Galeria Vera Cortês

Galeria Vera Cortês Lisbon-based contemporary art gallery. More info: www.veracortes.com

Instagram: D. Themlitz

Artists represented by Galeria Vera Cortês:

Alexandre Farto aka Vhils
André Romão
Angela Detanico / Rafael Lain
António Bolota
Armanda Duarte
Carlos Bunga
Céline Condorelli
Charbel-joseph H. Boutros
Daniel Blaufuks
Daniel Gustav Cramer
Gabriela Albergaria
Gonçalo Barreiros
Joana Escoval
João Louro
John Wood and Paul Harrison
José Pedro Croft
Nuno da Luz
Susanne S.

Ana Vieira’s ‘The Narrative Structure’ is on view at the gallery.Curated by Antonia Gaeta, who has worked on Ana Vieira’...
02/06/2026

Ana Vieira’s ‘The Narrative Structure’ is on view at the gallery.

Curated by Antonia Gaeta, who has worked on Ana Vieira’s Estate as a member of the Scientific Advisory Board for the Artist’s Estate (alongside Astrid Suzano and Sofia Gomes), the show brings together two works which epitomize the tension between interior and exterior, representation and reality.

Please note that the gallery will be closed for holidays on the 4, 10 and 13 June.

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Image: Ana Vieira, ‘The Narrative Structure’, 2026. Exhibition view at the gallery. Photo: Bruno Lopes

That's a wrap at ARCOlisboa!Thank you to all those who visited our booth with a selection of works by Ana Vieira ( ), Ar...
31/05/2026

That's a wrap at ARCOlisboa!

Thank you to all those who visited our booth with a selection of works by Ana Vieira ( ), Armanda Duarte ( ), André Romão (), João Louro (), João Pimenta Gomes (), and Susanne S. D. Themlitz ().

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Images: Bruno Lopes

Today is the last day at ARCOlisboa!Conceived as an artist’s book in the form of an archive box, this work by Susanne Th...
31/05/2026

Today is the last day at ARCOlisboa!

Conceived as an artist’s book in the form of an archive box, this work by Susanne Themlitz brings together 26 pieces, including photogravures, Giclée prints, drawings, and original paintings. The ensemble is presented in a conservation box with a transparent polycarbonate window, allowing a glimpse of its contents.

“Susanne S. D. Themlitz entices us – the viewers – to mingle or interact with her brainchildren-characters who people the exhibition spaces, suggesting we may all become part of the same community while in the same space. Thus, she calls for a reassessment of the established rules that predicate our relationship with the different non-human life forms that some bluntly ignore or merely consider as elements in a landscape, as adornment.” - Benjamin Weil.

Over the years, Susanne S. D. Themlitz’s work developed into a poetic universe of great symbolism, in constant dialogue with art history, literature, natural sciences, popular traditions, and children’s stories.
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“Fifteen glass tiles taken from the mosaic room at the Faculty of Fine Arts at the start of my academic training, and which for years lay forgotten and locked away inside a box, serve as the inspiration for the drawing I have named ‘minus fifteen’.
From the model, or origin, a process of presentation, representation and transformation begins which, drawing on simple and elementary relationships of enlargement, addition and subtraction, ends in what I call the shadow, folded and temporarily stored.”

Armanda Duarte’s work is site-specific to such a degree that her proposals are actually determined by her observation and analysis of each given space. She observes the characteristics and details of each context in search of the essence which will lead the process of creation up to the work’s final reception.

Join us at Booth F05
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Images:
Susanne S. D. Themlitz, ‘Entre Seres/ Among Beings’, 2026. The set comprises 26 works: 14 Giclée digital prints, 5 photogravures, 5 drawings, and 2 original paintings.
Armanda Duarte, ‘menos quinze’, 2019. 15 drawings constructed from each of 15 mosaics in a manual process of expanding.

It’s a new day at ARCOlisboa“These works form part of a core aspect of my practice relating to language. It is the “limi...
30/05/2026

It’s a new day at ARCOlisboa

“These works form part of a core aspect of my practice relating to language. It is the “limits of language that define my world” (Wittgenstein) and, in the case of these works, they arise from the layers of meaning that language gradually builds up—from reflections and epiphanies, the construction of thought, and encounters with authors and books—all of which await their moment to emerge in the works I have been developing. Whether through unexpected combinations or through the waiting that compels them to emerge, all these texts are “surgeings” that alight upon the remnants of urban structures. ”

João Louro’s work descends from minimal and conceptual art, with special attention to avant-garde movements of the early twentieth century. It draws out a topography of time, with references that are personal but mainly they are generational. With regular recourse to language as a source, as well as the written word, he seeks a review of the image in contemporary culture, starting out from a set of representations and symbols from the collective visual universe.

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“‘Weeping Willow’ (2026) continues Romão’s exploration of metamorphosis, fluidity and the lack of fixed frontiers between entities. Leafs appear to sprout from a terracotta sculptural fragment as an outwards manifestation of internal flows and energies. The tension between animated and lifeless continues on the oxidation of the brass leaves emphasizing this sense of perpetual mutation of life.”

André Romão’s work mostly assumes the form of sculpture and poetry exploring ideas of transformation, mutation and fluidity. Taking emotion and intuition as building blocks his dream-like figures and landscapes often occupy a blurry field between the literary and the natural realms.

Join us today at Booth F06 from 2 - 9 PM
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Images:
João Louro, ‘A segunda fatia do espaço’, 2026. Light box and metallic ladder. 215 x 110 x 20 cm.
André Romão, ‘Weeping Willow’, 2026. Sculptural fragment (terracotta, France, 1970’s), brass, oxidation. 35 x 25 x 20 cm.

Susanne S. D. Themlitz () is an invited artist for the new edition of Landart Cascais at Quinta do Pisão that opens toda...
30/05/2026

Susanne S. D. Themlitz () is an invited artist for the new edition of Landart Cascais at Quinta do Pisão that opens today.

“In a farm pond, a hybrid being holds a fishing rod whose line plunges into the water. The sculpture is reflected in the still surface of the water, and the line establishes a connection with drawing—and with the horizon in the background, whose image the water also reflects—which is fundamental to this sculptor’s work. Boundaries become blurred, and even the peculiar inhabitant of this landscape transgresses those traditionally attributed to the various kingdoms of nature.”

Curated by Luísa Soares de Oliveira, the new edition of this exhibition of art in the landscape that takes place at Quinta do Pisão runs through 1 November.

Casa da Cal, Quinta do Pisão, Parque Natural Sintra-Cascais

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Images:

Susanne S. D. Themlitz, ‘The Listener’ (spent the hours of midnight fishing from a boat by moonlight, serenaded by owls and foxes, and hearing, from time to time, the creaking note of some unknown bird close at hand.), 2026. Paint on fiberglass and polyester, fishing rods, fishing line, lead, galoshes and clothing. Variable dimensions

Today is day 2 at ARCOlisboa >  “In 1999, as my life as a dreamer musician began, I came across a receipt for a guitar b...
29/05/2026

Today is day 2 at ARCOlisboa >

“In 1999, as my life as a dreamer musician began, I came across a receipt for a guitar bought by Jimi Hendrix in New York. Maybe it may seem obvious, but for me it was a miraculous realization: one day Jimi Hendrix woke up and went to a music store and bought a guitar, at the same time an object and a treasure, something to hold, travel with, and pass time with.
The relationship with music, or maybe I should say my relationship with music, is always connected with desire. Desire for a new piece of equipment, for a record that holds precious information on its sleeve, desire for a sound that I have never made. Ultimately, it’s a utopia. There is no arriving place. Glenn Gould’s chair, built by his father for him and altered frequently so it was perfect, represents to me all of that. A utilitarian object, an amulet, a sound maker that can be heard forever on records, and maybe more importantly, a history of love.”

João Pimenta Gomes’s practice draws on references from the musical field and explores the relationships between space and the body through the manipulation of modular synthesisers, images, videos and objects. His works create experiences which explore the proximity and tensions between the analogical and the digital, the sensorial and the conceptual.

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Ana Vieira’s work often escapes bidimensionality. Grounded in critical inquiry and an artistic language that challenges the boundaries and conventional formats of art, her practice is closely connected to conceptual art and strongly shaped by an exploration of everyday objects, spaces, and situations. Her first solo exhibition in on view at the gallery and runs through 5 September.

Join us at Booth F05
ARCOlisboa runs through Sunday, 31 May

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Images:

Ana Vieira, ‘Os Móveis a Fugirem do seu Desígnio (13)’, 2014. Intervened photograph. Acrylic box frame. 47 x 38 x 6 cm.
João Pimenta Gomes, ‘Searching for Glenn Gould’s Chair’, 2026. Painted French chestnut tree and photogravure. Variable dimensions. Ed. 3

Join us at the gallery tomorrow morning for Breakfast in the context of ARCOlisboa and the first edition of the Alvalade...
29/05/2026

Join us at the gallery tomorrow morning for Breakfast in the context of ARCOlisboa and the first edition of the Alvalade Art District Tour #1.

From 10 AM, we welcome you to discover Ana Vieira’s exhibition ‘The Narrative Structure’, with curator Antonia Gaeta () present at the gallery.

Between 10:30 AM and 12:30 PM, the Alvalade Art District Tour will connect several contemporary art spaces across the district. Don't miss out:

Appleton Square > Ana Pérez-Quiroga | Box > Sara Chang Yan
Balcony Contemporary Art Gallery > Carolina Serrano
Fundação Leal Rios > Vasco Araújo | Ana Franco Neto
Quadrado Azulado Azul > Renato Ferrão
Quadrum > Mané Pacheco
Salgadeiras > Rita Gaspar Vieira (imagens 2 e 3)
Space Zero > António Júlio Duarte | Manuela Falcão
Vera Cortês > Ana Vieira


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João Pimenta Gomes () is part of ‘Ultratremor’, the group show that opens today at .oficial.The artist creates sound ins...
29/05/2026

João Pimenta Gomes () is part of ‘Ultratremor’, the group show that opens today at .oficial.

The artist creates sound installations that reverberate through physical objects: a black column at the center of the space and the floor of the room itself. Though immaterial, the sounds fill and vibrate the space like a chorus of entities whispering frequencies.

“The “tremor” that gives the exhibition its title is at once physical vibration and existential fervor: the shudder that precedes revelation, the oscillation across different planes. “Ultratremor,” therefore, refers to a degree of manifestation that allows a glimpse of what escapes ordinary perception. In this register, art acts as a visionary practice, as a means of approaching mysteries and invoking the ineffable—everything that resists fixation.” - curator Germano Dushá.

‘Ultratremor’ opens today and runs through 27 September.

João Pimenta Gomes’ work can also be visited at our Booth F05 at ARCOlisboa in Cordoaria Nacional, until Sunday 31 May.

Now on view at Museu Nacional de História Natural e da Ciência, ‘Entre Seres’ by Susanne S. D. Themlitz, curated by Sofi...
28/05/2026

Now on view at Museu Nacional de História Natural e da Ciência, ‘Entre Seres’ by Susanne S. D. Themlitz, curated by Sofia Marçal.

Developed over the course of a year in dialogue with the museum’s collections and the Lisbon Botanical Garden, the exhibition unfolds through interventions across the museum, a short film, a publication, and a site-specific installation in the Analytical Chemistry Laboratory created in collaboration with Roman Jungblut.

On view through 7 June!

The project received support from the La Caixa/BPI Foundation’s Creation Grant and an artist residency at MUHNAC.

You can also see Susanne’s work this week at our Booth F05 in ARCOlisboa 2026 until Sunday, 31 May. Join us!

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Images: Susanne S. D. Themlitz, ‘Entre Seres’. Exhibition views at Museu Nacional de História Natural e da Ciência. Photos: Bruno Lopes

Welcome to our Booth F05! ARCOlisboa has officially started and we’re excited to see you. Step into our booth at  and se...
28/05/2026

Welcome to our Booth F05! ARCOlisboa has officially started and we’re excited to see you. Step into our booth at and see the selection of works by:

Ana Vieira ( ), Armanda Duarte ( Duarte), André Romão (), João Louro (), João Pimenta Gomes (), and Susanne S. D. Themlitz ()

Join us at Booth F05 in Cordoaria Nacional, Lisbon, Portugal
📅 28 - 31 May

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📸: Bruno Lopes

Endereço

Rua João Saraiva 16, 1º
Lisbon
1700-250

Horário de Funcionamento

Terça-feira 14:00 - 19:00
Quarta-feira 14:00 - 19:00
Quinta-feira 14:00 - 19:00
Sexta-feira 14:00 - 19:00
Sábado 10:00 - 13:00
14:00 - 19:00

Telefone

+351213950177

Notificações

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