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Peer faculties
Joakim Sandqvist, DJ Shadow, Dziga Vertov
5 – 6 June 2026

Accelerator, Stockholm University
Bergsund, Djurgårdsstrand 2

Documentation from 𝒇𝒂𝒄𝒖𝒍𝒕𝒊𝒆𝒔 at M/S Bergsund and Accelerator, 5-6 June 2026𝐉𝐨𝐚𝐤𝐢𝐦 𝐒𝐚𝐧𝐝𝐪𝐯𝐢𝐬𝐭, 𝐃𝐉 𝐒𝐡𝐚𝐝𝐨𝐰, 𝐃𝐳𝐢𝐠𝐚 𝐕𝐞𝐫𝐭𝐨𝐯 1. ...
08/10/2026

Documentation from 𝒇𝒂𝒄𝒖𝒍𝒕𝒊𝒆𝒔 at M/S Bergsund and Accelerator, 5-6 June 2026

𝐉𝐨𝐚𝐤𝐢𝐦 𝐒𝐚𝐧𝐝𝐪𝐯𝐢𝐬𝐭, 𝐃𝐉 𝐒𝐡𝐚𝐝𝐨𝐰, 𝐃𝐳𝐢𝐠𝐚 𝐕𝐞𝐫𝐭𝐨𝐯

1. M/S Bergsund
2. Joakim Sandqvist, 𝙋𝙞𝙡𝙚 (𝙎𝙤𝙧𝙩𝙚𝙙 𝘿𝙚𝙗𝙧𝙞𝙨), 2026, inkjet print
3. Joakim Sandqvist, 𝙁𝙧𝙤𝙣𝙩𝙞𝙚𝙧 (𝙑𝙚𝙧𝙗𝙖𝙨𝙘𝙪𝙢 𝙩𝙖𝙥𝙨𝙪𝙨), 2026, inkjet print
4. Dziga Vertov, 𝙈𝙖𝙣 𝙬𝙞𝙩𝙝 𝙖 𝙈𝙤𝙫𝙞𝙚 𝘾𝙖𝙢𝙚𝙧𝙖, 1929, black and white silent film presented as single-channel, video transferred from 35 mm film
(DJ Shadow, 𝙀𝙣𝙙𝙩𝙧𝙤𝙙𝙪𝙘𝙞𝙣𝙜....., 1996, studio album presented as digital audio playback)
5. Joakim Sandqvist, 𝙎𝙞𝙩𝙚 (𝘽𝙖𝙨𝙞𝙣), 2026, installation consisting of five construction site tents erected in the now-empty water basin that once functioned as a radiation shield for the Manne Siegbahn Laboratory particle accelerator at Stockholm University
6. Curator’s text
7. Artists’ bios

Faculties was presented by 𝐩𝐞𝐞𝐫 as a part of Ellen Klintenberg’s degree project within Curating Art, International Master’s Programme at the Department of Culture and Aesthetics, Stockholm University.

Thanks to Elias Kautsky, Accelerator, Jonas Lagerholm and Bergsund Rederi AB.

facultiesJoakim Sandqvist, DJ Shadow, Dziga Vertov5 – 6 June 2026 Accelerator, Stockholm UniversityBergsund, Djurgårdsst...
21/05/2026

faculties
Joakim Sandqvist, DJ Shadow, Dziga Vertov
5 – 6 June 2026

Accelerator, Stockholm University
Bergsund, Djurgårdsstrand 2

Opening hours June 5
Accelerator: 11–17
Bergsund: 16–19

Opening hours June 6
Accelerator: 12–16
Bergsund: 16–19


In 2018, a visit to Joakim Sandqvist’s studio in Malmö unexpectedly turned into an excursion to the city’s northern harbour area. Driving along desolate, oversized roads built for heavy trucks, the site unfolded as a kind of wasteland, a land reclamation area created by dumping demolition debris into the sea. We found ourselves on this excursion through a shared interest in trains and the visual culture surrounding the infrastructures and imaginaries of the post-industrial city. There is something about harbours. While they are nodes in a network, they also mark a border between land and sea, the fixed and the fluid, the known and the unknown.

[…]


Full text linked in bio.


Faculties is curated by Ellen Klintenberg, presented by peer, and part of a degree project within Curating Art, International Master’s Programme at the Department of Culture and Aesthetics, Stockholm University.

Thanks to Elias Kautsky, Accelerator, Jonas Lagerholm and Bergsund Rederi AB.

For the sake of the archive: Documentation of the exhibition Hymn that presented Jonathas de Andrade’s film O Peixe (The...
03/03/2026

For the sake of the archive: Documentation of the exhibition Hymn that presented Jonathas de Andrade’s film O Peixe (The Fish) and Gavin Bryars’ musical composition The Sinking of the Titanic. Hymn was shown in peer’s previous space in december 2023.

de Andrade and Bryars share an interest in collective memory and, through widely differing practices and methods, they engage with history in works that move between reality and fiction. Both O Peixe and The Sinking of the Titanic take the tragic and the violent as their point of departure, yet place these elements in relation to a poetic mode of presentation that draws on the full potential of their respective media. Sound as a bodily experience, together with a continuously shifting repetition, constitutes central elements in both works, which in different ways approach our multilayered connection to history.

Thanks to Gavin Bryars, Ziella Bryars, Jonathas de Andrade, Emanuel da Costa, Adrian Kautsky, potatopotato.

Hymn was curated by Elias Kautsky and produced with support from Ideell Kulturallians.

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