05/06/2026
超現實主義：對話中的世界
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赫伯特．拜爾的《追憶往昔》以攝影拼貼構築出一片令人不安的森林景象。緊密排列的白樺樹幹遮蔽前方視線，一隻隻眼睛則在樹節之間，直直凝視著觀看者。「眼睛」是超現實主義作品中反覆出現的意象，既是內心與外在世界的通道，有時也與臍帶留下的身體疤痕「肚臍」相似而隱含著生殖的意象。在這件作品中，原本熟悉的自然景色逐漸變得陌生，植物與人類的界線開始模糊。當你凝視作品的同時，那些眼睛也正在回望著你，觀看者原本穩固的主體位置，也在這場凝視之中悄悄動搖。
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Birch tree trunks are densely packed together, blocking your line of sight, closing off any way out. Countless giant eyes gaze out from the knotholes in the birch trees. And they move back and forth among the tree trunks, staring directly at the viewer. Eyes appear in Surrealist art over and over again. They are a channel connecting the inner mind and the outer world. Sometimes, like the navel—a mark left behind by the umbilical cord—they imply the idea of reproduction.
In this photo collage by Herbert Bayer, the eyes are rigid, even hostile. They transform an otherwise seemingly natural forest into a thing with its own consciousness. When the line between wild flora and humans is blurred, when you look at them and they return your gaze, this “deformation” suddenly shakes the personal identity of the viewer and throws it into question.
赫伯特．拜爾，《追憶往昔，選自〈10幅攝影蒙太奇，1929-1936年〉作品集，第一冊，慕尼黑黑克利姆畫廊出版》，1959/1969，攝影拼貼、明膠銀鹽印相，23 x 34 cm。
Herbert Bayer, “In Search of Time Past”, from the edition: 10 photomontages 1929–1936, folder 1, Galerie Klihm, Munich, 1959/1969, Photo collage, gelatin silver print, 23 x 34cm
Collection SpallArt
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超現實主義：對話中的世界
Surrealism: Worlds in Dialogue
2026.04.25 – 2026.08.30
北美館地下樓D、E、F展覽室
https://www.tfam.museum/01Surreal
#超現實主義 #精神分析 #夢的解析 #潛意識
