ss space space

ss space space ss space space is both a research collective exploring notions of space and an artist-run independent space led by Sean Tseng and Sara Wu.

ss space space 是一個以「空間」為題的研究團隊，也是一個藝術家主導的獨立藝術空間，由藝術家曾彥翔與吳依宣組成。

ss space space 很高興發布首次客座展覽計畫「一個不在藝術博覽會裡的博覽會展位」。本次展覽由策展人唐逸芊與里斯本當代藝廊 dialogue 合作，呈現伊比利半島藝術家瑪爾塔·巴雷內切亞（Marta Barrenechea）與普里...
31/05/2026

ss space space 很高興發布首次客座展覽計畫「一個不在藝術博覽會裡的博覽會展位」。本次展覽由策展人唐逸芊與里斯本當代藝廊 dialogue 合作，呈現伊比利半島藝術家瑪爾塔·巴雷內切亞（Marta Barrenechea）與普里西拉·費爾南德斯（Priscila Fernandes）的創作。

當一個藝博會展位被移置於藝術家自營空間中，透過剝離其建構與政治特質，展覽固有的階級與權力關係得以鬆動，讓觀者更能專注於自身的感知、認知與意識。

本次展覽藝術家瑪爾塔·巴雷內切亞將環境觀測經驗轉化為針線創作，日常符號以刺繡現身，凹凸的「視覺觸感」誘發觀者身體與布料的經驗；而普里西拉·費爾南德斯的《報紙攤》系列則將面對時事的情緒以蠟畫與線條「報導」出來，探問觀者對新聞的身體意識，進而引發對倫理與行動的省思。兩位藝術家皆透過自身經驗作為往返他者間的媒介，展示此時此刻「臨場」的經驗。

本展同步推出由唐逸芊撰文、Hiccup! 出版、Studio Pianpian He and Max Harvey 設計的展覽出版物。

❍ 展覽日期：6 月 11 日至 6 月 21 日，每日 11:00 至 17:00
❍ 開幕茶會：6 月 14 日 14:00 至 17:00
❍ 藝術家：Marta Barrenechea、Priscila Fernandes
❍ 策展人：唐逸芊
❍ 主辦單位：dialogue、PALOMA
❍ 媒體協力：翁氏工作室

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ss space space is delighted to announce its inaugural guest project, ‘An Art Fair Booth Outside of an Art Fair’. Curated by I Chien Tang in collaboration with Lisbon-based contemporary gallery dialogue, the exhibition brings together works by Iberian artists Marta Barrenechea and Priscila Fernandes.

Here, an art fair booth is displaced within an artist-run space. By stripping back its structural and political nature, the project loosens the inherent hierarchies and power dynamics of the exhibition format, allowing viewers to become more attuned to their own perception and consciousness.

Marta Barrenechea translates her environmental observations into threadwork. Everyday motifs manifest through embroidery, where an uneven ‘visual tactility’ evokes an embodied connection with the fabric. Meanwhile, Priscila Fernandes’ ‘News Stand’ series captures collective emotions in the face of current events through encaustic and ink. Her work interrogates our media awareness, prompting a deeper reflection on ethics and action. Ultimately, both artists act as conduits between the self and the other, articulating the experience of being ‘present’ in the here and now.

The exhibition is accompanied by a publication featuring essays by , published by and designed by .

❍ Dates: 11 – 21 June, 11:00 – 17:00 daily
❍ Opening Reception: 14 June, 14:00 – 17:00
❍ Artists: Marta Barrenechea, Priscila Fernandes
❍ Curator: I Chien Tang
❍ Host : .gallery
❍ Press: Studio Weng

在這次的展出中，藝術家張般源透過紙漿、樹脂等複合媒材，將當代社會過載的數位資訊與日常影像，轉化為具體的物質痕跡，並在充滿時間的沉澱中，為觀者開啟一段介於流動與沉降之間的體驗。張般源個展「態: Alluvium」倒數一週！本次展覽將開放至6 ...
30/05/2026

在這次的展出中，藝術家張般源透過紙漿、樹脂等複合媒材，將當代社會過載的數位資訊與日常影像，轉化為具體的物質痕跡，並在充滿時間的沉澱中，為觀者開啟一段介於流動與沉降之間的體驗。

張般源個展「態: Alluvium」倒數一週！本次展覽將開放至6 月 7 日，敬請把握最後的觀展機會。

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Only one week left to catch Ban-Yuan Chang's solo exhibition, Alluvium!

The artist transforms the digital overload of contemporary life into tangible material traces. Working with tactile mediums such as paper pulp and resin, he creates a space steeped in the slow accumulation of time, inviting us to pause in a state suspended between fluidity and sedimentation.

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Images: Ban-Yuan Chang, ‘sik-tsân’, (2026). Photo © ss space space (Sean Tseng)

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《暗水》雜揉紙漿、環氧樹脂、石膏等複合媒材，在畫面中凝結出一片似在流動與靜止之間的水域。藝術家張般源將當代過載的數位資訊，比擬為信仰儀式中焚化後緩慢沉降的字紙灰燼——這些失去可讀性的日常碎片，在時間的沖刷下沉澱為帶有厚度的物質殘跡。在這件作...
23/05/2026

《暗水》雜揉紙漿、環氧樹脂、石膏等複合媒材，在畫面中凝結出一片似在流動與靜止之間的水域。藝術家張般源將當代過載的數位資訊，比擬為信仰儀式中焚化後緩慢沉降的字紙灰燼——這些失去可讀性的日常碎片，在時間的沖刷下沉澱為帶有厚度的物質殘跡。

在這件作品中，畫面上幽微的波光折射與邊緣裸露的粗糙纖維相互交織，使畫面既像是一塊無法再被讀取的載體，也化作一面承載著當代感知與精神意念的實體介面，在影像與資訊的不斷沖刷之下，留下這片無聲卻充滿延滯感的物質痕跡。

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Through a synthesis of paper pulp, epoxy resin, and plaster, ‘àm-tsuí’ coalesces into a body of water suspended between fluidity and stillness. Ban-Yuan Chang likens the digital overload of contemporary society to the slowly descending ash of burnt paper in religious rituals. Stripped of their legibility, these everyday fragments sediment beneath the wash of time into thick material traces.

Here, the subtle refraction of light across the surface intertwines with the rough, exposed fibres at its edges. This interplay renders the piece simultaneously an unreadable medium and a physical interface bearing contemporary perception and spiritual intent. Amidst the relentless tide of images and information, it is left behind as a silent material residue, imbued with a profound sense of lingering delay.

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Images: Ban-Yuan Chang, ‘àm-tsuí’, (2025-2026). Photo © ss space space (Sean Tseng)

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20/05/2026

ss space space 將首次參與 2026 Liste Art Fair Basel 呈現雙人展《不定之域》！

今年 6 月成立滿三週年的藝術家自營空間 ss space space，將攜手臺灣不同世代的女性藝術家王德瑜與吳依宣，以限地製作、場地回應的空間裝置進軍全球指標性藝術博覽會 Liste Art Fair Basel。

本次雙人展以《不定之域（Unstable Grounds）》為題，探討「空間—身體—感知」的權力結構，強調空間並非靜止的事物背景，而是一種持續運作的權力形式。兩位藝術家王德瑜與吳依宣分別從不同層面切入受空間結構所形塑的經驗：前者透過尺度、距離與動線的細微調度，使觀者以身體重新意識自身與空間之間的互動；後者則以現代居家與標準化生活為研究起點，描繪那些看似中立的空間秩序如何構築行為、勞動與感知的結構。

❍ 展位編號： 70
❍ 展覽日期： 2026 年 6 月 15 日至 6 月 21 日

❍ 媒體與銷售洽詢：[email protected]
❍ 媒體協力：固夏公關

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ss space space to Debut at Liste Art Fair Basel 2026 with Duo Exhibition, ‘Unstable Grounds’!

Marking its third anniversary this June, the Taiwanese artist-run space ss space space is delighted to announce its inaugural participation in the globally renowned Liste Art Fair Basel. The gallery will present site-specific and site-responsive installations by two Taiwanese female artists from different generations: Teyu Wang and Sara Wu.

Entitled ‘Unstable Grounds’, this duo presentation explores the power dynamics inherent in the nexus of ‘space, body, and perception’, emphasising that space is not a static backdrop to events, but rather a continuously operating form of power. The two artists approach the experiences shaped by spatial structures from distinct perspectives. Wang, through subtle adjustments to scale, distance, and pathways, compels the viewer to physically re-evaluate their interaction with the space; whilst Wu uses the modern home and standardised living as her starting point to illustrate how seemingly neutral spatial orders construct the frameworks of behaviour, labour, and perception.

❍ Booth: 70
❍ Dates: 15 – 21 June 2026

❍ Press and sales enquiries: [email protected]
❍ Media Partner: Good Shot PR

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在當期展覽「態: Alluvium」開幕前，我們有幸前往藝術家張般源位於淡水的工作室。工作室中陳列著草稿與材料結構的測試痕跡，展現創作從意念轉化為物質的累積過程。張般源的實踐經常關注在當代資訊洪流中，日常感知如何被形塑；他透過跨媒材的重組與...
18/05/2026

在當期展覽「態: Alluvium」開幕前，我們有幸前往藝術家張般源位於淡水的工作室。

工作室中陳列著草稿與材料結構的測試痕跡，展現創作從意念轉化為物質的累積過程。張般源的實踐經常關注在當代資訊洪流中，日常感知如何被形塑；他透過跨媒材的重組與壓縮，呈現過度堆疊下的延遲與失重感，為碎片般的感性經驗留下開放的感知空間。這次在 ss space space 的個展，藝術家進一步以紙漿為中介，將日常經驗凝結為具體形體，探討物質與精神的邊界狀態。

藝術家張般源畢業於英國皇家藝術學院（Royal Collage of Art），其作品曾展出於倫敦薩奇美術館（Saatchi Gallery）、台北市立美術館與高雄市立美術館等。

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Prior to the opening of the current exhibition, Alluvium, we had the pleasure of visiting the studio of artist Ban-Yuan Chang in Tamsui.

The studio is filled with the traces of drafts and material testing, revealing the cumulative process of transforming conceptual thought into physical matter. Chang’s practice frequently examines how everyday perception is moulded under the contemporary deluge of information. Through cross-media restructuring and compression, he evokes the sense of delay and weightlessness that emerges from over-saturation, leaving an open, perceptual space for fragmented sensory experiences. For this solo exhibition at ss space space, the artist further adopts paper pulp as a medium to condense daily experience into concrete forms, exploring the threshold between the physical and the spiritual.

Ban-Yuan Chang graduated from the Royal College of Art in London. His work has been exhibited internationally, including the Saatchi Gallery, the Taipei Fine Arts Museum, and the Kaohsiung Museum of Fine Arts.

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Images: Ban-Yuan Chang’s studio, 2026. Photo © ss space space (Sean Tseng)

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在影像過度生產的當代，什麼能被留下？此次展覽中，藝術家將「紙漿」視為一種日常感知的載體。它們如同環境中的沖積物，使細碎的記憶、失語後的質地，得以在此重新附著。那些日常的破碎經驗、來不及讀取的資訊，在濃稠的紙漿中緩慢凝結，形成如結晶般的介面。...
14/05/2026

在影像過度生產的當代，什麼能被留下？

此次展覽中，藝術家將「紙漿」視為一種日常感知的載體。它們如同環境中的沖積物，使細碎的記憶、失語後的質地，得以在此重新附著。那些日常的破碎經驗、來不及讀取的資訊，在濃稠的紙漿中緩慢凝結，形成如結晶般的介面。

作品收納了日常景觀的殘像。在觀看過程中，纖維的交織與堆疊既是記憶失去可讀性後的物質痕跡，亦如同廟宇文化中物質焚化後緩慢降落的灰燼。在物質與精神的邊界，藝術家將飄渺的念想壓縮為可觸的結構，延展出一片新的場域。

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In an age of visual overproduction, what truly remains?

In this exhibition, the artist adopts paper-mâché as a vessel for our perception of the everyday. Much like environmental alluvium, this medium allows fragmented memories and silent textures to find a place to reattach. Broken experiences and unread information slowly gather and bind within the material, eventually crystallising into a tangible interface.

These works act as containers for the afterimages of the everyday. Through the layering of fibres, we witness the physical remains of memory that can no longer be read, reminiscent of the ash that drifts down after a ritual burning. On the threshold between the physical and the spiritual, the artist compresses fleeting thoughts into a tactile structure, opening up a new and profound field of perception.

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Images: Ban-Yuan Chang, ‘Alluvium’ at ss space space, 2026. Photo © ss space space (Sean Tseng)

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張般源個展「態: Alluvium」已於上週日正式開展！本次展覽呈現藝術家張般源的一系列全新創作。延續對數位資訊環境中「感知位移」的長期關注，他進一步聚焦日常經驗如何在數位洪流中被形塑，並透過藝術實踐將其轉化為可被觸知的物質狀態。展名「Al...
05/05/2026

張般源個展「態: Alluvium」已於上週日正式開展！

本次展覽呈現藝術家張般源的一系列全新創作。延續對數位資訊環境中「感知位移」的長期關注，他進一步聚焦日常經驗如何在數位洪流中被形塑，並透過藝術實踐將其轉化為可被觸知的物質狀態。

展名「Alluvium」原為地質學中的「沖積物」，藝術家以此隱喻當代影像與資訊的流動：在高度碎裂的數位日常中，資訊如微粒般持續堆積、沉降，最終如同泥沙沖積，緩慢地形塑了我們的感知結構。展覽中大量使用紙漿纖維的堆疊與信仰經驗中的煙氣轉譯，將這些無形的敘事與精神凝結成作品，在流動與定型之間，為觀者建立一處可供棲息的感知介面。

本期展覽開放至 6 月 7 日，營業時間為週四至週日每日 11:00 至 17:30，歡迎來北海岸八里走走、看展！

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Ban-Yuan Chang’s solo exhibition, 'Alluvium', officially opened last Sunday!

This exhibition presents a new body of work by Ban-Yuan Chang. Continuing his long-standing exploration of ‘perceptual displacement’ within digital information environments, he further examines how daily experiences are shaped within the digital torrent and transforms them into tangible material states through artistic practice.

The title 'Alluvium', a geological term for deposits, serves as a metaphor for the flux of contemporary imagery and information: in our fragmented digital daily life, information particles accumulate and settle like sediment, gradually shaping our perceptual structures. The exhibition extensively utilizes the layering of paper pulp fibers and the translation of ‘smoke’ from spiritual practices to condense these intangible narratives and spirits into physical works. Between the states of fluidity and form, Chang establishes a perceptual interface for the viewer to inhabit.

The current show runs until 7 June. Opening hours are Thursday through Sunday, 11:00 – 17:30. We warmly welcome you to visit Bali on the north coast and explore the exhibition!

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Images: Ban-Yuan Chang, ‘Alluvium’ at ss space space, 2026. Photo © ss space space (Sean Tseng)

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張般源個展「態: Alluvium」將於本週日 #5月3日 #下午2點 開幕！本次展覽集結藝術家近年累積之研究成果與創作，呈現繪畫、雕塑與裝置等十餘件全新作品。歡迎大家一起來看展，期待相見！-Ban-Yuan Chang’s solo ...
30/04/2026

張般源個展「態: Alluvium」將於本週日 #5月3日 #下午2點 開幕！

本次展覽集結藝術家近年累積之研究成果與創作，呈現繪畫、雕塑與裝置等十餘件全新作品。歡迎大家一起來看展，期待相見！

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Ban-Yuan Chang’s solo exhibition, Alluvium (態), opens this Sunday, 3 May at 2:00 pm!

The exhibition brings together the artist's research and practice developed over the past few years, featuring more than ten new works spanning painting, sculpture, and installation. Come and join us for the opening—we look forward to welcoming you!

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Images: Ban-Yuan Chang, ‘Alluvium’ at ss space space, 2026. Photo © ss space space (Sean Tseng)

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「態: Alluvium」現正布展中🏰面對當代社會中過度飽和的數位資訊，藝術家張般源將我們習以為常的網路影像與生活片段，透過身體與材料的介入，將其轉化為具體的物質痕跡，並邀請觀者走入其中，在材料流動與沉降的狀態之間，緩緩感受日常經驗形塑的過...
25/04/2026

「態: Alluvium」現正布展中🏰

面對當代社會中過度飽和的數位資訊，藝術家張般源將我們習以為常的網路影像與生活片段，透過身體與材料的介入，將其轉化為具體的物質痕跡，並邀請觀者走入其中，在材料流動與沉降的狀態之間，緩緩感受日常經驗形塑的過程。

本次展覽將於 5 月 3 日下午 2 點開幕，歡迎來現場與藝術家聊聊！

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In response to the digital overload of contemporary society, Ban-Yuan Chang materialises the everyday, transforming the familiar imagery and fleeting moments we are so accustomed to into tangible traces. Through his physical engagement with the materials, the viewers are invited to step into the space and observe how our daily experiences take shape—suspended in a delicate state between fluidity and sedimentation.

Join us for the opening on Sunday, 3 May at 2:00 pm. We’d love for you to drop by and have a chat with the artist!

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ss space space 即將帶來張般源個展「態: Alluvium」，本次展覽將呈現藝術家歷時多年的全新創作，橫跨繪畫、雕塑與裝置等十餘件作品。在此系列中，藝術家以「紙漿」為核心媒材，將當代生活中龐雜的影像與資訊，轉化為具體的物質型態...
20/04/2026

ss space space 即將帶來張般源個展「態: Alluvium」，本次展覽將呈現藝術家歷時多年的全新創作，橫跨繪畫、雕塑與裝置等十餘件作品。在此系列中，藝術家以「紙漿」為核心媒材，將當代生活中龐雜的影像與資訊，轉化為具體的物質型態；同時，透過對日常景觀與數位片段的巧妙轉譯，試圖於作品中呈現一種介於流動與沉降之間的觀看經驗。

張般源的研究長期關注在影像飽和的環境中，我們的觀看與感受方式如何被形塑。其創作多從城市景觀、網路影像與生活片段出發，透過重組與跨媒材實踐，延伸出對感知結構與身體經驗之間關係的探討。

本期展覽「態: Alluvium」將於 #5月3日 #下午2點 開幕，歡迎大家來現場與藝術家一同聊聊近年的創作與研究。

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ss space space is delighted to present ‘Alluvium’, a solo exhibition by Ban-Yuan Chang. The exhibition features a new body of work developed over the years, spanning painting, sculpture, and installation. In this series, the artist employs paper pulp as his core medium, transforming the overwhelming accumulation of contemporary images and information into tangible, material forms. Through an adept translation of everyday landscapes and digital fragments, the works cultivate a viewing experience suspended between fluidity and sedimentation.

Ban-Yuan Chang’s research has long interrogated how our modes of viewing and sensing are shaped within an image-saturated environment. Drawing upon urban landscapes, online imagery, and fragments of lived experience, his practice utilises reconfiguration and cross-media application to further examine the intricate relationship between perceptual structures and embodied experience.

‘Alluvium’ opens on Sunday, 3 May at 2:00 pm. We warmly invite you to join us if you’re around!

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No. 199, Section 2, Zhonghua Road
Xinbei
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Opening Hours

Thursday 11:00 - 17:30
Friday 11:00 - 17:30
Saturday 11:00 - 17:30
Sunday 11:00 - 17:30

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