06/09/2026
“Around 2000,” Boutros-Ghali explained, “my acrylics became less `descriptive’ and more plain ‘abstract.’”…A distinctive kind of Minimalism began to pervade Boutros-Ghali’s paintings, which owe considerable allegiance to geometry and architectural relations. The triangle lends support, strength, and also shows direction, guiding the eye with its sharp angles, but it’s the square, as he pointed out, that now most commands his affection.” - Barbara MacAdam, from her essay “Imaginary Geometry: Wassef Boutros-Ghali’s Art,” in Wassef Boutros-Ghali: Catalogue Raisonné, published by Skira ()
Wassef Boutros-Ghali: A Retrospective & Book Launch is on view at Leila Heller Gallery, New York, through June 20th.
Artwork details, in order of appearance: The Black Square, 2002; Untitled, 2014; Night, 2000; Untitled, 2011; Square Rain, 2021; Red Shape, 2013.