05/29/2026
Despite being suspended in midair and surrounded by grotesque hybrid demons, Saint Anthony remains astonishingly calm in this engraving currently on view at the in the exhibition “Martin Schongauer: The Beautiful Immortal.”
According to Christian tradition, Anthony retreated to the Egyptian desert to live in meditation and solitude, where he was tormented by visions and demonic assaults meant to test his faith — a spiritual trial that Schongauer conveys through a whirlwind of movement and imagination.
Created around 1470–1475, “The Temptation of Saint Anthony” was one of Schongauer’s largest and most widely circulated prints — a landmark in the early history of engraving whose influence spread rapidly across Europe. Its astonishing repertory of monsters, textures, and spiraling forms captivated generations of artists and artisans alike, inspiring everything from stained glass windows to sculptural programs. Michelangelo famously copied the composition in paint during his apprenticeship, an early sign of Schongauer’s profound international impact.
In this video, exhibition curator Hélène Grollemund presents this extraordinary work, illuminating how a single engraving could shape the visual imagination of Renaissance Europe.
🎥 : Musée du Louvre