K-State Historic Costume and Textile Museum

K-State Historic Costume and Textile Museum Home to over 15,000 costumes, textile pieces and related artifacts, the HTCM is dedicated to preservi

Welcome to the official Kansas State University Historic Costume and Textile Museum account! The museum is housed in the Department of Interior Design and Fashion Studies, College of Health and Human Services. We encourage thoughtful discussion and interaction relevant to the purpose of the page. The purpose of Kansas State University social media pages is limited to focusing on the university's m

ission, goals, and programs. Content must be relevant to the topic discussed, relevant to this particular page, and to the point. Content that is excessively long or repetitive is subject to removal. Content that is profane, threatening, obscene, a violation of intellectual property rights or privacy laws, creating a security or privacy risk, spam, defamatory, infringing on another person's rights, commercial advertising by a third party, otherwise violates local, county, state or federal laws, or incites or solicits illegal conduct or violence, is prohibited. By posting content to the site, you represent that you own or otherwise have all the rights necessary to lawfully use that content and/or that the use of the content is permitted by fair use, as applicable. The university reserves the right to remove any material for nonconformity with this policy. Users acknowledge that the security of the site cannot be guaranteed, that use of the site is voluntary, and assume the risks associated with such use, releasing and holding harmless the university from any and all claims related thereto. The university does not necessarily endorse, support, agree with, or verify the validity of the content shared on its social media sites by users. The appearance of comments, external hyperlinks, or any information contained within "follows", "likes", "retweets" and similar actions on social media pages do not necessarily constitute endorsement or support by the university. If you have questions, please contact [email protected].

Gloves, gloves, gloves!Mikey Schneider, a senior majoring in history with a minor in classical studies and a certificate...
05/13/2026

Gloves, gloves, gloves!

Mikey Schneider, a senior majoring in history with a minor in classical studies and a certificate in museum studies, curated the newest exhibit in the fashion studies office in Justin Hall.

Peak: 1850-1918
In the 1800’s, the most fashionable gloves were those of the softest, whitest kid leather. Gloves were a luxury item exclusive to the highest social class, and those who aspired to be them. Glove etiquette was heavily debated, but it was agreed upon that “soiled” gloves were improper to wear in public. Stains could not be removed from leather gloves, so they were disposed of.

Innovation: 1920-1950
Extravagant displays of wealth were frowned upon after the First World War and the Russian Revolution. Glove makers took advantage of the emerging technologies in textile production to create fabric and knitted gloves for a lower price point. New colors could be worn, such as black, dark green, navy, brown, and pink. The fashion at the time turned to looser gloves that did not require a tight fit.

Decline: 1950-1965
Women primarily wore short gloves, with the most common color in our collection being white. The most common material is a firm knitted fabric called “simplex,” which replicates traditional leather gloves. In the 20th century, gloves were usually cut in factories by men, and the pieces were then sent to small shops or home workers, usually women, who would sew them together. By the middle of the century, American glove companies were trying to keep up with the decrease in demand by exporting work to poorer countries, often subjects of US colonialism.

Today, gloves have returned to a primarily functional purpose. In many ways, the death of the glove created the necessary conditions for the rise of nail polish and decorations.

Causing Quite a Stir: Beach Pajamas in the U.S.Exhibit Design by Heather Bigwood, a Kansas State graduate with a B.A. in...
05/11/2026

Causing Quite a Stir: Beach Pajamas in the U.S.

Exhibit Design by Heather Bigwood, a Kansas State graduate with a B.A. in History.

Heather was an active member of the Historic Costume and Textile Museum from 2022 to 2024. She volunteered, interned, and worked at the museum. After graduation, Heather worked at the Riley County Historical Museum in Manhattan, KS, the Orphan Train Museum in Concordia, KS, and has most recently welcomed her first baby enjoying time as a stay at home mom.

Beach Pajamas first appeared on the U.S. shores in 1923, which shocked many Americans. The audacity to wear pajamas, an intimate bedroom garment that showcased a female’s legs to public view, was considered a slip in moral judgment to some. The women who first dared to risk the accepted rules of American decorum were the rich socialites. They often had money to travel overseas, where female societal norms were more relaxed. Eventually, beach pajamas won over the hearts and approval of the American public in the end.

The beach pajamas displayed were manufactured by the Donnelly Garment Co. in Kansas City, circa 1930. The Donnelly Garment Co. was created by Nell Donnelly Reed in 1916, a woman born in Parsons, KS. Within four years, her company skyrocketed and continued to be successful until Nell sold the company in 1956, after 40 years of business. Nell earned her place among America’s earliest businesswoman millionaires.

Come see us but let us know you’re coming, we have limited hours we are open, and especially during finals week.Summer a...
05/06/2026

Come see us but let us know you’re coming, we have limited hours we are open, and especially during finals week.
Summer availability and hours posted soon.

Mikey Schneider is a senior majoring in history, with a minor in classical studies and a certificate in museum studies. ...
04/01/2026

Mikey Schneider is a senior majoring in history, with a minor in classical studies and a certificate in museum studies. He started volunteering at the Historic Costume and Textile Museum (HCTM) in Justin Hall at Kansas State, about a year ago, when his class took a trip to the museum for his certificate. Mikey sews and was already interested in historical fashion, so volunteering at the museum seemed like a no-brainer. Later, he was able to be a student intern and is now a student staff member. This is Mikey’s first solo exhibit titled, “An Introduction to the Grand Army of the Republic.” He was originally inspired by the band uniform he found while inventorying a cabinet at the HCTM in Justin Hall. Mikey was intrigued by the Grand Army of the Republic (GAR) buttons on the uniform and decided to learn more. The Grand Army of the Republic was the first veteran organization in US History. They were founded by a group of Civil War veterans. Their largest membership numbers were in the 1880s and 90s with one million members nationally. They held encampments annually, which were conferences held to discuss activities and business for the year that involved the organization. The GAR organization was a driver of social change. They successfully lobbied for pensions for veterans of old age, their wives, widows, and orphan children. They also advocate for voting rights for Black Americans, and were a racially integrated fraternal organization, when at the time most fraternal organizations were segregated. The Grand Army of the Republic organization fizzled out as the last member died in the 1950s. The members decided not to allow any new members to join the organization, as it was for Civil War veterans. Instead, an organization was formed called the Sons of Union Veterans to continue on the legacy after the last member of GAR passed away The uniform is a linen canvas material with dyed red cotton trim, made around the 1880s. These materials were much more informal and inexpensive compared to materials that were typically used for the GAR uniforms. GAR uniforms were typically a darker color than the light linen used to make this band uniform. The coronet featured is on loan from the Riley County Historical Museum. The coronet is from the time period of the uniform, around 1880-1890s, and was made by a company in Philadelphia. It was owned by a person who worked at Kansas State and later donated it to the Riley County Historical Museum in the 1910s. The GAR badge is from an encampment in McPherson, KS, from 1903. The guidons hanging in the display are hand-sewn and hand-painted replicas made by Mikey. These would have been sold in a GAR catalog. The picture displayed behind the items is of the Caman Winfield military band that was sent as a delegation for the national GAR encampment, not a specific GAR band.

What a fun and interesting project this is and we have more fun to come!
10/28/2025

What a fun and interesting project this is and we have more fun to come!

Can’t wait to see it tomorrow! Headed to Wichita!!
06/28/2025

Can’t wait to see it tomorrow! Headed to Wichita!!

It opens tomorrow!! Little Black Dress at 100 opens at the Wichita Art Museum.
06/28/2025

It opens tomorrow!! Little Black Dress at 100 opens at the Wichita Art Museum.

What a great photo! Tonight I am speaking at the Hays Public Library at 6 pm through Humanities Kansas Speakers Bureau. ...
06/24/2025

What a great photo! Tonight I am speaking at the Hays Public Library at 6 pm through Humanities Kansas Speakers Bureau. Come learn more about the history and repurposing of these fabric bags.

Two women in dresses made with feedsacks, sitting on the feedsacks the fabric came from.
📷 National Geographic, 1947

05/23/2025

If you haven’t seen the Nelly Don musical or the documentary here’s your chance to see them!

Address

1324 Lovers Lane, 338 Justin Hall
Manhattan, KS
66506

Alerts

Be the first to know and let us send you an email when K-State Historic Costume and Textile Museum posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Share

Category