Suzanne Biederberg Gallery

Suzanne Biederberg Gallery Contactgegevens, kaart en routebeschrijving, contactformulier, openingstijden, diensten, beoordelingen, foto's, video's en aankondigingen van Suzanne Biederberg Gallery, Kunstgalerie, 1e Egelantiersdwarsstraat 1, Amsterdam.

UPCOMING EXHIBITIONJUUL VAN DEN HEUVELHorses, Trees, and David Bowie / The StudioSculpture, paintings, and works on pape...
10/05/2026

UPCOMING EXHIBITION
JUUL VAN DEN HEUVEL

Horses, Trees, and David Bowie / The Studio
Sculpture, paintings, and works on paper

16 May – 20 June 2026
OPENING Saturday 16 May 4-7pm
In the presence of the artist

The Suzanne Biederberg Gallery is delighted to invite you to our latest exhibition of Juul van den Heuvel’s most recent work—collaborating over 35 years!

Across more than three decades, van den Heuvel has developed a distinctive body of work that is both personal and universal. Her art invites the viewer to slow down, to look closely and to find beauty in what is both fragile and hidden, humorous and deep.

Her tools and influences:
the iron blade - to cut the sharp edges into the cloth
charcoal - to add, layer by layer
cloth - touch, sculpt
yellow - to leave one’s comfort zone
cats - play
time - presence
teacher - David Bowie

According to van den Heuvel: Fragments of memories play an important role in our lives—in my practice, in the studio. They recur throughout the work, appearing as a mood, as a narrative, as an image. The studio IS the work, a space where thinking and making are inseparable.

In the studio, the hand touches material—the wool, to knit pieces of time. Wool, cloth and charcoal become tools for passing time. Knitting, layering and shaping it into form. Textiles, soft structures that hold traces of the past. Drawing, on paper, through the slow layering of charcoal, to reveal intensive labour and repetition.

Making becomes an act of survival. The thinking and the doing take place simultaneously. There are horses for their strength and vulnerability, fairy tales adjacent to reality, monsters and angels.

The studio: do not judge, but let it be guesswork. Let the work grow and change. All is permitted, all is allowed.

For more information or press material, please contact the gallery.

Suzanne Biederberg Gallery 1e Egelantiersdwarsstraat 1 1015 RW Amsterdam
Tel: +31 6 2471 8171 Email: [email protected] Website: www.biederberg.com
Open Thursday - Saturday 14:00-18:00 and by appointment

(IMAGE) Juul van den Heuvel, Fenêtre 2026, paint, paper, glass, 52 x 35 cm

Through 21 MarchKARS PERSOONAccomplice of the unfinished Work on paper and one sculptureSuzanne Biederberg Gallery 1e E...
05/03/2026

Through 21 March

KARS PERSOON
Accomplice of the unfinished

Work on paper and one sculpture

Suzanne Biederberg Gallery 1e Egelantiersdwarsstraat 1 1015 RW Amsterdam
Tel: +31 6 2471 8171 Email: [email protected] Website: www.biederberg.com
Open Thursday - Saturday 14:00-18:00 and by appointment

UPCOMING EXHIBITIONKARS PERSOON: Accomplice Of The UnfinishedWork on paper and one sculpture21 February – 21 March 2026O...
18/02/2026

UPCOMING EXHIBITION
KARS PERSOON: Accomplice Of The Unfinished
Work on paper and one sculpture

21 February – 21 March 2026
OPENING Saturday 21 February 3-7pm
In the presence of the artist

The Suzanne Biederberg Gallery is delighted to invite you to our second exhibition of Kars Persoon’s most recent work.

In ACCOMPLICE OF THE UNFINISHED, Persoon confronts the dizzying array of possibilities on a blank sheet of paper—the white, its potential, all that can appear, the open, it exists for the humanised fire of performance. And what then unfolds is constantly underway and unfinished.

In his long and esteemed career as an artist and teacher, Persoon (Eindhoven, 1954) has, beside his knowledgeable and informed interests in literature, music, poetry, philosophy and history, produced a huge body of experimental artwork.

Of his recent oeuvre, Persoon notes that, since 2025, form and content have come very close together. Using gum arabic with pigments, crayon and watercolour, he now works on stone paper, which allows him to work more precisely and revealing every trace of the action much more directly. Stone paper is very like marble, in that it has much more clarity, and its characteristic smoothness enhances his hand’s freedom, enabling him to better choreograph the figures. Persoon has also experienced a much greater intertwining of the themes and the characteristic appearance of the fluid and the solid.

The themes that come into focus in the works we are exhibiting are: the figure as individual (with its question of consciousness and self-awareness), the figure in encounters within a group, and its awareness of both; the figure in its connection with the Earth as a living organism (Bruno Latour); the process of BECOMING an image, and of the emerging image orienting itself toward a subsequent image. From these themes arise the title of this exhibition: ACCOMPLICE OF THE UNFINISHED. Regarding the role of the show’s sculpture, Persoon found the statement in Plato’s “Timaeus” most resonant: “What is the ever-existent that has no origin, and what is the ever-originating that never exists?” The sculpture represents BEING, while the works on paper represent BECOMING.

For more information or press material, please contact the gallery.

Suzanne Biederberg Gallery 1e Egelantiersdwarsstraat 1 1015 RW Amsterdam
Tel: +31 6 2471 8171 Email: [email protected] Website: www.biederberg.com
Open Thursday - Saturday 14:00-18:00 and by appointment

(IMAGE)
THE SECOND OF TWO
Ceramic + engobe silver chamois
142 cm

FINISSAGE In the presence of the artistSaturday 14 February 4-7pmTON ZWERVER: I just can’t say, maybe tomorrow.Recent sc...
10/02/2026

FINISSAGE In the presence of the artist

Saturday 14 February 4-7pm

TON ZWERVER: I just can’t say, maybe tomorrow.
Recent sculpture, photography, and video

The Suzanne Biederberg Gallery has been delighted to begin 2026 with the return of Ton Zwerver and his new exhibition I just can’t say, maybe tomorrow. He continues to work with everyday objects, taking them out of their original context to give them a new meaning. What was once practical becomes sculptural, poetic, or absurd. In his work, he plays with the tension between control and letting loose, between thinking and not-knowing—uncertainly in motion.

In his new series, titled “Trying to get a grip on the situation”, Zwerver investigates the small, often unremarked-on moments of existence: the waiting, the doubting, the delaying. His own body is the starting point for sculptural situations, in which motion and rest alternate. The objects move not through technique but through their presence—through breathing, touching, and gravity.

Zwerver’s videos show these short-lived sculptures: colourful, playful, and sometimes painful, yet ephemeral—as soon as the filming ends, they fall into separate parts, waiting for the next improvisation. His work is temporary, physical, and intuitive. He acknowledges how the unknown and incompleteness are part of our everyday reality. His work invites one to look without expectation, to the moment in which something almost falls or stops or commences to move again.
Ton Zwerver (1951) lives and works in Amsterdam and is a graduate of the Gerrit Rietveld Academie and the RIjksakademie. He exhibits, lectures, and conducts workshops nationally and internationally.

nederlands
De Suzanne Biederberg Galerie is verheugd 2026 te beginnen met de terugkeer van Ton Zwerver. In zijn nieuwe tentoonstelling 'I just can’t say, maybe tomorrow' werkt hij opnieuw met alledaagse voorwerpen die hij uit hun context haalt en van een nieuwe betekenis voorziet. Wat ooit praktisch was, wordt sculpturaal, poëtisch of absurd In zijn werk speelt hij met de spanning tussen controle en loslaten, tussen denken en ongewisse. Het ongewisse in beweging.

In de serie “Trying to get a grip on the situation” onderzoekt Zwerver de kleine, vaak onopgemerkte momenten van het bestaan: het wachten. het twijfelen, het uitstellen. Zijn eigen lichaam wordt het uitgangspunt voor sculpturale situaties waarin beweging en verstilling elkaar afwisselen.De objecten bewegen niet door techniek, maar door zijn aanwezigheid - door adem, aanraking, zwaartekracht.

Zijn video's tonen deze kortstondige sculpturen: kleurrijk, speels en soms wringend. Zodra de opname eindigt, vallen ze uiteen in losse onderdelen, wachtend op een volgende improvisatie.

Zwervers werk is tijdelijk, fysiek en intuïtief. Hij verkent hoe het ongewisse en het onvolmaakte deel uitmaken van onze dagelijkse werkelijkheid. Zijn werk nodigt uit tot kijken zonder verwachting - naar het moment waarop iets bijna valt, bijna stopt, of juist weer in beweging komt.

Ton Zwerver (1951) woont en werkt in Amsterdam. Opleiding: de Gerrit Rietveld Academie en de RIjksakademie.

For more information or press material, please contact the gallery.

Suzanne Biederberg Gallery 1e Egelantiersdwarsstraat 1 1015 RW Amsterdam
Tel: +31 6 2471 8171 Email: [email protected] Website: www.biederberg.com
Open Thursday - Saturday 14:00-18:00 and by appointment

(IMAGE)
Ton Zwerver, he needs space, 2025, video on iPad, 00.00.50, ed 3

UPCOMING EXHIBITIONTON ZWERVER: I just can’t say, maybe tomorrow.Recent sculpture, photography, and video10 January – 14...
08/01/2026

UPCOMING EXHIBITION

TON ZWERVER: I just can’t say, maybe tomorrow.
Recent sculpture, photography, and video

10 January – 14 February 2026
OPENING Saturday 10 January 4-7pm
In the presence of the artist

The Suzanne Biederberg Gallery is delighted to begin 2026 with the return of Ton Zwerver and his new exhibition I just can’t say, maybe tomorrow. He continues to work with everyday objects, taking them out of their original context to give them a new meaning. What was once practical becomes sculptural, poetic, or absurd. In his work, he plays with the tension between control and letting loose, between thinking and not-knowing—uncertainly in motion.

In his new series, titled “Trying to get a grip on the situation”, Zwerver investigates the small, often unremarked-on moments of existence: the waiting, the doubting, the delaying. His own body is the starting point for sculptural situations, in which motion and rest alternate. The objects move not through technique but through their presence—through breathing, touching, and gravity.

Zwerver’s videos show these short-lived sculptures: colourful, playful, and sometimes painful, yet ephemeral—as soon as the filming ends, they fall into separate parts, waiting for the next improvisation. His work is temporary, physical, and intuitive. He acknowledges how the unknown and incompleteness are part of our everyday reality. His work invites one to look without expectation, to the moment in which something almost falls or stops or commences to move again.
Ton Zwerver (1951) lives and works in Amsterdam and is a graduate of the Gerrit Rietveld Academie and the RIjksakademie. He exhibits, lectures, and conducts workshops nationally and internationally.

nederlands
De Suzanne Biederberg Galerie is verheugd 2026 te beginnen met de terugkeer van Ton Zwerver. In zijn nieuwe tentoonstelling 'I just can’t say, maybe tomorrow' werkt hij opnieuw met alledaagse voorwerpen die hij uit hun context haalt en van een nieuwe betekenis voorziet. Wat ooit praktisch was, wordt sculpturaal, poëtisch of absurd In zijn werk speelt hij met de spanning tussen controle en loslaten, tussen denken en ongewisse. Het ongewisse in beweging.

In de serie “Trying to get a grip on the situation” onderzoekt Zwerver de kleine, vaak onopgemerkte momenten van het bestaan: het wachten. het twijfelen, het uitstellen. Zijn eigen lichaam wordt het uitgangspunt voor sculpturale situaties waarin beweging en verstilling elkaar afwisselen.De objecten bewegen niet door techniek, maar door zijn aanwezigheid - door adem, aanraking, zwaartekracht.

Zijn video's tonen deze kortstondige sculpturen: kleurrijk, speels en soms wringend. Zodra de opname eindigt, vallen ze uiteen in losse onderdelen, wachtend op een volgende improvisatie.

Zwervers werk is tijdelijk, fysiek en intuïtief. Hij verkent hoe het ongewisse en het onvolmaakte deel uitmaken van onze dagelijkse werkelijkheid. Zijn werk nodigt uit tot kijken zonder verwachting - naar het moment waarop iets bijna valt, bijna stopt, of juist weer in beweging komt.

Ton Zwerver (1951) woont en werkt in Amsterdam. Opleiding: de Gerrit Rietveld Academie en de RIjksakademie.

For more information or press material, please contact the gallery.

Suzanne Biederberg Gallery 1e Egelantiersdwarsstraaty 1 1015 RW Amsterdam
Tel: +31 6 2471 8171 Email: [email protected] Website: www.biederberg.com
Open Thursday - Saturday 14:00-18:00 and by appointment

(IMAGE) Ton Zwerver, I just can’t say, maybe tomorrow, 2025, mixed media, installation view

(Image: Lies Neve, Self reflection for feet, 2025, video 2’ loop (video still))(Review of Exhibition Playtime: Lies Neve...
18/12/2025

(Image: Lies Neve, Self reflection for feet, 2025, video 2’ loop (video still))

(Review of Exhibition Playtime: Lies Neve and Maurice van Tellingen. Through 20 December)

Het Parool: Edo Dijksterhuis: Go See It
The "Go See It!" section highlights a gem every week.
2 December 2025

Swiping foot in Lies Neve's video mainly wants to know: I look better than those other feet, right?

Sometimes a single work of art is worth a visit to a gallery or art space in Amsterdam. This is true for Self-reflection for Feet (2025), a video by Lies Neve, in which a foot swipes past the Tinder offerings.

The big toe is a bit clumsy and blunt. Toes number 2 and 3 are a bit too close together. And that instep could have been a bit more pronounced. But: no toenail fungus or strange fungus, no hammertoes. This is actually a perfectly fine foot. Not a particularly beautiful thing, but certainly not an ugly foot that should stay in its sock.

The foot that stars in Self-reflection for Feet, a video by Lies Neve, is an average specimen. It's even unclear whether we're dealing with a male or female foot. Either way, this foot is looking for company. On an iPad, it swipes past its peers.

We see leisurely feet relaxing in the mud, athletic feet on the cinder track, and Burgundian feet snuggled comfortably in front of the fireplace. One pair of feet does a seductive half-step—they've clearly been practising in front of the mirror for hours. Another pair are being pampered by massaging hands.

Still not good enough, so next

A picture of wrinkled soles that clearly haven't had any moisturiser in ages is quickly swiped past. A pair of chubby toes is longing lingered over. But ultimately, the photos are swiped left every time. Which, in the language of dating apps like Tinder, means: still not good enough, next.

The foot might not want a partner for long walks or a quick fling for an evening of foot play. Those other feet are merely comparison materials, mirrors meant to answer questions like, "Do I meet the norm?" or "I look better than that, don't I?"

Rehabilitation for the Foot

Neve's website features a quote from "Symbolic Foot," with which philosopher Cornelis Verhoeven earned his doctorate in 1956. Later a professor, he is considered by many to be the most original thinker of our language in the 20th century, draws readers' attention to the large number of expressions in which feet play a role: from "living on a grand scale" and "getting on good terms" to "going barefoot" and "being fired on the spot." But as the body part furthest removed from the head, the foot must make do with a lowly appreciation.

Neve's video is a kind of rehabilitation for our lowly body part. At the same time, the equally relatable and hilarious "Self-Reflection for Feet" offers commentary on the self-promotion and narcissism that are so prevalent in contemporary visual culture.

More Feet

Feet are also the main characters in Lies Neve's Modern Nudes (1992). In this video, also part of this exhibition, a pair of feet leafs through a photo book full of artistic black-and-white nudes, which immediately become somewhat ludicrous.

Literature

Before Lies Neve studied art at De Ateliers, she studied literature at the University of Amsterdam.

Ordinariness in Miniature

Neve exhibits together with Maurice van Tellingen. He makes models and mock-ups of everyday objects: a colourful seesaw under a bell jar or a sandbank with a bench the size of a side table. Often, these are toys or play situations, but there's no fun involved.

UPCOMING EXHIBITION:LIES NEVEMAURICE VAN TELLINGENPLAYTIME Recent video, photography, and sculptureOPENING Saturday 22 N...
14/11/2025

UPCOMING EXHIBITION:

LIES NEVE
MAURICE VAN TELLINGEN

PLAYTIME
Recent video, photography, and sculpture

OPENING Saturday 22 November 5-7 pm
22 November- 20 December 2025

The exhibition will be opened by Joost Vermeulen, Director of Kunsttraject, journalist, and archaeologist

(IMAGE: Installing “Playtime”)

Last chance to see!JANS MUSKEEUntitled (“look around you”)Recent paintings, works on paper, and sculpture Through 01 Nov...
30/10/2025

Last chance to see!

JANS MUSKEE
Untitled (“look around you”)
Recent paintings, works on paper, and sculpture

Through 01 November 2025

For more information or press material, please contact the gallery.

Suzanne Biederberg Gallery 1e Egelantiersdwarsstraat 1 1015 RW Amsterdam
Tel: +31 6 2471 8171 Email: [email protected] Website: https://www.biederberg.com

Open Thursday - Saturday 14:00-18:00 and by appointment

(Image: Jans Muskee, “wolkje”/“cloudlet”, 2025, klei,15 x 20 cm)

Laatste dagen!JANS MUSKEEUntitled (“look around you”)Recent paintings, works on paper, and sculpture Through 01 November...
25/10/2025

Laatste dagen!

JANS MUSKEE
Untitled (“look around you”)
Recent paintings, works on paper, and sculpture

Through 01 November 2025

For more information or press material, please contact the gallery.

Suzanne Biederberg Gallery 1e Egelantiersdwarsstraat 1 1015 RW Amsterdam
Tel: +31 6 2471 8171 Email: [email protected] Website: https://www.biederberg.com

Open Thursday - Saturday 14:00-18:00 and by appointment

(Image: The artist in profile in front of his work - “voor de tv” [“in front of the TV”], 2022-2025, oil pastel on paper, 200 x 165 cm)

Jans Muskee exhibition opening yesterday.Opening by Sito Rozema, Curator Museum MORE
28/09/2025

Jans Muskee exhibition opening yesterday.

Opening by Sito Rozema, Curator Museum MORE

Adres

1e Egelantiersdwarsstraat 1
Amsterdam
1015RW

Openingstijden

Donderdag 14:00 - 18:00
Vrijdag 14:00 - 18:00
Zaterdag 14:00 - 18:00

Telefoon

+31624718171

Website

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