05/09/2026
From Lewis Hine’s early 20th-century photographs of adolescent textile workers to images of the moon, smoke, flowers, and patterned fabrics, Lisa Oppenheim explores the photographic image through appropriation, pattern, repetition, and handmade processes.
Spine revisits Hine’s photographs from the Library of Congress archive. Oppenheim repurposed images depicting adolescent textile workers, primarily young women whose bodies were affected by the damaging conditions of textile manufacturing.
While Billowing brings together works made without a camera, using digital negatives and photograms. With references to early artistic photography and the rich surfaces of her prints, Oppenheim’s work is a homage to the handmade print.
📷 Lisa Oppenheim — Spine & Billowing
📚 Now available at the Photography Library
📍 Huis Marseille, Museum for Photography