Lexander Contemporary Art + Design

Lexander Contemporary Art + Design CONTEMPORARY ART + DESIGN Lexander Contemporary Art + Design is an art gallery, brokerage, and art fund manager based in New York.

Since 2010 we have increasingly shifted our focus toward providing grants to select artists.

01/13/2018

We are seeking a series of drawings that were either stolen, lost or illegally sold by Robin Fisher () for her 2002 book What’s Wrong? Explicit Graphic Interpretations Against Censorshipm, published by Arsenal Pulp Press. We are offering a $5,000 reward to anyone who has info that results in their retrieval.

If the drawings were stolen and/or illegally sold, the $5,000 reward also applies to any information that results in the arrest of the individual(s) involved in this crime. Please either contact us directly [info AT http://lgallery.com], the in Canada, or the in the US.

Neither Robin Fisher nor Arsenal Pulp Press have acknowledged any responsibility for the loss or theft of these drawings. The Lexander Organization is committed to the recovery of these drawings by any and all legal means necessary and to prosecute those responsible to the fullest extent of the law.

Robin Fisher is currently the host of a podcast called The Onomatopoeia Show.

https://lex.gallery/art-theft-notice/

CONTEMPORARY ART + DESIGN

One of the rare genuine playwrights of our times has passed away.
09/21/2014

One of the rare genuine playwrights of our times has passed away.

Actor and playwright Linda Griffiths, best known for her iconic performance in the 1980 one-woman play Maggie and Pierre, has died after a battle with breast cancer, a family friend said.

09/21/2014

Ohama — Julie is a TV Set [1983] a minute ago Minimal Wave Artists / Ohama Where Do You Call Home: An Interview With Ohama (pt.1) Discogs / Ohama Discography Share and Evolve Lexander Magazine

Making Waves Zine issue  #3 featuring an interview with G. B. Jones & Caroline Azar of Fifth Column.
09/19/2014

Making Waves Zine issue #3 featuring an interview with G. B. Jones & Caroline Azar of Fifth Column.

ISSUE #3 : SEPTEMBER 2014 | buy | download | A5 / 92 pages / English Cover : Anna (Leeds, UK) Contributors : Camille (Rennes, FR), Constance (Rennes, FR), Darryl (San Francisco, US), Edu (Vancouver,...

08/24/2014

G. B. Jones produced this stunning drawing of Chelsea Manning for the inside cover of Age , the latest album from It is no coincidence that Bradley Manning?s profile by GB Jones graces the album?s inside cover.

Hudson 1950 – 2014Feature Inc. mourns the passing of Hudson, its founder and mainstay for almost 30 years, who died unex...
02/15/2014

Hudson 1950 – 2014

Feature Inc. mourns the passing of Hudson, its founder and mainstay for almost 30 years, who died unexpectedly in his New York apartment on February 9th. He was 63.

Hudson—he used just that one name—was an artists' dealer, a stalwart and uncompromising champion of the artists he believed in. Unlike many gallerists of his generation,he was neither impressed not tempted by grandiose aspiratio, and, over the years, his unpretentious gallery spaces exhibited a broad spectrum of aesthetic experiences. As he remarked in 2010: "All around the country—all over the world—there were pockets of interesting things that I wanted people to enjoy, or at least be aware of. It seemed more important to stay open to the breadth of contemporary art than to settle on the obvious." The result was that, without seeming to try, Hudson built not an empire but a community of students, artists, critics, curators, and art lovers who respected his independence and were educated by his eye.

Hudson was born in 1950, and grew up in West Haven, Conn. He graduated from Southern Connecticut State College, majoring in art education, with a minor in fine arts. In the early 70's, he moved to Cincinnati, where he studied contemporary dance and earned an MFA from the University of Cincinnati. While still in school, he performed with Contemporary Dance Theater and the Judy Gregg Dance Company, and was asked to join several New York dance theater troupes. But a growing interest in the more multidisciplinary aspects of performance led him to decline these offers, and a ruptured disc sealed the matter. In the late 70's, he developed a series of solo performance-art works for himself, which he staged at venues across the Midwest: one of these, The Greek and French Arts, an art history p***o cooking lesson in the style of romance and idealism premiered at the Allen Art Museum at Oberlin College as part of its "Young Americans" exhibition in 1981. (He would continue to perform, albeit with decreasing regularity, until 1992.) Still in Cincinnati, Hudson entered the business side of the art world by managing a dance company and becoming a memeber of the artist organization C.A.G.E. ( Cincinnati Artists Group Effort). In 1981 he moved to Chicago to take a position at Randolph Street Gallery, where he organized a performance programthat featured Jack Smith and Karen Finley, among others. Three years later, feeling constrained by peer-panel reviews and the policing of content he encountered in artist-run organizations, he scr**ed togehter the money to start an art gallery.

The first Feature opened its doors in Chicago on April Fool's Day, 1984, with a show of Richard Prince's appropriated fashion photographs. From its inception, Hudson gave early exposure to a remarkable number of artists who have since become prominent figures in contemporary art. In addition to Prince—Troy Brauntuch, Sarah Charlesworth, Jim Iserman, Larry Johnson, Mike Kelley, Jeff Koons, Louise Lawler, Sherrie Levine, Raymond Pettibon, Charles Ray, Kay Rosen, Jim Shaw, Haim Steinbach and B. Wurtz all showed work at Feature between 1984 and 1988, when the gallery moved to New York. In the following years, at a series of locations from Soho to Chelasea to the Lower East Side, Hudson continued to explore the new and unknown—in 2012 and 2013, for example, he showed promising younger artists (Jared Buckhiester; Nathaniel Robinson) and under–recognized older ones (Kinke Kooi; Bobbie Oliver)—while also exhibiting Lisa Beck, Richard Bloes, Judy Linn and David Shaw, all of whom he represented for decades.

To some an austere figure, with his buzzed head and dancer's body, Hudson was, at the same time, eminently approachable. In each of Feature's iterations, his desk was out in the open, and he politely greeted all comers. Once, when asked how he looked at art, he replied: "The first thing is to be quiet. I drop my agenda or expectations, and listen. Then, I soften my gaze. The eyes are agressive, and once you realize they are out there hunting, you can learn to tune them down, and let what is out there come to you. The body knows things way before the brain does... Art is primarily about the development of consciousness, not the development of an object. The object is just a catalyst."

Funeral arrangements are private. A memorial service is being planned for June.

Source: Feature Inc http://featureinc.com/

Feature Inc. is a contemporary art gallery exhibiting painting, drawing, photography and sculpture by established and emerging American and international artists in New York City since 1988.

What was the slam poem that got Qatari pro-freedom poet sentenced to life imprisonment (later commuted to fifteen years ...
01/30/2014

What was the slam poem that got Qatari pro-freedom poet sentenced to life imprisonment (later commuted to fifteen years after complaints from PEN and Amnesty?)

Where is all the outage from artists, musicians, and all those who decried so-called "oppression" and "censorship" in Russia? Where is all the outrage from so-called "Evangelical Christians" who constantly denounce Russia, China and Iran for so-called "religious persecution" (and where most established minority religions are actually legal and/or tolerated)? Total silence from all such quarters.

Read it for yourself and learn the facts: No other countries in the world are more repressive, more oppressive and terrorise their citizens and migrant slave labour more than the Gulf Arab monarchies. No other country in the world even comes close to such levels of terrorism, migrant slavery, white slavery of Central and Eastern European women, persecution of artists, poets and all religious minorities—try a poetry slam or preaching the Gospel in Qatar and Bahrain and brace yourself for a nightly dose of torture and possible beheading if you resist the bloodthirsty authorities.

http://lexzine.com/mohammed-al-ajami/tunisian-jasmine/

Tunisian JasmineWe are all Tunisians (Tunisian Jasmine)by Mohammed al-Ajami[This is the slam poem for which Mr. Al-Ajami was brutally tortured, isolated in solitary confine for heaven knows hw long, and quickly sentenced in a kangaroo court to life imprsonment. After numerous appeals from various NG...

01/30/2014

Few performances stay with me for weeks afterwards, but this one-two punch of short performances that were simultaneously part of the Performa performance festival and the Studio Museum in Harlem’s half of the Radical Presence show were powerful.

"I think it’s embarrassing for a head of state to go on like that for 45 minutes and say almost nothing … The real conce...
01/23/2014

"I think it’s embarrassing for a head of state to go on like that for 45 minutes and say almost nothing … The real concern is that when you have an organization as powerful as National Security Agency has become and its Five Eyes allies and the cost of engaging in mass surveillance is decreasing about 50% every two years because of the cheapness of computers and the cheapness of bandwidth, that is a threat to constitutional government in the United States. And also in other countries …

What I wanted to see today was a mechanism that would re**rd that tendency, reducing a long-term threat to constitutional government. I don’t see that. I don’t see that individuals are protected from those surveillance abuses. I don’t see any prosecutions. You know government is serious when it starts talking about someone is going to be prosecuted."
—Julian Assange, on US President Barack Obama’s dubious promise to reign in the NSA.

"Hollywood is the most insidious and corrupt propaganda machine on this planet, aggressively promoting, by violent force and psychological terror, an antihuman agenda founded upon objectification, exploitation, and deception—the Hollywood concept of 'freedom' is that of perverse indulgences in all manner of p***ography, ultraviolence, and sociopathy … this is not freedom, but the worst kind of slavery and inhumanity. Put simply, Hollywood is terrorism of the mind and the r**e of the soul … If people wish to believe democracy exists in America and elsewhere in the so-called “free world,” they might as well believe Santa Claus and the Easter Bunny exist in reality."
—Lexander

Why Hollywood Hates Freedom: The Real Reason Julian Assange is the Most Dangerous Man in the WorldPosted on 22 January 2014 by Lexander MagazineJulian Assange has found himself increasingly transformed into a real world analogue to the character of Morpheus in The Matrix, hunted by numerous governme...

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