Harry Ransom Center

Harry Ransom Center Humanities research library and museum at The University of Texas at Austin | On view through August 2: Lives and Literacy in Ancient Egypt
(230)

The Harry Ransom Center is an internationally renowned humanities research library and museum at The University of Texas at Austin. Its extensive holdings provide a unique record of the creative process of writers and artists, deepening our understanding of literature, photography, film, art, and the performing arts. Thousands of scholars, students, and cultural enthusiasts from around the world s

tudy materials from the collections each year. These collections also inspire original exhibitions and programs that offer visitors opportunities for enrichment, discovery, and delight. The Ransom Center advances the study of the arts and humanities and fosters an environment where culture thrives. Please visit us on line for more information about gallery and Reading and Viewing Room hours, what's on view, programs, and becoming a member.

05/31/2026

What can ancient scraps of papyrus reveal about everyday life 2,000 years ago?
“Lives and Literacy in Ancient Egypt,” a new exhibition at UT's Harry Ransom Center, explores how writing preserved the stories, beliefs, records, and routines of people living in Greco-Roman Egypt through remarkably rare manuscripts and artifacts.

Learn more in the latest issue of the Alcalde: https://alcalde.texasexes.org/2026/04/ancient-documents-once-buried-with-mummies-are-now-at-the-harry-ransom-center

We are pleased to announce the recipients of our 2026–27 research fellowships. This year’s cohort consists of 47 postdoc...
05/29/2026

We are pleased to announce the recipients of our 2026–27 research fellowships. This year’s cohort consists of 47 postdoctoral scholars, graduate students, and independent researchers who will travel to Austin from seven countries and 15 US states to immerse themselves in the our collections.

Their research interests reflect the geographic and disciplinary breadth of our holdings, including the circulation of photographs in colonial India, changing visual representations of the wilderness in North and South America, the early history of true crime television programming, and scholarly editions of Percy Shelley’s correspondence and poems by Lord Byron and the Brontë sisters.

Now entering its 37th year, our fellowship program has supported more than 1,500 research projects that required extensive onsite use of our collections and subsequently resulted in the publication of academic monographs, dissertations, journal articles, novels, and other creative works. Fellowships lasting between one week and two months are available to doctoral students, current and former academic faculty at any career level, and independent researchers such as journalists and artists

Ransom Center fellows are members of a vibrant social and intellectual community. In addition to attending author talks, film screenings, and other public programs, they also have opportunities to discuss their research with our staff and UT faculty. We look forward to welcoming these humanities scholars to Austin and supporting their archival investigations!

Learn more about the fellows: https://sites.utexas.edu/ransomcentermagazine/2026/05/20/harry-ransom-center-announces-2026-2027-fellows/

Rest in Peace, Sonny Rollins. A letter from the saxophone legend appears in the papers of James Purdy at the Ransom Cent...
05/27/2026

Rest in Peace, Sonny Rollins.

A letter from the saxophone legend appears in the papers of James Purdy at the Ransom Center. The correspondence between Rollins and Purdy highlights a fascinating connection between Purdy the author, Rollins the musician, and the surrealist painter Gertrude Abercrombie.

In Purdy's letter to Rollins, dated May 20, 1972, he mentions sending the musician a copy of his latest book I Am Elijah Thrush. Purdy writes that Abercrombie suggested he first send Rollins a copy of his 1959 novel Malcolm. Abercrombie appears as a fictionalized character in Malcolm as well as Purdy's 1967 novel Eustace Chisholm & the Works and as herself in the author's final novel Gertrude of Stony Island Avenue (1996). She knew Rollins and other jazz musicians like Max Roach, Dizzy Gillespie, and Sarah Vaughan from her time hosting salons in her Chicago home.

You can read the correspondence between Rollins and Purdy as well as a number of letters from Abercrombie in the James Purdy Papers at the Ransom Center: https://research.hrc.utexas.edu/fasearch/findingaid.cfm?eadid=01059&showrequest=0

1. [Detail of greeting in letter from James Purdy to Sonny Rollins], May 20, 1972. James Purdy Papers, Box 47, Folder 2.
2. [Detail of Sonny Rollins's signature on letter to James Purdy], circa 1972. James Purdy Papers, Box 47, Folder 2.

The Harry Ransom Center is closed today, Monday, May 25, in observance of Memorial Day. Plan your next visit: https://ww...
05/25/2026

The Harry Ransom Center is closed today, Monday, May 25, in observance of Memorial Day.

Plan your next visit: https://www.hrc.utexas.edu/visit/

Bradshaw Crandell, [Are you a girl with a Star-Spangled heart?], 1943. War Posters Art Collection, 85.170.301.

Sixty years ago today, on May 20, 1966, children's author and illustrator Maurice Sendak wrote a fan letter to Robert Le...
05/21/2026

Sixty years ago today, on May 20, 1966, children's author and illustrator Maurice Sendak wrote a fan letter to Robert Lee Wolff describing "perhaps the one most significant moment of my creative life." The letter, sent three years after the publication of Sendak's now-classic Where the Wild Things Are, is held in the Robert Lee Wolff Collection of 19th Century Fiction at the Ransom Center.

The letter begins: "Dear Mr. Wolff, Let me introduce myself. I write and illustrate books for children. What prompts me to write you is the only other interesting fact about me (to me)—my passion for George MacDonald." MacDonald was a pioneering 19th century author of fantastical fairy tales. Sendak goes on to write that Arthur Hughes, an illustrator of MacDonald's works, is "the illustrator I most admire and whose books I have been doggedly trying to collect."

He tells Wolff that his reading of Wolff's The Golden Key: A Study of the Fiction of George MacDonald and MacDonald's collected works Phantastes and Lilith were "perhaps the one most significant moment of my creative life." This all came full circle for Sendak when his illustrations were published in an edition of MacDonald's The Golden Key the following year in 1967.

Search an inventory of the Robert Lee Wolff Collection of 19th Century Fiction, including the letter from Maurice Sendak: https://research.hrc.utexas.edu/fasearch/findingaid.cfm?eadid=00471&showrequest=0

1. Maurice Sendak, Where the Wild Things Are (New York: Harper & Row, c1963). Harry Ransom Center Alfred and Blanche Knopf Library, PZ 8 S3294 WH KNOPF.
2. [Detail of Maurice Sendak's signature on letter to Robert Lee Wolff], May 20, 1966. Robert Lee Wolff Collection of 19th Century Fiction, Container 44.4.
3-4. George MacDonald with illustrations by Arthur Hughes, The Giant's Heart & The Golden Key (London: A.C. Fifield, 1904). Harry Ransom Center Book Collection, WOLFF-ADDM 224.
5-6. George MacDonald with illustrations by Maurice Sendak, The Golden Key (New York: Farrar, Straus, and Giroux, 1967). Harry Ransom Center Book Collection, PZ 7 M1475 G5.
7. George MacDonald, Phantastes and Lilith (London: Gollancz, 1962). Harry Ransom Center Alfred and Blanche Knopf Library, PR 4967 P535 1962 KNOPF.

Just because school is out for the summer doesn't mean you can't learn something new! 💡Join a docent-led tour of our exh...
05/16/2026

Just because school is out for the summer doesn't mean you can't learn something new! 💡

Join a docent-led tour of our exhibition Lives and Literacy in Ancient Egypt this summer and step back in time as they bring to life the voices of a multilingual, multicultural society from Greco-Roman Egypt. Each fragment and object on display offers an extraordinary glimpse of daily life, revealing the lives of ordinary people and their vibrant cultures along the Nile.

We would tell you to visit on Monday, May 18 for International Museum Day, but the gallery is closed every Monday! We offer tours every Tuesday through Friday at noon and at 1 and 2 p.m. on Saturdays and Sundays. Learn more and plan your visit: https://www.hrc.utexas.edu/visit/

Pictured here is Lives and Literacy co-curator Aaron T. Pratt, the Center's Carl and Lily Pforzheimer Curator of Early Books and Manuscripts, leading Ransom Center staff on a tour of the exhibition.

We are thrilled to announce that the finding aid for the Ethel Waters Papers is now online and the collection is open fo...
05/13/2026

We are thrilled to announce that the finding aid for the Ethel Waters Papers is now online and the collection is open for research!

Search the finding aid and call items to our Reading Room: https://research.hrc.utexas.edu/fasearch/findingAid.cfm?eadid=01563

The Ethel Waters Papers are an extraordinary collection of personal and professional materials from the groundbreaking American singer and actress. This historically significant archive spans Waters's career and personal life, offering scholars and the public rare insight into one of the most influential African American performers of the 20th century. The collection includes 66boxes of letters, photographs, recordings, and rare manuscripts.

Ethel Waters left an indelible mark on American entertainment. Known for her work in film, radio, and the theatre, Waters became the first African American to star in her own television special, The Ethel Waters Show (1939). For her role in the 1949 film Pinky, she became the second African American actor to be nominated for an Academy Award. Her recordings of songs like “Sweet Georgia Brown” (1925) and “Stormy Weather” (1933) broke records, and her iconic performances in films like Cabin in the Sky (1943) and The Member of the Wedding (1952) continue to inspire generations.

Archivist Kelsey Handler worked diligently on this complex collection alongside many other staff members at the Ransom Center and we thank them for all their hard work. The collection acquisition was supported by the Hoblitzelle Foundation and the cataloguing was supported by the Delmas Foundation and Ellen and David Berman.

Photograph by Murray Korman, [Ethel Waters], ca. 1925. Ethel Waters Papers, Harry Ransom Center, Container 31.8.

Happy Mother's Day from all of us at the Ransom Center. 💜Here are some photos of writers and their mothers from across o...
05/10/2026

Happy Mother's Day from all of us at the Ransom Center. 💜

Here are some photos of writers and their mothers from across our collections. These are tough, but can you guess who they are? 🤔 Answers down below in the credits.

Learn more about our literature collections: https://www.hrc.utexas.edu/collections/literature/

1. Unidentified photographer, [Detail of photograph of Tim O'Brien's mother Ava Eleanor Schult O'Brien hugging Tim], circa 1957. Tim O'Brien Papers, 53.6.
2. Unidentified photographer, [Detail of Carson McCullers and her mother Bébé], circa 1945. Carson McCullers Literary File Photography Collection, 1.24.
3. Unidentified photographer, [Detail of Ernest Hemingway on the lap of his mother, Grace Hall Hemingway], 1900. Ernest Hemingway Literary File Photography Collection, P-9.
4. Unidentified photographer, [Detail of photograph of Dylan Thomas and his mother Florence Hannah seated against rock cliff], 1936. Dylan Thomas Literary File Photography Collection, P-35.
5. Gilbert & Bacon, [Detail of Radclyffe Hall as a toddler, Jane Jones (Hall's great-grandmother), Sarah Diehl (Hall's grandmother), and Marie Diehl Radclyffe-Hall (Hall's mother)], circa 1883. Radclyffe Hall Literary File Photography Collection, P-14.

Congratulations to the Longhorns of the Class of 2026! 🐂We're so proud of all your accomplishments and can't wait to see...
05/09/2026

Congratulations to the Longhorns of the Class of 2026! 🐂

We're so proud of all your accomplishments and can't wait to see what you do next. We are honored to be a part of your academic experience at . Don't be strangers!

Learn more about our art collections: http://hrc.utexas.edu/collections/art

Frank Reaugh, [Detail of The Maverick], 1914. Frank Reaugh Art Collection, 74.69.145.

Voting is now open for The Austin Chronicle’s 36th Annual Best of Austin Readers’ Poll. Thanks to your support in the fi...
05/08/2026

Voting is now open for The Austin Chronicle’s 36th Annual Best of Austin Readers’ Poll. Thanks to your support in the first round, we have been named a Top Finalist in the Best Museum category!

Voting ends Monday, May 18, at midnight, and the winners will be announced in the official “Best Of Austin” Issue—on stands June 19. Help us spread the word!

Vote today!: https://ransom.center/best-26

Address

300 W 21st Street
Austin, TX
78712

Opening Hours

Tuesday 10am - 5pm
Wednesday 10am - 5pm
Thursday 10am - 5pm
Friday 10am - 5pm
Saturday 12pm - 5pm
Sunday 12pm - 5pm

Alerts

Be the first to know and let us send you an email when Harry Ransom Center posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Museum

Send a message to Harry Ransom Center:

Share