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Marc Selwyn Fine Art

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Marc Selwyn Fine Art

Contemporary art gallery

09/04/2026

The Fitzwilliam Museum in Cambridge collaborated with the studio of Sir Frank Bowling OBE RA and the screenprinters Coriander Studio to produce a hand-signed, limited-edition run of 30 prints of Bowling’s ‘Swan’ (1964).

Made to accompany ‘Frank Bowling: Seeking the Sublime’, the museum’s current display, which spans Bowling’s seven-decade career.

Swans feature repeatedly in Bowling’s work - his lifelong fascination with the birds began in the early 1960s when he saw a swan flailing desperately beside the River Thames, covered in oil. The swan’s struggle in the 1964 painting suggests inner conflict, symbolising the complexities of the artist’s life at that time.

The prints are for sale and can be found by the link in the The Fitzwilliam Museum bio.

Frank Bowling Studio
Coriander Studio

Photos: 1. Sir Frank Bowling OBE RA in Peacock Yard, March 2026. Photo by Frederik Bowling © Frank Bowling. Courtesy Frank Bowling Archive. 2. Screen print of ‘Swan’ (1964), printed in Coriander Studio. Photography by Worton Hall Studios © 2026

09/01/2026

It’s the final few days to see ‘Lee Mullican: Silent Shades’, on view at our Camden Annex (427 N Camden Drive, Beverly Hills). Come see it before it closes on Saturday September 5th.

The exhibition centers on the paintings created during the artist’s Guggenheim year in Rome, together with a selection of terracotta sculptures produced shortly thereafter, examining a key moment in the artist’s career when his interests in automatism and ancient cultures coalesced into a powerful new visual language.

The Estates of Luchita Hurtado and Lee Mullican
Pictured: 1. ‘Untitled’, 1960, terra cotta, 10 ½ x 6 x 1 ¾ inches. 2. Installation view of ‘Lee Mullican: Silent Shades’, 2026. 3. ‘Untitled’, 1959-60, acrylic on paper, 59 x 86 ½ inches. 4. Installation view of ‘Lee Mullican: Silent Shades’, 2026.

08/23/2026

William Wegman’s large-scale color Polaroids occupy a singular place in both his career and the history of photography.

Beginning in the late 1970s, Wegman became one of the artists invited to work with Polaroid’s extraordinary 20 x 24-inch camera, a room-sized instrument capable of producing uniquely detailed, one-of-a-kind instant photographs. For Wegman, this was far more than a technical innovation. The scale, saturated color, immediacy, and physical presence of the Polaroid opened a new chapter in his practice.

The shift was especially significant following the arrival of Fay Ray in 1986. Wegman’s longstanding interest in photography, performance, humor, illusion, and conceptual play found an expansive new vocabulary in these monumental images. What had once been intimate, experimental photographic gestures could suddenly command the scale and visual authority of painting, advertising, and cinema—while retaining the spontaneity and singularity of an instant photograph.

In the broader history of photography, Wegman’s Polaroids are equally important. Instant photography had traditionally been associated with informality, experimentation, and the everyday. Wegman transformed that immediacy into a sophisticated fine-art language, demonstrating that an instant photograph could be conceptually rigorous, visually complex, and monumental in scale. His 20 x 24 Polaroids entered major museum collections, including those of MoMA and The Metropolitan Museum of Art, affirming the medium’s place within contemporary photographic history.

Our current exhibition brings together works that reveal the remarkable range of this period. On view through September 5th at 427 N Camden Drive, Beverly Hills.

Inquiries welcome, please DM us for more details.

William Wegman
Pictured: 1. 3 Out of Four, 1988, color Polaroid, 24 x 20 inches. 2. Splitting Image, 2005, black & white Polaroid, 24 x 20 inches. 3. Eye On, 1994, color Polaroid, 24 x 20 inches. 4. Vertical Lines, 2008, color Polaroid, 24 x 20 inches. 5. Trio of One, 2000, black & white Polaroid, 24 x 20 inches. 6. Installation view.

08/17/2026

It’s the final week to see ‘Joey Terrill: Chisme y Memorias’, which runs through Saturday, August 22nd at our main gallery, located at 9953 South Santa Monica Blvd.

The paintings presented in this exhibition originate from photographs, some that Terrill took over decades, reflecting his lifelong habit of carrying a 32mm camera to document the people, places, and moments that shaped his life, and others taken by family or friends. Throughout these works, Terrill’s distinctive painterly approach—combining bold color, graphic line, and a balance between photographic reference and expressive interpretation—remains central. Figures are outlined with crisp black lines which come from the artist’s love of cartoons and harkens back to his early Zine publications ‘Chicos Modernos’ and ‘Homeboy Beautiful’ which portrayed his gay community with dignity, humor and affection that lend clarity and presence, while nuanced tonal shifts capture light, texture, and emotional atmosphere.

Terrill’s work continues to bridge the personal and the collective. His paintings serve not only as records of individual experience but also as reflections of broader cultural histories—particularly those of q***r and Chicano communities navigating visibility, loss, and resilience.

Joey Terrill
Pictured: 1. ‘Waiting to go to Dennis’s Memorial - Santa Fe, 1991’, 2001, acrylic on canvas, 30 x 40 inches. 2. Installation view of ‘Joey Terrill: Chisme y Memories’, 2026. 3. ‘Chisme, Tucson, 2025’, 2026, acrylic on canvas, 30 x 40 inches.

08/06/2026

Join us Friday, August 7 from 5-8pm on Camden Drive for cocktails in the courtyard and a special presentation of works from Hoffman Donahue, Marc Selwyn Fine Art, and Nonaka-Hill, accompanied by Persian bites from Mameg - including objects from the Perfect
Nothing Catalog.

Friday, August 7, 5-8 PM
417 N Camden Drive
Beverly Hills, CA 90210

The presentation will remain on view Saturday, August 8, from 11am - 6pm

Hoffman Donahue Nonaka-Hill MAMEG
Pictured: 1. Rodolfo Abularach, ‘Untitled’, 1976, oil on canvas, 24 x 30 inches. 2. Carlos Almaraz, ‘Echo Park’, 1982, gouache on paper, 11 x 14 inches. 3. William Leavitt, ‘Reverse Angle’, 2005, oil on linen, 30 x 68 inches. 4. Joey Terrill, ‘Chisme, East LA, 1984’, 2025, acrylic on canvas, 30 x 40 inches. 5. Lee Mullican, ‘Untitled’, c. 1980, oil paint and pastel on canvas, 49 ¾ x 123 ¾ inches.

07/29/2026

August 1st: Tamales & Tequila with artist Joey Terrill

Please join us this Saturday from 5 - 7pm at 9953 S Santa Monica Blvd. for tamales and tequila in the gallery to celebrate ‘Joey Terrill: Chisme y Memorias’

Let us know you’ll be there: [email protected]

Joey Terrill
Pictured: 1. ‘Tamalada’, 1999, acrylic on canvas, 30 x 40 inches. 2. Installations view of ‘Joey Terrill: Chisme y Memorias’.

07/22/2026

It’s the final two weeks to see ‘Dynaton: Convocation of Radiant Beings’ at Chateau Shatto, on view through August 1, presented concurrently with ‘Lee Mullican: Silent Shades’ at Marc Selwyn Fine Art’s Camden Annex, on view through September 5.

This unique overlap offers a rare opportunity to experience Mullican’s work both within the context of the Dynaton movement and through the deeply personal body of paintings he created during and following his Guggenheim Fellowship in Rome.

Full documentation of both exhibitions can be found on the galleries’ respective websites.

The Estates of Luchita Hurtado and Lee Mullican Château Shatto Marc Selwyn Fine Art
Pictured: 1. Lee Mullican installing ‘Dyanton’, 1951. 2.-3. ‘Agawam Eclipse’, 1951, oil on canvas, 25 x 15 inches + detail. 4.-5. ‘Untitled’, 1959-60, acrylic on paper, 59 x 86 ½ inches + detail. 6. Lee Mullican in Rome studio, c. 1960.

07/16/2026

Please join us in the gallery with the artist for tamales and tequila to celebrate ‘Joey Terrill: Chisme y Memorias’ on Saturday, August 1, from 5 - 7 pm at 9953 South Santa Monica Blvd

Let us know you’ll be there: [email protected]

‘Joey Terrill: Chisme y Memorias’ is on view though August 22

Joey Terrill
Pictured: Altered cover art of ‘Chicos Modernos’, Vol. III, by Joey Terrill.

07/11/2026

We are wishing a very happy birthday today to our friend Richard Misrach!

Misrach is one of the most influential and internationally recognized photographers working today. He is best known for his epic project on the deserts of the American West and his On the Beach series, both of which explore his unique perspective on man’s place in nature. By exploring the social, political, environmental, and cultural characteristics of the places he photographs, Misrach has expanded the notion of traditional landscape photographic practice.

Pictured: portrait of the artist by his wife, Myriam Misrach.

07/09/2026

Marc Selwyn Fine Art is pleased to present William Wegman: Private Show, an exhibition bringing together rare vintage photographs and video from the 1970s with later works that expand upon the visual strategies developed during the artist’s formative years.

July 18 - September 5

Join us at our Camden Annex, located at 427 N Camden Drive, on July 18th from 5 - 7 pm for an opening reception.

William Wegman
Pictured: 1. William Wegman ‘Crossed Tales’, 1971, gelatin silver print, 14 x 11 inches. 2. William Wegman ‘Eye On’, 1994, color Polaroid, 24 x 20 inches.

Address

9953 S Santa Monica Boulevard
Beverly Hills, CA
90212

Opening Hours

Tuesday	11am - 6pm
Wednesday	11am - 6pm
Thursday	11am - 6pm
Friday	11am - 6pm
Saturday	11am - 6pm

Telephone

+13102779953

Website

http://www.marcselwynfineart.com/

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