Martes 11am - 6pm Miércoles 11am - 6pm Jueves 11am - 6pm Viernes 11am - 6pm Sábado 11am - 6pm

MASA

MASA is a design platform
MASA is a gallery, too
MASA is based in Mexico City
MASA shows collectible

28/10/2025

Silla Mitla is inspired by The Mitla archaeological site in Oaxaca, Mexico, which is one of the most important Zapotec sites in the country. The chair represents the intricate mosaic fretwork of the geometric patterns called grecas. Cast in pigmented red concrete, its geometric form invites interaction; inviting viewers not only to observe but to inhabit the work, transforming a sculptural object into a functional one.

Pedro Reyes (b. 1972, Mexico City) creates projects that turn social and political ideas into playful experiences. From turning guns into instruments to puppet shows debating economics, his work reframes complex subjects in ways that are accessible, participatory, and surprising.

Pedro Reyes�
Silla Mitla, 2022.
�Pigmented red concrete
45 × 54 × 80 cm
17.7 x 21.2 x 31.4 in

For inquiries: [email protected]�
Photography by Alejandro Ramirez

08/10/2025

Facade panels in their original condition, designed for the André Argouges School in Grenoble, France (1965) by Jean Prouvé, in powder-coated aluminum, from Galería Córdoba.

Each panel: 68 h × 43½ w × 2½ d in (173 × 110 × 6 cm).

Jean Prouvé was born in Nancy, France, in 1901. Prouvé‘s father Victor founded the École de Nancy, an Art Nouveau school that focused on hand-made objects. Apprenticing with an ironsmith as a teenager, he learned the value of simple forms and metalworking techniques. Prouvé founded his studio, Ateliers Jean Prouvé in 1923 and created restrained metal objects that rejected excess decoration. Within his workshop, he favored industrial materials like sheet steel, stainless steel, and aluminum. Engineers employed these materials in the emerging aircraft industry, and these materials inspired Prouvé to design a pre-fabricated houses with Le Corbusier in 1923 that was reminiscent of aircraft design. Working with Pierre Jeanneret and Charlotte Perriand, Prouvé created breathtaking furniture that forged the process of prefabrication. Prouvé tirelessly focused on finding creative and useful solutions to design problems throughout his career, crafting everything from aluminum vacation homes to university bookcases, living by his words that one should “never design anything that cannot be made.”

For inquires [email protected]

Photography by and an image of the school from an archive.

07/10/2025

CasaMASA installation in the bedroom, featuring Brian Thoreen’s “Rubber Frame Bed,” Pol Agustí’s “Cabeza del Tigre Floor Lamp,” Héctor Esrawe’s “Gear Side Table” and “Candlegrid VI,” Pedro Reyes’ “Silla Mitla,” and EWE Studio’s “Memoria Stool 3.”

For this exhibition, we have transformed the entire gallery into a home, exploring the often overlooked spaces of domesticity within our space in Mexico City. The exhibition is on view until December 6.

For inquiries [email protected]

Photography by

06/10/2025

Charlotte Vander Borght “Untitled (Morning Glory),” 2025 in conversation with Hollie Bowden “Space Cowboy,” 2020, at our current exhibition CasaMASA on view at our gallery until December 6, 2025.

For inquieres [email protected]

Photography by

03/10/2025

CasaMasa is on view until December 6 at our gallery in Mexico City.

Installation views from the bedroom featuring a Floating Credenza by Florence Knoll, 1960, alongside iconic ceramic bowls by James Lovera from . On the wall, a painting by , a drawing Samuel, 1983 by Adolfo Riestra. Wonderful paper lamp Vesica 2.0, 2024 by , bronze Rama, 2025 by the shell Espejo, 2024, Peine, 2024 and Mar y Sol, 2024 by

For inquires [email protected]

Photography by

02/10/2025

CasaMASA installation views featuring Pol Agustí’s “Cabeza del Tigre Floor Lamp” 2025 in tzalam, parota, and fiberglass, next to Ana Pellicer’s “Gates of Hell”, 1984 in copper.

The exhibition is on view until December 6, 2025 at our gallery in Mexico City.

For inquires [email protected]

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Vistas de la instalación de CasaMASA con la “Cabeza del Tigre Floor Lamp” (2025) de Pol Agustí en tzalam, parota y fibra de vidrio, junto a las “Puertas del Infierno” (1984) de Ana Pellicer en cobre.

La exposición estará abierta hasta el 6 de diciembre de 2025 en nuestra galería en Ciudad de México.

Mas información: [email protected]

30/09/2025

CasaMASA installation shots by
The exhibition is on view at our gallery in Mexico City until December 6, 2025.
Open Tuesday–Thursday, 11 am–6 pm, and Friday–Saturday, 11 am–4 pm.

Fotos de la instalación de CasaMASA por
La exposición está en exhibición en nuestra galería en la Ciudad de México hasta el 6 de diciembre de 2025.
Horario: martes a jueves de 11 am a 6 pm, y viernes a sábado de 11 am a 4 pm

Pictured desk and chairs by
Wall Lamp by .project
Gear Sidetable by
Painting by
House drawings by
Table lamp by
Ceiling lamp by
Copper mirror by
Light switch by

For inquired [email protected]

23/09/2025

THE HOUSE SHOW. OPENING SEPTEMBER 25, 5-9PM.
ADELINE DE MONSEIGNAT, ALMA ALLEN, ADOLFO RIESTRA, ALANA BURNS, ANA PELLICER, BRIAN THOREEN, CHARLOTTE VANDER BORGHT, DISIPLINA, EWE STUDIO, EX SOUP, CÓRDOBA, HÉCTOR ESRAWE, HOLLIE BOWDEN, LAISSA, LOUP SARION, MANUEL BAÑO, MARIO GARCÍA TORRES, MARROW, MATOS, MILENA MUZQUIZ, MICHEL FRANÇOIS, PANORAMMMA, PEDRO REYES, PERLA KRAUZE, POL AGUSTÍ, ROOMS STUDIO, TOMÁS DÍAZ CEDEÑO, XAVIER LORÁND.

BOOK CURATION BY ANA KARINA ZATARIN
PLANTS BY SALMIANA
BEDSHEETS BY DOMINGO
CLOTHES BY THE WAREHOUSE RENTAL

MASAThe House ShowOpening Thursday, September 25, from 5–9 pm at our gallery in Mexico City. Info@mmaassaa.comRubber Bed...

19/09/2025

MASA
The House Show
Opening Thursday, September 25, from 5–9 pm at our gallery in Mexico City.

[email protected]

Rubber Bed by Photography Adriana Galvadino for Ark Journal.

15/09/2025

Absolutely breathtaking custom Gear fireplace designed by Hector Esrawe () for a private residence by ✨

Reassigning value or intention to common materials is a constant in Héctor Esrawe’s design approach. In this instance, that pursuit finds a new level of expression through its integration into an architectural space of great relevance within contemporary architecture, conceived by the firm Sordo Madaleno.

The collaboration with architect Javier Sordo Madaleno and his team represents an exceptional opportunity to create a work that transcends the object itself — a piece that engages in an intimate dialogue with the architecture that contains it. The sensitivity and
understanding of Sordo Madaleno toward contemporary art and design made possible the realization of this unique, large-scale work that functions simultaneously as a wall sculpture and a functional fireplace. This duality reinforces the relationship between form, function, and space, and highlights the potential of design as an integrative and transformative language.

For the Gear Collection, honeycomb cardboard serves as the conceptual starting point. When cut into irregular forms, it reveals along its edges a series of random patterns with sculptural and architectural expression. The ability to contain and reinterpret these patterns in bronze and explore them at different scales results in objects that function both as utilitarian pieces and symbolic elements.

Photos by:

08/09/2025

Last day to see! MASA at Duet is open today until 7pm at the building.

Selections of works in conversation by Ana Pellicer and are presented as part of the debut WSA fair, responding to the curatorial prompt of the Duet. Thoreen’s ongoing investigations with beeswax, wood glue, and paper—materials more commonly used in construction—include a suite of stacked paper armchairs and a monumental new cast wallwork. These are paired with pieces by the late Ana Pellicer, whose formidable explorations of copper as jewelry for both giants and mortals highlight the enduring legacy and reward of material investigation.

Pictured:

BRIAN THOREEN
Information/Composition 001, 2025
Cast bees wax
155 x 284 cm
61 x 111 3/4 in
Unique

Paragraphic in Four Stacks, 2024
Manila paper and glue
66 x 228 x 180 cm
26 x 90 x 71 inches
Unique

Photography by

06/09/2025

Ana Pellicer “Hacha Tarasca,” 1992 on view at our Duet exhibition at the WSA building. On view until Monday September 8, 12-7pm.

Hammered Copper and Polished Metal
220 x 67 x 60 cm
86 5/8 x 26 3/8 x 23 5/8 in
Unique

Ana Pellicer (1943-2025, Mexico City) was a pioneering sculptor, educator, and environmentalist whose work bridges the realms of contemporary art, artisanal heritage, and social transformation.

Pellicer studied plastic arts at The Art Students League and The New School in New York before returning to Mexico to apprentice under sculptor James Metcalf in Santa Clara del Cobre, Michoacán — a town renowned for its pre-Hispanic coppersmithing tradition. She immersed herself in this tradition, becoming one of the few contemporary artists to master and reinvent copper as a sculptural medium through traditional forging and smelting techniques.

Living and working in Santa Clara del Cobre for over five decades, Pellicer became a pivotal figure in reviving and expanding the local artisan culture. She co-founded the Adolfo Best Maugard School of Arts and Techniques with James Metcalf in 1973, introducing technical training and opening the field of coppersmithing to women for the first time. Her efforts helped redefine the identity of the town and its artisans, merging ancient techniques with new forms of expression.

Photography by

Dirección

Joaquín A. Pérez 6, San Miguel Chapultepec
Mexico City
11850

Horario de Apertura

Martes	11am - 6pm
Miércoles	11am - 6pm
Jueves	11am - 6pm
Viernes	11am - 6pm
Sábado	11am - 6pm

Página web

http://www.mmaassaa.com/

Notificaciones

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