David Kordansky Gallery

David Kordansky Gallery Leading contemporary art gallery founded in 2003 with locations in Los Angeles and New York.
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Established in 2003 as part of a burgeoning artistic community in the city’s Chinatown, David Kordansky Gallery began as a cutting-edge incubator for emerging talent. It quickly grew into a widely respected voice in the international conversation surrounding new and recent art, and moved to its second home, in Culver City, in 2008. David Kordansky Gallery currently operates a 20,000 square foot fa

cility in Mid-City Los Angeles. Opened in September 2014, this location encompasses two adjacent and equally sized gallery spaces, allowing for maximum flexibility in the mounting of solo, group, and historical exhibitions. In September 2020, the gallery completed a 12,800-square-foot expansion of its premises, renovating three structures and creating a central landscaped courtyard between them. This 2,300 square feet of flexible exterior space allows for a diversity of programming, including performance, film, and outdoor sculpture. Among the indoor spaces is a 2,000-square-foot exhibition space that, taken together with the original gallery, makes it possible to mount three separate shows simultaneously. The gallery’s artists have been the subjects of solo exhibitions in acclaimed museums worldwide and regularly appear in landmark biennials and thematic group shows. They work in all media and styles, defined as a group by their heterogeneity and individuality rather than their allegiance to any single aesthetic position. The exhibition program is dedicated to presenting artists’ work with passion and intellectual rigor, and to bringing the utmost care and precision to the showcasing of their visions. As the program has evolved, the gallery has broadened its scope, collaborating with artists at all stages of their careers so that various historical lineages can enter into dialogue with one another. What has not changed, however, is the desire to foster greater understanding of Los Angeles’ development as an important city for art since World War II. David Kordansky Gallery sees itself as an institution firmly rooted in its hometown and in California, even as it embraces cultural activity in the 21st century as a fully global phenomenon. As such, it also treats its participation in the major international art fairs as serious exhibition opportunities, often planning solo presentations and other special programming. The gallery has long valued the role that publications play in the diffusion of ideas and as snapshots of moments in time. With each year it expands its efforts in this area, publishing an ever-growing range of exhibition catalogues and limited edition artist’s books.

“Fred Eversley’s profound influence on postwar American art and the Light and Space movement was instantly felt, and his...
03/20/2025

“Fred Eversley’s profound influence on postwar American art and the Light and Space movement was instantly felt, and his impact on the people who loved and supported him will reverberate throughout our lifetimes. He transformed the way we perceive the world, oftentimes using cosmic color to open our eyes to new dimensions. His work wasn’t just visual, it was an invitation to experience light, space, and energy in ways we had never imagined. Fred’s enduring commitment to the parabolic form through the creation of his iconic sculptures underscores the singularity of his vision. From his early career as an engineer in the aerospace industry, to his first historic solo presentation at the Whitney Museum in 1970, to his recent, monumental public art installation ’PORTALS,’ he revealed the beauty of the unseen, inviting us to look deeper, to see more. With his art, Fred taught us that color could be a portal to something vast and infinite. I will miss him dearly.”—David Kordansky

We are deeply saddened to share the passing of Fred Eversley on March 14, 2025, at age 83 in New York.

For nearly 60 years, Eversley’s career was guided by a singular purpose: to explore the energetic implications of the parabola. Beginning in his early days as an engineer working in the aerospace industry, the parabola became a muse and a channel through which he could create optically luminous and distinct forms that encapsulate his unwavering study of the origins of energy. In recent years, Eversley produced his monumental ‘Cylindrical Lens’ sculptures that stand between 6 and 12 feet tall. This led to two solo exhibitions at our gallery in 2023 and 2024, along with two major public art commissions: ‘Parabolic Light,’ commissioned by , and ‘PORTALS,’ Eversley’s largest public artwork, commissioned by Related Companies in a public-private partnership with the City of West Palm Beach, Florida.

Over the course of a long and distinctive career, Eversley’s sculptures continued to surprise and engage viewers across space and time. His work helps us see—literally—the world around us through a different lens.

Portrait by Timothy Schenck, courtesy of Maria Larsson

Out now, ‘Guitar Music,’ a full-length album by Will Boone’s () ongoing collaborative music project, Easy Sevens (). Str...
03/13/2025

Out now, ‘Guitar Music,’ a full-length album by Will Boone’s () ongoing collaborative music project, Easy Sevens (). Stream now on all platforms and visit our link in bio to shop the physical album and limited-edition merch, released via , as well as watch the music video for ‘To See Him Again.’

Boone developed his multidisciplinary art practice in Texas under the influence of underground music, drawing on the material manifestations of various American obsessions; Elvis, conspiracy theories, roadside attractions, the open road, the country’s native flora and fauna, and monster movies all feature in Boone’s cosmological vernacular.

Join the artist at The Power Station in Dallas on Friday, April 11 for a live performance, where he will play eight original compositions. The performance will occur within an installation created by Boone and feature five new sculptures that will remain on view at The Power Station Annex until July 2025.

 makes paintings that bring together wide-ranging modes of critique, prompting reflection on gender, political authority...
02/25/2025

makes paintings that bring together wide-ranging modes of critique, prompting reflection on gender, political authority, and questions of who and what gets represented in art. In her new Squeegee paintings, which can be seen in ‘Tala Madani: Be flat’ at , small male figures dangle in front of dirty windows waiting to be cleaned. These paintings, Madani says, suggest “the plane between us and the spiritual beyond. That we’re here on the surface, stuck a little bit, erasing each other or erasing different marks that we’ve made.”

Image: , ‘Squeegee Men 3,’ 2024. Photo:

Address

5130 W. Edgewood Place
Los Angeles, CA
90019

Opening Hours

Monday 10am - 6pm
Tuesday 10am - 6pm
Wednesday 10am - 6pm
Thursday 10am - 6pm
Friday 10am - 6pm
Saturday 10am - 6pm

Telephone

+13239353030

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