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Tisdag 12:00 - 18:00 Onsdag 12:00 - 18:00 Torsdag 12:00 - 18:00 Fredag 12:00 - 18:00 Lördag 12:00 - 16:00 Söndag 12:00 - 16:00

Anna Bohman Gallery

Hem
Sverige
Stockholm
Anna Bohman Gallery

Anna Bohman Gallery is a contemporary art gallery in Stockholm, Sweden.

The gallery works with both emerging and established Scandinavian and International artists.

28/08/2026

Gallery Open on Weekends!
Saturdays & Sundays from 12–4 PM

Ditte Ejlerskov, New Gynæan Maxed Syntax 1, 2026
Tempera and posca pen on canvas, 150 x 120 cm
Ditte Ejlerskov

24/08/2026

New opening hours
Wednesday–Friday: 12 PM–6 PM
Saturday–Sunday: 12 PM–4 PM
Monday–Tuesday: Open by appointment, please contact us at [email protected]

Ditte Ejlerskov, Dream Gradient (Very Mild Coral Meets a Recently Ripe Yellow), 2026, acrylics and vinyl paint on canvas, 120 x 120 cm

Ditte Ejlerskov

22/08/2026

DITTE EJLERSKOV
”Forest Mirror” takes place within New Gynæa, a jungle-like pictorial world I have returned to for many years across several works. It is not intended as a landscape or a representation of nature. Instead, I see it as a visual system in which forms are copied, reflected and altered. The paintings behave almost like versions of the same file: recognisable, but never identical.

At the centre of the exhibition is ”The Final Bow”. A figure bends forward in a gesture that can suggest submission, performance, exhaustion or transition.

The figure returns throughout the exhibition in mirrored and displaced configurations. In some paintings, one work appears to answer another. Yet the repetition is never exact. Colours shift, forms slip out of alignment and details emerge or disappear. These deviations are important to me. They interrupt the symmetry and make the image feel unstable, as though it has been processed, duplicated or incorrectly rendered.

This digital logic exists alongside the organic language of the jungle.

In the final stage of a painting, I use a Posca pen to trace selected forms. The line allows me to return to marks that were made quickly and without a fixed intention. By outlining them, I assign them a function. A dot becomes an eye, a stain becomes a leaf, an uncertain shape becomes part of a body.

The outline does not simply clarify what is already there. It changes the status of the image. Something provisional is made definite, even when that certainty is artificial.

For me, this process resembles memory. We return to experiences that were incomplete or ambiguous and redraw them until they appear coherent. Each repetition fixes the image more firmly, while also moving it further away from what originally occurred.
Text: Ditte Ejlerskov

Photo: Mathias Johansson
Ditte Ejlerskov

19/08/2026

DITTE EJLERSKOV
Opening today Thursday 20 August, 5–7 pm
Welcome!

Ditte Ejlerskov

16/08/2026

DITTE EJLERSKOV “Forest Mirror”
Opening Thursday 20 August, 5–7 pm

Dream Gradient (Flickering Pink Meets Fresh Matrix Grass), 2026
acrylics and vinyl paint on canvas, 120 x 120 cm
Ditte Ejlerskov

13/08/2026

DITTE EJLERSKOV
”FOREST MIRROR”
OPENING THURSDAY 20 AUGUST, 5–7 PM

Text: Ditte Ejlerskov

Forest Mirror takes place within New Gynæa, a jungle-like pictorial world I have returned to for many years across several works. It is not intended as a landscape or a representation of nature. Instead, I see it as a visual system in which forms are copied, reflected and altered. The paintings behave almost like versions of the same file: recognisable, but never identical.

At the centre of the exhibition is The Final Bow. A figure bends forward in a gesture that can suggest submission, performance, exhaustion or transition.

The figure returns throughout the exhibition in mirrored and displaced configurations. In some paintings, one work appears to answer another. Yet the repetition is never exact. Colours shift, forms slip out of alignment and details emerge or disappear. These deviations are important to me. They interrupt the symmetry and make the image feel unstable, as though it has been processed, duplicated or incorrectly rendered.

This digital logic exists alongside the organic language of the jungle.

In the final stage of a painting, I use a Posca pen to trace selected forms. The line allows me to return to marks that were made quickly and without a fixed intention. By outlining them, I assign them a function. A dot becomes an eye, a stain becomes a leaf, an uncertain shape becomes part of a body.

The outline does not simply clarify what is already there. It changes the status of the image. Something provisional is made definite, even when that certainty is artificial.

For me, this process resembles memory. We return to experiences that were incomplete or ambiguous and redraw them until they appear coherent. Each repetition fixes the image more firmly, while also moving it further away from what originally occurred.

Ditte Ejlerskov

10/08/2026

LAST WEEK SUMMER SHOW
Wednesday–Saturday: 12–5 pm

20/07/2026

One month to go!
Ditte Ejlerskov ”Forest Mirror” opens at the gallery Thursday, 20 August, Welcome!

Ditte Ejlerskov DITTE EJLERSKOV .ETH

SUMMER 2026Open by appointment until 11 August Contact us: info@annabohmangallery.com

29/06/2026

SUMMER 2026
Open by appointment until 11 August
Contact us: [email protected]

24/06/2026

SUMMER SHOW
11 June - 15 August 2026

Donald Baechler, Symphony of Mutants #2, 2018, Gesso, flashe and paper collage on paper, 69 x 53 cm

Adress

Karlavägen 15 B
Stockholm
11431

Öppettider

Tisdag	12:00 - 18:00
Onsdag	12:00 - 18:00
Torsdag	12:00 - 18:00
Fredag	12:00 - 18:00
Lördag	12:00 - 16:00
Söndag	12:00 - 16:00

Telefon

+46733688000

Webbplats

https://www.annabohmangallery.com/

Aviseringar

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