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Sappho and Alcaeus is an 1881 oil-on-canvas painting by the English artist Lawrence Alma-Tadema. It is held by the Walte...
02/22/2024

Sappho and Alcaeus is an 1881 oil-on-canvas painting by the English artist Lawrence Alma-Tadema. It is held by the Walters Art Museum, in Baltimore.

It depicts a concert in the late 7th century BC, with the poet Alcaeus of Mytilene playing the kithara. In the audience is fellow Le***an poet Sappho, accompanied by several of her female friends. Sappho is paying close attention to the performance, resting her arm on a cushion which bears a laurel wreath, presumably intended for the performer. The painting illustrates a passage by the poet Hermesianax, recorded by Athenaeus in his Deipnosophistae ("The Philosophers' Banquet"), book 13, page 598.

The location, with tiers of white marble seating, is based on the Theatre of Dionysus in Athens, but Alma-Tadema has replaced the original inscribed names of Athenians with the names of Sappho's friends. In the background, the Aegean Sea can be seen through some trees.

“The whole crowd of the Achaean army was there en masse before the tomb for the slaughter of your girl.  The son of Achi...
01/30/2024

“The whole crowd of the Achaean army was there en masse before the tomb for the slaughter of your girl. The son of Achilles then took Polyxena by the hand and made her stand on the top of the mound. And I was near by. Picked young men selected from the Achaeans attended, to hold down your poor girl if she struggled. Then Achilles’ son took a full goblet all of gold in his hands and raised on high the libation for his dead father. He signaled to me to call for silence from the whole Achaean army. And I stood up in the middle and said these words : ‘Silence, Achaeans, let the whole host be silent! Silence! Not a word!’ And I hushed the crowd to stillness. and he said, ‘O son of Peleus, my father, receive from me this libation which summons up the dead, and be appeased. Come, so that you may drink a virgin’s pure dark blood which the army and I give to you. Show yourself well disposed towards us and grant that we may untie the ropes which hold our ships’ sterns fast, meet with a favorable return from Troy and, all of us, reach our native land.’ That was what he said, and the whole army prayed after him. Then, seizing his sword of solid gold by the hilt, he started to draw it from its sheath, and with a nod he signaled to the young men picked from the Greek army to take hold of the girl. But when she saw this, she spoke out these words: ‘Argives, you who have sacked my city, I am happy to die. Let no one lay a hand on my body, I shall offer my neck with good courage. By the gods, leave me free when you kill me so that I can die a free woman! I am a princess and it would shame me to bear the name of slave among the dead.’ The host roared their approval and king Agamemnon told the young men to let the maiden go… When she heard this order of the master, she took hold of her dress and tore it from the top of her shoulder to the middle of her waist by the navel. Her lovely breasts and bosom were revealed like a statue’s, and sinking to her knees upon the ground she spoke the most heart-rending words of all : “Look at me! If you are eager to strike this bosom, young Neoptolemus, strike it now – or if you want to cut into my neck, here is my throat all ready.’ In his pity for the girl, he wavered between reluctance and eagerness, but then he cut her windpipe with his sword. Springs of blood welled forth. But even though she was dying, she nonetheless took great care to fall modestly, hiding what should be hidden from men’s eyes.”

~ Euripides | Hecuba

Viking selling a slave girl to a Persian merchant ~ Tom Lovell | 1909- 1997
01/28/2024

Viking selling a slave girl to a Persian merchant

~ Tom Lovell | 1909- 1997

Charles Christian Nahl established a career based on his paintings of California’s mining industry. Miners were portraye...
06/27/2023

Charles Christian Nahl established a career based on his paintings of California’s mining industry. Miners were portrayed in fiction and popular culture as either moral men or dissolute louts, offering lessons on virtue and vice. By the time Nahl painted this picture, the gold rush had long subsided. His work coincided with a popular reimagining of this legendary era as a time that tested the wills of men. His painting The Dead Miner was designed to elicit maximum sympathy: depicted as a martyr to progress, the miner’s outstretched hand clasps a portrait of his sweetheart, and he has only his loyal hound to mourn him.

~ The Dead Miner (Mourning the Master) | 1867

Who or which compels you to stay underneath the tainted sky? Break the roof, melt the chain, topple the wall down which ...
06/26/2023

Who or which compels you to stay underneath the tainted sky? Break the roof, melt the chain, topple the wall down which is erected to conspire against you.

Which refrains you from unifying with dew, with western wind, with the sun and moon-blanched sand, makes you deaf to hear the echo of dew, the songs of fountain and the call of your ancestors and the insects is not a shelter, rather it's a conspiracy : Conspiracy against emancipation, conspiracy against creation, conspiracy against the quest of self-discovery.

✍️ Aazanic Fragments |

09/13/2022

"Dance, when you're broken open. Dance, if you've torn the bandage off. Dance in the middle of the fighting. Dance in your blood. Dance when you're perfectly free."

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~ Jalal al-Din Muḥammad Rumi |

07/27/2022

Why can't you hear what the flowers white said to the fountains faraway in a moonlit night? Why your journey cease on the edge of the petals each time while sways them wind?

Why you claim yourself a listener, when you can unable to hear flowers and fountains to each other echo what in a cloudy day! Why you claim yourself as an ally of wind, while you unaware completely are of that flowers are the poesy of a shapeless painter : Wind!

Who can't hear the unheard is not a listener. Who can't perceive smelling the wind which canyon's balmy it carries never be a mystic. Who can't yet experience the brushstro

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~ Muhammad Aazan

These chess pieces were found unexpectedly on a beach on the Isle of Lewis in Scotland in 1831. They were carved from wa...
07/26/2022

These chess pieces were found unexpectedly on a beach on the Isle of Lewis in Scotland in 1831. They were carved from walrus ivory and whale tooth between around 1150 and 1200. When found some were stained red, suggesting that the original colour combination of the pieces was red and white. The chess pieces were probably made in Norway. At this time the Isle of Lewis was part of the kingdom of Norway. The chess pieces may have been buried by a merchant travelling along the trade route from Scandinavia to Ireland.

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~ Lewis Chessmen |

06/01/2022

"Gather the baskets for the sacrifices, place wreaths on your head. You, too, Menelaos, get everything ready for this joyous occasion and let’s hear the flutes sing and the dancers pound the earth with their feet."

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~ Euripides | Lines : 432- 436

By his own account, Ryder was so enthralled by a five-hour performance of Wagner's Götterdämmerung that he rushed home a...
05/13/2022

By his own account, Ryder was so enthralled by a five-hour performance of Wagner's Götterdämmerung that he rushed home and began painting this rendition of the opera's narrative, working without sleep or food for forty-eight hours. Galloping down a moonlit path, the legendary Norse hero Siegfried encounters a group of Rhine Maidens who beckon seductively from the phosphorescent river. They warn the hero that the magical ring he won by slaying a dragon was forged from stolen gold and bears a deadly curse. Siegfried defiantly proclaims he would rather die than give up his prize. By the opera's dramatic climax, the nymphs' apocalyptic prophecy is fulfilled: Siegfried is killed; overcome by grief, the heroine Brünnhilde sacrifices herself on her lover's funeral pyre, the other gods and heroes of Valhalla are consumed by the spreading conflagration, and the Ring of the Nibelung, now purified by the flames, is returned to the river from whence it came.

Wagner's orchestration engulfed listeners with an overwhelming torrent of sound, and Ryder's composition offers a visual counterpart to this rhapsodic aesthetic experience. Although Ryder's technical naiveté and his unorthodox methods have caused the surfaces of his once-luminous paintings to crack and darken over time, the expressive power and emotional intensity of his art endures.

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~ Siegfried and the Rhine Maidens, 1888/1891.

04/29/2022

In the land of ice and fire.

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▪1,500-year-old burial in China holds lovers locked in eternal embrace :The skeletal remains of two lovers, buried toget...
04/23/2022

▪1,500-year-old burial in China holds lovers locked in eternal embrace :

The skeletal remains of two lovers, buried together more than 1,500 years ago in northern China, were recently discovered locked in an eternal embrace, a new study finds.

It's possible that the woman, who wore a metal ring on her left ring finger, sacrificed herself so that she could be buried with her husband, the researchers said. While joint male-female burials are not uncommon in China, this entwined burial "with two skeletons locked in an embrace with a bold display of love" is the first of its kind in the country, and may reflect changing attitudes toward love in Chinese society at that time, the researchers wrote in the study.

"This is the first [couple] found in a loving embrace, as such, anywhere anytime in China," study lead researcher Qian Wang, an associate professor in the Department of Biomedical Sciences at the Texas A&M College of Dentistry, told Live Science in an email.

Archaeologists discovered the burial in June 2020 during the excavation of a cemetery that had been exposed during construction work in Shanxi province. The cemetery contained about 600 burials from the Xianbei, an ancient nomadic group in northern China that assimilated into Han Chinese culture, and dated to the North Wei Dynasty (A.D. 386-534), the grave shapes and ceramic goods found in the cemetery revealed.

Because the couple's burial was unique, the archaeologists decided not to fully excavate the skeletal remains. Instead, the team left them entwined so that the duo could be put on display in a future museum exhibit. The archaeologists found two other couples buried together in the same cemetery; but these couples were not hugging as closely, and the females were not wearing rings, Wang said.

The ringed lovers' partial excavation still revealed plenty about them. The man would have stood about 5 feet, 4 inches (161.5 centimeters) tall and had a few injuries, including a broken arm, part of a missing finger on his right hand and bone spurs on his right leg. He likely died between the ages of 29 and 35, the researchers said.

The woman, in contrast, was fairly healthy when she died. She stood about 5 feet, 2 inch (157.1 cm) tall and only had a few dental problems, including cavities. She likely died between the ages of 35 and 40. It's possible that the woman wore the ring on her ring finger due to influence "by the customs from the western regions and beyond through the Silk Roads … and assimilation of the Xianbei people, reflecting the integration of Chinese and Western culture," Wang said.

Whoever buried the couple did so with tender care. The man's body was curved toward the woman's, and his left arm lay beneath her body. His right arm embraced her, with his hand resting on her waist. The woman's body was placed "in a position to be embraced," the researchers wrote in the study. Her head faced slightly downward, meaning her face would have rested on his shoulder. Her arms hugged his body.

It's likely this scene reflected the couple's dedication to each other in life. "The [burial] message was clear — husband and wife lied together, embracing each other for eternal love during the afterlife," the researchers wrote in the study.

The team had a few ideas about how the couple ended up in the same grave. It's unlikely the lovers died at the same time from violence, disease or poisoning, as there is no evidence yet of any of these things. Perhaps the husband died first and the woman sacrificed herself so that they could be buried together, the researchers said. It's also possible that the woman died first and the husband sacrificed himself; however, this is less likely, as the woman appears to have been in better health than her partner.

During the first millennium, when this couple was alive, the ability to freely express and pursue love in China became culturally "prominent," the researchers said. There were fictional love stories galore and even historical records of people taking their own lives for love. In essence, pursuing love and dying by su***de for love was "accepted, if not promoted," Wang said.

While the circumstances that led to these lovebirds' intimate entombment remains a mystery, their burial is a "unique display of human emotion of love in a burial, offering a rare glimpse towards love, life, death, and afterlife," Wang said.

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~ International Journal of Osteoarchaeology | Laura Geggel

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