Rosenberg & Co.

03/12/2026

Please join us tomorrow, March 13, for the second Early Access day of TEFAF Maastricht at stand 623 in the Works on Paper section. For a complete list of works, click the link in our bio.

03/10/2026

Rosenberg & Co. is pleased to announce our participation in the 2026 edition of TEFAF Maastricht, taking place March 14–19, 2026. This year we are delighted to be presenting a selection of works by modern artists including Camille Pissarro, Marsden Hartley, and Charles Green Shaw. For a complete list of works, click the link in our bio.

Image: Charles Green Shaw, “Silent Night,” 1943. Oil on canvas board.

03/06/2026

Now on view through April 25, “In Shadow and in Light: Aude Herlédan and Eleanor Lakelin.”

Vis Vitae—Latin for “the force of life”—serves as the exhibition’s unifying theme, reflecting Lakelin’s and Herlédan’s interest in the energies that shape both the natural world and human experience. Through the interplay of sculptural form and gestural painting, both artists root their practices in lived experience, material histories, and the persistence of memory.

02/11/2026

Rosenberg & Co. is pleased to extend “Jean Lurçat | Breon O’Casey” through February 21, 2026.

This exhibition brings together the work of two artists whose creative philosophies reveal a profound shared sensitivity to nature, form, and material. While studying at the Anglo-French Art School in London, O’Casey (1928–2011) encountered both the recently discovered Lascaux caves and the home and workshop of Jean Lurçat (1892–1966).

Both O’Casey and Lurçat rejected rigid boundaries between fine art and craft, pursuing many media throughout their careers. Lurçat—central to the 20th century revival of modern tapestry—approached painting with the same graphic intensity and symbolic clarity that defined his textile work, while O’Casey’s work emerges from an intuitive process in which remembered natural forms are reduced to their essential shapes.

“Jean Lurçat | Breon O’Casey” will be on view through February 21, 2026. Click the link in our bio for a complete list of works.

02/05/2026

In the late 1950s, Breon O’Casey saw a film about Alfred Wallis, a painter living and working in St. Ives, a small seaside community in the Cornwall region of England. The artist moved the area soon after, working part time in Dennis Mitchell’s studio.

O’Casey found a studio near the ocean and slept illegally in an alcove toward the back, the structure shaking from the crashing waves below. Here, O’Casey learned “the practical way to heaven,” as he describes it, a method of working that is slow, passionate, and tremendously rewarding.

“Jean Lurçat | Breon O’Casey” will be on view through February 14, 2026. Click the link in our bio for a complete list of works.

Image: Breon O’Casey, “Green Head,” 1995. Acrylic on paper.

01/30/2026

01/28/2026

Rosenberg & Co. is pleased to announce our participation in the 2026 edition of Art Genève, taking place January 29–February 1, 2026.

This year we are delighted to be presenting a selection of works by modern artists including Hilla Rebay, Yakov Chernikhov, Charles Sheeler, and William Einstein. In addition to this selection, the gallery will exhibit a presentation highlighting collages by Balcomb and Gertrude Greene.

For more information, click the link in our bio.

12/19/2025

Tomorrow is the last day to see “Currents of Modernism.” Rosenberg & Co. will be closed December 21, 2025 through January 4, 2026 for the winter holidays. We will open our next show Jean Lurçat | Breon O’ Casey on January 14, 2026. More information to follow.
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Image: Hilla Rebay, “Untitled,” c. 1940s. Watercolor on paper.

12/10/2025

Abstraction-Création, founded in Paris during the early 1930s, was an artist group formed to promote abstract art at a time when its influence seemed to be waning. Andre Bréton and the Surrealists were becoming increasingly influential in the Paris art scene while Cubism was gaining global recognition. Eventually growing to 400 members, Abstraction-Création emphasized the pure abstraction of emerging movements such as concrete art, constructivism, and neo-plasticism. Artists in the gallery’s current exhibition, “Currents of Modernism,” associated with the group include Jean Hélion, Albert Gleizes, Jacques Villon, and William Einstein.
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“Currents of Modernism: Between Europe and America” is on view through December 20, 2025. For a complete list of works, click the link in our bio.
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Image: William Einstein, “Concretion #9,” 1931. Oil on panel.

12/04/2025

Headed by curator Holger Cahill, the Federal Arts Project (F.A.P.) was founded under the New Deal’s Works Progress Administration (W.P.A.) in 1935 to provide income to artists out of work during the Great Depression. In exchange for a fixed hourly income per month, artists were free to create easel paintings or other graphic arts projects of any subject matter.
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This creative freedom allowed emerging modernist artists to hone their craft and advance abstraction’s acceptance in America. Artists in the gallery’s current exhibition, “Currents of Modernism,” who earned income from the F.A.P. include Stuart Davis, Arshile Gorky, Balcomb Greene, and Marsden Hartley.
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“Currents of Modernism: Between Europe and America” is on view through December 20, 2025. For a complete list of works, click the link in our bio.
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Image: Marsden Hartley, “Ski Signs,” c. 1939–1940. Oil on board.

11/19/2025

Opening its doors in 1867, the Académie Julian quickly became central to modernism’s international development, welcoming foreign applicants and emphasizing individual expression in its curriculum. Students of the Académie featured in the gallery’s current exhibition, “Currents of Modernism,” include Jose de Creeft, Jean Crotti, Marcel Duchamp, Françoise Gilot, Hilla Von Rebay, Jacques Villon, and Serge Férat.
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Initially seen as an alternative to the more prestigious École des Beaux-Arts, Académie Julian gained publicity for accepting women into its program and offering a less rigorous French language entrance exam. This progressive attitude created the ideal learning environment for students of the emerging modernist movement and allowed the school to develop an international reputation.
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“Currents of Modernism: Between Europe and America” will be on view through December 20, 2025. For a complete list of works click the link in our bio.