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05/29/2026

Jackson Po***ck’s Number 7A (1948) sold for $181.2 million at Christie’s New York this week, nearly tripling the artist’s previous auction record.
But the market reaction wasn’t only about price.
Po***ck didn’t just create paintings. He completely changed the physical act of painting itself, placing the canvas on the floor and developing the revolutionary “drip painting” language that would redefine post-war American art.
And Christie’s described Number 7A as one of the last major “drip paintings” still remaining in private hands, a significant detail in today’s market, where museum-level Po***cks from this period have become exceptionally scarce publicly.
Many are already held inside institutions, foundations, or major private collections unlikely to sell anytime soon.
For collectors, that changes the psychology of the acquisition completely.
The bidding stops being only about ownership and starts becoming about rarity, historical relevance, and access to a work the market may not publicly see again for decades. ***ck ***ck

05/14/2026

Inside the NADA New York 2026 press preview. Over 120 galleries from 15 countries taking over the Starrett-Lehigh building. A solid cross-section of current studio practices, heavy on painting, textiles, and independent programs.

Open to the public through Sunday May 17th. Stick with The Parallel News for more NY Art Week coverage.


ArtFair

05/10/2026

“When you draw from life, you’re drawing from memory.” - David Hockney

See the exhibition at Serpentine North until 23 August 2026. Free to visit.

Film by and __giraudo.

Images and video of David Hockney in his studio by Jean-Pierre Gonçalves de Lima. © David Hockney

05/10/2026

Hans Richter was a German artist, filmmaker and theorist who was present at the founding of Dada in Zurich in 1916 — one of the few people alive who could say they had been there at the beginning of one of modern art’s most radical reinvention.
Over the following six decades he worked across painting, film and sculpture, and remained close to virtually every major avant-garde movement of the 20th century: from Dada and Constructivism through Surrealism to Fluxus.
In this clip, filmed late in his life, Richter speaks about chance as a method. The Dadaists had understood that the conscious mind was the enemy of the new, and that relinquishing control was not weakness but discipline.
“Chance is the most important thing. It is more intelligent than we are.”

urbanart artexhibition collectiveart artmarket abstractworld ArtHistory surrealism sellart abstractart

05/07/2026

David Lynch was an American filmmaker, painter and musician. He studied briefly at the Pennsylvania Academy of Fine Arts in Philadelphia, but by his own account the education that mattered happened elsewhere.
In this clip he talks about hating school and about the things that actually shaped him as an artist.
The experiences that happened outside the classroom, outside the curriculum, outside any framework designed to produce a particular result.
It is a reminder that creativity has never been something that can be taught, certified or contained.

collectiveart artmarket art abstractworld prints surrealism

05/06/2026

RIP GEORG BASELITZ (1938–2026) 🕊️
“An object painted upside down is suitable for painting because it is unsuitable as an object.”

The art world loses a titan as Georg Baselitz, the provocateur who redefined German painting in the wake of WWII, has passed away at 88.

Born Hans-Georg Kern, Baselitz didn’t just paint history; he wrestled with it. From the ruins of N**i Germany to the fractured reality of the Cold War, his work was a career-long act of defiance.

In 1969, he began painting subjects upside down. It wasn’t a gimmick—it was a radical stripping away of “meaning” to force us to look at the raw power of form, surface, and pigment.

His early work was so raw it was seized for public indecency; his later work became the monumental bedrock of European Neo-Expressionism.

He fought against “beauty” and “easy meaning,” choosing instead a path of difficult, fractured honesty.

A painter who turned the world upside down so we could finally see it clearly.

Baselitz

He spent over half a century painting the world entirely on its head. German Neo-Expressionist Georg Baselitz has died a...
05/06/2026

He spent over half a century painting the world entirely on its head. German Neo-Expressionist Georg Baselitz has died at 88. A true provocateur, he built a towering legacy on irritation and raw, visceral paint—forcing us to look closer and see the world from a completely different angle.

Read our full reflection on his brilliant and polarizing career at the link in bio.

ContemporaryPainting ArtWorld Baselitz PostwarArt

RIP GEORG BASELITZ (1938–2026) 🕊️“An object painted upside down is suitable for painting because it is unsuitable as an ...
05/04/2026

RIP GEORG BASELITZ (1938–2026) 🕊️
“An object painted upside down is suitable for painting because it is unsuitable as an object.”

The art world loses a titan as Georg Baselitz, the provocateur who redefined German painting in the wake of WWII, has passed away at 88.

Born Hans-Georg Kern, Baselitz didn’t just paint history; he wrestled with it. From the ruins of N**i Germany to the fractured reality of the Cold War, his work was a career-long act of defiance.

In 1969, he began painting subjects upside down. It wasn’t a gimmick—it was a radical stripping away of “meaning” to force us to look at the raw power of form, surface, and pigment.

His early work was so raw it was seized for public indecency; his later work became the monumental bedrock of European Neo-Expressionism.

He fought against “beauty” and “easy meaning,” choosing instead a path of difficult, fractured honesty.

A painter who turned the world upside down so we could finally see it clearly.

Baselitz

A rare Rembrandt drawing—Young Lion Resting (1638–42)—is headed to auction, but not for the usual reasons.Billionaire co...
04/15/2025

A rare Rembrandt drawing—Young Lion Resting (1638–42)—is headed to auction, but not for the usual reasons.
Billionaire collector and conservationist Thomas Kaplan is parting with one of the jewels of his collection to fund big cat conservation efforts.

Currently on view at Amsterdam’s H’ART Museum, the drawing is expected to set records when it goes to auction next year. For Kaplan, protecting endangered wildlife surpasses even his lifelong passion for Rembrandt:
“Wildlife conservation is the one passion I have which surpasses Rembrandt—and I want to attract more people to that cause.”

Rendered with Rembrandt’s signature mastery—light, shadow, and soul—the lion lives on, not just in ink, but in action.

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