11/15/2022
Now representing Kern Samuel! Samuel’s second solo exhibition will open in February 2023.
Kern Samuel’s (b. 1990, Mount Hope, Trinidad and Tobago) practice centers on painting as a modality to explore material, labor, and the implications thereof. Such tactile engagements as sewing, quilting, dying, folding, embroidery, generate Samuel’s compositions, which often evoke infographic, diagrammatic modes of relaying information. Language, when included in Samuel’s works, is mediated through the grid of the quilt, subverting a didactic reading and lending the verbal a visual dimension. Text and representation are employed sparingly and in conceptual rhyming with material support, alluding to the everyday applications and intimate associations of a given substrate. Such tactics facilitate open readings, circumventing traditional critical models by privileging visuality and tactility over vocabulary. The generosity and expansiveness of this gesture is underscored by Samuel’s evocative titles referring to memory, the unconscious, and spirituality—the territories in which language is inefficient.
Recent institutional exhibitions include Bonner Kunstverein, Bonn, Germany (forthcoming); The Africa Center, New York (2022, traveling exhibition); and White Columns, New York (2022). Other solo and group exhibitions include Derosia, New York (2022); Bodega (Derosia), New York (2021); the bunker, Santa Monica Mountains, CA (2022); Gallery Aferro, Newark, NJ (2019, 2018); Theresa A. Maloney Art Gallery, College of Saint Elizabeth, Morristown, NJ (2018); and Jeffrey Stark, New York (2017).