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Debra Smith’s body of work for Continuum includes numerous studies in indigo, a color deeply connected to the history an...
10/13/2026

Debra Smith’s body of work for Continuum includes numerous studies in indigo, a color deeply connected to the history and material traditions of textile making.

“Indigo ikat textiles are at the heart of this body of work. During a month-long trip to Japan in 2010, I had the privilege of witnessing many stages of their creation, from indigo cultivation and dyeing to weaving and garment construction. These textiles embody the knowledge, skill, and labor of many hands.

I continue to be captivated by indigo’s remarkable range, from the palest atmospheric blues to deep, saturated navy tones so dark they are often mistaken for black.

When I work with vintage cloth, I become part of that continuing story. I piece together fragments of textiles to create compositions that explore structure, movement, and balance. Much of the labor involved remains unseen, but it is an important part of the work for me—a way of honoring both the material and the many makers who came before while adding my own hand to the conversation.”

—Debra Smith

Continuum: Debra Smith | Sam Chung is on view through November 7.

Images: 1) Debra Smith, Wayfinding Indigo, Series No. 1, 2026, Pieced Vintage Textiles, 60 x 28 inches
2) Debra Smith, Balancing Act in Indigo, No.2, 2026, Pieced Vintage Textiles, 26 1/4 x 22 1/4 inches
3) (Detail) Balancing Act in Indigo, No.2
4) Debra Smith, Golden Repair Stones, No.1, 2026, Pieced Vintage Textiles, 26 1/4 x 22 1/4 inches
5) (Detail) Golden Repair Stones, No.1

Sam Chung’s ceramic practice reinterprets traditional Korean forms, motifs, and glazing traditions through a contemporar...
10/08/2026

Sam Chung’s ceramic practice reinterprets traditional Korean forms, motifs, and glazing traditions through a contemporary lens.

Chung’s “Cloud Maebyeong Bottle” reimagines the historic Korean maebyeong form, a vessel known for its broad shoulders, narrow waist, and elegant, tapering profile. The use of green overglaze is an homage to the celadon glazes traditionally associated with Korean maebyeong vessels.

Cloud forms recur throughout Chung’s work and are an important part of his visual language. Common in Korean art, clouds are often associated with the celestial realm, longevity, and auspiciousness, and Chung reinterprets them across the surfaces and forms of his vessels.

Continuum
Sam Chung | Debra Smith
On view through November 7, 2026
Tuesday–Saturday, 11 AM–6 PM
& by appointment.

Image: Sam Chung, Cloud Maebyeong Bottle, Porcelain, Clear Glaze, Overglaze (green), 16 x 10 x 10 inches

Sam Chung’s ceramic practice reinterprets traditional Korean forms, motifs, and glazing traditions through a contemporary lens.

Chung’s “Cloud Maebyeong Bottle” reimagines the historic Korean maebyeong form, a vessel known for its broad shoulders, narrow waist, and elegant, tapering profile. The use of green overglaze is an homage to the celadon glazes traditionally associated with Korean maebyeong vessels.

Cloud forms recur throughout Chung’s work and are an important part of his visual language. Common in Korean art, clouds are often associated with the celestial realm, longevity, and auspiciousness, and Chung reinterprets them across the surfaces and forms of his vessels.

Continuum
Sam Chung | Debra Smith
On view through November 7, 2026
Tuesday–Saturday, 11 AM–6 PM
& by appointment.

Image: Sam Chung, Cloud Maebyeong Bottle (view 2), Porcelain, Clear Glaze, Overglaze (green), 16 x 10 x 10 inches

Numerous works in the exhibition pay homage to imagery and forms rooted in Korean visual traditions. In works such as “Cloud Flask #2”, he incorporates the sun and moon found in Irworobongdo, the historic “Sun, Moon and Five Peaks” paintings associated with the Joseon royal court. The two celestial forms are often understood as symbols of balance, continuity, and the

NOW REPRESENTING | SHANE WALSHShane Walsh is an artist who makes paintings that combine historical abstraction with grap...
10/06/2026

NOW REPRESENTING | SHANE WALSH

Shane Walsh is an artist who makes paintings that combine historical abstraction with graphic imagery. He received his MFA from the University of Washington–Seattle and presently teaches painting and drawing at the University of Wisconsin–Milwaukee, while also serving as co-director of the Door County Contemporary art fair. He splits his time between studios in Milwaukee and New York City and is represented by Asya Geisberg Gallery in New York. His work has been shown in solo and group exhibitions at galleries and museums nationally and internationally.

“My approach to painting functions as a form of collage, where I dissect and reconstruct various visual languages to arrive at a form of abstraction that is both autobiographical and historically aware.

The work is fueled by an omnivorous appetite for visual culture, drawing from a wide array of references and techniques—including xeroxed zines, 1990s subcultures, television motion graphics, and early graffiti. These disparate elements are choreographed on the painting surface to create ‘Frankenstein-like’ compositions that are melded but intentionally never seamless.

I aim to move beyond simply restating the formal terms of abstraction. My goal is to reshape existing visual codes into a reinvented version of abstraction that is specific to my life experiences and relevant to the current time and place.”

—Shane Walsh

We’re thrilled to welcome Shane to our roster of artists and look forward to presenting his work in an exhibition at Nick Ryan Gallery in 2027.

Images: 1) Shane Walsh, Caboose, 2024, oil and acrylic on canvas, 80 × 72 inches
2) Shane Walsh, Fleur Poubelle Deux, 2026, oil and acrylic on canvas, 62 × 48 inches
3) Shane Walsh, Perfume Theory, 2025, oil and acrylic on canvas, 56 × 56 inches
4) Shane Walsh, Television Garden, 2024, oil and acrylic on canvas, 80 × 72 inches
5) Shane Walsh

✨Now on View✨Continuum: Debra Smith | Sam Chung brings two distinct practices into dialogue through material, history, a...
09/30/2026

✨Now on View✨

Continuum: Debra Smith | Sam Chung brings two distinct practices into dialogue through material, history, and transformation.

Smith works with vintage textiles, cutting and piecing existing fabrics into new compositions, while Chung reinterprets forms and motifs rooted in Korean ceramic traditions. Together, their work reflects on the ways inherited materials and traditions can be reshaped through a contemporary lens.

Continuum is on view through November 7.

The gallery will be open late for First Friday, Oct 2 until 8 PM.

Images: 1) Sam Chung, Cloud Jar #1; Debra Smith, They Will Stop For You, Just For A Moment, Series No. 3 & In Memory of You
2) Sam Chung, Parallax Cloud Vase #10, #9 & #11
3) Works by Debra Smith in pieced vintage textiles, and Sam Chung porcelain and stoneware
4) Glazed porcelain works by Sam Chung
Photos: Wes Magyar WM Artist Services-Wes Magyar

✨Opening Tonight ✨Please join us this evening for the opening of Continuum: Debra Smith | Sam Chung. The exhibition brin...
09/26/2026

✨Opening Tonight ✨

Please join us this evening for the opening of Continuum: Debra Smith | Sam Chung. The exhibition brings together Smith’s works made from vintage textiles and Chung’s ceramic vessels, which draw from historical Korean forms and motifs. Through distinct approaches to material and process, both artists consider how tradition can be carried forward, reworked, and given new form.

Both artists will be in attendance for the opening reception tonight from 5–8 PM.

Continuum
Debra Smith | Sam Chung

On view through November 7, 2026

Images: 1) (L-R) Debra Smith, ‘Transition of Two, Silver Tumble’, Pieced Vintage Textiles, 60 x 40 1/2 in.
Sam Chung, ‘Cloud Jar #12’, Glazed Stoneware, 17 x 14 x 13 in.
Debra Smith, ‘Transition of Two Revisited’, Pieced Vintage Textiles, 45 x 52 1/4 in.
Sam Chung, ‘Cloud Jar #1’, Porcelain, Glaze, Overglaze, 21 1/2 x 17 x 17 in.
2) Glazed Porcelain Works by Sam Chung | Debra Smith, Red and White, Studies 1-3, Pieced vintage silk, 28 x 24 inches each

✨OPENING THIS SATURDAY✨Continuum: Debra Smith | Sam ChungOpening ReceptionSaturday, September 26 | 5–8 PMDebra Smith and...
09/22/2026

✨OPENING THIS SATURDAY✨

Continuum: Debra Smith | Sam Chung

Opening Reception
Saturday, September 26 | 5–8 PM

Debra Smith and Sam Chung will be in attendance.

“I work with vintage textiles that already hold their own rhythm, grain, and history. I cut, stitch, and recompose these materials to find a new line inside what was handed down, shaping clarity from textiles that have lived full lives before reaching my hands.

These compositions hold the tension between what is inherited and what is chosen. Created during a time of pressure and recalibration, the work became a way to find focus while forming new structures that honor the past and create a contemporary language.”

—Debra Smith

Debra Smith studied at the Italian Academy of Fashion & Design and Lorenzo de’ Medici in Florence before earning a BFA in Fiber from the Kansas City Art Institute and an Associate Degree from the Fashion Institute of Technology. Her work has been exhibited nationally and internationally. After more than a decade in Brooklyn, Smith returned to Kansas City, where she currently lives and works.

Images: 1) Debra Smith
2) Debra Smith, ‘Transition of Two Revisited’, Pieced Vintage Textiles, 45 x 52 1/4 in.
3) Debra Smith, ‘Transition of Two, Silver Tumble’, Pieced Vintage Textiles, 60 x 40 1/2 in.
4) Debra Smith, ‘Finding the Line, #5’, Pieced Vintage Textiles, 25 1/2 x 21 1/2 in.
5) Debra Smith, ‘Wayfinding Indigo, Series #2’, Pieced Vintage Textiles, 56 x 24 in.
6) Debra Smith, ‘Balancing Act in Indigo, #2’, Pieced Vintage Textiles, 25 1/2 x 21 1/2

Sam Chung works within the language of the ceramic vessel, drawing from traditional Korean forms and motifs while introd...
09/19/2026

Sam Chung works within the language of the ceramic vessel, drawing from traditional Korean forms and motifs while introducing distinctly contemporary elements of color, pattern, and composition. Familiar shapes become sites of exchange between past and present, inherited traditions and individual experience.

Cloud forms appear throughout Chung’s recent work, wrapping around and moving across the surfaces of his vessels. Rooted in traditional Korean imagery, their shifting and fluid nature also speaks to change, movement, and the complexities of cultural identity.

Continuum
Sam Chung | Debra Smith

Opening Reception
Saturday, September 26 | 5–8 PM

Both artists will be in attendance.

On view September 27–November 7, 2026.

1) Sam Chung, ‘Cloud Jar 1’, 2026, Porcelain, Satin Glaze, Overglaze, 21 1/2 x 14 x 14 in.
2) Sam Chung, ‘Cloud Maebyeong Bottle’, 2026, Porcelain, clear glaze, overglaze, 16 x 10 x 10 in.
3) Sam Chung, ‘Parallax Cloud Vase’, 2026, Porcelain, SATIN glaze, overglaze, 12 1/4 x 9 x 7 1/2 in.
4) Sam Chung, ‘Cloud Moon Jar’, Stoneware,white slip, clear glaze, overglaze, 16 x 15 1/2 x 15 in.

✨Final Week✨ResolutionDaniel Chen | Berger & FöhrOn view through this Saturday, September 19.Gallery Hours Tuesday–Satur...
09/15/2026

✨Final Week✨

Resolution
Daniel Chen | Berger & Föhr

On view through this Saturday, September 19.

Gallery Hours
Tuesday–Saturday, 11 AM–6 PM

Images:
1) Daniel Chen, “The Past Doesn’t Matter Any More” and “Silhouettes”
2) Berger & Föhr, “Graphite Gradients Twenty-Six” and “Graphite Gradients Twenty-Nine”
3) Daniel Chen, “There Will Be Beautiful Sunsets at the End of the World,” “Endless Summer,” “Every Passing Moment is a Chance to Turn it All Around,” and “One Last Thing Before I Go”
4) Berger & Föhr, “Color Gradients RGBY One–Six”
5) Daniel Chen, “Crossing,” “Midnight Corridor,” and “Last Call”
6) Berger & Föhr, “Graphite Gradients Twenty-Two” and “Graphite Gradients Nineteen”

✨ Nick Ryan Gallery is thrilled to announce our next exhibition: ContinuumDebra Smith | Sam ChungOpening ReceptionSaturd...
09/09/2026

✨ Nick Ryan Gallery is thrilled to announce our next exhibition:

Continuum
Debra Smith | Sam Chung

Opening Reception
Saturday, September 26 | 5–8 PM
Debra Smith and Sam Chung will be in attendance.

Debra Smith works with vintage textiles, cutting, stitching, and recomposing materials that already carry their own rhythm, grain, and history. Her compositions consider the tension between what is inherited and what is chosen, creating new structures from materials that have lived previous lives.

Sam Chung is Professor of Ceramics at Arizona State University and a U.S. Fulbright Scholar. His recent work incorporates cloud imagery as a metaphor for his “floating sense of identity between Korean and American cultures,” using their shifting, formless nature to suggest renewal, transformation, and change.

‘Continuum’ will be on view September 27 through November 7, 2026.

Images: 1) Debra Smith, ‘Finding The Line, Series #1’, Pieced Vintage Textiles, 30 x 20 inches
2) Sam Chung, ‘Cloud Jar #6’, Porcelain, Glaze, Overglaze, Platinum luster, 14 x 12 x 11 inches
3) Debra Smith, Just for a Moment, Series #3, Pieced Vintage Textiles, 68 x 44 inches
4) Sam Chung, ‘Cloud Jar #6’, Porcelain, Glaze, Overglaze, Platinum luster, 14 x 12 x 11 inches

Address

1221 Pennsylvania Avenue Ste. 110
Boulder, CO
80302

Opening Hours

Tuesday 11am - 6pm
Wednesday 11am - 6pm
Thursday 11am - 6pm
Friday 11am - 6pm
Saturday 11am - 6pm

Telephone

+13039184858

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