Peer

Peer faculties
Joakim Sandqvist, DJ Shadow, Dziga Vertov
5 – 6 June 2026

Accelerator, Stockholm University
Bergsund, Djurgårdsstrand 2

facultiesJoakim Sandqvist, DJ Shadow, Dziga Vertov5 – 6 June 2026 Accelerator, Stockholm UniversityBergsund, Djurgårdsst...
21/05/2026

faculties
Joakim Sandqvist, DJ Shadow, Dziga Vertov
5 – 6 June 2026

Accelerator, Stockholm University
Bergsund, Djurgårdsstrand 2

Opening hours June 5
Accelerator: 11–17
Bergsund: 16–19

Opening hours June 6
Accelerator: 12–16
Bergsund: 16–19


In 2018, a visit to Joakim Sandqvist’s studio in Malmö unexpectedly turned into an excursion to the city’s northern harbour area. Driving along desolate, oversized roads built for heavy trucks, the site unfolded as a kind of wasteland, a land reclamation area created by dumping demolition debris into the sea. We found ourselves on this excursion through a shared interest in trains and the visual culture surrounding the infrastructures and imaginaries of the post-industrial city. There is something about harbours. While they are nodes in a network, they also mark a border between land and sea, the fixed and the fluid, the known and the unknown.

[…]


Full text linked in bio.


Faculties is curated by Ellen Klintenberg, presented by peer, and part of a degree project within Curating Art, International Master’s Programme at the Department of Culture and Aesthetics, Stockholm University.

Thanks to Elias Kautsky, Accelerator, Jonas Lagerholm and Bergsund Rederi AB.

For the sake of the archive: Documentation of the exhibition Hymn that presented Jonathas de Andrade’s film O Peixe (The...
03/03/2026

For the sake of the archive: Documentation of the exhibition Hymn that presented Jonathas de Andrade’s film O Peixe (The Fish) and Gavin Bryars’ musical composition The Sinking of the Titanic. Hymn was shown in peer’s previous space in december 2023.

de Andrade and Bryars share an interest in collective memory and, through widely differing practices and methods, they engage with history in works that move between reality and fiction. Both O Peixe and The Sinking of the Titanic take the tragic and the violent as their point of departure, yet place these elements in relation to a poetic mode of presentation that draws on the full potential of their respective media. Sound as a bodily experience, together with a continuously shifting repetition, constitutes central elements in both works, which in different ways approach our multilayered connection to history.

Thanks to Gavin Bryars, Ziella Bryars, Jonathas de Andrade, Emanuel da Costa, Adrian Kautsky, potatopotato.

Hymn was curated by Elias Kautsky and produced with support from Ideell Kulturallians.

Adress

Djurgårdsstrand 2
Stockholm

Webbplats

Aviseringar

Var den första att veta och låt oss skicka ett mail när Peer postar nyheter och kampanjer. Din e-postadress kommer inte att användas för något annat ändamål, och du kan när som helst avbryta prenumerationen.

Genvägar

Dela

Typ