DrawingRoom_gallery & art society

DrawingRoom_gallery & art society contemporary art gallery in seoul, korea

[๐‘ถ๐’ ๐‘ฝ๐’Š๐’†๐’˜]์‹œ์ž‘์€ ๊ฐ„๋‹จํ•œ ๋…ธํŠธ์ธ ๊ฒƒ ๊ฐ™์•„์š”. ๊ทธ๋ฆฌ๊ณ  ์‹ถ์€ ๊ฒƒ์˜ ์‹ค๋งˆ๋ฆฌ๊ฐ€ ๋  ๋‹จ์–ด๋ฅผ ์ ์–ด๋†“๊ณ  ๊ทธ ๋‹จ์–ด๋กœ๋ถ€ํ„ฐ ๋“œ๋กœ์ž‰์„ ๊ฑฐ์ณ์„œ ์บ”๋ฒ„์Šค์—์„œ ์ด๋ฏธ์ง€๋ฅผ ๋งŒ๋“ค์–ด ๋‚˜๊ฐ‘๋‹ˆ๋‹ค. ๋‹จ์–ด๋กœ๋ถ€ํ„ฐ ์ด๋ฏธ์ง€๊ฐ€ ๋˜๋ฉด์„œ ํ™”๋ฉด์ ์ธ ๊ณ ๋ฏผ์œผ๋กœ ๋ฐ”๋€Œ๊ณ ...
14/05/2026

[๐‘ถ๐’ ๐‘ฝ๐’Š๐’†๐’˜]
์‹œ์ž‘์€ ๊ฐ„๋‹จํ•œ ๋…ธํŠธ์ธ ๊ฒƒ ๊ฐ™์•„์š”. ๊ทธ๋ฆฌ๊ณ  ์‹ถ์€ ๊ฒƒ์˜ ์‹ค๋งˆ๋ฆฌ๊ฐ€ ๋  ๋‹จ์–ด๋ฅผ ์ ์–ด๋†“๊ณ  ๊ทธ ๋‹จ์–ด๋กœ๋ถ€ํ„ฐ ๋“œ๋กœ์ž‰์„ ๊ฑฐ์ณ์„œ ์บ”๋ฒ„์Šค์—์„œ ์ด๋ฏธ์ง€๋ฅผ ๋งŒ๋“ค์–ด ๋‚˜๊ฐ‘๋‹ˆ๋‹ค. ๋‹จ์–ด๋กœ๋ถ€ํ„ฐ ์ด๋ฏธ์ง€๊ฐ€ ๋˜๋ฉด์„œ ํ™”๋ฉด์ ์ธ ๊ณ ๋ฏผ์œผ๋กœ ๋ฐ”๋€Œ๊ณ  ์ฒ˜์Œ์˜ ๊ฒƒ์„ ์žƒ์ง€ ์•Š๋Š” ์„ ์—์„œ ์ด๋ฏธ์ง€๊ฐ€ ์–ด๋–ค ํž˜์„ ๊ฐ€์งˆ ๋•Œ๊นŒ์ง€ ๋‘๊ณ  ๋ณด๋Š” ๊ฒƒ ๊ฐ™์•„์š”. ์ˆจ๊ธด ๋งˆ์Œ, ๋ฒฝ, ๊ฑฐ์šธ, ๋ชจ์„œ๋ฆฌ์— ๋ฌด์ง€๊ฐœ, ๋ฐ์€ ๊ธธ ๋“ฑ ์ด๋Ÿฐ ์‹์œผ๋กœ ํ•˜๋‚˜์˜ ๋‹จ์–ด๋กœ๋ถ€ํ„ฐ ์—ฐ๊ฒฐ๋˜์–ด ํŒŒ์ƒ๋˜์—ˆ์–ด์š”. _ ์กฐ์€ํ˜•

ใ€Š๐‘พ๐’Š๐’๐’…๐’”ใ€‹
์กฐ์€ํ˜• ๊ฐœ์ธ์ „
2026.5.8(๊ธˆ)-5.30(ํ† )
ํ™”-ํ†  11-6pm (์ผ.์›” ํœด๊ด€)
Inquiry: DM | 02.794.3134
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* ์กฐ์€ํ˜•, Mirror, 2026, 82 x 32cm, Oil on canvas
** ์กฐ์€ํ˜•, Missing, 2025, 41 x 53cm, Oil on canvas
*** ์กฐ์€ํ˜•, Wind, 2026, 45.5 x 52.5cm, Oil on canvas

[๐๐‘_ ๐š๐ซ๐ญ ๐Ÿ๐š๐ข๐ซ]๋“œ๋กœ์ž‰๋ฃธ์€ ์˜ค๋Š” 5์›” 21์ผ๋ถ€ํ„ฐ 24์ผ๊นŒ์ง€ ์„œ์šธ ๋งˆ๊ณก ์ฝ”์—‘์Šค์—์„œ ์—ด๋ฆฌ๋Š” ํ•˜์ด๋ธŒ ์•„ํŠธํŽ˜์–ด์— ์–‘๋ฌธ๋ชจ ์ž‘๊ฐ€์˜ ์†”๋กœ๋ถ€์Šค๋กœ ์ฐธ์—ฌํ•ฉ๋‹ˆ๋‹ค.๊ณต๊ฐ„ ์•ˆ์˜ ํผ์ฆ์ฒ˜๋Ÿผ ํŽผ์ณ์ง€๋Š” ์–‘๋ฌธ๋ชจ ์ž‘๊ฐ€์˜ ํšŒํ™”๋ฅผ ํ†ตํ•ด ์ƒˆ๋กœ์šด ์‹œ...
13/05/2026

[๐๐‘_ ๐š๐ซ๐ญ ๐Ÿ๐š๐ข๐ซ]

๋“œ๋กœ์ž‰๋ฃธ์€ ์˜ค๋Š” 5์›” 21์ผ๋ถ€ํ„ฐ 24์ผ๊นŒ์ง€ ์„œ์šธ ๋งˆ๊ณก ์ฝ”์—‘์Šค์—์„œ ์—ด๋ฆฌ๋Š” ํ•˜์ด๋ธŒ ์•„ํŠธํŽ˜์–ด์— ์–‘๋ฌธ๋ชจ ์ž‘๊ฐ€์˜ ์†”๋กœ๋ถ€์Šค๋กœ ์ฐธ์—ฌํ•ฉ๋‹ˆ๋‹ค.

๊ณต๊ฐ„ ์•ˆ์˜ ํผ์ฆ์ฒ˜๋Ÿผ ํŽผ์ณ์ง€๋Š” ์–‘๋ฌธ๋ชจ ์ž‘๊ฐ€์˜ ํšŒํ™”๋ฅผ ํ†ตํ•ด ์ƒˆ๋กœ์šด ์‹œ๊ฐ์  ๋ฆฌ๋“ฌ์„ ์„ ๋ณด์ผ ์˜ˆ์ •์ž…๋‹ˆ๋‹ค.

๋“œ๋กœ์ž‰๋ฃธ ๋ถ€์Šค ๋งŒ๋‚˜๋ต™๊ฒ ์Šต๋‹ˆ๋‹ค๐Ÿ˜Š

dR will participate in ๐–ง๐—‚๐—๐–พ ๐– ๐—‹๐— ๐–ฅ๐–บ๐—‚๐—‹ 2026 with a solo presentation by Moonmo Yang.
We look forward to welcoming you at Booth C10 ๐Ÿ˜Š
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๐–ง๐—‚๐—๐–พ ๐– ๐—‹๐— ๐–ฅ๐–บ๐—‚๐—‹
COEX Magok, Seoul
2026, 5.21-24
Booth C10
Inquiries: DM | [email protected]

[๐‘ถ๐’ ๐‘ฝ๐’Š๐’†๐’˜] ใ€Š๐‘พ๐’Š๐’๐’…๐’”ใ€‹์กฐ์€ํ˜• ๊ฐœ์ธ์ „ 2026.5.8(๊ธˆ)-5.30(ํ† )ํ™”-ํ†  11-6pm (์ผ.์›” ํœด๊ด€)Inquiry: DM | 02.794.3134________1. ์กฐ์€ํ˜•, ๐‘ซ๐’๐’๐’“ 2026, Oil ...
09/05/2026

[๐‘ถ๐’ ๐‘ฝ๐’Š๐’†๐’˜]

ใ€Š๐‘พ๐’Š๐’๐’…๐’”ใ€‹
์กฐ์€ํ˜• ๊ฐœ์ธ์ „
2026.5.8(๊ธˆ)-5.30(ํ† )
ํ™”-ํ†  11-6pm (์ผ.์›” ํœด๊ด€)
Inquiry: DM | 02.794.3134
________
1. ์กฐ์€ํ˜•, ๐‘ซ๐’๐’๐’“ 2026, Oil on canvas, 33.5x24cm
2. ์กฐ์€ํ˜•, ๐‘ฏ๐’‚๐’Š๐’“ 2026,Oil on canvas, 27.5x27.5cm

[๐”๐ฉ๐œ๐จ๐ฆ๐ข๐ง๐ ]โ€œ์ž์—ฐ์€ ์ €์—๊ฒŒ ์žˆ์–ด ๋ฌด์—‡๋ณด๋‹ค๋„ ํ˜„์žฌ๋ฅผ ํˆฌ๋ช…ํ•˜๊ฒŒ ๋ณด์—ฌ์ฃผ๋Š” ๋„๊ตฌ๋กœ, ๊ทธ๋Œ€๋กœ์˜ ์กด์žฌ๋ฅผ ๋ฐ›์•„๋“ค์ด๊ฒŒ ํ•˜๋Š” ์กด์žฌ ์—์š”. ์ˆœ๊ฐ„์ˆœ๊ฐ„ ํ˜•ํƒœ๊ฐ€ ๋‹ฌ๋ผ์ง€๋Š” ๋ฐ”๋žŒ์€ ๋‚ด๊ฐ€ ์—ฌ๊ธฐ ์žˆ๋‹ค๋Š” ๊ฑธ ๊ฐ๊ฐ์œผ๋กœ ์•Œ๋ ค์ค๋‹ˆ๋‹ค. ๊ทธ๊ฒƒ ๋งŒ์œผ๋กœ...
07/05/2026

[๐”๐ฉ๐œ๐จ๐ฆ๐ข๐ง๐ ]
โ€œ์ž์—ฐ์€ ์ €์—๊ฒŒ ์žˆ์–ด ๋ฌด์—‡๋ณด๋‹ค๋„ ํ˜„์žฌ๋ฅผ ํˆฌ๋ช…ํ•˜๊ฒŒ ๋ณด์—ฌ์ฃผ๋Š” ๋„๊ตฌ๋กœ, ๊ทธ๋Œ€๋กœ์˜ ์กด์žฌ๋ฅผ ๋ฐ›์•„๋“ค์ด๊ฒŒ ํ•˜๋Š” ์กด์žฌ ์—์š”. ์ˆœ๊ฐ„์ˆœ๊ฐ„ ํ˜•ํƒœ๊ฐ€ ๋‹ฌ๋ผ์ง€๋Š” ๋ฐ”๋žŒ์€ ๋‚ด๊ฐ€ ์—ฌ๊ธฐ ์žˆ๋‹ค๋Š” ๊ฑธ ๊ฐ๊ฐ์œผ๋กœ ์•Œ๋ ค์ค๋‹ˆ๋‹ค. ๊ทธ๊ฒƒ ๋งŒ์œผ๋กœ ์–ด๋– ํ•œ โ€˜๊ดœ์ฐฎ์Œโ€™ ์„ ๋Š๋ผ๊ณ  ์žˆ์–ด์š”.โ€ _์กฐ์€ํ˜•

๋“œ๋กœ์ž‰๋ฃธ์€ 5์›”8์ผ๋ถ€ํ„ฐ 30์ผ๊นŒ์ง€ 2026๋…„ [์‹ ์ง„์ž‘๊ฐ€์ง€์› ํ”„๋กœ๊ทธ๋žจ] ๊ธฐํš์ „์œผ๋กœ ์กฐ์€ํ˜• ๊ฐœ์ธ์ „์„ ๊ฐœ์ตœํ•ฉ๋‹ˆ๋‹ค.
์ž์—ฐ์  ์š”์†Œ์ธ โ€˜๋ฐ”๋žŒโ€™์˜ ๊ฐ๊ฐ์„ ๋ฐ”ํƒ•์œผ๋กœ, ์‹ค์กด์  ์ฐจ์›์˜ ํšŒํ™”๋ฅผ ์„ ๋ณด์ด๋Š” ์กฐ์€ํ˜•์˜ ์‹ ์ž‘์— ๋งŽ์€ ๊ด€์‹ฌ ๋ถ€ํƒ๋“œ๋ฆฝ๋‹ˆ๋‹ค.

ใ€Š๐‘พ๐’Š๐’๐’…๐’”ใ€‹
์กฐ์€ํ˜• ๊ฐœ์ธ์ „
2026.5.8(๊ธˆ)-5.30(ํ† )
*Opening Reception: 5.8(๊ธˆ)3-6pm
ํ™”-ํ†  11-6pm (์ผ.์›” ํœด๊ด€)
Inquiry: DM | 02.794.3134
________
์กฐ์€ํ˜•, ๐˜›๐˜ช๐˜ฎ๐˜ฆ 2026, Oil on canvas, 40.9x31.8cm

๋“œ๋กœ์ž‰๋ฃธ์˜ 7์ฃผ๋…„ ๊ธฐ๋…์ „์‹œ ใ€Š๐‘ป๐’Š๐’๐’ 7, ๐‘ญ๐’“๐’๐’Ž 7ใ€‹์— ์ถ•ํ•˜์™€ ์‘์›์œผ๋กœ ํ•จ๊ป˜ํ•ด์ฃผ์‹  ๋งŽ์€ ๋ถ„๋“ค๊ป˜ ๊ฐ์‚ฌ๋“œ๋ฆฝ๋‹ˆ๋‹ค. ์•ž์œผ๋กœ ํŽผ์ณ์งˆ ๋“œ๋กœ์ž‰๋ฃธ์˜ ํž˜์ฐฌ ํ–‰๋ณด์—๋„ ๋งŽ์€ ๊ด€์‹ฌ๊ณผ ์‘์›์œผ๋กœ ์ง€์ผœ๋ด์ฃผ์„ธ์š”๐Ÿ˜ŠSpecial thanks ...
06/05/2026

๋“œ๋กœ์ž‰๋ฃธ์˜ 7์ฃผ๋…„ ๊ธฐ๋…์ „์‹œ ใ€Š๐‘ป๐’Š๐’๐’ 7, ๐‘ญ๐’“๐’๐’Ž 7ใ€‹์— ์ถ•ํ•˜์™€ ์‘์›์œผ๋กœ ํ•จ๊ป˜ํ•ด์ฃผ์‹  ๋งŽ์€ ๋ถ„๋“ค๊ป˜ ๊ฐ์‚ฌ๋“œ๋ฆฝ๋‹ˆ๋‹ค.

์•ž์œผ๋กœ ํŽผ์ณ์งˆ ๋“œ๋กœ์ž‰๋ฃธ์˜ ํž˜์ฐฌ ํ–‰๋ณด์—๋„ ๋งŽ์€ ๊ด€์‹ฌ๊ณผ ์‘์›์œผ๋กœ ์ง€์ผœ๋ด์ฃผ์„ธ์š”๐Ÿ˜Š

Special thanks to the artists; Jihyoung Han, Sangeun Jo, Minsu Kim, Sanoh Lee, Heejae Lim, YooJung Ellie Choi, Jieun Roh, Donghoon Rhee for being part of this meaningful moment!!

[๐๐ž๐ฐ๐ฌ]๋“œ๋กœ์ž‰๋ฃธ์€ ์ง€๋‚œ 4์›”25์ผ ๋ฌธํ™”์ฒด์œก๊ด€๊ด‘๋ถ€์™€ (์žฌ)์˜ˆ์ˆ ๊ฒฝ์˜์ง€์›์„ผํ„ฐ๊ฐ€ ์ง„ํ–‰ํ•œ [๋‹ค์ด๋ธŒ ์ธํˆฌ ์ฝ”๋ฆฌ์•ˆ ์•„ํŠธ: ๊ฐค๋Ÿฌ๋ฆฌ์ฆˆ ์ธ ์„œ์šธ ๐——๐—ถ๐˜ƒ๐—ฒ ๐—ถ๐—ป๐˜๐—ผ ๐—ž๐—ผ๐—ฟ๐—ฒ๐—ฎ๐—ป ๐—”๐—ฟ๐˜: ๐—š๐—ฎ๐—น๐—น๐—ฒ๐—ฟ๐—ถ๐—ฒ๐˜€ ๐—ถ๐—ป ๐—ฆ๐—ฒ๐—ผ๐˜‚๐—น]์— ์ฐธ์—ฌํ–ˆ์Šต...
01/05/2026

[๐๐ž๐ฐ๐ฌ]

๋“œ๋กœ์ž‰๋ฃธ์€ ์ง€๋‚œ 4์›”25์ผ ๋ฌธํ™”์ฒด์œก๊ด€๊ด‘๋ถ€์™€ (์žฌ)์˜ˆ์ˆ ๊ฒฝ์˜์ง€์›์„ผํ„ฐ๊ฐ€ ์ง„ํ–‰ํ•œ [๋‹ค์ด๋ธŒ ์ธํˆฌ ์ฝ”๋ฆฌ์•ˆ ์•„ํŠธ: ๊ฐค๋Ÿฌ๋ฆฌ์ฆˆ ์ธ ์„œ์šธ ๐——๐—ถ๐˜ƒ๐—ฒ ๐—ถ๐—ป๐˜๐—ผ ๐—ž๐—ผ๐—ฟ๐—ฒ๐—ฎ๐—ป ๐—”๐—ฟ๐˜: ๐—š๐—ฎ๐—น๐—น๐—ฒ๐—ฟ๐—ถ๐—ฒ๐˜€ ๐—ถ๐—ป ๐—ฆ๐—ฒ๐—ผ๐˜‚๐—น]์— ์ฐธ์—ฌํ–ˆ์Šต๋‹ˆ๋‹ค.

์ฃผ์š” ๊ตญ์ œ ์•„ํŠธํŽ˜์–ด๋ฅผ ๋Œ€ํ‘œํ•˜๋Š” ๋””๋ ‰ํ„ฐ ๋ฐ ๊ด€๊ณ„์ž 8์ธ์ด ๋“œ๋กœ์ž‰๋ฃธ์„ ๋ฐฉ๋ฌธํ•˜์—ฌ 7์ฃผ๋…„ ๊ธฐ๋…์ „์‹œ ใ€Š๐‘ป๐’Š๐’๐’ 7, ๐‘ญ๐’“๐’๐’Ž 7ใ€‹์™€ ์•ž์œผ๋กœ์˜ ๋ฐฉํ–ฅ์„ฑ์— ๋Œ€ํ•ด ๋‚˜๋ˆŒ ์ˆ˜ ์žˆ์—ˆ๋˜ ๋œป๊นŠ์€ ์‹œ๊ฐ„์ด์—ˆ์Šต๋‹ˆ๋‹ค.

์ด๋ฅผ ๋ฐœํŒ์œผ๋กœ ๋“œ๋กœ์ž‰๋ฃธ์€ ๊ตญ๋‚ด ์ž‘๊ฐ€๋“ค์„ ํ•ด์™ธ์— ์†Œ๊ฐœํ•˜๋Š” ํ”Œ๋žซํผ์œผ๋กœ ๋”์šฑ ์„ฑ์žฅํ•ด ๋‚˜๊ฐ€๊ณ ์ž ํ•ฉ๋‹ˆ๋‹ค.

์˜๋ฏธ์žˆ๋Š” ํ–‰์‚ฌ๋ฅผ ์†Œ๊ฐœํ•ด์ฃผ์‹  ๋™์•„์ผ๋ณด ์ด์ง€์œค ๊ธฐ์ž๋‹˜๊ป˜ ๊ฐ์‚ฌ๋“œ๋ฆฝ๋‹ˆ๋‹ค.

Special thanks to KAMS and Claudia Chan (Art Basel Hong Kong), Alanood Abdulrahman Alhammadi (Frieze Abu Dhabi), Kate Sierzputowski (Expo Chicago), Clara Andrade Pereira (Untitled Miami Beach), Alexandra Fain (Asia Now),
Corey Andrew Barr (Art Central), Eri Takane (Tokyo Gendai), and Viola Yao (Art Taipei) for visiting drawingRoom.

It was a great pleasure to introduce our gallery and share our future plans together.

Thanks to journalist Lee Jiyoon from The Dong-A Ilbo for covering this meaningful event.

๐Ÿ“ ๋“œ๋กœ์ž‰๋ฃธ์€ 5์›” 1์ผ(๊ธˆ) ์ •์ƒ ์šด์˜ํ•ฉ๋‹ˆ๋‹ค! [๐‘ถ๐’ ๐‘ฝ๐’Š๐’†๐’˜] ๋’คํ‹€๋ฆผ์„ ์ถ”๋™ํ•˜๋Š” ์ธ๊ฐ„์˜ ์˜์ง€์™€ ์š•๊ตฌ๋Š” ๋‹ค์–‘ํ•œ ํŒ๋ณธ๋“ค์ด ํฌ์ฐฉํ•˜๊ณ  ์žˆ๋Š” ๊ด€๋…์ด๋‚˜ ๋ณธ์งˆ, ์„ฑ์ฐฐ์ ์ธ ์˜์‹๊ณผ ํ˜•ํƒœ๋ฅผ ๋‚ดํฌํ•˜๊ณ  ์žˆ๋‹ค. ์ž์‹  ์™ธ์— ๋ชจ๋“  ๊ฒƒ์„ ์ดˆ...
29/04/2026

๐Ÿ“ ๋“œ๋กœ์ž‰๋ฃธ์€ 5์›” 1์ผ(๊ธˆ) ์ •์ƒ ์šด์˜ํ•ฉ๋‹ˆ๋‹ค!
[๐‘ถ๐’ ๐‘ฝ๐’Š๐’†๐’˜]
๋’คํ‹€๋ฆผ์„ ์ถ”๋™ํ•˜๋Š” ์ธ๊ฐ„์˜ ์˜์ง€์™€ ์š•๊ตฌ๋Š” ๋‹ค์–‘ํ•œ ํŒ๋ณธ๋“ค์ด ํฌ์ฐฉํ•˜๊ณ  ์žˆ๋Š” ๊ด€๋…์ด๋‚˜ ๋ณธ์งˆ, ์„ฑ์ฐฐ์ ์ธ ์˜์‹๊ณผ ํ˜•ํƒœ๋ฅผ ๋‚ดํฌํ•˜๊ณ  ์žˆ๋‹ค. ์ž์‹  ์™ธ์— ๋ชจ๋“  ๊ฒƒ์„ ์ดˆ์›”ํ•˜์ง€๋งŒ ๋™์‹œ์— ๋ชจ๋“  ๊ณ„๊ธฐ๊ฐ€ ์„œ๋กœ์—๊ฒŒ ์ข…์†๋œ ์ด๋“ค, ์„ธ๊ณ„์— ์กด์žฌํ•˜๊ธฐ ์œ„ํ•ด ํž˜์“ฐ๋Š” ์ด๋“ค์€ ๊ทธ ์ž์‹ ์œผ๋กœ ์žˆ๊ธฐ๋ณด๋‹ค ์Šค์Šค๋กœ ๊ฐœ๋ณ€ํ•˜๊ณ  ๋ณ€ํ˜•ํ•ด ๋‚˜๊ฐ€๋ฉฐ ๋ฐ˜์‘์˜ ๋…์ฐฝ์„ฑ์„ ์ƒ์‚ฐํ•ด ๋‚ธ๋‹ค. _ํ•œ์ง€ํ˜• ์ž‘๊ฐ€๋…ธํŠธ ์ค‘

The human will and desire that drive distortion contain within them ideas of essence, reflection, consciousness, and form, as captured through various versions and manifestations. Those who transcend everything other than themselves, while at the same time remaining mutually dependent on one another, strive to exist within the world not by simply remaining as they are, but by continuously altering and transforming themselves, producing a unique originality of response.
โ€” Excerpt from Han Jihyoung artist statement

ใ€Š๐‘ป๐’Š๐’๐’ 7, ๐‘ญ๐’“๐’๐’Ž 7ใ€‹
๋“œ๋กœ์ž‰๋ฃธ ๊ฐœ๊ด€ 7์ฃผ๋…„ ๊ธฐ๋…์ „
์ด์‚ฐ์˜ค ์กฐ์ƒ์€ ์ตœ์œ ์ • ํ•œ์ง€ํ˜•
2026.4.10(๊ธˆ) โ€“ 5.2(ํ† )
ํ™”-ํ†  11-6pm (์ผ.์›” ํœด๊ด€)

______
* ํ•œ์ง€ํ˜•, ๋ฐ์ด์ง€ Daisy 2026, 33.4ร—24.2cm, Acrylic on canvas

[๐‘ถ๐’ ๐‘ฝ๐’Š๐’†๐’˜] ์—ฌ๋Ÿฌ ๊ตญ๊ฐ€๋ฅผ ์˜ค๊ฐ€๋ฉฐ ํ˜•์„ฑ๋œ ๊ฒฝํ—˜์€ ๊ณต๊ฐ„์„ ๊ณ ์ •๋œ ํ™˜๊ฒฝ์ด ์•„๋‹Œ, ๋Š์ž„์—†์ด ๋‹ค์‹œ ์ฝํ˜€์•ผ ํ•˜๋Š” ๊ตฌ์กฐ๋กœ ์ธ์‹ํ•˜๊ฒŒ ํ–ˆ์Šต๋‹ˆ๋‹ค. ์–ธ์–ด๋ณด๋‹ค ๋จผ์ € ๊ณต๊ฐ„์˜ ํ๋ฆ„๊ณผ ๋ฐฐ์น˜๋ฅผ ํ†ตํ•ด ์ƒํ™ฉ์„ ์ดํ•ดํ•ด์•ผ ํ–ˆ๋˜ ํ™˜๊ฒฝ ์†์—์„œ, ์‹œ์„ ...
28/04/2026

[๐‘ถ๐’ ๐‘ฝ๐’Š๐’†๐’˜]

์—ฌ๋Ÿฌ ๊ตญ๊ฐ€๋ฅผ ์˜ค๊ฐ€๋ฉฐ ํ˜•์„ฑ๋œ ๊ฒฝํ—˜์€ ๊ณต๊ฐ„์„ ๊ณ ์ •๋œ ํ™˜๊ฒฝ์ด ์•„๋‹Œ, ๋Š์ž„์—†์ด ๋‹ค์‹œ ์ฝํ˜€์•ผ ํ•˜๋Š” ๊ตฌ์กฐ๋กœ ์ธ์‹ํ•˜๊ฒŒ ํ–ˆ์Šต๋‹ˆ๋‹ค. ์–ธ์–ด๋ณด๋‹ค ๋จผ์ € ๊ณต๊ฐ„์˜ ํ๋ฆ„๊ณผ ๋ฐฐ์น˜๋ฅผ ํ†ตํ•ด ์ƒํ™ฉ์„ ์ดํ•ดํ•ด์•ผ ํ–ˆ๋˜ ํ™˜๊ฒฝ ์†์—์„œ, ์‹œ์„ ์˜ ๋ฐฉํ–ฅ๊ณผ ์ด๋™์˜ ๋ฆฌ๋“ฌ, ๊ตฌ์กฐ์˜ ๋ฐฐ์—ด์— ๋Œ€ํ•œ ๊ฐ๊ฐ์ด ์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ ํ˜•์„ฑ๋˜์—ˆ์Šต๋‹ˆ๋‹ค. ์ด๋กœ ์ธํ•ด ๊ณต๊ฐ„์€ ์ค‘๋ฆฝ์ ์ธ ๋ฐฐ๊ฒฝ์ด๋ผ๊ธฐ ๋ณด๋‹ค, ์ง€๊ฐ์„ ์กฐ์ •ํ•˜๋Š” ํ•˜๋‚˜์˜ ์‹œ์Šคํ…œ์œผ๋กœ ๋Š๊ปด์ง€๊ฒŒ ๋˜์—ˆ์Šต๋‹ˆ๋‹ค. _์ตœ์œ ์ • ์ž‘๊ฐ€๋…ธํŠธ ์ค‘

Growing up across multiple countries led me to understand space not as a fixed environment but as something that is constantly reinterpreted. Before I fully understood language, I learned to navigate situations through spatial cues such as the direction of movement, the rhythm of circulation, and the arrangement of structures. Over time, space came to feel less like a neutral backdrop and more like something that actively shapes perception. _Excerpt from artistโ€™s statement

ใ€Š๐‘ป๐’Š๐’๐’ 7, ๐‘ญ๐’“๐’๐’Ž 7ใ€‹
๋“œ๋กœ์ž‰๋ฃธ ๊ฐœ๊ด€ 7์ฃผ๋…„ ๊ธฐ๋…์ „
์ด์‚ฐ์˜ค ์กฐ์ƒ์€ ์ตœ์œ ์ • ํ•œ์ง€ํ˜•
2026.4.10(๊ธˆ) โ€“ 5.2(ํ† )
ํ™”-ํ†  11-6pm (์ผ.์›” ํœด๊ด€)

______
*์ตœ์œ ์ • Windows to Nowhere 2024, 194ร—97cm (each), Oil on canvas

[๐‘ถ๐’ ๐‘ฝ๐’Š๐’†๐’˜] ๊ทธ๋™์•ˆ ๋‚˜๋Š” ํšŒํ™”๋ฅผ ํ˜„์‹ค ์„ธ๊ณ„์˜ ์‚ฌ๋ฌผ๋กœ ์ดํ•ดํ•˜๋ฉฐ, ๊ตฌ์กฐ์™€ ๋ฌผ์„ฑ์„ ๊ฐ•์กฐํ•˜๋Š” ๋ฐฉ์‹์œผ๋กœ ๋‘๊ป˜๊ฐ€ ์žˆ๋Š” ํ‘œ๋ฉด์„ ๊ตฌ์ถ•ํ•ด ์™”๋‹ค. ์ตœ๊ทผ์—๋Š” ์œ ๋ฆฌ์ฐฝ์„ ๋˜ ํ•˜๋‚˜์˜ ํ‘œ๋ฉด์ด์ž ์‚ฌ๋ฌผ๋กœ ๋ฐ”๋ผ๋ณด๋ฉฐ, ๊ณ ์ •๋œ ํ™”๋ฉด์— ๋น›, ๋ณ€ํ™”,...
23/04/2026

[๐‘ถ๐’ ๐‘ฝ๐’Š๐’†๐’˜]
๊ทธ๋™์•ˆ ๋‚˜๋Š” ํšŒํ™”๋ฅผ ํ˜„์‹ค ์„ธ๊ณ„์˜ ์‚ฌ๋ฌผ๋กœ ์ดํ•ดํ•˜๋ฉฐ, ๊ตฌ์กฐ์™€ ๋ฌผ์„ฑ์„ ๊ฐ•์กฐํ•˜๋Š” ๋ฐฉ์‹์œผ๋กœ ๋‘๊ป˜๊ฐ€ ์žˆ๋Š” ํ‘œ๋ฉด์„ ๊ตฌ์ถ•ํ•ด ์™”๋‹ค. ์ตœ๊ทผ์—๋Š” ์œ ๋ฆฌ์ฐฝ์„ ๋˜ ํ•˜๋‚˜์˜ ํ‘œ๋ฉด์ด์ž ์‚ฌ๋ฌผ๋กœ ๋ฐ”๋ผ๋ณด๋ฉฐ, ๊ณ ์ •๋œ ํ™”๋ฉด์— ๋น›, ๋ณ€ํ™”, ์ด๋™, ์‹œ๊ฐ„๊ณผ ๊ฐ™์€ ์œ ๋™์ ์ธ ์„ฑ์งˆ๋“ค์„ ํšŒํ™”์˜ ๋ฐฉ์‹์œผ๋กœ ๋‹ค๋ฃจ๊ณ  ์žˆ๋‹ค. ์‚ฌ๋ฌผ์˜ ํ‘œ๋ฉด์— ๋น„์น˜๊ณ  ๋จธ๋ฌด๋Š” ์ƒํƒœ์— ์ฃผ๋ชฉํ•˜๋ฉฐ, ์ด๋ฅผ ํšŒํ™”์˜ ํ‘œ๋ฉด์œผ๋กœ ์ „ํ™˜ํ•˜๊ณ  ์ถ•์ ํ•œ๋‹ค. ๋‹ค์ธต์ ์ธ ์‹œ๊ฐ„์˜ ์‚ฌ๋ฌผ๋กœ์„œ ํšŒํ™”๋ฅผ ํƒ์ƒ‰ํ•œ๋‹ค.
_์กฐ์ƒ์€ ์ž‘๊ฐ€๋…ธํŠธ ์ค‘

I have understood painting as an object in the real world, constructing thick, layered surfaces that emphasize structure and materiality. Recently, I have begun to view the window as another kind of surface and object, approaching its fluid qualities such as light, change, movement, and time through painterly means within a fixed frame.

Focusing on the states that appear and linger on the surface of objects, I translate and accumulate these moments onto the pictorial surface. Through this process, I explore painting as an object of layered temporality.
_Exerpt from the artist statement

ใ€Š๐‘ป๐’Š๐’๐’ 7, ๐‘ญ๐’“๐’๐’Ž 7ใ€‹
๋“œ๋กœ์ž‰๋ฃธ ๊ฐœ๊ด€ 7์ฃผ๋…„ ๊ธฐ๋…์ „
์ด์‚ฐ์˜ค ์กฐ์ƒ์€ ์ตœ์œ ์ • ํ•œ์ง€ํ˜•
2026.4.10(๊ธˆ) โ€“ 5.2(ํ† )
ํ™”-ํ†  11-6pm (์ผ.์›” ํœด๊ด€)
์ž‘ํ’ˆ๋ฌธ์˜ Inquires: DM | [email protected]

______
1.์กฐ์ƒ์€ A Pause Between Panes(Outside Bright-Outside Dark) 2026, 48ร—48ร—4cm, Acrylic and acrylic medium on canvas

2.์กฐ์ƒ์€ A Pause Between Panes(Outside Dark-Outside Bright) 2026, 48ร—48ร—4cm, Acrylic and acrylic medium on canvas

[๐‘ถ๐’ ๐‘ฝ๐’Š๐’†๐’˜] ๊ทธ๋™์•ˆ ๋‚˜๋Š” ํšŒํ™”๋ฅผ ํ˜„์‹ค ์„ธ๊ณ„์˜ ์‚ฌ๋ฌผ๋กœ ์ดํ•ดํ•˜๋ฉฐ, ๊ตฌ์กฐ์™€ ๋ฌผ์„ฑ์„ ๊ฐ•์กฐํ•˜๋Š” ๋ฐฉ์‹์œผ๋กœ ๋‘๊ป˜๊ฐ€ ์žˆ๋Š” ํ‘œ๋ฉด์„ ๊ตฌ์ถ•ํ•ด ์™”๋‹ค. ์ตœ๊ทผ์—๋Š” ์œ ๋ฆฌ์ฐฝ์„ ๋˜ ํ•˜๋‚˜์˜ ํ‘œ๋ฉด์ด์ž ์‚ฌ๋ฌผ๋กœ ๋ฐ”๋ผ๋ณด๋ฉฐ, ๊ณ ์ •๋œ ํ™”๋ฉด์— ๋น›, ๋ณ€ํ™”,...
23/04/2026

[๐‘ถ๐’ ๐‘ฝ๐’Š๐’†๐’˜]
๊ทธ๋™์•ˆ ๋‚˜๋Š” ํšŒํ™”๋ฅผ ํ˜„์‹ค ์„ธ๊ณ„์˜ ์‚ฌ๋ฌผ๋กœ ์ดํ•ดํ•˜๋ฉฐ, ๊ตฌ์กฐ์™€ ๋ฌผ์„ฑ์„ ๊ฐ•์กฐํ•˜๋Š” ๋ฐฉ์‹์œผ๋กœ ๋‘๊ป˜๊ฐ€ ์žˆ๋Š” ํ‘œ๋ฉด์„ ๊ตฌ์ถ•ํ•ด ์™”๋‹ค. ์ตœ๊ทผ์—๋Š” ์œ ๋ฆฌ์ฐฝ์„ ๋˜ ํ•˜๋‚˜์˜ ํ‘œ๋ฉด์ด์ž ์‚ฌ๋ฌผ๋กœ ๋ฐ”๋ผ๋ณด๋ฉฐ, ๊ณ ์ •๋œ ํ™”๋ฉด์— ๋น›, ๋ณ€ํ™”, ์ด๋™, ์‹œ๊ฐ„๊ณผ ๊ฐ™์€ ์œ ๋™์ ์ธ ์„ฑ์งˆ๋“ค์„ ํšŒํ™”์˜ ๋ฐฉ์‹์œผ๋กœ ๋‹ค๋ฃจ๊ณ  ์žˆ๋‹ค. ์‚ฌ๋ฌผ์˜ ํ‘œ๋ฉด์— ๋น„์น˜๊ณ  ๋จธ๋ฌด๋Š” ์ƒํƒœ์— ์ฃผ๋ชฉํ•˜๋ฉฐ, ์ด๋ฅผ ํšŒํ™”์˜ ํ‘œ๋ฉด์œผ๋กœ ์ „ํ™˜ํ•˜๊ณ  ์ถ•์ ํ•œ๋‹ค. ๋‹ค์ธต์ ์ธ ์‹œ๊ฐ„์˜ ์‚ฌ๋ฌผ๋กœ์„œ ํšŒํ™”๋ฅผ ํƒ์ƒ‰ํ•œ๋‹ค.
_์กฐ์ƒ์€ ์ž‘๊ฐ€๋…ธํŠธ ์ค‘

I have understood painting as an object in the real world, constructing thick, layered surfaces that emphasize structure and materiality. Recently, I have begun to view the window as another kind of surface and object, approaching its fluid qualities such as light, change, movement, and time through painterly means within a fixed frame.

Focusing on the states that appear and linger on the surface of objects, I translate and accumulate these moments onto the pictorial surface. Through this process, I explore painting as an object of layered temporality.
_Exerpt from the artist statement

ใ€Š๐‘ป๐’Š๐’๐’ 7, ๐‘ญ๐’“๐’๐’Ž 7ใ€‹
๋“œ๋กœ์ž‰๋ฃธ ๊ฐœ๊ด€ 7์ฃผ๋…„ ๊ธฐ๋…์ „
์ด์‚ฐ์˜ค ์กฐ์ƒ์€ ์ตœ์œ ์ • ํ•œ์ง€ํ˜•
2026.4.10(๊ธˆ) โ€“ 5.2(ํ† )
ํ™”-ํ†  11-6pm (์ผ.์›” ํœด๊ด€)
์ž‘ํ’ˆ๋ฌธ์˜ Inquries: DM | [email protected]

______
1.์กฐ์ƒ์€ A Pause Between Panes(Outside Bright-Outside Dark) 2026, 48ร—48ร—4cm, Acrylic and acrylic medium on canvas, 2026

2.์กฐ์ƒ์€ A Pause Between Panes(Outside Dark-Outside Bright) 2026, 48ร—48ร—4cm, Acrylic and acrylic medium on canvas

[๐‘ถ๐’ ๐‘ฝ๐’Š๐’†๐’˜] ๋‚˜๋Š” ์ƒ์ƒ์˜ ์ƒˆ์— ๋‚˜ ์ž์‹ ์„ ์ด์ž…ํ•˜๋ฉฐ, ๋ฌด์ค‘๋ ฅ ์†์œผ๋กœ ๋– ์˜ค๋ฅธ๋‹ค. ์ด๋•Œ ์กด์žฌ๋Š” ํ™˜์ƒ๊ณผ ๊ธฐํ˜•์˜ ๋„์ƒ์œผ๋กœ ํ™•์žฅ๋˜๋ฉฐ, ์ฐฐ๋‚˜์˜ ์ˆœ๊ฐ„ ์†์—์„œ ๋ฌด๊ฒŒ๋กœ๋ถ€ํ„ฐ ํ•ด๋ฐฉ๋œ ์ž์œ ๋กœ์šด ์˜ํ˜ผ์œผ๋กœ ๋น„์ƒํ•œ๋‹ค. ์ด ์ฒ ํ•™์  ๋น„ํ–‰์€ ์‹ค...
17/04/2026

[๐‘ถ๐’ ๐‘ฝ๐’Š๐’†๐’˜]
๋‚˜๋Š” ์ƒ์ƒ์˜ ์ƒˆ์— ๋‚˜ ์ž์‹ ์„ ์ด์ž…ํ•˜๋ฉฐ, ๋ฌด์ค‘๋ ฅ ์†์œผ๋กœ ๋– ์˜ค๋ฅธ๋‹ค. ์ด๋•Œ ์กด์žฌ๋Š” ํ™˜์ƒ๊ณผ ๊ธฐํ˜•์˜ ๋„์ƒ์œผ๋กœ ํ™•์žฅ๋˜๋ฉฐ, ์ฐฐ๋‚˜์˜ ์ˆœ๊ฐ„ ์†์—์„œ ๋ฌด๊ฒŒ๋กœ๋ถ€ํ„ฐ ํ•ด๋ฐฉ๋œ ์ž์œ ๋กœ์šด ์˜ํ˜ผ์œผ๋กœ ๋น„์ƒํ•œ๋‹ค. ์ด ์ฒ ํ•™์  ๋น„ํ–‰์€ ์‹ค์žฌ์˜ ์ค‘๋ ฅ์„ ์ž ์‹œ ๋ฉˆ์ถ”๊ณ , ์ƒˆ๋กœ์šด ์กด์žฌ ๋ฐฉ์‹์˜ ๊ฐ€๋Šฅ์„ฑ์„ ์—ฐ๋‹ค.
_์ด์‚ฐ์˜ค ์ž‘๊ฐ€๋…ธํŠธ ์ค‘

I project myself onto an imagined bird, rising into a state of weightlessness. In this moment, the self expands into imagery of fantasy and distortion, taking flight as a liberated spirit released from the burden of gravity, if only for an instant. This philosophical ascent suspends the pull of reality, opening up the possibility of new modes of being. _ Excerpt from the artistโ€™s statement

ใ€Š๐‘ป๐’Š๐’๐’ 7, ๐‘ญ๐’“๐’๐’Ž 7ใ€‹
๋“œ๋กœ์ž‰๋ฃธ ๊ฐœ๊ด€ 7์ฃผ๋…„ ๊ธฐ๋…์ „
์ด์‚ฐ์˜ค ์กฐ์ƒ์€ ์ตœ์œ ์ • ํ•œ์ง€ํ˜•
2026.4.10(๊ธˆ) โ€“ 5.2(ํ† )
ํ™”-ํ†  11-6pm (์ผ.์›” ํœด๊ด€)

______
*์ด์‚ฐ์˜ค Sanoh Lee ๊พ€๊ผฌ๋ฆฌ๊ฐ€ ์žˆ๋Š” ํ’๊ฒฝ Landscape with Oriole, 72.8ร—60.8cm, patinated copper, carbon, calcium, colored pencils, pigments on paper, 2026

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Seoul
04426

Opening Hours

Tuesday 11:00 - 19:00
Wednesday 11:00 - 19:00
Thursday 11:00 - 19:00
Friday 11:00 - 19:00
Saturday 11:00 - 19:00
Sunday 13:00 - 18:00

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+8227943134

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