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Marc Selwyn Fine Art

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Contemporary art gallery

10/15/2026

Lee Bontecou | Frieze Masters, London

Our presentation of works by Lee Bontecou is on view through Sunday, October 18. Visit us in booth D05 to see the selection.

Through October 18, 2026
Booth D05 | The Regent’s Park
London NW1 4HG

Frieze
Pictured: 1. Untitled, 1986-2002, epoxy, porcelain, wire, and steel on Plexiglas base, 15 1/2 x 24 x 8 inches. 2. Installation view of booth D05. 3. Untitled (Camera), 1958, welded steel, canvas, wire mesh, wire, and soot, 17 x 31 x 26 inches. 4. Installation view of booth D05. 5. Untitled, 1977, porcelain, 13 x 18 x 6 inches. 6. Installation view of booth D05. 7. Untitled, 1962, soot and pencil on linen on wood strainer, 20 3/8 x 20 1/2 inches. All works © Lee Bontecou 2026. Courtesy of Marc Selwyn Fine Art and Bill Maynes, sole representative agent for Lee Bontecou.

10/08/2026

We are wishing a very happy birthday to our friend Joey Terrill today!

Joey Terrill 🎈
Pictured: ‘Dylan, Monica, Marisela, Diane & Luis, 1993’, 2096-2026, 36 x 60 inches

10/04/2026

Lee Bontecou | Frieze Masters, London

We are pleased to present works by Lee Bontecou. Visit us at booth D05 to explore the presentation.

October 14–18, 2026
Booth D05 | The Regent’s Park
London NW1 4HG

Frieze

Pictured: Lee Bontecou, Untitled, 1985. (Detail)
© Lee Bontecou 2026. Courtesy of Marc Selwyn Fine Art and Bill Maynes, sole representative agent for Lee Bontecou.

09/29/2026

‘Frank Bowling: Creation and Destruction. With Interruptions by Francis Bacon and Victor Willing’ opens today at Pera Müzesi , Istanbul.

Curated by Alistair Hicks, the exhibition marks the first presentation of Bowling’s work in Türkiye and explores more than six decades of the artist’s practice, alongside works by Francis Bacon and Victor Willing. Through the tensions between creation and destruction, order and chaos, chance and control, painting emerges not as a completed surface but as a process of continual transformation.

On view September 29, 2026 - January 31, 2027

For more information, follow the link in our bio.

Frank Bowling Studio

Pictured: 1. ‘Kitty’, 2009, acrylic on canvas, 68.5 × 173 cm. Courtesy the artist © Frank Bowling. All rights reserved, DACS 2026. Photograph: by Jess Littlewood. 2. Installation view of ‘Frank Bowling: Creation and Destruction. With Interruptions by Francis Bacon and Victor Willing’ at Pera Museum, Istanbul. Photo by Ayşe Sena Aykın.

09/25/2026

Now on view at Independent 20th Century

Rodolfo Abularach
Booth 310, Floor 3, Sotheby’s New York.

Marc Selwyn Fine Art and David Nolan Gallery present an exhibition of works by Rodolfo Abularach.

Rodolfo Abularach David Nolan Gallery Marc Selwyn Fine Art Independent

Featured:
1. Centro - Ciclope - Kukul Kan -Variación 5 (Center - Cyclops -Kukul Kan - Variation), c. 1969, acrylic and ink on paper, 48 x 48 inches.
2. Ojos D-2, 1968, ink on paper, 29 × 23 inches.
3. Cosmico No. 3 - Aleluya (Cosmic No. 3 - Hallelujah), 1977, oil on canvas, 60 x 60 inches.
4. Pitonisa No. 2, 1982, ink on paper, 21 x 26 inches.
5. Aparición - Nacimiento (Apparition - Birth), 1964–67, oil on canvas, 50 x 50 inches.

09/23/2026

Now open in Los Angeles: the Lucas Museum of Narrative Art.

We’re delighted to see Joey Terrill’s Chicos Modernos included in the museum’s inaugural collection. Created as a Spanish-language comic during the AIDS crisis, the series used storytelling to share HIV prevention information with Los Angeles communities.

Joey Terrill
Lucas Museum of Narrative Art

Pictured:
1 Joey Terrill in his Boyle Heights studio, 2014. Photograph by Jason Armond for the Los Angeles Times.
2 Joey Terrill, Cover for Chicos Modernos, vol. 3, 1989. Ink and colored pencil on paper. © Joey Terrill.

09/17/2026

Then and now.

Dorothea Rockburne with “Study for Noli Me Tangere” in 1977, and nearly fifty years later with Marc Selwyn and David Nolan in front of the work at the gallery.

Dorothea Rockburne: On the Consideration of the Curve opens tonight, September 17, from 6–8 PM at Marc Selwyn Fine Art.

9953 S Santa Monica Blvd
Beverly Hills, CA

Pictured:

1. Dorothea Rockburne with “Study for Noli Me Tangere,” 1976. Photograph by James Hamilton, Vogue, June 1977. © 2025 Dorothea Rockburne / Artists Rights Society (ARS), New York.
2. Marc Selwyn, Dorothea Rockburne, and David Nolan with “Study for Noli Me Tangere,” 1976.

09/15/2026

Dorothea Rockburne: On the Consider of The Curve

Opening September 17th at 9953 S Santa Monica Blvd.
Please join us for a reception with the artist from 6-8pm.

Pictured: Installation of Dorothea Rockburne’s ‘Untitle’, 1969, graphite on Kraft paper, height dimensions variable x 40 inches wide.

09/12/2026

The Murals of La Jolla project’s latest commission, a collaboration with the Museum of Contemporary Art San Diego, is an homage to q***r art and cultural memory.

“Remembrance,” by Los Angeles-based artist Joey Terrill, is an image the artist created in 1989 of himself and his then-partner Robert Ward in a garden setting of cacti and succulents; the botanical setting is at once beautiful and threatening, evoking the complex sexual politics and broader cultural climate of the 1980s during the HIV/AIDS crisis. Each figure carries a bouquet of long-stemmed gladiolas and birds-of-paradise, the official flower of the City of Los Angeles, firmly grounding the scene in Southern California.

Spanning mediums of zine-making, performance, printmaking, collage, and painting, Terrill’s practice engages his lived experiences within intersecting q***r, Chicano, and artistic communities.

Murals of La Jolla began in 2010 as a project of the Athenaeum Music & Arts Library originally initiated by the La Jolla Community Foundation to commission large-scale art for public spaces around La Jolla.

The murals are commissioned for privately-owned spaces and funded through private donations to enhance La Jolla’s civic character, with each mural remaining for two to four years so as to continually bring new perspective.

Murals of La Jolla
Joey Terrill
The Museum of Contemporary Art San Diego
Athenaeum Music & Arts Library

Pictured: 𝙍𝙚𝙢𝙚𝙢𝙗𝙧𝙖𝙣𝙘𝙚 - Joey Terrill, 2026, Museum of Contemporary Art San Diego at 700 Prospect Street.
Wall Sponsors: Maryanne and Irwin Pfister. Photos by Philipp Scholz Rittermann

09/11/2026

Marc Selwyn Fine Art is pleased to present ‘Dorothea Rockburne: On the Consideration of the Curve’. Please join us on September 17th for an opening reception with the artist from 6-8pm at 9953 S Santa Monica Blvd.

Spanning more than fifty years, the exhibition traces the evolution of a practice in which mathematics and material are inseparable. For Rockburne, an artwork is not an illustration of a predetermined idea; its form emerges through the physical actions of folding, cutting, layering, marking, and measuring.

Rockburne’s distinctive approach emerged during her studies at Black Mountain College from 1950 to 1954. There, the mathematician Max Dehn introduced her to topology, geometry, and mathematical structures found in nature. These ideas became enduring foundations of her work, informing an approach to abstraction in which paper, linen, vellum, and industrial materials function as active elements rather than neutral supports.

Pictured: 1. ‘2, 4, 6, 8’, 1969-70, graphite on brown paper, 96 x 72 inches. 2. ‘Study for Noli Me Tangere’, 1976, oil, gesso, and glue on linen, 55 x 34 inches. 3. ‘Interior Perspective/Discordant Harmony’, 1985, oil on linen, 62 1/4 x 88 5/8 x 4 inches. 4. ‘Musician Angel: Parallelogram, Square, 1979-81, pencil, wax, and glue on vellum mounted to rag board in artist’s frame, 56 1/4 x 45 7/8 inches.

Address

9953 S Santa Monica Boulevard
Beverly Hills, CA
90212

Opening Hours

Tuesday	11am - 6pm
Wednesday	11am - 6pm
Thursday	11am - 6pm
Friday	11am - 6pm
Saturday	11am - 6pm

Telephone

+13102779953

Website

http://www.marcselwynfineart.com/

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