The Grolier Club of New York

The Grolier Club of New York America's oldest & largest society for bibliophiles and enthusiasts in the graphic arts. (212) 838-6690, x7, [email protected].

Founded in 1884, the Grolier Club of New York is America’s oldest and largest society for bibliophiles and enthusiasts in the graphic arts. Named for Jean Grolier (1489 or 90-1565), the Renaissance collector renowned for sharing his library with friends, the Club’s objective is to foster “the study, collecting, and appreciation of books and works on paper.” The Club maintains a research library on

printing and related book arts, and its programs include public exhibitions as well as a long and distinguished series of publications. As part of its mission to promote the art and history of the book, the Grolier Club regularly hosts the lectures and gatherings of other bookish organizations, and opens many of its own events to the public. No advance notice is required to view Grolier Club exhibitions; however, RSVPs and reservations for other events should be made through Maev Brennan, tel.

Congratulations to Grolier Club member Reid Byers on winning the 2026 Leab Award for Excellence in Description in the Pr...
09/04/2026

Congratulations to Grolier Club member Reid Byers on winning the 2026 Leab Award for Excellence in Description in the Print Catalog category!

The Leab Exhibition Awards Committee promotes and recognizes outstanding exhibitions of library and archival materials from institutions in North America and the Caribbean that contribute to the dissemination of knowledge on any topic and advance inclusion and access within the library profession.

Published by Oak Knoll Press, the award-winning catalog was created to accompany the beloved exhibition "Imaginary Books: Lost, Unfinished, and Fictive Works Found Only in Other Books," presented at The Grolier Club from December 5, 2024–February 15, 2025.

In Reid's words, this is “possibly the first award ever given for excellence in the description of things that don’t actually exist.”

With just three days left until the Grolier Club closes to the public in August, our Library staff are busy paging books...
07/28/2026

With just three days left until the Grolier Club closes to the public in August, our Library staff are busy paging books for our last few researchers of the summer. We’ll be answering our final batch of reference questions on Friday afternoon, so send us your questions soon! Reference and reader services will resume after Labor Day.

To celebrate our final day of New Members Collect, we're spotlighting the collections of Leslie Schreyer and Nathan Benn...
07/25/2026

To celebrate our final day of New Members Collect, we're spotlighting the collections of Leslie Schreyer and Nathan Benn, who are both avid collectors of photography.

Visit New Members Collect 2026 today from 10:00am. to 5:00pm. Admission is free.

Find out more online at the link in our bio!

Photo credits: Nicole Neenan
Slide 1: Brassai (Gyula Halasz) (Hungarian/French, 1899-1984), Couple at the Bal des Quatre Saisons, Rue de Lappe. Print c. 1932.
Slide 2: Eugène Atget. Hôtel des Ambassadeurs de Hollande, 47 rue Vieille-du-Temple. 1898.

Last days to visit New Members Collect 2026. Featuring objects from the collections of 17 new members, including materia...
07/24/2026

Last days to visit New Members Collect 2026. Featuring objects from the collections of 17 new members, including materials that once rested on fantasy writers’ desks, traveled aboard polar exploration ships, circulated through de-extinction startup offices, or still bear traces of literal toxicity.

Visit through Saturday, July 25, 10am to 5pm. Admission is free.

Photos by Janna Tew

The Grolier Club welcomes Helfand Fellow Lucy Moynihan, a PhD candidate in History at the University of Liverpool.  Her ...
07/21/2026

The Grolier Club welcomes Helfand Fellow Lucy Moynihan, a PhD candidate in History at the University of Liverpool. Her research project here in the Club’s Library, titled “Bibliophiles and Enslavement: Examining the Legacy of a Dissenting Dynasty”, relates to her doctoral dissertation about the Liverpool Athenaeum. She is particularly interested in the role the Athenaeum played as a social, intellectual and commercial networking site for leading Liverpool enslavers. During her fellowship, Ms. Moynihan will draw on our rich holdings of auction and private library catalogues to take a critical look at the libraries of three major families of book collectors who were members of the Athenaeum and who profited from enslavement: the Bright, Heywood, and Yates families. Her project challenges the idea of libraries as spaces of ‘Enlightenment’ - situating these collections within a broader system of violence and exploitation.

This week, we spotlight the collections of members (and our Exhibitions Department staffers) Oscar Salguero and Shira Bu...
07/20/2026

This week, we spotlight the collections of members (and our Exhibitions Department staffers) Oscar Salguero and Shira Buchsbaum.

Salguero's Interspecies Library focuses on relationships with and expressions by non-human beings; his selections for New Members Collect explore both speculative and real works addressing de-extinction. Buchsbaum's collection documents the physical
remnants of artists' process, particularly in creating dustjacket designs.

Visit New Members Collect 2026 Monday through Saturday, from 10:00am. to 5:00pm. Admission is free.

Find out more online at the link in our bio!

Photo credits: Nicole Neenan
Slide 1: Ege Kökel. The Unextinct Dodo Project. Türkiye & Austria: Self-published, 2019.
Slide 2: Mary Stella Edwards. Maquette proofs for “Star-Wagon” by Peggy Wood. [Farrar & Rinehart, 1936].

Q: How did you both begin to collect in this area?   "Like other story lovers, it started for me with high school then c...
07/16/2026

Q: How did you both begin to collect in this area?

"Like other story lovers, it started for me with high school then college classes reading James Joyce. I also happened to have a great aunt who’d actually met him while in Paris, and she owned a copy of Ulysses, and so the romance of Ireland took hold. Later, when you grow up and read more deeply into the troubles of a land, you realize how complicated yet still wonderful a story Ireland actually is. As Yeats famously said, 'A terrible beauty.'" - Sandy Neubauer

"I met Seamus Heaney, the great Irish poet who won the Nobel Prize in 1995, in the early 1980s when he was teaching at Harvard and I was a law student there. This encounter led me to reading his work and developing a deep interest in poetry more generally and, years later, to start collecting the works, letters, manuscripts and other material relating to both W.B. Yeats and Heaney." - Alan Klein

Visit “Risings” Monday-Saturday, 10am-5pm, or click the link in bio to visit online: https://grolierclub.omeka.net/exhibits/show/risings

Image Credits
[1] C[amille]. Rup, Zurich. James Joyce. Sepia-toned gelatin silver print. Inscribed: “To Arthur Symons / James Joyce / Paris, 29.5.925.” Courtesy of the Risings co-curators.
[2] Poster. Nobel Prize Announcement. Faber and Faber, 1995.

The Grolier Club’s Library stages rotating displays from our own collections in the four cases in our reading room.  Thi...
07/14/2026

The Grolier Club’s Library stages rotating displays from our own collections in the four cases in our reading room. This summer’s exhibition, curated by Library Assistant Sara Coffield, takes the form of a bibliophilic holiday, with an itinerary drawn form the Library’s postcard collection. Her title “Busman's Holiday” refers to a vacation spent doing exactly the same activities as one’s regular profession. Grolier Club members and visiting researchers alike have gone on many such trips, where professional passions, personal interests, and leisurely travel became inseparable. In the first half of the twentieth century, a number of bibliophiles felt inspired to share news of their journeys with one individual in particular: Ruth S. Granniss, the longest-serving Librarian of the Grolier Club (1906-1944).

The collection of postcards that she received during her tenure, a portion of which are on view in this exhibition, does not just tell the story of these trips, but of her significance to members and other citizens of the book world. Granniss saved the postcards and, in doing so, created a record of bibliographic pursuits that reveal the rich connections between members and the Club’s Library This exhibition, like the postcards, travels through Northern Europe, Southern Europe, England, and the United States. Follow the link below to read more!

The Grolier Club’s Library hosts rotating exhibitions of our own collections in the four cases we have in the Reading Room. The following text and examples from the Club’s collection come from…

This week, we highlight the collections of members Gary L. Stiles and Dennis Schäfer, whose interests draw them to one p...
07/13/2026

This week, we highlight the collections of members Gary L. Stiles and Dennis Schäfer, whose interests draw them to one particular subject, respectively.

Stiles's collection focuses on the life and works of politician and orator Winston Churchill, and Schäfer's collection focuses on the polymath ETA Hoffman.

Visit New Members Collect 2026 Monday through Saturday, from 10:00am. to 5:00pm. Admission is free.

Find out more online: https://grolierclub.omeka.net/exhibits/show/new-members-collect-2026!

Photo credits: Nicole Neenan
Slide 1: Winston S. Churchill (1874-1965). Holograph letter to Muriel Wilson, 3 pages, on 104 Mount Street stationary, 1904; Winston S. Churchill (1874-1965). My Early Life. London: Butterworth, 1940; A. W. Lloyd (1883-1966), cartoonist. “The Ruler of the King’s Navee,” Punch, October 4, 1939, p. 379.
Slide 2: Jacques Callot. Captain Zerbino and Scapino. ca. 1630; Friedrich Schnapp. TLS, January 24, 1949, to Stanislaus Rothballer; Hans Fronius and Michael Duske. E.T.A. Hoffmann. Lithograph on Paper, 2008.

Q: This exhibition draws connections between artistic and political movements of early 20th century Ireland. What insigh...
07/09/2026

Q: This exhibition draws connections between artistic and political movements of early 20th century Ireland. What insights from this exchange can we draw from in our present climate?

"Like all new nations, Ireland began with a burst of idealism. Women’s rights were on the minds of some leaders of the Easter Rising, while others were pushing for the rights of workers. One could imagine a chance for the country to break free not only from British rule, but also from the chains of parochialism and violence. Unfortunately, a certain kind of conservative nationalism prevailed, silencing critics, and a deal was ultimately made between the powers of the new state and religious leaders. As in so many countries, individual freedom had to wait, but we’re seeing a new, freer Ireland now, 100 years on." - Sandy Neubauer

Visit “Risings” Monday-Saturday, 10am-5pm, or visit online: https://grolierclub.omeka.net/exhibits/show/risings

Vintage studio photograph. From the estate of W. B. Yeats, with “Cuala Industries” stamp and George Yeats’s annotation, “Return to Mrs Yeats.” Courtesy of the Risings co-curators.

R. M. Fox. Rebel Irishwomen. Dublin and Cork. The Talbot Press Limited. 1935. Signed by Maud Gonne.

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