Karen Huber

Karen Huber Comprometida con la producción de proyectos curatoriales y la promoción de artistas jóvenes con trayectoria ascendente
Visitas: [email protected]

Galería Karen Huber se especializa en promover la investigación de lo pictórico en el trabajo de jóvenes artistas. Para ello, la galería cuenta con un sólido programa académico y un programa de residencias para artistas internacionales que nos permite impulsar el intercambio de reflexiones y posturas con nuestros artistas. Las exposiciones, la colaboración con instituciones culturales, así como la

participación en ferias nacionales e internacionales y las subastas son parte de nuestro compromiso de promover la escena del arte contemporáneo mexicano que retoma la pintura desde sus diferentes posibilidades sensibles y formales. Para visitar la galería hacer cita [email protected]

vimeo.com/karenhubergallery


English

Galería Karen Huber is a contemporary art platform that engages with the production of curatorial projects to bring together emerging artists in the national and international sphere. The gallery’s main focus is in pictorial production and the exploration of its processes in relation to other disciplines and forms of artistic representation. For more information please contact
[email protected]
[email protected]

We are thrilled to share the latest exhibition by  , “It All Began with these Drawings”, currently on view at the Shodos...
23/10/2025

We are thrilled to share the latest exhibition by , “It All Began with these Drawings”, currently on view at the Shodoshima Contemporary Art Museum, Mocha Hishio Annex, on Shodo Island, Japan, until November 9, 2025.

The show presents eight new works (3D and 2.5D) alongside images and documents from her ongoing series “How to Play in the Park”. This project revisits Namura’s process of translating her drawings into spatial and sculptural compositions, revealing the evolving dialogue between surface, structure, and play.




We are thrilled to share the latest exhibition by  , “It All Began with these Drawings”, currently on view at the Shodos...
23/10/2025

We are thrilled to share the latest exhibition by , “It All Began with these Drawings”, currently on view at the Shodoshima Contemporary Art Museum, Mocha Hishio Annex, on Shodo Island, Japan, until November 9, 2025.

The show presents eight new works (3D and 2.5D) alongside images and documents from her ongoing series “How to Play in the Park”. This project revisits Namura’s process of translating her drawings into spatial and sculptural compositions, revealing the evolving dialogue between surface, structure, and play.



We’re happy to share the essay written by   for , reflecting on the exhibition “Todo este tiempo, toda esta pintura”Than...
22/10/2025

We’re happy to share the essay written by for , reflecting on the exhibition “Todo este tiempo, toda esta pintura”

Thanks for this thoughtful piece on recent approaches and transformations in contemporary painting, and to Sandra for her insightful and sensitive perspective.

Read the full article on ONDA’s website.
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Nos alegra compartir el ensayo que escribió para sobre la exposición “Todo este tiempo, toda esta pintura”

Agradecemos a ONDA por esta reflexión sobre los procesos y transformaciones recientes en la pintura contemporánea, y a Sandra por su mirada crítica y sensible.

Lee el artículo completo en el sitio de ONDA.

.sgv .rangel.ramos .m_ .vdh

We’re proud to share that   has been included in 222 Artisti emergenti su cui investire / 2026, published by  and curate...
17/10/2025

We’re proud to share that has been included in 222 Artisti emergenti su cui investire / 2026, published by and curated by . The book, now in its fifth edition, highlights a selection of emerging artists shaping the landscape of contemporary art in Italy.

Cecilia’s inclusion celebrates her distinctive voice in contemporary painting, defined by a symbolic and emotional exploration of the body, intimacy, and memory.

At the gallery, we’ve had the pleasure of working with Cecilia on two occasions, including the group exhibition Todo este tiempo, toda esta pintura, where her work Árbol (2025) is currently on view until December. We’re also thrilled to announce that in 2026 we’ll present her first solo exhibition at our space.

“Árbol”, 2025
Oil on canvas
110 × 80 cm



 Entre 2019 y 2020, la galería presentó exposiciones que profundizaron en la relación entre materia y espacio pictórico....
16/10/2025


Entre 2019 y 2020, la galería presentó exposiciones que profundizaron en la relación entre materia y espacio pictórico.

“Mother of Pearls” de , “Roseta” de , “Sticksville” de , la colectiva con obras de , , , , , , , y , así como “Para mi hija” de , “La destreza de un pintor consiste en saber pintar el aire” de y “Mundonomundo” de , conformaron un periodo marcado por la experimentación formal y el diálogo entre procesos y materialidades dentro de la pintura.





sgv






Como parte de la exposición “Todo este tiempo, toda esta pintura”, continúa el ciclo de pláticas con artistas, curadores...
15/10/2025

Como parte de la exposición “Todo este tiempo, toda esta pintura”, continúa el ciclo de pláticas con artistas, curadores y agentes del circuito del arte programadas de septiembre a diciembre.

La segunda sesión, “La pintura como medio para pensar género, cuerpo y memoria”, se llevará a cabo el miércoles 22 de octubre a las 7:00 p.m. en la galería, con la participación de , y , moderada por el curador (Director del Museo de Arte de Sonora).






Gracias a por acompañarnos en este ciclo de pláticas.

These beautiful paintings by   are part of the group show “Todo este tiempo, toda esta pintura.”The exhibition can be vi...
14/10/2025

These beautiful paintings by are part of the group show “Todo este tiempo, toda esta pintura.”
The exhibition can be visited Tuesday to Friday from 11 a.m. to 3 p.m. and 4 to 7 p.m., and on Saturdays from 11 a.m. to 3 p.m.

(b. 1985, Tallinn) is an Estonian painter whose work centers on color, light, text, and space—paintings that often take the form of site-specific installations. For Kongi, painting is a way of documenting spaces and objects of personal significance, capturing time and emotional memory through vivid chromatic perception. Her works invite viewers to experience the color and light of moments that have passed yet continue to resonate.

“Home is where the heart is. With Deep Lilac and Warm Yellow”, 2025
Mixed technique on paper and on plywood
58 × 41.5 cm

“I can see the sea clearly. Bright and deep”, 2025
Mixed technique on paper and on plywood
58 × 40.7 cm


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Now on view: “Figure it Out: Lucía Vidales Selects” at the Kemper Museum of Contemporary Art ( ).Curated by  , the exhib...
10/10/2025

Now on view: “Figure it Out: Lucía Vidales Selects” at the Kemper Museum of Contemporary Art ( ).

Curated by , the exhibition takes her monumental charcoal mural Hambre—originally commissioned for the Museum’s Atrium Project (2024–25)—as a starting point to revisit the figure in contemporary art.

Through a selection of works from the Kemper Museum’s Collection (1935–2023), Vidales brings together paintings, drawings, photographs, and prints that expand on the mural’s gestures, exploring how the human and non-human figure can be reimagined within and beyond the picture plane.

Featuring artists such as Romare Bearden, Judy Chicago, Nan Goldin, David Hockney, Paula Rego, Wayne Thiebaud, Andy Warhol, and more, Figure it Out reflects on the shifting ways we see, compose, and embody images today.

On view through January 11, 2026.




📸 E.G. Schempf, courtesy of the Kemper Museum of Contemporary Art

Come visit “Todo este tiempo, toda esta pintura”, the group show celebrating 11 years of the gallery.Open Tuesday to Fri...
08/10/2025

Come visit “Todo este tiempo, toda esta pintura”, the group show celebrating 11 years of the gallery.
Open Tuesday to Friday, 11 a.m. – 3 p.m. and 4 p.m. – 7 p.m.; Saturday, 11 a.m. – 3 p.m.

“All This Time, All This Painting” revisits and celebrates the construction of a program focused on the multiple possibilities of contemporary painting. Here, material, gestural, conceptual, figurative, and abstract works coexist, marked by both intuitive and process-driven approaches that reveal an ongoing investigation of surface, support, image, and symbolic power.

The intersection of geographies and languages forms the core of this exhibition, where overlapping temporalities and aesthetic affinities unfold without aiming for a totalizing narrative. With a touch of nostalgia that acknowledges the path traveled, this exhibition projects an open, vital, and energetic vision of painting as a space still fertile for experimentation. This project is also an affirmation: painting — despite, or precisely because of, its charged history — remains a place from which to think, challenge, and transform the contemporary.

On view until December 2025.
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  es una de las 34 artistas que forman parte de la exposición colectiva “Todo este tiempo, toda esta pintura”.La exposic...
07/10/2025

es una de las 34 artistas que forman parte de la exposición colectiva “Todo este tiempo, toda esta pintura”.
La exposición puede visitarse de martes a viernes de 11 am a 3 pm y de 4 a 7 pm, y los sábados de 11 am a 3 pm.

La obra de explora imaginarios poshumanos a través de la pintura, el sonido y el cine, contemplando intersecciones entre cuerpos orgánicos y mecánicos, así como entre escenarios industriales y domésticos. Recibió las becas Raul Urtasun-Frances Harley Fellowship, The Banff Centre, Canadá (2015); y la Pollock-Krasner Foundation Fellowship, EE.UU. (2019). En 2020 su película El Lado Quieto, codirigida con Miko Revereza, fue seleccionada por el ACC (Asia Culture Center) Cinema Fund (Corea del Sur), y se ha presentado en festivales alrededor del mundo.

“Pantallas rojas de noviembre” (de la serie Trazos cuánticos)
2024
Oil on canvas assembled with papier-mâché
150 × 100 × 5 cm


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Happy to announce that “Señora Lapislázuli 1” by   has been acquired by the San Antonio Museum of Art.  This work was or...
01/10/2025

Happy to announce that “Señora Lapislázuli 1” by has been acquired by the San Antonio Museum of Art.
This work was originally presented in May 2025 as part of the solo exhibition ‘Señora Lapislázuli’ in our Project Room.

“First large-format work (the only one on a black support) created for the exhibition titled ‘Lady Lapislazuli’ at Galería Karen Huber.
It is a composition of three sections in ascending vertical order. The first, at the bottom and largest in area, shows the world and its dynamic and metamorphic condition around a deer (a symbolic animal associated with mystical virtue) that participates and feeds on that world and is at the same time separated from it in a frame. The middle and upper parts of the composition have a transcendent and portentous tone. First, a night sky with stars and birds over which a majestic feminine figure appears. Finally, and above, another convex sky crowned with serpentine lines. These three hierarchical and differentiated levels are unified by the same darkness and the same light, a paradox that fuses and divides the perishable and the inextinguishable.”

— Statement for the albigraphy by the artist
rangel.ramos
___a


‘Señora Lapislázuli 1’, 2025
Albigraphy (water, quartz sandpaper friction, and plant binder of cactus and seeds on black polymethylmethacrylate)
98.43 x 72.83 in

Como parte de la exposición “Todo este tiempo, toda esta pintura”, lanzamos un ciclo de pláticas para reflexionar y dial...
30/09/2025

Como parte de la exposición “Todo este tiempo, toda esta pintura”, lanzamos un ciclo de pláticas para reflexionar y dialogar sobre el estado de la pintura hoy, explorando diferentes abordajes, perspectivas y temáticas. Celebramos así los once años de la galería invitándote a pensar y conversar junto a artistas, curadores y agentes del arte.

Todas las pláticas serán presenciales y todxs son bienvenidxs. De septiembre a diciembre, acompáñanos en estas conversaciones y encuentros especiales.

.rangel.ramos .vdh

Dirección

Bucareli #120
Mexico City
06600

Teléfono

+525550866210

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