Rusha & Co.

Rusha & Co. Art Gallery in Los Angeles

Opening: Saturday 30th May, 6-9pmArtists Artists and Rusha & Co are pleased to announce Oeillade to Cathexis, the first ...
05/22/2026

Opening: Saturday 30th May, 6-9pm

Artists Artists and Rusha & Co are pleased to announce Oeillade to Cathexis, the first U.S. exhibition by Mexican artist Santiago Evans Canales, opening May 30th.

From across the room, the great expanse of the look you find returned, the eyes that see your seeing feigned as absent-minded movement, not the searching glance it knows itself to be, and which the gaze that now you meet has witnessed and uncovered.

Rusha & Co. is pleased to announce an exhibition of new paintings by Ruby May Quilter.Softly Cross Your Fingers is her f...
05/22/2026

Rusha & Co. is pleased to announce an exhibition of new paintings by Ruby May Quilter.

Softly Cross Your Fingers is her first show with the gallery. Working from Polaroid self-portraits, the English artist draws on disguise, allegory, and performance. At once strange, seductive, and darkly playful.

Opening: Saturday 30th May, 6–9pm

.mu__ is featured in Without Fixed Form 19.04.26-17.05.26Tan MuDolly and Bonnie2026oil on linen81 x 54 cmRuttkowski;68...
05/14/2026

.mu__ is featured in Without Fixed Form


19.04.26-17.05.26

Tan Mu
Dolly and Bonnie
2026
oil on linen
81 x 54 cm

Ruttkowski;68 and Penske Projects are pleased to present Without Fixed Form in Paris.
In Without Fixed Form, figures and environments remain open and indeterminate, shifting between presence and dissolution. Forms resist clear definition and move fluidly between figure and ground, unfolding through atmosphere, perception, and subtle shifts in form. Featuring works by AJ Pineda, Coco Young, Duo Lin, February James, François Halard, Joya Mukerjee Logue and Tan Mu, the exhibition brings together varied approaches, from distorted and dynamic portraits to abstracted landscapes and symbolic forms. Across the works, artists capture gestures, behaviors, and fleeting situations in different states, where forms shift through color, movement, and suggestion, and where meaning emerges through transformation rather than permanence.

PODUNKScarlett Carlos ClarkeLancaster, California. 128 Super 8 stills from a house in the Mojave Desert.Looking forward ...
05/10/2026

PODUNK
Scarlett Carlos Clarke
Lancaster, California. 128 Super 8 stills from a house in the Mojave Desert.
Looking forward to working together later this year.

Rebekah Rubalcava
Rebirth, 2024
oil on canvas
48 x 60 x 1½ in.
04/18/2026

Rebekah Rubalcava
Rebirth, 2024
oil on canvas
48 x 60 x 1½ in.

Images from Slow Grief I: Foundations, Organized by The Pioneers Co-OpOctober 11 2025 - February 11, 2026la A Note about...
04/15/2026

Images from Slow Grief I: Foundations,
Organized by The Pioneers Co-Op
October 11 2025 - February 11, 2026la

A Note about Documentary Art

The Renaissance concept of disegno described drawing as both the act of making a line and the intellectual act of conceiving the idea behind it, thinking through the hand while drawing. In a similar spirit, the exhibition draws from The Pioneers Co-op’s studio moniker ‘documentary art,’ questioning the convention that lensing the documentation must be neutral, perfectly color-corrected, and stripped of the photographer’s viewpoint or hand, eye, and mind coordination.

Instead, The Pioneers Co-Op reintroduces a perspective and throughline in a kind of informal residency: a studio situated within the gallery, living with the work as it develops. The documentation becomes part of the practice itself, observing the art over time, through shifting light, changing moods, and an ongoing exchange with the gallery founder as friend, colleague, and collaborator, both representing the co-op and being represented by it. The experiment continues, and they’re in it too.

In the Kitchen 🍞
04/10/2026

In the Kitchen 🍞

Four years ago.Naive John (b. 1962) is a self-proclaimed purveyor of absurdism, a contemporary eye for our very contempo...
04/04/2026

Four years ago.

Naive John (b. 1962) is a self-proclaimed purveyor of absurdism, a contemporary eye for our very contemporary chaotic times. Through what appear to be household cartoon characters but entirely of his own creation, John painstakingly reconstructs his own digital compositions by hand, using pen, pencil, acrylics and airbrush to complete the works. His technical skill is unmatched, personal and with a machine-like meticulousness. Each painting or drawing appears to have the human hand stripped from its creation, and yet that is John’s ultimate intention.

Naive John
“Sometimes we found ourselves wondering if - when we weren’t being observed - we really existed”, 2021
acrylic on canvas
27¾ x 19¾ x 1 in.

Naive John
“15th C. Florence. Here, we are hired by the Medici family to sit for Pierro della Francesca.”, 2021
acrylic on panel
16 x 12 x 1⅜ in.

Minimal in form but full of feeling, Michelle Jane Lee translates personal letters into grids of colour, turning languag...
04/03/2026

Minimal in form but full of feeling, Michelle Jane Lee translates personal letters into grids of colour, turning language into abstraction. Raised in Seoul, she studied in Chicago and now lives and works in Los Angeles.

We look forward to presenting her first solo exhibition with the gallery later this year.

Michelle Jane Lee
Burn Baby, Burn
2026
beeswax, h**p, and stainless steel nails on birch panel
30 × 8 × 1 3/4 in.

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244 West Florence Avenue
Los Angeles, CA
90003

Opening Hours

Tuesday 11am - 6pm
Wednesday 12pm - 6pm
Thursday 12pm - 6pm
Friday 12pm - 6pm
Saturday 11am - 6pm

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