27/07/2026
THE PROTEST SONG THAT WAS NEVER SUPPOSED TO BE THE HIT
It wasn't supposed to be the hit. It wasn't even supposed to be the A-side.
ON THIS DATE (61 YEARS AGO)
July 26, 1965 – Barry McGuire: "Eve of Destruction" b/w "What Exactly's the Matter With Me" is released in the U.S.
"The writer is simply relating conditions in the world today." — Dunhill executive Lou Adler, defending the song against accusations that it was merely a protest record.
It wasn't supposed to be the hit.
It wasn't even supposed to be the A-side.
Released on July 26, 1965, "Eve of Destruction" would become one of the defining songs of the 1960s, reaching No. 1 on both the Billboard Hot 100 and Cash Box charts, while climbing to No. 3 in the UK. Yet almost everything about its success happened by accident.
The song was written by 19-year-old P.F. Sloan, who later recalled composing it during a single overnight writing session as what he described as "a prayer to God for an answer." Publishers dismissed it as "unpublishable," and even Barry McGuire wasn't especially enthusiastic about recording it. In fact, he preferred another Sloan composition, "What's Exactly's the Matter With Me," which was originally intended to be the record's A-side. "Eve of Destruction" was simply recorded last if there was time.
There wasn't much time.
McGuire recorded the vocal in a single rough take, reading from a crumpled lyric sheet while P.F. Sloan played acoustic guitar alongside members of the legendary Wrecking Crew, including Hal Blaine and Larry Knechtel. The vocal was never meant to be the finished performance—but no polished version was ever needed.
Then came the twist that changed everything.
According to Sloan, somewhere in the American Midwest, a radio DJ accidentally flipped the record over and played the B-side instead of the intended single. Listeners immediately responded, radio stations began adding the song, and within days "Eve of Destruction" had become a national sensation.
Its lyrics confronted racism, political hypocrisy, civil rights, war, and Cold War fears at a time when America was deeply divided. While many labeled it a protest song, Sloan always insisted it had been misunderstood.
"I have felt it was a love song and written as a prayer because, to cure an ill you need to know what is sick."
The reaction was immediate and fierce. Some radio stations refused to play it, critics attacked Sloan as unpatriotic, and the controversy surrounding the song ultimately overshadowed both the songwriter and the singer. Sloan later reflected that the record "ruined Barry's career as an artist" and soon drove him out of the music business as well.
More than sixty years later, "Eve of Destruction" remains one of the most powerful and influential songs ever written about an uncertain world. Born from a rushed recording session, an overlooked B-side, and an accidental radio play, it became far more than a hit record—it became one of the defining voices of a generation.