11/15/2021
Celebration of a merging of three minds—Martin Parr, Maurizio Cattelan, Pierpaolo Ferrari—in Book and Exhibition as ToiletMartin PaperParr.
On Saturday, November 20 at 2PM EST (7PM GMT / 8PM CET), Artbook @ MoMA PS1 Bookstore and Damiani will host a live Zoom discussion between Martin Parr, Pierpaolo Ferrari and Villa Medici director Sam Stourdzé, who art-directed their current Toiletpaper & Martin Parr exhibition in Rome. The trio will discuss Parr’s longtime collaboration with 'Toiletpaper,' including the ToiletMartin PaperParr Book' and exhibition. Register and order signed books here: artbookstores.com/ToiletMartin-PaperParr
Martin Parr is a British photographer whose unflinching, critical perspective and wry images of contemporary life have made him a notable figure in the world of photography for 40 years. Parr is best known for his use of gaudy colors paired with the themes of leisure, consumerism and wealth.
Parr did not start by photographing in color. After attending Manchester Polytechnic (1970-73), he photographed small town communities in northern England and Ireland in black and white. His debut photobook, 'Bad Weather' (1982), is solely monochrome. The book is imbued with Parr's British perspective and dry sense of humor: he utilized a flash bulb and an underwater camera to capture comically surreal photographs of Brits hurriedly seeking shelter from the endless variety of "bad weather" that regularly befall them.
Parr transitioned to color photography soon after, citing such American photographers as Joel Meyerowitz, William Eggleston and Stephen Shore as influences. In Parr’s book 'The Last Resort' (1986), photos taken between 1983 and 1985 in the beach vacation destination of New Brighton, beach-goers are seen tanning and eating ice cream at a seaside teeming with dirty cement, tossed litter and crying babies. The photographs, with their garish color and unflattering lighting, introduced many Parr’s photographic approach.
While Parr continued to pursue themes of leisure and class in England through photography with 'The Cost of Living' (1986-1988), he also set his sights on global and mass tourism in 'Life’s a Beach' (1986), a collection of photographs from far-flung shores, and 'Small World' (1990-2017), a series of images that aimed to demystify the mythology of tourist hotspots such as Stonehenge, the Leaning Tower of Pisa and the Eiffel Tower, by revealing their stark and unsavory reality.
Parr is an avid collector of photobooks and a longtime champion of young photographers. In 2014 he founded the Martin Parr Foundation to support emerging, established and overlooked photographers whose work focuses on Britain and Ireland. Parr has also published more than 120 books of his own photographs and edited 30 others.
Parr’s recent collaborations with 'Toiletpaper,' a photo-based magazine that features provocatively staged color photographs, and its founders, Maurizio Cattelan and Pierpaolo Ferrari, is a logical partnership that builds upon the special Martin Parr edition of 'Toiletpaper' published in 2018.
'ToiletMartin PaperParr Book' (2020) is a large format, hardcover photobook that recontextualizes Parr’s most iconic images by presenting them alongside photographs from 'Toiletpaper'’s archive. Bound by a brash style and a vibrant color palette, the photographs by Parr, Cattelan and Ferrari cohere to form a reimagined look into their respective oeuvres.
The book subsequently inspired the exhibition 'Toiletpaper & Martin Parr' (July 2, 2021-February 27, 2022) at the Villa Medici, which displays photographs from 'ToiletMartin PaperParr Book' in playful ways that befit the photographs’ content, as the juxtaposition between the intentionally caustic aesthetic of the monumental prints and the environment in which they are exhibited—the classical gardens of a Renaissance palace—highlight the surreal mirror reflection of us and our ways.
--Yeon Cho, Artbook @ MoMA PS Bookstore
[Pictured: 'ToiletMartin PaperParr Book' (2020) alone (1) and with the ToiletMartin PaperParr magazine (2018) (2&3) and Toiletpaper umbrella (4).]