05/05/2026
đđSymbolism takes center stage throughout âDavid McGee: The Griot and the Nightingale.â Though text does not appear in this early series, language is embedded in the paintings through metaphor and wordplay, infusing them with layered significance. Visitors are introduced to this from the very beginning.
Â
Upon entry, guests are greeted by âThe Wastelands,â McGeeâs first mature body of work, which establishes themes that would reverberate throughout his career and sets the tone for a richly layered experience. đ
đCreated between 1992 and 1995, the series draws from Danteâs âDivine Comedyâ and T.S. Eliotâs âThe Waste Land,â transforming themes of moral crisis and spiritual dislocation into bold color, symbolic forms, and expressive gestures.
Â
âI wanted those paintings to have a sense of atmospheric speed. There was no top, there was no bottom, just this feeling of not having anything to hold onto. And thatâs how I felt when I was young.â - David McGee
Â
đď¸âDavid McGee: The Griot and the Nightingaleâ on view through August 23, 2026.
Â
Credits:
- âLove Is Blindnessâ from âThe Wastelandsâ series, 1994, Oil, enamel, and newsprint on canvas, 96 x 96 in. Dallas Museum of Art, Gift of the Professional Members League, 1995.43
- âSperm Rushâ from âThe Wastelandsâ series, 1994, Oil on canvas, 69 13/16 x 66 Âź in. Museum of Fine Arts, Houston, Museum purchase funded by Mr. and Mrs. I. H. Kempner III and Jeanne and Michael Klein, 94.107.
- âUntitledâ from âThe Wastelandsâ series, 1994, Oil on canvas, 70 x 67 in. Museum of Fine Arts, Houston, Gift of Michael A. Caddell and Cynthia Chapman, 2005.1857