Quali sono gli orari di apertura?

Lunedì 10:00 - 19:00 Martedì 10:00 - 19:00 Mercoledì 10:00 - 19:00 Giovedì 10:00 - 19:00 Venerdì 10:00 - 19:00

Galleria Massimo Minini

Casa
Italia
Brescia
Galleria Massimo Minini

Massimo Minini opened his gallery in 1973. During his early years of activity, he was involved mainly with Conceptual Art, Arte Povera and Minimal Art.

29/05/2026

29.05
"The interior has shifted. The static alignment of previous months is no longer intact. A structural change has occurred. One of the interior walls has been removed. Break points indicate mechanical demolition. Marks on the floor and along the joint lines suggest repeated impact from a mallet. Fracture spread is controlled. No dust remains airborne. (...) Light enters at a new angle due to the wall removal. It passes through a section of green tinted glass. Refracted zones appear on the floor. Colour distribution is uneven. Some patches are concentrated, others faint. Edges are
diffused. A metal drawer remains partially open. Inside is a row of narrow brushes. Handles are uncoated. Bristles are brittle and fan outward. Surfaces show no signs of cleaning." - Ana Lozica

The written part of the project consists of twelve entries written on the twenty-ninth day of each month over the course of a year. Each text refers to the same “fictional” space, viewed as a possibility for developing different positions of gaze.

IL VENTINOVESIMO by David Maljković, with a text by Ana Lozica. The exhibition will be on view until July 31, 2026
Come visit us: Tue to Fri: 10 am – 7 pm // Sat: 3 – 7 pm
ph Hrvoje Franjić

28/05/2026

is approaching and we are looking forward to seeing you soon at our Booth S5 with a selection of works by:
ENZO MARI, SHEILA HICKS, DAVID MALJKOVIĆ, CARLA ACCARDI, HARIS EPAMINONDA, ETTORE SPALLETTI, FRANCESCA WOODMAN, JACOPO BENASSI, LANDON METZ, PAUL P., FORMAFANTASMA

✨SAVE THE DATE ✨
June 18-21, 2026
Preview and vernissage June 16-17, 2026
DM for preview

26/05/2026

IL VENTINOVESIMO by David Maljković, with a text by Ana Lozica. The exhibition will be on view until July 31, 2026
Come visit us: Tue to Fri: 10 am – 7 pm // Sat: 3 – 7 pm

📸
David Maljkovic, IL VENTINOVESIMO, 2025, 195x130 cm, ph. Hrvoje Franjic

25/05/2026

Giulio Paolini is part of the group show Vita minore. San Francesco e la santità dell’arte contemporanea, at Palazzo Collicola, on view until June 2, 2026

Curated by Gianni and Giuseppe Garrera, The exhibition project offers a contemporary reinterpretation of the figure of San Francesco on the occasion of the eighth centenary of the death of the saint, who was deeply connected to the Umbria region and Spoleto.
The exhibition retraces the radical and impractical example of St. Francis—the adventure and parable of the saint—through luminous fragments found in contemporary works of art, created by historicized artists and others from subsequent generations.

📸 Teresa as Joan of Arc in prison (optical table), 1969, photographic prints pinned with white drawing pins onto prepared canvases, four elements, each measuring 25 x 20 cm, overall dimensions 25 x 86 cm

22/05/2026

The space that appears in these entries gradually takes shape as a construct. It emerges from fragments of information, objects and details mentioned in conversations between Ana and David, but also from a nearly technical description of the same space over time.

✨Visit our current exhibition IL VENTINOVESIMO by David Maljković, with a text by Ana Lozica. The exhibition will be on view until July 31, 2026
Come visit us: Tue to Fri: 10 am – 7 pm // Sat: 3 – 7 pm

📸Hrvoje Franjić

21/05/2026

Stefano Arienti, Pier Paolo Calzolari, Piero Manzoni and Ettore Spalletti will be part of the group show "Creature, Creatori. San Francesco e l'arte contemporanea" at MAXXI, curated by Beatrice Buscaroli, from May 22, 2026

The exhibition goes beyond the iconographic image of St Francis to recount his way of looking at the world and the ethical value of his thinking. His vision, as expressed in the Canticle of the Creatures, serves as a starting point for reinterpreting Italian art from the post-war period to the present day.

ph. Stefano Arienti, Spighe, 2007-2008, gold ink on paper, 19 sheets, 150x100 cm each

19/05/2026

Light enters earlier than before. The angle is sharp, descending across the floor. Window surfaces are streaked. The cause is unverified. Outside, tree forms are reflected in motion, broken by the interior grid. A hunting stand occupies
the centre of the room. The platform is elevated. Materials include raw timber, metal bolts, and an adapted studio easel. - Ana Lozica

IL VENTINOVESIMO by David Maljković, with a text by Ana Lozica. The exhibition will be on view until July 31, 2026
Come visit us: Tue to Fri: 10 am – 7 pm // Sat: 3 – 7 pm

ph Hrvoje Franjić
David Maljkovic, IL VENTINOVESIMO, 2026, oil on canvas, 130×265 cm

18/05/2026

Nedko Solakov - along with Paul Thorel, Roger Ballen, Mario Giacomelli and Jordan Wolfson - is part of the exhibition "Controfigure" at Fondazione Paul Thorel in Naples. .

The exhibition challenges the principle of a unique and recognizable identity, opening instead toward a conception of identity that is fragmented, constructed, and performative. Thus, alter egos, caricatures, and accomplices emerge, at times mere projections into the dark: delegated figures that shift the focus away from the traditional self-portrait toward more complex and mediated forms of representing the self.

📸 Photo Amedeo Benestante
Courtesy Fondazione Paul Thorel, Napoli

16/05/2026

FAI – Fondo per l'Ambiente Italiano ETS presents an unprecedented exhibition path at Villa Necchi Campiglio dedicated to Adolfo Wildt (Milan 1868 – 1931), the greatest sculptor of the early twentieth century.

Four works – hailing from the Massimo Minini collection, a private Milanese collection and the Municipality of Forlì (Department of Culture) – integrate with the permanent collection and the rooms of the Villa, promoting a dialogue between works, spaces and stories of patronage.

On view until June 28, 2026

📸 Adolfo Wildt, Vedova (Atte), 1892, Collezione Massimo Minini, Brescia, ph. Barbara Verduci 2026 © FA

15/05/2026

What Comes After Originality? Jonathan Monk and Salvo.
Monk is known for “appropriating” and remaking works by the great masters of Arte Povera and Conceptual Art (like Sol LeWitt, Ed Ruscha, Bruce Nauman) and he found an ideal interlocutor in Salvo who shares with him the interest in the boundary between original and copy. In the works dedicated to Salvo, Monk collects images of Salvo’s landscapes paintings from the Internet, prints them on pages torn from magazines and paints over the background with gouache saving only the trees that belong to the original composition; in this way the trees appear to float within an abstract field.

✨Discover more on our Viewing Room! Link in bio

ph.
Carrera Salvo, 2025, gold leaf, guache and inkjet print on canvas, 140×110 cm
Pavarotti, 2024, gold leaf, guache and inkjet print on canvas, 140×110 cm
If in Doubt (Palm on Sunset), 2025, polymer adhesive and polyfilla on acrylic on wood, 48×21×5,5 cm
Andy Shadow Tree Salvo II, 2025, gold leaf and acrylic on inkjet print, 40×45 cm

Indirizzo

Via Luigi Apollonio 68
Brescia
25128

Orario di apertura

Lunedì	10:00 - 19:00
Martedì	10:00 - 19:00
Mercoledì	10:00 - 19:00
Giovedì	10:00 - 19:00
Venerdì	10:00 - 19:00

Telefono

+39030383034

Sito Web

http://www.galleriaminini.it/

Notifiche

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