20/10/2026
The title Wilson & Kelling Collage connects Antigoon’s work to a debate about how we interpret marks in public space.
James Q. Wilson and George L. Kelling introduced the ‘broken windows’ theory in 1982. They proposed that visible signs of neglect could encourage further disorder and crime. Within their argument, graffiti was understood as a sign that an environment was no longer under control.
Antigoon’s background in graffiti brings this reference into his own artistic practice. His abstract compositions explore a visual language with its own carefully developed structures. Read alongside the title, they invite us to consider how judgments about order and disorder influence what we see, and how those judgments change with context.
We are presenting ’s work for the first time in Construct, on view until 14 November.
Root Gallery, Krimpen aan de Lek Friday and Saturday, 13:00–17:00, and by appointment.