com/tickets

Now on View | Mycelial Legacies IV: The Ground We ShareMycelial Legacies IV: The Ground We Share, curated by Deeksha Nat...
29/08/2025

Now on View | Mycelial Legacies IV: The Ground We Share

Mycelial Legacies IV: The Ground We Share, curated by Deeksha Nath is now on view at Anant Art, Noida. this edition brings together recent and new works by 20 emerging women artists associated with the Faculty of Fine Arts, M.S. University, Vadodara—one of India’s most influential sites for contemporary art education and experimentation.

Curated as part of a long-term inquiry into the function and transmission of artistic legacy, Mycelial Legacies IV builds on questions central to the project since its inception in 2023: How do institutions seed, sustain, and shape creative generations? How does legacy function as a living, networked force rather than a fixed inheritance?

Mycelial Legacies IV: The Ground We Share
Curated by Deeksha Nath
21 Aug - 27 Sep 2025
Mon - Sat | 11:00 am – 5:00 pm
Anant Art, Noida

[Mycelial Legacies, Contemporary Indian Art, Baroda, MSU, Faculty of Fine Arts, Deeksha Nath, Anant Art]

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अब प्रदर्शनी में | माइसीलियल लेगेसीज़ IV: द ग्राउंड वी शेयर

माइसीलियल लेगेसीज़ IV: द ग्राउंड वी शेयर, जिसका क्यूरेशन दीक्षा नाथ द्वारा किया गया है, अब अनंत आर्ट, नोएडा में प्रदर्शित है। इस संस्करण में फ़ैकल्टी ऑफ़ फ़ाइन आर्ट्स, एम.एस. यूनिवर्सिटी, वडोदरा से जुड़ी 20 उभरती महिला कलाकारों के नवीनतम और नये कार्य प्रस्तुत किए गए हैं—जो भारत में समकालीन कला शिक्षा और प्रयोग के सबसे प्रभावशाली स्थलों में से एक है।

कलात्मक विरासत के कार्य और उसके संचरण पर दीर्घकालीन खोज का हिस्सा होते हुए, माइसीलियल लेगेसीज़ IV उन प्रश्नों को आगे बढ़ाता है जो 2023 से इस परियोजना के केंद्र में रहे हैं: संस्थाएँ सृजनात्मक पीढ़ियों को कैसे बीज देती हैं, बनाए रखती हैं और आकार देती हैं? विरासत एक निश्चित उत्तराधिकार के बजाय किस प्रकार एक जीवित, परस्पर जुड़ी हुई शक्ति के रूप में कार्य करती है?

माइसीलियल लेगेसीज़ IV: द ग्राउंड वी शेयर
क्यूरेटर: दीक्षा नाथ
21 अगस्त – 27 सितम्बर 2025
सोमवार – शनिवार | प्रातः 11:00 बजे – अपराह्न 5:00 बजे
अनंत आर्ट, नोएडा

[माइसीलियल लेगेसीज़, समकालीन भारतीय कला, बड़ौदा, एम.एस.यू., फ़ैकल्टी ऑफ़ फ़ाइन आर्ट्स, दीक्षा नाथ, अनंत आर्ट]

At The Armory Show 2025 | Probir Gupta, Love Story (2025)Love Story assembles disjointed parts: a leg without a body, a ...
29/08/2025

At The Armory Show 2025 | Probir Gupta, Love Story (2025)

Love Story assembles disjointed parts: a leg without a body, a pelvic bone apart from the rest, a table with only one leg to stand on. Together they suggest a whole that may never be complete — a body, a home, a nation fractured.
At the centre, two fish flank a bride and groom, carved from wooden moulds once used for sandesh, a Bengali sweet. Traditionally, the groom’s family gifts a decorated fish to the bride’s side to mark a union. Here, the motif is recast in the shadow of “ghar wapsi” campaigns in India, which target interfaith couples and force separations.
Calligraphic fragments spell hub (love), dua (prayer) and ummah (community), their spacing suggesting meetings cut short. Fragments of architecture and the Taalpatar Shepai, a toy soldier made from palm leaves, recall both childhood play and the pliable collaborator under colonial rule. In Love Story, love itself becomes a site of resistance. Across geographies, absence and separation are used as tools of power, and love must find ways to endure.

Anant Art
The Armory Show 2025
Booth No. 204
Javits Center, New York

Dates: 05–07 September 2025
Vip Preview Dates: 04 September 2025
For tickets and other details, visit: https://www.thearmoryshow.com/tickets

हिंदी विवरण कमेंट्स सेक्शन में।

[Anant Art, The Armory Show, Frieze, Bushra Waqas Khan, Probir Gupta, Vikrant Bhise]

And we're open! Mycelial Legacies IV: The Ground We Share opened last evening to a warm reception of artists who shared ...
22/08/2025

And we're open!

Mycelial Legacies IV: The Ground We Share opened last evening to a warm reception of artists who shared between them bonds of kinship and shared histories. Here are some snapshots from the opening reception and the curator-led walkthrough.

The latest edition—Mycelial Legacies IV: The Ground We Share—brings together works by Aaiushi Beniwal, Arti Kadam, Dakshayani Chippada, Darshini Dalwadi Patel, Deena Pindoria, Dinar Sultana, Dola Shikder, Ekta Singha, Gayatri Danthuri, Gopa Trivedi, Juhikadevi Bhanjdeo, Katyayini Gargi, Neelima Nath, Puja Mondal, Sanyukta Kudtarkar, Sarasija Subramanian, Sharmi Chowdhury, Sonam Chaturvedi, Tehmeena Firdos, and Teja Gavankar.

The exhibition will be on view until 27 September 2025.

[Mycelial Legacies, Contemporary Indian Art, Baroda, MSU, Faculty of Fine Arts, Deeksha Nath, Anant Art]

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अब प्रदर्शनी में!

माइसीलियल लेगेसीज़ IV: द ग्राउंड वी शेयर का उद्घाटन कल संध्या हुआ, जहाँ कलाकारों ने आत्मीयता और साझा इतिहास के बंधनों को अभिव्यक्त किया। यहाँ उद्घाटन समारोह और क्यूरेटर-नेतृत्वित वॉकथ्रू की कुछ झलकियाँ प्रस्तुत हैं।

इस नवीनतम संस्करण—माइसीलियल लेगेसीज़ IV: द ग्राउंड वी शेयर—में निम्नलिखित कलाकारों के कार्य एक साथ प्रस्तुत किए जा रहे हैं:
आयुषी बेनीवाल, अरति कदम, दक्षायनी चिप्पाडा, दर्शिनी दलवाड़ी पटेल, दीना पिंडोरिया, दीनार सुल्ताना, डोला शिकदर, एकता सिंघा, गायत्री दंथुरी, गोपा त्रिवेदी, जुहीकादेवी भांजदेव, कात्यायनी गर्गी, नीलिमा नाथ, पूजा मंडल, संयुक्‍ता कुडतर्कर, सरसिजा सुब्रमणियन, शर्मी चौधरी, सोनम चतुर्वेदी, तहमीना फिरदोस और तेजा गावंकर।

यह प्रदर्शनी 27 सितम्बर 2025 तक दर्शकों के लिए खुली रहेगी।

[माइसीलियल लेगेसीज़, समकालीन भारतीय कला, बड़ौदा, एम.एस.यू., फैकल्टी ऑफ फाइन आर्ट्स, दीक्षा नाथ, अनंत आर्ट]

Mycelial Legacies IV | From the Artists’ Archives (Part 2 of 2)What are the perspectives of women artists who have gradu...
21/08/2025

Mycelial Legacies IV | From the Artists’ Archives (Part 2 of 2)

What are the perspectives of women artists who have graduated from the same alma mater at different points of time? What are the similarities, and where do their viewpoints differ?

“At a time when fluid identities are both celebrated and contested, Mycelial Legacies IV surfaces a decade of interconnected practices while foregrounding the voices of women artists—voices that have historically been underrepresented in institutional and art historical narratives. In doing so, the exhibition seeks to reframe the influence of the Faculty of Fine Arts through the lens of those shaping its future.”

In the second part of the campaign that looks at images from the artists’ personal archives, we see years in Baroda, through different lenses.

Image Credits
01 - 02: Gopa Trivedi
03 - 05: Sanyukta Kudtarkar
06 - 08: Sarasija Subramanian
09 - 10: Sonam Chaturvedi
11 - 13: Teja Gavankar

हिंदी कैप्शन कमेंट्स में देखा जा सकता है

[Mycelial Legacies, Contemporary Indian Art, Baroda, Faculty of Fine Arts, MSU, Deeksha Nath, Anant Art]

Mycelial Legacies IV | From the Artists’ Archives (Part 1 of 2)Deeksha Nath, in her curatorial premise for the show says...
19/08/2025

Mycelial Legacies IV | From the Artists’ Archives (Part 1 of 2)

Deeksha Nath, in her curatorial premise for the show says, “What is the nature of this legacy? It is networked, intergenerational, nourishing and insurgent. The alumni network of the Faculty is widespread, a ‘pioneer impulse’ of graduates which kept the institution ‘liberal’ and ‘cosmopolitan’. The Baroda School, a term loosely coined, has been identified by art making levered to a deep knowledge of art history, in an understanding that rigorous practice and a conceptual framework rooted in the visible and everyday, represented from the vantage of a ‘radical subject position’, as defined by Shivaji Panikkar, are the hallmarks of its artistic pluralism.”

To expand these thoughts, we asked the artists in the show to share some images from Baroda during their years there as students. Swipe through to look at images from the artists’ personal archives.

Image Credits
01 - 02: Aaiushi Beniwal
03 - 05: Dakshayani Chippada
06 - 08: Darshini Dalwadi Patel
09 - 10: Dolla Shikder
11 - 12: Ekta Singha
13: Gayatri Danthuri
14 - 17: Juhikadevi Bhanjdeo
18: Neelima Nath

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हिंदी कैप्शन कमेंट्स में देखा जा सकता है

[Mycelial Legacies, Anant Art, Faculty of Fine Arts, Baroda, MSU]

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