Borgia, INC.

Borgia, INC. FINE ART ACQUISITION + ADVISORY
OLD MASTER TO MODERN + CONTEMPORARY

Art is Medicine FASHION IS MY FAVORITE MEDICINE ❤️‍🔥
25/05/2026

Art is Medicine FASHION IS MY FAVORITE MEDICINE ❤️‍🔥

At Louis Vuitton's 2027 Cruise show, Nicolas Ghesquière launched a Keith Haring collaboration that has cult status written all over it

  is the only chemical drug I prescribe  ❤️‍🩹                     NEUROPLASTIC SURGERY OR NOTHING
23/05/2026

is the only chemical drug I prescribe ❤️‍🩹 NEUROPLASTIC SURGERY OR NOTHING

18/05/2026

titian red, American flag scalped penitent Magdalene, 2026 Now available EXCLUSIVELY galleries Borgia ❤️‍🔥 Borgia Incorported

Art is medicine
13/05/2026

Art is medicine

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20/04/2026

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History called her the most dangerous woman in Italy. The city she ruled wept when she died.

Lucrezia Borgia was born in Rome in 1480, the illegitimate daughter of a cardinal who would become Pope and a woman the Church would never acknowledge. She had no say in what she was born into and no say in what happened next. At ten years old, her hand in marriage was already a bargaining chip on her father's table. At thirteen, she was a wife. Her father was building an empire. She was one of the tools he used to build it.

Her first husband was a Sforza. When the alliance was no longer useful, her father annulled the marriage. Giovanni Sforza, humiliated and cornered, chose his revenge carefully. He told anyone who would listen that the marriage had not been annulled because of politics. He said Lucrezia's father wanted her back - for himself. The accusation of in**st was a lie invented by a discarded husband. It followed her for five hundred years.

Her second husband she may have actually loved. Alfonso of Aragon was young, reportedly kind to her, and the marriage was said to be happy. Her brother Cesare had him murdered in 1500. Whether it was politics or jealousy nobody ever proved. Lucrezia was 20 years old. She had already been a wife twice, a widow once, and the subject of the most vicious rumors in Rome.

Her father had one more use for her. A third marriage. Alfonso d'Este, heir to Ferrara. The Este family accepted reluctantly - the city feared what it meant to let a Borgia through the gate. She arrived in Ferrara dragging five hundred years of invented crime behind her name.

THEN HER FATHER DIED. THEN CESARE FELL. THE BORGIA MACHINE THAT HAD CONTROLLED HER ENTIRE LIFE COLLAPSED IN 1503. And Lucrezia Borgia - the poisoner, the seductress, the instrument of papal conquest - did something nobody had written into the script for her. She governed. She ran Ferrara while her husband was away at war. She reformed poor relief. She rebuilt hospitals. She modernized the courts and fought corruption. She corresponded with the greatest minds of her age - over 600 of her letters survive today. Pietro Bembo, the humanist poet who became a cardinal, wrote to her as an intellectual equal. Ludovico Ariosto, the greatest Italian poet of his generation, dedicated work to her.

The city that had feared the Borgia name came to call her la buona duchessa. The good duchess. She died on June 24, 1519, aged 39, after the birth of her tenth child. The historian Ferdinand Gregorovius, who spent years in the archives trying to understand her, wrote that she was "the most unfortunate woman in modern history" - not because she was guilty, but because the world had given her no room to be anything other than her family's legend. He added that this supposed fury with poison in one hand possessed, in reality, "all the charms and graces."

But here's what the legend couldn't hold. The 600 letters. The hospitals she funded. The courts she reformed. The poets who dedicated their life's work to her. A city full of people who mourned her at 39. History gave her the poison. She left behind the evidence.

Not the woman in the legend. The woman in the archive.

Some women survive history. Lucrezia Borgia outlived the men who wrote hers - and left 600 letters to correct the record.

23/03/2026

Art is for Everybody cause Everybody is fly 💘
22/03/2026

Art is for Everybody cause Everybody is fly 💘

As his new memoir demonstrates, he himself would achieve fame as a visual artist, filmmaker, TV host and formative tastemaker.

21/03/2026

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            THANK YOU AMERICAN SMITHSONIAN   Thank you New York I ❤️ NYC       LEGENDS NEVER DIE from the Sidney Janis a...
16/11/2025

THANK YOU AMERICAN SMITHSONIAN Thank you New York I ❤️ NYC LEGENDS NEVER DIE from the Sidney Janis archives digitized by the Smithsonian

Post Graffiti art evolved from youthful
folk-art graffiti. Each artist in turn developed his specific visual language out of the experience of working on enormous sur-faces. Influenced by the poetry of the cartoon and modern calligraphy, his imagery is fresh and spontaneous while the tag-names many have acquired often becomes an integral aspect in his work.
•.. Visually the Post-Graffiti artist incorporates recent cultural innovations. He relates to the robot movement of the dance as well as to electric boogie and brake-dancing. In music a parallel is seen in the way simultaneous mixing of several records resonates in a complex stream of sound to become a social commentary with which his art is rhythmically
coordinated.. They interest themselves in cosmology, current events and human identity in a world of technology ranging from TV to the missile. Working within a relatively disadvantaged milieu, their concept and heroic scale remain clearly identifiable... In many ways the Post-Graffiti artist depicts tragedy and joy at the very source Springing from a youthful conscience, its optimism addresses itself to a hope for future mankind
DOLORES NEUMANN

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Via Ghibellina, 54R
Florence
50122

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