Wrightwood 659

Wrightwood 659 Wrightwood 659 is a non-commercial gallery space in Chicago.
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Upcoming Poetry Performance "Speak the Unhearable"Wrightwood 659June 11, 6 PM“Speak the unhearable, and show the invisib...
06/02/2026

Upcoming Poetry Performance
"Speak the Unhearable"
Wrightwood 659
June 11, 6 PM

“Speak the unhearable, and show the invisible.”—Martin Wong

Join us for an evening of casual misunderstanding, a punny pair-a-dice, and close listening with voices unheard.

Inspired by the work of the q***r poet and painter Martin Wong, “Speak the Unhearable” is a live performance by poet Noa Fields and artist Nat Pyper engaging the limits of language and communication through what is said, read, and (not) heard.

Through spoken, transcribed, and signed language, Fields and Pyper build on Wong’s experimental approach to language as a visual form and (counter)cultural signifier. From intentionally misspelled and distorted calligraphy-inspired texts to the left-handed American Sign Language scripts he painted above graffiti-covered buildings, Wong treated language as a mutable material across his varied practice—a trickster toeing the line between what is meant and what is understood. Taking these investigations as a point of departure, this performance considers how meaning shifts when words transfer across voices, bodies, and forms.

Purchase your ticket at the link in our bio.

Images: Martin Wong, detail of "Co-dependent No More," c. 1992, acrylic on canvas; © Martin Wong Foundation. Courtesy of the Martin Wong Foundation and P·P·O·W, New York.

Photo by Eva Geczy.

Installation view of "Martin Wong: Chinatown USA," at Wrightwood 659, 2026. Photo by Shanti Knight.

Photo by Ang Zheng.

06/01/2026

The "Dispossessions in the Americas" Video Cycle is on now through July 18, 2026! Free to all, join us at Lincoln Park Presbyterian Church bi-weekly to experience a curated selection of groundbreaking video works.

"The Eternal Night" (La noche eterna) is a feature-length artist film by Cuban-American interdisciplinary artist Coco Fusco that dramatizes political repression and cultural censorship in post-revolutionary Cuba. Inspired by the real story of Cuban writer and former political prisoner Néstor Díaz de Villegas, the film follows three young men condemned for their beliefs and creative expression, exploring how imagination can transcend constraint under authoritarian regimes.

Set inside a prison, an incarcerated actor convinces authorities to allow film screenings, transforming a makeshift cinema into a site of social exchange and subtle resistance. Fusco blends dramatized scenes with archival footage and testimony to examine how political conformity is enforced and challenged, continuing her long-standing engagement with colonialism, power, identity, and creative agency.

Educator Insight: Sarah on Felipe Baeza’s “Ahuehuete”What does it mean for the body to become terrain under conditions o...
05/30/2026

Educator Insight: Sarah on Felipe Baeza’s “Ahuehuete”

What does it mean for the body to become terrain under conditions of displacement? Educator Sarah questions categorizations of human and nonhuman through Felipe Baeza’s “Ahuehuete.”

Sarah Isela Aguilar is an educator at Wrightwood 659 and an artist from El Paso, Texas, working through drawing and text to examine perception, fragmentation, and the instability of belonging.

Images: Detail of Felipe Baeza, “Ahuehuete,” 2018. The Lumpkin-Boccuzzi Family Collection. © Felipe Baeza. Courtesy Maureen Paley, London; kurimanzutto, Mexico City/New York.

Detail of Felipe Baeza, “Ahuehuete,” 2018. The Lumpkin-Boccuzzi Family Collection. © Felipe Baeza. Courtesy Maureen Paley, London; kurimanzutto, Mexico City/New York.

Felipe Baeza, “Ahuehuete,” 2018. The Lumpkin-Boccuzzi Family Collection. © Felipe Baeza. Courtesy Maureen Paley, London; kurimanzutto, Mexico City/New York.

Upcoming Panel Discussion! The Diasporic Influences of Martin Wong Wrightwood 659 June 4, 6 PM Join us for a panel discu...
05/29/2026

Upcoming Panel Discussion!
The Diasporic Influences of Martin Wong
Wrightwood 659
June 4, 6 PM

Join us for a panel discussion, moderated by curator Yasufumi Nakamori, with the critically acclaimed art historians Margo Machida and Mark Johnson for an in-depth analysis of the varied ancestral and cultural ties embedded in the work of Martin Wong.

The prolific Chinese American painter and poet Martin Wong grew up just outside of San Francisco’s Chinatown. He never visited mainland China or learned Chinese languages, but still, his work was deeply impacted by this diaspora—rich with references to the mythic figures of the Waring States Period, sacred artifacts, painting techniques, and Peking Opera. How did these references find their way into his work?

Purchase tickets in our bio.

Image: Martin Wong, "Tai Ping Tien Kuo (Tai Ping Kuo)," 1982, acrylic on canvas. The Broad Art Foundation. © Martin Wong Foundation. Courtesy of the Martin Wong
Foundation and P·P·O·W, New York.

Educator Insight: Liv on Frau Diamanda’s “Transversiva Post Andina Revolucionaria, El Regreso”In what ways do tr****ti p...
05/28/2026

Educator Insight: Liv on Frau Diamanda’s “Transversiva Post Andina Revolucionaria, El Regreso”

In what ways do tr****ti performance artists help us (re)imagine a decolonial future? Educator Liv analyzes photographs of Frau Diamanda’s “Transversiva Post Andina Revolucionaria, El Regreso.”

Liv Majetich is an educator at Wrightwood 659 and a graduate student in the Loyola Chicago Gender Studies program; he is primarily interested in connecting trans* and feminist theory to art history and art activism.

Images: Frau Diamanda, “Transversiva Post Andina Revolucionaria, El Regreso”, 2012, photographic documentation/performance. Courtesy of the artist.

Frau Diamanda, “Transversiva Post Andina Revolucionaria, El Regreso”, 2012, photographic documentation/performance. Courtesy of the artist.

Frau Diamanda, “Transversiva Post Andina Revolucionaria, El Regreso”, 2012, photographic documentation/performance. Courtesy of the artist.

Frau Diamanda, “Transversiva Post Andina Revolucionaria, El Regreso”, 2012, photographic documentation/performance. Courtesy of the artist.

05/27/2026

The "Dispossessions in the Americas" Video Cycle is on now through July 18, 2026! Free to all, join us at Lincoln Park Presbyterian Church bi-weekly to experience a curated selection of groundbreaking video works.

"HEAVEN" (2016) is a science-fiction–inflected short video by Brazilian artist Luiz Roque, imagining Brazil in 2080 amid a saliva-transmitted epidemic that threatens the trans community. Produced for the 32nd São Paulo Bienal "Live Uncertainty," the work uses its near-future setting to reflect on recurring patterns of social segregation, stigma, and bureaucratic control of bodies.

Roque draws parallels to the 1980s AIDS crisis, anchoring the narrative a century after heightened surveillance and marginalization. Featuring a cast of trans actresses, "HEAVEN" interrogates health, identity, and governance, highlighting how states decide whose lives are protected, policed, or erased. As in Roque’s broader practice, the video blends science fiction, q***r biopolitics, and dystopian allegory, creating a poetic yet unsettling landscape where embodiment and bureaucratic power are critically examined.

05/27/2026

Educator Insight: Ann on Javier Cárdona Otero's "You Don't Look Like..."

What is the cost of visibility? Educator Ann examines Otero's photo series, "You Don’t Look Like..." in which the artist explores caricatures of Blackness.

Ann is an educator at Wrightwood 659 and a researcher exploring how ways of knowing transform at intersections between world views through her work at STRONG Manoomin & Nguyễn Art Foundation.

Educator Insight: Vinh on Martin Wong’s “Footprints Poems + Leaves”How does Martin Wong’s poetry reference and diverge f...
05/23/2026

Educator Insight: Vinh on Martin Wong’s “Footprints Poems + Leaves”

How does Martin Wong’s poetry reference and diverge from Chinese calligraphy? Educator Vinh analyzes the poetry and calligraphy in Wong’s “Footprints Poems + Leaves.”

Vinh Wong is an educator at Wrightwood 659 and Managing Editor and writer at the pub. They hold a BA in Creative Writing with Honors from University of Washington Seattle.

Images: Installation view of “Martin Wong: Chinatown USA,” at Wrightwood 659, 2026. Photo by Shanti Knight.

Photo of Martin Wong, "Footprints Poems and Leaves", Printed Book, Second Edition 2024, Originally Published 1968.

Detail of Wang Langu, "Poem by Tang Yin (1470-1524)" 1802, in "Martin Wong: Chinatown USA", at Wrightwood 659, 2026.

Installation view of “Martin Wong: Chinatown USA,” at Wrightwood 659, 2026. Photo by Shanti Knight.

Educator Insight: Magdalena on Ana Mendieta's "Burial Pyramid"How does "Burial Pyramid" connect land to the radicalized ...
05/21/2026

Educator Insight: Magdalena on Ana Mendieta's "Burial Pyramid"

How does "Burial Pyramid" connect land to the radicalized violence against women? Educator Magdalena explores Ana Mendieta's use of pre-Colombian iconography and spirituality in her work.

Magdalena Saliba is an educator at Wrightwood 659, and a practicing artist and student in the School of the Art Institute’s MA of Art Education program.

This artwork is included in the exhibition, ‘Dispossessions in the Americas,’ on view at Wrightwood 659, 2026.

Images: Ana Mendieta, video stills of "Burial Pyramid", 1974, video, Super 8 color, silent; 35-mm color slide. Courtesy of Museo Nacional Centro de Arte Reina Sofia.

Address

659 W. Wrightwood
Chicago, IL
60614

Opening Hours

Friday 12pm - 7pm
Saturday 10am - 5pm

Telephone

+17734376601

Website

https://wrightwood659.org/publications/, https://tickets.wrightwood659.org/events?_gl=1%2

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