Wavelength Space

Wavelength Space Wavelength Space is a contemporary artist-run gallery in downtown Chattanooga, TN. It is currently h

Kathleen Thum  Vischosis201419” x 18”Gouache, Acrylic and India Ink on Laser Cut and Hand Cut PaperFrom the Pipeline Ser...
05/24/2026

Kathleen Thum
Vischosis
2014
19” x 18”
Gouache, Acrylic and India Ink on Laser Cut and Hand Cut Paper
From the Pipeline Series
Framed - 22” x 24”

Currently on view in “Shadowy Surfaces : Cosmic Stardust” through May 30th. Book your appointment with us this week , save the day for Saturday May 30th closing reception from 5-8, and preview the show online via link in our bio!

Angie To  “High Five, Digger”oil on canvas202642” x 42Currently on view in “Shadowy Surfaces : Cosmic Stardust” Through ...
05/22/2026

Angie To
“High Five, Digger”
oil on canvas
2026
42” x 42

Currently on view in “Shadowy Surfaces : Cosmic Stardust”
Through May 30th. Be sure to book your appointment with us to view the show privately (or with friends) next week and mark your calendar for our closing reception with both Kathleen and Angie in attendance on Saturday, May 30th from 5-8pm. You can preview the show ONLINE and collect via Artsy linked in our bio.

Kathleen Thum  From Dust2026Ink made from West Virginia and Wyoming Coal, Ink made from South Carolina burnt wood, Ink m...
05/18/2026

Kathleen Thum
From Dust
2026
Ink made from West Virginia and Wyoming Coal, Ink made from South Carolina burnt wood, Ink made from recycled drywall gypsum, Ink made from South Carolina walnuts, Ink made from New Mexico earth, along with fluorescent acrylic paint on back for reflected color on cut watercolor and yupo paper

Currently on view in "Shadowy Surfaces : Cosmic Stardust" through May 30th. Links in bio to schedule a visit (we really love to see you!) and to view and collect ONLINE via Artsy. Save the date for our closing Sat, May 30th 5-8 EST

Kathleen Thum - Artist Statement

My drawing and painting practice explores coal and petroleum as both subject and material, examining issues of the Anthropocene including climate change, extraction, and petro-infrastructures as they bear on our relationship with the earth. Motivated by cognitive dissonance in response to environmental disaster, I use my studio practice to process and grapple with my participation in modernity and establish a sense of agency.

I have developed two bodies of work, the Carbon Series and the Pipelines Series, which differ visually but share a conceptual focus on re-examining fossil fuels, materiality, and place. In both, I incorporate coal and crude oil directly as medium, engaging these earth-based materials as a response to environmental concerns. Working with digital technologies such as digital drawing, laser cutting, and machine cutting, the end results remain grounded in the physical and tangible, emphasizing the hand and materiality. These fossil fuels carry an inherent connection to time, place, and environmental change, and working with them raises questions about extraction and humanity's impact on geological systems.

Angie To  Shallow Frequenciesoil on canvas202614” x 22”Currently on view in "Shadowy Surfaces : Cosmic Stardust" through...
05/14/2026

Angie To
Shallow Frequencies
oil on canvas
2026
14” x 22”

Currently on view in "Shadowy Surfaces : Cosmic Stardust" through May 30th. Visit the link in our bio to view the show online and collect works or book an appointment. Mark your calendar for closing reception - May 30th 5-8 EST

Angie To - Artist Statement

Night Swimming

In August of 2021 my husband was diagnosed with pancreatic cancer. On October 28, 2022 he died and I became a widow. For my family this was a cataclysm, an annihilation of a future that he and I had planned for ourselves and our children.

As anyone who has suffered the death of a loved one can tell you grief and loss are monumentally hard to comprehend. There is no “fixing” or “getting beyond” the irrevocable fact of death. Death forced upon me a fuller perspective that highlighted the precarity and brevity of one’s life as well as the dissonance that is inherent in having to tend to the prosaic and mundane while trying to find greater meaning and “sense”.

In this time of grief, I find myself seeking instances of grace in which the threshold between the enigmatic and the known is thinner. One such place is Long point, Canada which is a slim finger of land in southern Ontario that juts out into Lake Erie. Each summer for the past 15 years my family spends a week camping with friends there, it is the site of our respite and of wonder. The paintings on view are grounded in memories of our bodies sliding through water, meditations upon summer color and the elusive quality of time. It is a place that holds both my husband’s absence, since he will forever miss these summer rituals, and an enduring sense of continuity through the repetition of gathering and discovering again each year the havoc of establishing a temporary home.

We have an exciting workshop coming up with  on May 30th. Be sure to register soon as spots will be limited - link in bi...
05/12/2026

We have an exciting workshop coming up with on May 30th. Be sure to register soon as spots will be limited - link in bio to book

We had a wonderful opening reception to celebrate this stunning two person show by Angie To and Kathleen Thum   last Fri...
05/06/2026

We had a wonderful opening reception to celebrate this stunning two person show by Angie To and Kathleen Thum last Friday.

𝓢𝓱𝓪𝓭𝓸𝔀𝔂 𝓢𝓾𝓻𝓯𝓪𝓬𝓮𝓼 : 𝓒𝓸𝓼𝓶𝓲𝓬 𝓢𝓽𝓪𝓻𝓭𝓾𝓼𝓽

If you missed it and you’re local we really would love to see you in the gallery for a viewing visit. You can book an appointment via the 🔗 in bio.

The show is also now LIVE online via Artsy 🔗in bio

This Friday  from 5-8 pm we celebrate the opening of a two person show with Angie To  and Kathleen Thum  𝗦𝗵𝗮𝗱𝗼𝘄𝘆 𝗦𝘂𝗿𝗳𝗮𝗰𝗲...
04/29/2026

This Friday from 5-8 pm we celebrate the opening of a two person show with Angie To and Kathleen Thum

𝗦𝗵𝗮𝗱𝗼𝘄𝘆 𝗦𝘂𝗿𝗳𝗮𝗰𝗲𝘀 : 𝗖𝗼𝘀𝗺𝗶𝗰 𝗦𝘁𝗮𝗿𝗱𝘂𝘀𝘁

We hope to see you there! Scroll for a full list of galleries and happenings open during the crawl.

Cover work by Kathleen Thum

Lillian Dent  “Sweet, Salty, and Sour: We Robbed the Adolescent Tongue”20259 x 6 x 3Textiles, Inkjet on Cotton, Found Ma...
02/05/2026

Lillian Dent
“Sweet, Salty, and Sour: We Robbed the Adolescent Tongue”
2025
9 x 6 x 3
Textiles, Inkjet on Cotton, Found Materials

On view in 𝓗𝓮𝓲𝓻𝓵𝓸𝓸𝓶𝓼: 𝓢𝓽𝓻𝓪𝓷𝓰𝓮 𝓛𝓸𝓰𝓲𝓬𝓼 𝓸𝓯 𝓘𝓷𝓱𝓮𝓻𝓲𝓽𝓪𝓷𝓬𝓮

Closing reception this First Friday from 5-8pm

artist statement:
Shrouded in phantasmic pixelations and hidden in the dimly lit corners of a parking lot, myth embeds itself in our raw
materials– in our cars, our ‘crafts’, and our carnaged social media explore pages. Working at the intersections of painting, assemblage, and design I hope to situate myself among the noise and explore how truth is fuzzy as we have manufactured it through language, images, and objects. Using nonsense as a vehicle for exploring the unknown, I hope to dwell in the blur and explore the mechanics of myth to reveal its soft underbelly.

CLOSING this Friday! - 𝓗𝓮𝓲𝓻𝓵𝓸𝓸𝓶𝓼: 𝓢𝓽𝓻𝓪𝓷𝓰𝓮 𝓛𝓸𝓰𝓲𝓬𝓼 𝓸𝓯 𝓘𝓷𝓱𝓮𝓻𝓲𝓽𝓪𝓷𝓬𝓮 co-curated by our  student interns   along with  Closing...
02/02/2026

CLOSING this Friday! - 𝓗𝓮𝓲𝓻𝓵𝓸𝓸𝓶𝓼: 𝓢𝓽𝓻𝓪𝓷𝓰𝓮 𝓛𝓸𝓰𝓲𝓬𝓼 𝓸𝓯 𝓘𝓷𝓱𝓮𝓻𝓲𝓽𝓪𝓷𝓬𝓮 co-curated by our student interns along with

Closing Reception Friday, Feb 6 from 5-8PM EST - also available via appointment this week!

Scroll to see a list of participating artists 👉🏻

𝓗𝓮𝓲𝓻𝓵𝓸𝓸𝓶𝓼: 𝓢𝓽𝓻𝓪𝓷𝓰𝓮 𝓛𝓸𝓰𝓲𝓬𝓼 𝓸𝓯 𝓘𝓷𝓱𝓮𝓻𝓲𝓽𝓪𝓷𝓬𝓮 includes works that fall within the broad lens of an heirloom. Including pieces that use skills that have been passed down, such as quilting, weaving, and woodworking–as well as any work that references how memory gives value to possessions. A wide range of mediums, including: collage, quilting, drawing, oil painting, embroidery, sculpture, film, and photography, make up this catalog of new keepsakes and precious mementos.

Graphics courtesy of and and artwork featured by:

Abi Ogle  Southern Hospitality: Casserole Dish Holder2021Avena Fatua on family heirloom casserole dish holderAbi OgleSou...
02/01/2026

Abi Ogle
Southern Hospitality: Casserole Dish Holder
2021
Avena Fatua on family heirloom casserole dish holder

Abi Ogle
Southern Hospitality: Sugar Bowl
2021
Resin casts of black-eyed Susan (Rudbeckia) centers in family heirloom silver

Abi Ogle
Southern Hospitality: Difficult to Swallow
2023
Coneflower (Echinacea) centers on family heirloom silver soup spoon

On view in 𝓗𝓮𝓲𝓻𝓵𝓸𝓸𝓶𝓼: 𝓢𝓽𝓻𝓪𝓷𝓰𝓮 𝓛𝓸𝓰𝓲𝓬𝓼 𝓸𝓯 𝓘𝓷𝓱𝓮𝓻𝓲𝓽𝓪𝓷𝓬𝓮 through Feb 6th. Closing reception First Friday Feb 6 from 5-8

Abi Ogle uses bodily materials such as human hair, crushed eggshells, grapefruit membranes, dandelion seeds,
and silk habotai to diffuse grief and explore hope, memory, and loss. Often characterized by the familiar-made-
strange, her practice is built on the belief that art makes us more human, that materials matter, and that if we take
the time to listen to the stories of others, they change us.
Each exploration is the result of numerous hours of research, embedded in an art historical conversation, and
brought to life through meticulous mark-making. The meditative nature of these pieces, primarily created through
processes such as hand-embroidery, drawing, or careful placement, invites the viewer and the maker alike to
become visually and physically immersed in an experience. The work acts as a catalyst for people to see these
materials in such a way that they are able to relate their own experience to something that feels initially beautiful
and increasingly foreign.
At its core, her intent is to thoughtfully engage and explore through unexpected materials as a lifelong process.
She is deeply curious and dedicated to bringing attention to the mundane or easily ignored. Through unexpectedly
beautiful materials she creates conversations rooted in lament that holds hope and loss in tension

Address

854 McCallie Avenue
Chattanooga, TN
37403

Alerts

Be the first to know and let us send you an email when Wavelength Space posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Share

Category