Chantress

Chantress Artistic and intellectual achievements made by women throughout History .

Take a Helena Rubinstein Day! That means to stay all day in your pyjamas, to rest, think, write, whatever you need, and ...
12/11/2025

Take a Helena Rubinstein Day! That means to stay all day in your pyjamas, to rest, think, write, whatever you need, and take care of yourself, but in the bed, one day per month. That’s the trick to stay “deeply beautiful” for a very long time

In 1896, a young woman boarded a ship bound for Australia. She carried almost nothing—a few clothes, no money, and twelve small jars of face cream.
She was running.
Helena Rubinstein had refused her father's demand that she marry a widower she did not love. In her traditional Jewish household in Kraków, Poland, daughters did not defy their fathers.
Helena defied him anyway.
Her mother, understanding that her daughter was truly leaving, quietly pressed twelve pots of face cream into her hands. The cream had been made by a Hungarian chemist named Jacob Lykusky, and every Rubinstein daughter used it nightly. "It will protect your skin," her mother said. "It's all I can give you."
Helena had no idea those twelve jars would make her one of the richest self-made women in the world.
Australia was brutal. The sun scorched everything—including the skin of the women who lived there. Helena noticed them immediately: faces weathered and reddened, complexions damaged beyond repair.
And they noticed her.
This tiny Polish woman—barely four feet ten inches tall, speaking broken English with a thick accent—had skin like porcelain.
How? they asked. What's your secret?
She showed them the cream.
Within months, Helena had sold all twelve jars. Then she ordered more from Poland. Then she began making it herself, experimenting with lanolin from Australian sheep, masking the smell with lavender and pine bark. She worked as a waitress in a Melbourne tearoom until she found someone willing to invest in her vision.
In 1902, she opened her first beauty salon on Collins Street in Melbourne.
She had no formal education in chemistry. No business training. No connections. What she had was a revolutionary idea: that beauty was not vanity—it was science.
Helena didn't just sell cream. She diagnosed. She examined each woman's skin with clinical precision, identified problems, and prescribed treatments. She dressed her staff in white lab coats. She classified skin by type and created specific products for each. In an era when cosmetics were considered vulgar—something respectable women didn't use—Helena Rubinstein made skincare medical.
The transformation worked.
Within five years, her Australian operations were profitable enough to fund expansion. In 1908, she moved to London. Then Paris. Then New York. Women at that time couldn't get bank loans, so she used her own savings—reportedly one hundred thousand dollars she had earned herself.
Each city, the same pattern. She opened a salon. She trained staff. She diagnosed clients one by one. She created the "Day of Beauty"—a full day of pampering that became an instant sensation. She invented waterproof mascara. She pioneered different products for day and night. She published books on beauty and self-care.
And everywhere she went, she met resistance.
Men dismissed her. Society questioned her. Her thick Polish accent marked her as an outsider in every boardroom she entered. Standing just four feet ten, she was often the smallest person in the room.
She didn't care. She outworked them all.
Her most famous rival was Elizabeth Arden—a Canadian beauty entrepreneur who had opened a competing salon in New York. The two women built dueling empires that dominated the cosmetics industry for half a century. They stole each other's employees. They opened salons around the corner from one another.
They never spoke. Not once.
Helena called Arden "The Other One." Arden called Helena "That Dreadful Woman."
Books would be written about their rivalry. Broadway musicals staged. But through it all, Helena maintained her position at the top.
In 1928, she sold her American business to Lehman Brothers for $7.3 million—equivalent to over $130 million today. Then the stock market crashed. The company's stock plummeted from sixty dollars per share to three.
Helena bought it all back for a fraction of what she'd sold it for.
She had timed it perfectly.
By the 1930s, her empire was valued at over $100 million. She owned apartments on three continents, collected art by Picasso and Matisse, and became one of the first Europeans to amass a major collection of African sculpture. In 1938, she married a Georgian prince twenty-three years her junior—and became Princess Gourielli.
But she never stopped working.
At ninety years old, she was still arriving at her office. Still examining new products. Still meeting with chemists. Still diagnosing skin. Her famous quote had become her philosophy:
"There are no ugly women, only lazy ones."
She applied it to herself most of all.
Helena Rubinstein died on April 1, 1965. She had built an empire spanning four continents, employed thousands of women, and fundamentally changed how the world thought about beauty. The foundation she established would distribute nearly $130 million to education, the arts, and health causes.
But perhaps her greatest legacy was what she represented.
She arrived in a foreign country with nothing—an immigrant, a woman, a Jew in an era of open antisemitism. She spoke with an accent people mocked. She stood so short that she barely reached most people's shoulders. Every institution of her time told her she didn't belong.
She built anyway.
In her autobiography, she wrote: "I fell in love with beauty a long, long time ago, but what I wanted was to create beauty—not to be blinded by it."
She understood something profound. Beauty wasn't about perfection. It was about care. It was about the daily practice of investing in yourself, of refusing to give up, of believing you were worth the effort.
A girl who fled an arranged marriage with twelve jars of cream. A woman who turned those jars into an empire. A pioneer who carved space for generations of women who would follow.
The day before women in America won the right to vote, Helena Rubinstein already employed thousands of them.
She hadn't waited for permission.

~Weird Wonders and Facts

12/02/2025

Mothers are mysteries we carry with us, tangled up in the fabric of who we become. Marguerite Duras had a way of cutting through the usual sentimental haze to reveal something more raw, more unsettling about the women who raised us. She saw them not just as caretakers or icons of comfort, but as figures who embody a kind of beautiful, maddening otherness - an essential strangeness that lingers beneath the surface of our everyday lives.

Her insight resonates with the work of Julia Kristeva, the psychoanalyst and philosopher who explored motherhood as a site of both creation and disruption. Kristeva described the maternal not merely as a nurturing presence but as a force that unsettles identity, blurring boundaries between self and other. It’s this paradox that makes mothers so endlessly fascinating and, frankly, confounding. They’re the first people who shape our sense of reality, yet they remain enigmas, their inner lives often opaque to us.

This tension between intimacy and distance is something Adrienne Rich, the poet and feminist thinker, also grappled with. Rich wrote about the “mother-daughter knot,” the intricate emotional and political ties that bind us, sometimes in ways that feel suffocating or fraught. There’s a kind of madness in that knot, a complexity that defies easy explanation or neat resolution. It’s not about blaming or idealizing but about recognizing that mothers are human beings with their own contradictions, fears, and dreams - sometimes wild, sometimes tender, always deeply alive.

What’s striking about Marguerite Duras’s perspective is how it refuses to flatten mothers into mere archetypes. Instead, it invites us to embrace their strangeness, to see their quirks and contradictions as part of the profound, sometimes chaotic, love they offer. That love isn’t always tidy or predictable; it’s messy and full of surprises, just like the women themselves.

In a culture that often demands mothers to be perfect, calm, and endlessly giving, acknowledging their madness feels like an act of honesty and even affection. It’s a reminder that the people who shaped us are not just caretakers but complex individuals who carry their own stories, their own struggles. And maybe, in recognizing their strangeness, we find a deeper connection, not just to them but to ourselves.

08/21/2025

Rosalind Franklin was the scientist who revealed life’s hidden code. In 1952, she captured Photo 51, the X-ray image that exposed the double helix structure of DNA. This single photograph became the key to one of the greatest discoveries in biology.

Yet, her contribution was taken and shared without her consent, and while Watson, Crick, and Wilkins went on to win the Nobel Prize, Franklin’s name was left in the shadows. She died tragically young at 37, never seeing the world acknowledge the importance of her work.

Today, history is finally correcting itself. Franklin is remembered as the woman whose meticulous science and brilliance unlocked the structure of DNA, the very blueprint of life. Her story is not just about discovery, but also about recognition, perseverance, and the fight for women to be seen in science.

Read more about her: https://blog.philhealthid.ph/?p=237

This is so true! Few dare to say this, and even fewer will hear it, but there it is
02/25/2025

This is so true! Few dare to say this, and even fewer will hear it, but there it is

👉 Would you like to dive deeper in spirituality? Access Teal's (FREE) Lounge to get workbooks, summaries, reflective exercises and more. Click here: https:/...

Roman female faces remade either AI
11/10/2024

Roman female faces remade either AI

Bravo for Danmarks fotballmenn!!
06/20/2024

Bravo for Danmarks fotballmenn!!

Denmark’s Euro 2024 football squad have refused a pay rise to ensure the women’s team receive equal pay.

A new four-year agreement has been reached with the Danish Football Association that will see both male and female national team players receive the same fee for representing their country.

A 15% decrease in the men's team insurance coverage also allowed them to upgrade the women's team coverage by 50%, as well as that of the Under-21 men's team by more than 40%.

“The men’s team chose not to demand any changes in the conditions in their new agreement,” Michael Sahl Hansen, director of the Danish players’ union, Spillerforeningen, said in a statement published by FIFPRO.

“It’s an extraordinary step to help improve the conditions of the women’s national teams. So, instead of looking for better conditions for themselves, the players thought about supporting the women’s team.”

Senior players were consulted before a deal was struck that will come into effect following this summer’s tournament in Germany and run until 2028.

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