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Martedì 11:00 - 19:00 Mercoledì 11:00 - 19:00 Giovedì 11:00 - 19:00 Venerdì 11:00 - 19:00 Sabato 11:00 - 19:00

Spazio Nuovo

Casa
Italia
Rome
Spazio Nuovo

Founded in 2010 SPAZIO NUOVO is dedicated to the development of contemporary art in Rome with a special focus on photography.

Poetical innovation and academic rigour enable the gallery to further its bonds with international collectors and institutions. 位于罗马的当代艺术画廊，距万神殿仅一步之遥，专注于有才华的拉美艺术家和摄影师。

30/05/2026

Spazio Nuovo is pleased to announce the representation of Edoardo Cozzani and offer a first glimpse into the making of his upcoming solo exhibition, opening in Autumn 2026.
These images document the artist at work in Murano, where he collaborates closely with master glassmakers in the production of a new body of sculptures.
Central to Cozzani’s practice is a direct engagement with the materials and processes that shape his work. Working alongside artisans whose expertise has been passed down through generations, he follows the transformation of molten glass into sculptural form.
This dialogue between contemporary sculpture and traditional craftsmanship will form the foundation opreciEdoardoCozzanidictability glass and marble come together in a series of works that investigate structure, resistance, and the delicate balance between strength and fragility.

29/05/2026

We’re pleased to share “Me olvidé de mis ojos”, the latest institutional exhibition by Matías Ercole, curated by Javier del Campo and currently on view at the CAB in Burgos, Spain, through June.

“Matías Ercole understands landscape as a territory where identity, memory, and culture intertwine. ‘Drawing is capable of revealing invisible structures within landscape and memory,’ notes the artist.
His works depict a world in constant transformation a visual organism that expands, contracts, and mutates before the viewer’s gaze.
The project explores landscape as a cultural construction: a field of tensions where the plausible, the emotional, and the symbolic coexist. Rather than describing a place, the images question the conditions that allow us to imagine it or make it our own.
At the CAB, the works acquire a decisive architectural dimension, unfolding as walls, passages, or fragments of an imagined building.”

Ph: Jorge Martín Muñoz

27/05/2026

Riccardo Ajossa
Paper’s Journey, from Ancient Roots to Modern Art
Soon at Spazio Nuovo Amsterdam

23/05/2026

Spazio Nuovo ha il piacere di annunciare la partecipazione di Chiara Bettazzi alla mostra “The Dreamer” presso la curata da Cristiana Collu, in esposizione fino al 22 novembre.

Entrare in questa mostra significa attraversare un sogno sospeso tra memoria e visione, dove il tempo si piega e passato e presente continuano a rincorrersi.
Un percorso emotivo e discontinuo, ispirato alle atmosfere di Senso di Luchino Visconti, in cui ogni opera sembra custodire una traccia invisibile di ciò che è stato e di ciò che deve ancora accadere.
Tra presenze enigmatiche, rituali e materia in trasformazione, è il lavoro di Chiara Bettazzi a lasciare una delle impressioni più profonde. Le sue opere nascono dall’incontro diretto con lo spazio e con oggetti trovati: composizioni fragili, provvisorie, sempre in bilico tra costruzione e dissoluzione. Nulla appare definitivo. Ogni elemento sembra vivere di una memoria precedente e aprirsi continuamente a nuove possibilità.
Bettazzi lavora sul tempo reale del fare, trasformando l’installazione in un organismo vivo, capace di mutare insieme allo sguardo di chi osserva. È proprio li, in quell’equilibrio instabile tra presenza e assenza, che il visitatore diventa parte dell’opera stessa.
Una mostra che non si conclude davvero, ma continua a risuonare anche dopo l’uscita.
Photo credits Adriano Mura

07/05/2026

“The body as threshold”

Perhaps youth is only this: “to love the senses endlessly and never repent.” The quotation from Sandro Penna is not merely a poetic homage, but the key to entering a visual investigation in which the body ceases to be an object and becomes instead a limit, a passage, a threshold. In this series, Matteo Piacenti explores youth not as an age-related condition, but as an ontological state of tension: the moment in which identity is still fluid, incandescent matter defining itself through contact, shadow, and the gaze of the other.

Photography here does not document, but rather engraves upon skin and space a narrative composed of stark contrasts and sudden delicacies. Through a poetics of fragmentation, the works operate metonymically, renouncing the wholeness of the subject in search of the universal detail.

The gaze loses itself in the intertwining of bodies, where the boundary between self and other dissolves into an architecture of muscles and breaths; it rediscovers itself in nature, conceived as a mirror in which skin merges with vegetation, suggesting a return to a primordial dimension; and finally it confronts shadow and mark, geometric projections that redraw the face, transforming physiognomy into a map of desires and inquietudes.

Piacenti’s black and white is rigorous, almost sculptural, yet at the same time pulsating with life. One perceives a secular sacredness in the way the lens lingers over nudity, stripped of all vulgarity and restored to its truth.

05/05/2026

We are thrilled to announce that Dan Hallman’s diptych The End (2026) is now part of the AkzoNobel Art Foundation collection (Amsterdam - The Netherlands).

The End is a continuing collection of cyanotypes started at the end of 2025 influenced by the final moments of films. Each image lingers on the emotional residue left after the narrative resolves -when meaning collapses into silence, darkness or blue. Film endings can be happy, sad, hopeful, or devastating, often holding several emotions at once. This series aims to evoke that same mix in the viewer. The text “the end” is often cropped and fragmented within the images, turning the ending into a suggestion rather than a conclusion, and leaving space for memory, loss, and projection to remain unsettled.

Dan Hallman
The End (Divided)
Diptych
2026
Cyanotype on watercolour paper
42 x 29,7 cm each
Ed. of 5 + 1 AP.

30/04/2026

‘s artworks, currently on view at our Amsterdam’s studio:

Helios (Sol) and the Ocean II, 148,5 x 110 cm, last edition number 1/3 AP

Selene and the Garden B, 148,5 x 110 cm, edition number 2/8

Paris in Rosy Retrospection, 120 x 92,3 cm, edition number 3/8

29/04/2026

We are thrilled to announce that Florence Di Benedetto’s diptych Una relazione privata #16 & #17 (2024) is now part of the permanent collection of the Voorlinden Museum (Wassenaar - The Netherlands).

Una relazione privata is a series of photographs taken in a summer house, where seemengly ordinary objects appear to hold the secret of a love story long past, yet still perceptible in its remnant traces. Every detail suggests an aftermath, a moment that silently resonates with the observer. The images evoke a sense of absence, yet at the same time retain an intimate, almost palpable presence. They are fragments of an incomplete narrative, leaving space for the viewer to fill in the gaps and participate in the creation of a personal story.

Florence Di Benedetto
Una relazione privata #16 & #17
Diptych
2024
Fine art print on Hahnemühle Photo Rag Baryta
50 x 35 cm each
Ed. of 5 + 2 AP.

photography
spazionuovo rome amsterdam

25/04/2026

In Area Specularis, Rubén Rodrigo (Spain, 1980) develops a painterly language poised between control and contingency, where gesture unfolds as a form of guided improvisation. Through restrained chromatic fields and fluid stratifications, his works articulate a subtle yet dynamic field of visual tension.

Conceived as a space of reflection, the exhibition introduces the notion of area specularis as a threshold between inner and outer vision. The works—presented in a dialogue of diptychs—activate a perceptual condition in which color becomes fluid, relational, and continuously in transformation.

Rodrigo’s practice engages critically with the legacy of modernism, reintroducing symbolic intention, temporality, and a heightened sense of presence into the discourse of abstraction. His works are held in major public and private collections, including the Museum Voorlinden in The Netherlands.

Rubén Rodrigo
Area Specularis
On view till June, 27th 2026
Via d’Ascanio 20, Rome

23/04/2026

Spazio Nuovo hosted a special presentation dedicated to the architecture studio held within the evocative setting of Liturgica.

Now open to the public, Liturgica is a video installation commissioned by , on view inside the marvelous Chiesa di San Paolo Converso in Milan, featuring original music by .

Piazza Santa Eufemia 1
Open Monday to Friday

Indirizzo

Via D'Ascanio 20
Rome
00186

Orario di apertura

Martedì	11:00 - 19:00
Mercoledì	11:00 - 19:00
Giovedì	11:00 - 19:00
Venerdì	11:00 - 19:00
Sabato	11:00 - 19:00

Telefono

+390689572855

Sito Web

http://spazionuovo.net/

Notifiche

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