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Russell Reed, “Cloud Study”Oil on Board15.75 × 15.75 inchesIn “Cloud Study,” Russell Reed approaches abstraction as a fo...
05/12/2026

Russell Reed, “Cloud Study”
Oil on Board
15.75 × 15.75 inches

In “Cloud Study,” Russell Reed approaches abstraction as a form of recollection, something fleeting yet deeply felt. Soft shifts in tone and atmosphere unfold like fragments of memory, where sensation takes precedence over certainty. The painting lingers between presence and disappearance, much like a cloud suspended in motion. 

Arnaud Gibersztajn“99/2”Mixed-media, acrylic base on canvas72.75 × 60.75 inchesPart of his Drippings Collection, Arnaud ...
05/08/2026

Arnaud Gibersztajn
“99/2”
Mixed-media, acrylic base on canvas
72.75 × 60.75 inches

Part of his Drippings Collection, Arnaud Gibersztajn’s “99/2” unfolds as a field of tension and release, where drips, color, and surface negotiate a delicate balance between control and chance. For Gibersztajn, painting is a language of marks, textures, and nuances through which communication becomes possible.

Bob Hest“Mysterious”Oil on canvas59.5 x 49.5 inches (framed)“Mysterious” reflects Bob Hest’s ongoing inquiry into presen...
05/07/2026

Bob Hest
“Mysterious”
Oil on canvas
59.5 x 49.5 inches (framed)

“Mysterious” reflects Bob Hest’s ongoing inquiry into presence, perception, and the thresholds of representation. The silhouetted figure of a horse hovers between apparition and structure, extending Hest’s exploration of the poetic possibilities within subdued representation.

Jaq Belcher“Spring Orb,” 2026Hand-cut paper, 6648 cuts30 x 30 inches (unframed)Jaq Belcher’s newest work, “Spring Orb”, ...
05/05/2026

Jaq Belcher
“Spring Orb,” 2026
Hand-cut paper, 6648 cuts
30 x 30 inches (unframed)

Jaq Belcher’s newest work, “Spring Orb”, continues her investigation of energy, consciousness, and form through a meditative process of drawing with an Xacto knife. Using handmade vesica piscis stencils, she constructs finely scaled compositions that activate the surface as a quiet field of light and structure.

Candy Le Sueur, "Reaching"Mixed media on paper28.5 × 28.5 inches (framed)In “Reaching,” Candy Le Sueur continues her exp...
05/01/2026

Candy Le Sueur, "Reaching"
Mixed media on paper
28.5 × 28.5 inches (framed)

In “Reaching,” Candy Le Sueur continues her exploration of light, land, and sky as perceptual space. Hovering at the edge of abstraction, the work feels both familiar and elusive. Layers of color and gesture hold a quiet tension between stillness and movement, forming an ethereal landscape that balances memory, atmosphere, and immediacy.

Larry Gordon, “Blue Moon”Acrylic on canvas35 × 36 inchesIn "Blue Moon," Larry Gordon draws on his background in architec...
04/30/2026

Larry Gordon, “Blue Moon”
Acrylic on canvas
35 × 36 inches

In "Blue Moon," Larry Gordon draws on his background in architecture by treating the canvas as a built environment. Geometry and rhythm are orchestrated to create balance, structure, and a subtle sense of motion, forming a composition that feels at once stable and immersive.

Russell Reed, "Remo en Fogón 3"Oil on Canvas26.4 × 26.4 inches"Remo en Fogón 3" lingers between memory and form, unfoldi...
04/28/2026

Russell Reed, "Remo en Fogón 3"
Oil on Canvas
26.4 × 26.4 inches

"Remo en Fogón 3" lingers between memory and form, unfolding as a field of sensation rather than a fixed image. Drawing on the fragmentary nature of recollection, Russell Reed allows the body, landscape, and psyche to merge into a shifting interior space. Abstraction becomes a language of the subconscious, tracing how meaning is shaped through fleeting impressions and embodied experience.

In "Composition 353," Arnaud Gibersztajn builds a language of color, line, and texture, each mark part of a larger, evol...
04/23/2026

In "Composition 353," Arnaud Gibersztajn builds a language of color, line, and texture, each mark part of a larger, evolving conversation.

Rooted in abstraction, his practice balances intention and spontaneity, allowing tension and harmony to coexist within the same space. The result is a composition that feels both precise and open, structured yet quietly unpredictable.

Candy Le Sueur, “Into the Light”Oil on canvas36.25 × 48.75 inches (framed)Rooted in her exploration of light, land, and ...
04/21/2026

Candy Le Sueur, “Into the Light”
Oil on canvas
36.25 × 48.75 inches (framed)

Rooted in her exploration of light, land, and sky, “Into the Light” unfolds as an ethereal landscape, hovering between memory and immediacy. Built through layered gestures and tonal shifts, the painting balances stillness with movement, inviting a moment of pause within its luminous, shifting field.

Jaq Belcher, “Grace (descending)”Hand-Cut Paper8852 Cuts, 2213 seeds55 × 55 inches (framed)“Grace (descending)” reflects...
04/16/2026

Jaq Belcher, “Grace (descending)”
Hand-Cut Paper
8852 Cuts, 2213 seeds
55 × 55 inches (framed)

“Grace (descending)” reflects Jaq Belcher’s ongoing investigation into energy, light, and the quiet precision of form. Rooted in focus and simplicity, her practice becomes a kind of meditative sculpture on paper.

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