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伊日藝術計劃 YIRI ARTS

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伊日藝術計劃 YIRI ARTS

Through curation, exhibitions, publications, and international art fairs, we present inspiring works full of vitality.

《伊日藝術計劃｜YIRI ARTS》成立於2014年，以「日常美術館」為藍圖，透過社會文學、生態環境、電影藝術等貼近日常生活的策展視點切入，致力於藝術出版、藝術產經研究，企圖開拓並梳理當代藝術發展之可能。

我們相信藝術無所不在。

YIRI ARTS was founded in 2014 in the spirit of creating an “Everyday Art Museum”, seeking to allow art to enter and enrich people’s lives. We believe that there is art to be found everywhere

05/06/2026

Now on View｜Take a Break｜YIRI ARTS Jakarta

藝術家王冠蓁將閱讀視為一種持續生成的時間經驗。那些未完成的書頁、隨手留下的書籤與反覆中斷的閱讀路徑，成為她理解記憶與時間的方式。本次展覽中，作品以中式掛軸形式呈現，如同被展開的時間書籤，承載著記憶、情感與尚未完成的思緒，等待未來某個時刻再次被閱讀與召喚。

For Wang Guan-Jhen, reading is an ongoing experience of time. Unfinished pages, improvised bookmarks, and interrupted reading journeys become ways of understanding memory and temporality. Presented as traditional hanging scrolls, the works unfold like bookmarks of time, carrying traces of memory, emotion, and unresolved thoughts, awaiting future moments of return and rediscovery.

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作為持續推動台灣與印尼當代藝術交流的重要平台，伊日藝術計劃雅加達空間致力於建立跨越地域與文化脈絡的藝術對話。本次雙人展匯聚台灣藝術家王冠蓁與印尼藝術家胡丹・瑟爾坦（Hudan Seltan），透過兩位藝術家截然不同的創作路徑，共同探討日常經驗、時間感知與個體存在的多重面向。

As an important platform dedicated to fostering contemporary art exchanges between Taiwan and Indonesia, YIRI ARTS Jakarta is committed to cultivating dialogues that transcend geographical and cultural boundaries. This two-person exhibition brings together Taiwanese artist Wang Guan-Jhen and Indonesian artist Hudan Seltan, presenting two distinct artistic approaches that explore the complexities of everyday experience, temporal perception, and individual existence.

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Explore : https://yiriarts.com.tw/
May 09, 2026 — Jun 14, 2026
Tuesday – Sunday 12 – 7 pm
(Closed on Monday and National Holidays）

📍 YIRI ARTS Jakarta
Ranuza Building, 2nd Floor
Jl. Timor No. 10, Gondangdia, Menteng, Central Jakarta

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封面人物專訪 ᴄᴏᴠᴇʀ ᴘᴇᴏᴘʟᴇ 𝖬𝖠𝖸 — 𝖩𝖴𝖭.｜王冠蓁 𝖶𝖺𝗇𝗀 𝖦𝗎𝖺𝗇-𝖩𝗁𝖾𝗇｜ʏɪʀɪ ʟɪᴠɪɴɢ ᴠᴏʟ.𝟧𝟣

《從眼睛蛹化的美麗蝴蝶》
自畫像必須對自己誠實，不論在什麼階段。我說的誠實，是不為了迎合而曲解心意。不過人的面向就是那麼多，不可能面面俱到，但可以選擇，想要誠實的時候就要好好跟隨自己的心。」
人物專訪 👉 https://yiriliving.cc/4wntF

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Photo Credit : Courtesy of the artist and YIRI ARTS

04/06/2026

Now on View｜Take a Break｜YIRI ARTS Jakarta

作為持續推動台灣與印尼當代藝術交流的重要平台，伊日藝術計劃雅加達空間致力於建立跨越地域與文化脈絡的藝術對話。

本次雙人展匯聚台灣藝術家王冠蓁與印尼藝術家胡丹・瑟爾坦（Hudan Seltan），透過兩位藝術家截然不同的創作路徑，共同探討日常經驗、時間感知與個體存在的多重面向。

As an important platform dedicated to fostering contemporary art exchanges between Taiwan and Indonesia, YIRI ARTS Jakarta is committed to cultivating dialogues that transcend geographical and cultural boundaries.

This two-person exhibition brings together Taiwanese artist Wang Guan-Jhen and Indonesian artist Hudan Seltan, presenting two distinct artistic approaches that explore the complexities of everyday experience, temporal perception, and individual existence.

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胡丹・瑟爾坦 (Hudan Seltan)的創作始於對日常經驗的持續觀察與蒐集。他經常從網路圖像、攝影資料、日常物件與個人記憶中擷取視覺碎片，透過拼貼、重組與重新編排，建構出介於熟悉與陌生之間的視覺場景。這些畫面往往帶有一種微妙的矛盾感：觀者能夠辨識其中的物件與情境，卻又無法完全將其納入既有的現實經驗之中。

對藝術家Hudan 而言，日常生活從來不是穩定且清晰的存在，而是不斷受到資訊流動、社會壓力與個人情緒所滲透與改變的場域。那些看似平凡的物件、身體姿態與生活片段，在他的作品中被抽離原有脈絡，轉化為帶有心理暗示與情緒張力的視覺元素。透過圖像的錯置、比例的扭曲、空間關係的重構以及層層疊加的敘事線索，他試圖揭示當代人如何在資訊過載與現實焦慮之間感知自身存在。

Hudan 的繪畫同時保留著一種觀看距離。他並不直接描繪特定事件或明確敘事，而是將觀者置於一種介於參與與旁觀之間的位置，如同透過縫隙窺視某個熟悉卻難以言明的場景。作品中的荒謬感與幽默感並非對現實的逃避，而是成為理解現實的另一種方式。透過這些看似錯亂卻精心安排的視覺組合，Hudan 持續探討當代生活中孤獨、親密、焦慮與疏離等情感如何被形塑、投射與感知。

Hudan Seltan (b. 2000, Bukittinggi, Indonesia) is an artist whose practice centers on memory, daily life, and the inherent absurdities of human relationships.

His work begins with an ongoing process of observation and collection. Drawing from internet imagery, photographic references, everyday objects, and personal memories, Seltan extracts visual fragments that are subsequently collaged, reassembled, and reconfigured into scenes that oscillate between the familiar and the unfamiliar. These compositions often evoke a subtle sense of contradiction: viewers may recognize the objects and situations depicted, yet find them resistant to assimilation into their established understanding of reality.

For Seltan, everyday life is never a stable or transparent condition, but rather a constantly shifting terrain shaped by flows of information, social pressures, and personal emotions. Seemingly ordinary objects, bodily gestures, and mundane episodes are detached from their original contexts and transformed into visual elements charged with psychological undertones and emotional tension. Through displaced imagery, distorted proportions, reconstructed spatial relationships, and layered narrative cues, he examines how contemporary individuals navigate their sense of self amid information overload and pervasive anxieties.

At the same time, Seltan’s paintings maintain a deliberate distance from their subjects. Rather than depicting specific events or constructing explicit narratives, he positions viewers somewhere between participation and observation, as if peering through a narrow opening into a scene that feels both familiar and elusive. The absurdity and humor embedded within his works do not function as an escape from reality, but rather as alternative means of understanding it. Through these carefully orchestrated yet seemingly disjointed visual arrangements, Seltan continues to investigate how feelings of loneliness, intimacy, anxiety, and alienation are shaped, projected, and perceived within contemporary life.

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Explore : https://yiriarts.com.tw/
May 09, 2026 — Jun 14, 2026
Tuesday – Sunday 12 – 7 pm
(Closed on Monday and National Holidays）

📍 YIRI ARTS Jakarta
Ranuza Building, 2nd Floor
Jl. Timor No. 10, Gondangdia, Menteng, Central Jakarta

Photo Credit : Courtesy of the artist and YIRI ARTS

03/06/2026

Now on View ｜YIRI ARTS Taipei

黃姿瑜 : 馬鈴薯種在地下一樓
Huang Tzu-Yu : Ms. Potato in B1

黃姿瑜筆下的房子，從來不只是房子。

在「地產大亨」系列中，藝術家將城市漫遊途中所遇見的建築與生活景象轉化為一件件如肖像般的作品。那些無法真正擁有的空間，被重新收藏於畫面之中，成為記憶與感知的載體。

作品《她的大象跳舞公寓》是藝術家少數帶有虛構性的創作。受到電影場景與日常觀察啟發，一座粉色公寓承載著無數未被看見的生活片段。現實與想像在此交會，也映照出當代人對於居所、觀看與歸屬感的想像。

對黃姿瑜而言，繪畫是一種溫柔的收藏。在觀看取代擁有的時代裡，那些平凡而微小的風景，成為最真實的日常肖像。

For Huang Tzu-Yu, houses are never merely houses.

In her Monopoly series, the artist transforms buildings and everyday urban scenes encountered during her wanderings into portrait-like paintings. Spaces that cannot truly be possessed are instead collected and preserved within the image, becoming vessels of memory and perception.

The Elephant Dancing Apartment is one of the artist’s rare fictional works. Inspired by cinematic imagery and observations from daily life, a pink apartment building becomes a stage for countless unseen stories. Here, reality and imagination converge, reflecting contemporary desires for dwelling, belonging, and the spaces we call our own.

For Huang Tzu-Yu, painting is a form of gentle collecting. In an era where looking often replaces owning, these ordinary and overlooked landscapes become intimate portraits of everyday life.

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Explore : https://yiriarts.com.tw/
May 21 – July 4, 2026
YIRI ARTS Taipei B1

Photo Credit : Courtesy of the artist and YIRI ARTS

01/06/2026

封面人物專訪 ᴄᴏᴠᴇʀ ᴘᴇᴏᴘʟᴇ 𝖬𝖠𝖸 — 𝖩𝖴𝖭.｜王冠蓁 𝖶𝖺𝗇𝗀 𝖦𝗎𝖺𝗇-𝖩𝗁𝖾𝗇｜ʏɪʀɪ ʟɪᴠɪɴɢ ᴠᴏʟ.𝟧𝟣

《從眼睛蛹化的美麗蝴蝶》

自畫像必須對自己誠實，不論在什麼階段。我說的誠實，是不為了迎合而曲解心意。不過人的面向就是那麼多，不可能面面俱到，但可以選擇，想要誠實的時候就要好好跟隨自己的心。」

人物專訪 👉 https://yiriliving.cc/4wntF

#畫一盆枯萎的花記住曾經盛開過

若帶著花入畫，王冠蓁不作他想，就要野花。「我喜歡的花，大多小時候在路邊就看過，但不知名的花。它們隨處可見，很尋常，但因為不認識，所以對我來說仍是奇特的。而奇特，就值得紀錄。」

她腦海裡的畫面，是採摘一大把野花野草從手中拋擲出去，如煙火綻放的一瞬，定格。彷彿意味著它們長自土地，終也歸宿土地。「我也想要畫一盆枯萎的花。但那枯花，也是我用心精挑細選過的花材，我只是畫下它陪伴我到最後的那一刻。」其魅力，皆於一種時間感吧。

路邊花，今日相逢，明日也許就遭鏟，但一轉頭可能又在巷裡碰見，隨時不在又隨時都在的存在，讓人安心。而荼蘼花，靜靜留在畫裡，或許就能被好好記住它也曾經盛開過。

《伊日生活誌 ᴠᴏʟ.𝟧𝟣》
歡迎至伊日藝術計劃 YIRI ARTS與全台伊聖詩芳療生活館免費取閱！

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王冠蓁 𝖶𝖺𝗇𝗀 𝖦𝗎𝖺𝗇-𝖩𝗁𝖾𝗇 （𝖻.𝟣𝟫𝟫𝟣，台中）
畢業於國立台北藝術大學美術系碩士班創作組。重要個展包含：「幽靈說」，伊日藝術計劃，臺北（𝟤𝟢𝟤𝟥）；「幽靈說」，臺南市美術館，臺南（𝟤𝟢𝟤𝟤）；「路上的怪風」，伊日藝術計劃，臺北（𝟤𝟢𝟣𝟪）；「𝖡𝗈𝗋𝖽𝖾𝗋𝗅𝗂𝗇𝖾」，𝖳𝖠𝖲𝖪𝖴 𝖦𝖠𝖫𝖫𝖤𝖱𝖨𝖠，赫爾辛基（𝟤𝟢𝟣𝟨）；「我們為什麼畫」，京都造型藝術大學與臺北藝術大學交流展，地下美術館，臺北（𝟤𝟢𝟣𝟦）等。

作品曾獲國立台灣美術館典藏。𝟤𝟢𝟤𝟧年《意識的推手》榮獲 #臺北美術獎優選。

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Photo Credit : Courtesy of the Artist, Cosmescents and YIRI ARTS

29/05/2026

Artist News｜李承亮 Li Cheng-Liang｜高雄市立美術館 KMFA

典藏庫房的竊竊私語
Whispers from the Collection Vault

收藏與研究構成了博物館機構的古典基石。透過對藏品的研究與展示，美術館在藝術生態中扮演著至關重要的角色，負責保存與建構「藝術經典」。同時，透過展覽和教育推廣，美術館也肩負著促進公眾學習和文化傳播的使命。身為台灣南部首家現代美術館，高雄市立美術館（以下簡稱高雄美術館）自1994年成立以來，始終致力於推動台灣國內外的藝術交流。

高雄美術館聚焦並呈現台灣南部的藝術景觀，並透過對藏品和展覽進行長期系統的研究，建構了獨具「大南」特色的藝術史和文化譜系，並將之傳播至更廣泛的受眾。

Collection and research form the classical foundations of the museum institution. Through the research and display of collections, art museums play a crucial role within the art ecology in preserving and constructing ”artistic canons.“ Concurrently, through exhibitions and educational outreach, they shoulder the mission of promoting public learning and cultural dissemination. As the first modern art museum in southern Taiwan, the Kaohsiung Museum of Fine Arts (hereafter referred to as KMFA) has consistently promoted artistic exchange both domestically and internationally since its establishment in 1994.

By focusing on and presenting the artistic landscape of southern Taiwan, and through long-term, systematic research into its collections and exhibitions, KMFA has shaped an art-historical and cultural genealogy unique to the ”Greater South,“ amplifying its voice to a broader audience.

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Explore : https://reurl.cc/j6jogp
總策展：林平
研究選件：莊偉慈、黃彥穎、葉佳蓉
2026.05.09 – 2026.09.06
高雄市立美術館 101-103展覽室
Kaohsiung Museum of Fine Arts, 101–103 Galleries

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臺灣美術基金會-藝術銀行官網
官網連結: https://artbank.tfaf.org.tw/

指導單位：文化部、高雄市政府文化局
主辦單位：高雄市立美術館、臺灣美術基金會
計畫支持：藝術銀行
特別感謝：臺北市立美術館

Photo Credit : Courtesy of the artist

28/05/2026

Artist News｜蔡咅璟 Tsai Pou-Ching｜TFAM

共感：存在的節奏 Entanglements: The Rhythm of Being

「共感：存在的節奏」展在概念上呼應現代物理學所揭示的現象：在量子層次中，某些粒子之間存在不可分割的關聯。這樣的觀點提示我們，「存在」或許不只是由彼此分離的個體所構成，而更像是一種由萬事萬物彼此連結、互動與生成的關係性整體。

展覽從當代博物學的概念出發，邀請11位當代藝術家及團隊的藝術計劃，瞭解因技術的進展，不僅交疊原本過去、現在與未來的線性時間觀，亦探討人類應如何理解自身與物種、環境與世界的關係。從「人與非人共同演繹世界」（自然）、「擴增人類五感與時空觀」（技術）、與成為「互利共生的行動者」（行動實踐）三方面，讓我們感知原本無法觸及其它物種的環境界，在「選擇」與「介入」的實踐中，改變線性時間的進程，並產生生命倫理的責任。展場塑造為觀眾感知與實踐的場域，藉由共感與同理心，重新建構共享、互助與共生的倫理價值觀。

Entanglements: The Rhythm of Being conceptually echoes a phenomenon revealed by modern physics: At the quantum level, indivisible connections occur between certain particles. Such a perspective reminds us that existence may not be exclusively composed of mutually discrete individuals, but is more like a relational whole in which myriads of things interconnect, interact and give birth to one another.

Informed by the concepts of contemporary museum studies, the exhibition features 11 art projects by contemporary artists and collectives. Here, they explore how advances in technology have caused overlaps among the past, present, and future within the conventional linear view of time, and they ponder how humans understand their relationships with other species, the environment, and the world. It also examines three dimensions: how humans and non-humans collectively interpret the world, how technology augments humanity’s senses and perceptions of time and space, and how we may become “symbiotic agents.”

In this way, we may perceive the Umwelten of other species (how they subjectively perceive their environments), which were originally beyond our reach. This process of choice and intervention that breaks the linear progression of time challenges us to rethink our ethical responsibilities. The exhibition venue is designed as a space for visitor perception and practice, facilitating resonance and empathy that foster new ethics and values of sharing, mutual aid, and symbiosis.

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Explore : https://reurl.cc/kpj11d
策展人 Curator：余思穎 Sharleen Yu
2026-05-09 — 2026-09-20

Photo Credit : Courtesy of the artist and TFAM

27/05/2026

Now on View ｜YIRI ARTS Taipei

陳雲：時雨隙光
Chen Yun : Light Shimmering through Timely Rain

作品的視覺語言游移於人物光影、日常物件與抽象肌理之間。平塗的層次在畫布上堆疊的質感、組畫之間刻意留下的縫隙，在併組結構裡彼此對照共鳴，召喚出遠大於畫面本身的時間感與重量。

The visual language of the works oscillates between the play of light on figures, everyday objects, and abstract textures. The accumulated layers of flattened pigment on the canvas surface, the intentional gaps left between panels - these interact and resonate within the assembled structure, summoning a sense of time and weight far greater than the frames themselves.

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Explore : https://yiriarts.com.tw/
May 21 – July 4, 2026
YIRI ARTS Taipei 1F

Photo Credit : Courtesy of the artist and YIRI ARTS and BACK_Y

26/05/2026

Now on View ｜YIRI ARTS Taipei

黃姿瑜 : 馬鈴薯種在地下一樓
Huang Tzu-Yu : Ms. Potato in B1

黃姿瑜個展《馬鈴薯種在地下一樓》從藝術家自身游移於創作者與畫廊行政之間的生活經驗出發，透過「馬鈴薯小姐」這個帶有幽默感的角色，重新觀看藝術勞動、日常消耗，以及那些經常隱身於展覽背後的身影。

展覽像是一場尚未真正開始的現場：畫廊行政來了、布展團隊來了、運送作品的人也到了，但主角「馬鈴薯小姐」卻仍然在路上。介於現實與虛構之間，黃姿瑜以輕盈卻真實的方式，描繪當代藝術工作系統中反覆消耗與持續再生的狀態。

《馬鈴薯種在地下一樓》不只是關於一位藝術家的自述，更像是一封寫給所有藝術工作者與疲憊靈魂的幽默情書。

In Ms. Potato in B1, Huang Tzu-Yu draws from her experience moving between the roles of artist and gallery administrator, using the fictional figure of “Ms. Potato” to reflect on artistic labor, emotional exhaustion, and the often-unseen people behind exhibitions.

The exhibition unfolds like a scene that has yet to fully begin: the gallery staff have arrived, the installation team is ready, even the artwork transporter is here — yet “Ms. Potato” herself is still on the way. Blurring the boundaries between fiction and reality, Huang gently captures the cycles of depletion and regeneration embedded within contemporary creative life.

More than a personal statement, Ms. Potato in B1 feels like a quietly humorous love letter to art workers and exhausted souls alike.

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Explore : https://yiriarts.com.tw/
May 21 – July 4, 2026
YIRI ARTS Taipei B1

Photo Credit : Courtesy of the artist and YIRI ARTS

22/05/2026

Now on View｜YIRI ARTS Taipei & BACK_Y

誠摯邀請大家參與本周六下午3–7 PM，我們全新展覽的開幕茶會。

We cordially invite you to join us on Saturday, 23 May, from 3–7 PM, for the opening reception of our new exhibitions.

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▎YIRI ARTS Taipei 1F
陳雲：時雨隙光
Chen Yun : Light Shimmering through Timely Rain

在當代藝術強調流動與不穩定的語境中，本次展覽將試圖於變動的記憶與感知之間建立一個觀看的座標。併組作品如同記憶的切片，將於牆面上構築出一種近乎微型劇場的觀看結構，延展出超越單一畫面的時間感。

Set within a contemporary condition defined by flux and instability, the exhibition seeks to establish a point of orientation between shifting memory and perception. Presented as constellations of works, the paintings unfold across the wall like fragments of memory, forming a spatialized, almost theatrical field that extends beyond the singular image.

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▎YIRI ARTS Taipei B1
黃姿瑜 : 馬鈴薯種在地下一樓
Huang Tzu-Yu : Ms. Potato in B1

本次展覽以「馬鈴薯」作為隱喻，回應藝術家在勞動與創作之間的轉換狀態，呈現其近年創作脈絡的重要轉折與發展。

Taking “potato” as its central metaphor, the exhibition reflects the artist’s shifting condition between labor and artistic production, marking a significant development within her recent practice.

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▎BACK_Y 1F
袁心元 : 兩棵樹與群鳥
Yuan Hsin-Yuan : Two Trees and a Flock of Birds

袁心元長期以木雕作為創作核心，經常從日常生活中的速寫與片段觀察出發，將人物的姿態、動作與短暫瞬間轉化為簡潔而沉靜的雕塑形式。那些站立、凝視、乘船或坐臥的人物，褪去了鮮明的情緒與敘事，留下介於親密與疏離之間的情感狀態，也映照出個體面對他者與自身內在時的微妙感知。

Working primarily with camphor and birch wood, Yuan Hsin-Yuan transforms fleeting observations from daily life into restrained sculptural figures. Drawn from sketches of gestures, postures, and passing encounters, her works strip away overt narrative and expression, leaving behind contemplative forms that evoke states of solitude, memory, and emotional ambiguity.

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▎BACK_Y 2F
橫山麻衣 Mai Yokoyama : Solar Phantasm

橫山麻衣長期以「何謂真實」作為創作核心，透過數位繪圖、水彩與油畫之間的轉譯關係，探討圖像、時間與存在之間持續變動的狀態。本次展覽以藝術家於義大利與希臘考察期間所接觸的古代遺跡與出土文物為主要靈感，延伸其對「圖層（layer）」與時間痕跡的關注。

Centered on the question of authenticity and perception, Yokoyama’s practice examines the shifting relationship between digital image-making, painting, and time. Through works that move between iPad drawings, watercolor studies, and oil painting, the artist constructs layered visual structures in which images continuously evolve through accumulation, transformation, and residue.

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Explore : https://yiriarts.com.tw/
May 21 – July 4, 2026
Opening Reception｜May 23 (Sat.) 3-7pm

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Photo Credit : Courtesy of the artist,BACK_Y and YIRI ARTS

21/05/2026

Art Fair｜Art Busan 2026

Art Busan is now open.Visit us at Booth C-7 to discover a curated group presentation featuring artists from our program.

Participating Artists
Shin Sang Won
Hoi Chang
Chen Sheng-Wen
Hsieh Jung-Wei
Meliantha Muliawan
Liao Chao-Hao
Yan Jheng-Hao
Yang Tzu-Yi
Luís Carita
Daniel Sueiras Fanjul

Booth C-7

VIP / Press Preview
May 21 (Thu) 14:00–19:00

Public Opening
May 22 (Fri) – May 23 (Sat) 11:00–19:00
May 24 (Sun) 11:00–18:00

BEXCO Exhibition Center 1

Address

新明路86巷1號
Neihu District
114

Opening Hours

Tuesday	14:00 - 19:00
Wednesday	14:00 - 19:00
Thursday	14:00 - 19:00
Friday	14:00 - 19:00
Saturday	14:00 - 19:00

Telephone

+886227863866

Website

http://yiriarts.com.tw/

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