Studio Bruno Tonini

Casa
Italia
Gussago
Studio Bruno Tonini

Is a bookstore and research space focused on modern and contemporary artistic movements. Ha sede a Brescia e il suo proprietario/fondatore è Alessandra Faita.

"17.2 art gallery" è una galleria d’arte moderna e contemporanea specializzata in libri d'artista, posters, fotografie, autografi, manoscritti, multipli. "17.2 art gallery" is a modern and contemporary art gallery specialized in artists' books, posters, photographs, autographs, manuscripts, multiple. It is based in Brescia and its owner / founder is Alessandra Faita.

30/05/2026

Gerhard RICHTER
“Die Ausstellung Gerhard Richter”, Berlin, René Block Gallery, 1966-1967, 14,5x21 cm, leaflet folded in two parts illustrated with a full-page black and white photographic image, some biographical information and a short list of the exhibitions in which G. Richter was present starting from 1962. Invitation published on the occasion of the exhibition ( Berlin, René Block, 10 December 1966 - 21 January 1967).

[Bibliography: Babias - Eusterschulte - Rollig 2015: pag. 461 with pictures].

29/05/2026

Tonight in Santander for the opening of “Las fuentes del Nilo o La infancia de las vanguardias” at the new foundation Lafuente. Cultura Material .culturamaterial

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28/05/2026

Richard LONG
“A Sculpture by Richard Long presented by Konrad Fischer”
Düsseldorf, Konrad Fischer, 1971

61,6x15,7 cm., black and white illustrated sheet, folded in three parts, with a map and a text by Richard Long. Facsimile signature, as issued. Mentioned by Richard Long in the “Other Cards” section in his book “Richard Long. Postcards 1968 - 1982”, published by Capc Musée d’Art Contemporain de Bordeaux, 1984

[Bibliography: Lailach 2005: pag. 139; Long - Postcards 1984: pp. 72-73; Friedrich Meschede e De Werd, 2010: pag. 224]

27/05/2026

(Carl ANDRE - Sol LEWITT)
“10 (ten)”
New York, Dwan Gallery, 1966

27,2x27,2, paperback, soft cover, pp. (16), white cover without typographical indications, first page with the title “10” followed by a page with the list of the reproduced works and 12 plates with black and white photographic images, works and installations by Carl Andre, Jo Bear, Dan Flavin, Don Judd, Sol Lewitt,
Agnes Martin, Robert Morris, Ad Reinhardt, Robert Smithson, Michael Steiner. Graphic design by Sol LeWitt and Carl Andre. Catalog published in conjunction of the exhibition. (New York, Dwan Gallery, 4 - 29 October 1966).

[Bibliography: Dwan Gallery 2017: page 305].

This seminal exhibition includesthe works of ten artists Andre, Jo Bear, Dan Flavin, Donald Judd, LeWitt, Agnes Martin, Morris, Reinhardt, Smithson and Michael Steiner. The idea for the show stems from conversations among Dwan, Reinhardt, and Smithson. Together they organize “10” with the help of Morris. Smithson pens a text but none of the artists can agree on it and the show is instead named after the number of artists; there is no statement. However, a small catalog including of the
instalation and artworks is produced”. (Paige Rozanski in “Virginia Dwan Chronology”, cfr. “Dwan Gallery 1959 - 1971”, Chicago, Chicago Press, 2017)

26/05/2026

Ad REINHARDT
[Adolf Dietrich Friedrich]
Ad Reinhardt
Düsseldorf, Städtische Kunsthalle Düsseldorf, 1972

29x24 cm, paperback, pp. 76- [8], white covers with a die-cut square hole at the centre, revealing the black endpapers. Exhibition catalogue edited by Dale McConathy and Karl Ruhrberg, illustrated with 15 colour plates outside the text and 60 black-and-white illustrations within the text. Copy including 1 original loose silkscreen, printed in black on black. (Düsseldorf, Städtische Kunsthalle, 15 September - 15 October 1972). First edition.

available

25/05/2026

Marcel BROODTHAERS
“La Séance: Racisme Végétal: Film de Marcel Broodthares”
Köln, B.H.D. Buchloh, 1974

29,5x21 cm, paperback, pp. [16]; artist’s book with 28 black-and-white illustrations. First book edition of a work originally published in the inaugural issue of Paper for New Visual and Verbal Works (Interfunktionen, no. 11) in July 1974. Edition of 300 copies; the deluxe edition was never printed

Bibliography: AA.VV., «Marcel Broodthaers», Paris, Editions du Jeu de Paume – Réunion des Musées Nationaux, 1991: pag. 260; Michael Werner, «Marcel Broodthaers. Catalogue des Livres 1957-1975», Köln – New York – Paris, Galerie Michael Werner – Marian Goodman Gallery – Galerie Gillespie-Laage-Salomon, 1982: n. 20, pp. 56-57

available

24/05/2026

Bruce NAUMAN - Phil Weidman
“Slant Step Book”
Sacramento, The Art CO., [1969]

22.5x15 cm, paperback, 36 numbered leaves [(72) pp.], b/w photographic image by Steve Jongeward on cover. Artist’s book edited by Phil Weidman in collaboration with Bruce Nauman, entirely illustrated with drawings, b/w photographic images, facsimile of letters and poetry inspired by the image of a “Slant Step”, a kind of footstool bought for 1 $ by Bruce Nauman from a junk shop in Mill Valley, near San Francisco, in 1965. This object became a sort of icon to the artists and students gravitating around Nauman, so much so that in 1966 the poet and playwright William Witherup organised for a co-op gallery in San Francisco the exhibition “The Slant Step Show”. Bruce Nauman, William Wiley, Robert Hudson, William Allen, Jim Melchert and others seventeen artists paid homage to the “Slant Step” creating works in metal, plaster, bread, coloured plastic, silk and other materials. The photograph on cover depict a man lying down, bare-chested, wearing Nauman’s “Slant Step” on his head; this “object-sculpture”, described among the works exhibited during his first solo exhibition (Los Angeles, Nicholas Wilder Gallery, in 1966), is presently in the Chicago Museum of Contemporary Art collection. The book includes an interview of Frank Owen to Bruce Nauman and contributions by Ron Peetz, Dorothy Wiley, Bill Allan, William Witherup, William T. Wiley, Jack Edwards, Robert Leach, Richard C., Jack Ogden, Lawrence Dean Phillips, Peter Saul, Ray Johnson, Peetz, Jack Fulton and Steve Kaltenbach. Unspecified print run. First edition.

available

23/05/2026

Cy TWOMBLY
“Cy Twombly”
Milano, Multhipla Edizioni, 1977

63,2x44 cm, illustrated poster featuring a color image of a work by Cy Twombly. Produced on the occasion of the publication of the catalogue raisonné on the artist.

22/05/2026

Jasper JOHNS
“Jasper Johns”
New York, Leo Castelli, 1963

81,3x53,7 cm, llustrated poster/announcement featuring a black-and-white image based on the lithograph Device, created by the artist in 1962, printed on the occasion of the exhibition (New York, Leo Castelli, January 12 – February 7, 1963). Folded in eight as issued.

Bibliography: Field 1970: pag. [72], n. 12; pag. 104, n. 12 - catalog

available

21/05/2026

Richard NONAS

“More bulk than fill (Vol I of Cold Storage Days Serie)”

New York, John Weber Gallery, 1979

10x13,2 cm, paperback with two metal staples, pp. [72]; artist’s book illustrated with 4 black and white photographic images, 32 black and white images and 32 facsimile artist statements.

Bibliography: Bacon - Tonini 2020: pag. 40, n. 13; Kuspit - Rosenzweig 1985: pag. 73; Lailach 2055: pag. 146

available

19/05/2026

Keith SONNIER
“Object Situation Object 1969-70”
Köln, Galerie Ricke [Henry Deckner, Köln+, 1970

24,1x19,9 cm, paperback, pp. [86]; artist’s book illustrated with 88 black-and-white photographs taken by Richard Landry during a performance conceived by Keith Sonnier between 1969 and 1970 and performed by Tina Girouard, Mike Kern, and other artists. Copy no. 178 from an edition of 1,000 numbered copies.

Available

Indirizzo

Via Pratolungo 192
Gussago
25064

Orario di apertura

	10:00 - 12:30
	16:00 - 19:30

Telefono

+393493536121

Sito Web

http://www.studiobrunotonini.it/

Notifiche

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