Anthology Film Archives

Anthology Film Archives The home of experimental cinema in NYC. Anthology is a center for the exhibition, preservation, and study of independent and artist-made film and video.

Anthology Film Archives is an international center for the preservation, study, and exhibition of film and video, with a particular focus on independent, experimental, and avant-garde cinema. Founded in 1969 by Jonas Mekas, Jerome Hill, P. Adams Sitney, Peter Kubelka, and Stan Brakhage, Anthology in its original conception was a showcase for the Essential Cinema Repertory collection. An ambitious

attempt to define the art of cinema by means of a selection of films which would screen continuously, the Essential Cinema collection was intended to encourage the study of the medium’s masterworks as works of art rather than disposable entertainment, making Anthology the first museum devoted to film as an art form. The project was never completed, but even in its unfinished state it represented an uncompromising critical overview of cinema’s history, and remains a crucial part of Anthology’s exhibition program. In the decades since its founding, Anthology has grown far beyond its original concept to encompass film preservation; the formation of a reference library containing the world’s largest collection of books, periodicals, stills, and other paper materials related to avant-garde cinema; and a remarkably innovative and eclectic film exhibition program. Anthology screens more than 900 programs annually, preserves an average of 25 films per year (with 800 works preserved to date), publishes books and DVDs, and hosts numerous scholars and researchers. Fueled by the conviction that the index of a culture’s health and vibrancy lies largely in its margins, in those works of art that are created outside the commercial mainstream, Anthology strives to advance the cause and protect the heritage of a kind of cinema that is in particular danger of being lost, overlooked, or ignored

GO GO GO SLOW – BOOK RELEASE EVENT!September 17 at 7:30This evening features a rare screening of John Smith’s SLOW GLASS...
09/04/2026

GO GO GO SLOW – BOOK RELEASE EVENT!
September 17 at 7:30

This evening features a rare screening of John Smith’s SLOW GLASS (1988-91) – which uses the art of glassmaking as a prism to explore themes of memory and transformation – preceded by Marie Menken’s ode to New York City on speed, GO! GO! GO! (1964). Both films utilize layered imagery, in different ways, to alter our perception of time and space. The event celebrates the publication of “Frozen Features,” a new book of photographs by Jason Fulford. For nearly thirty years, Fulford has built a practice on the conviction that meaning lives less inside any single photograph than in the sequence and the things that happen around it – individual pictures forced to rhyme, echo, or collapse into dissonance against their neighbors, across books, exhibitions, publishing, and performance. “Frozen Features” pushes that instinct one step further, into a visual language of layers randomly composed from images made between 1996 and 2026. The results invite us to find the mystical lodged inside the everyday, felt before it’s understood. Fulford will introduce the films, and books will be available for purchase.

For more info, visit: https://loosejoints.biz/products/frozen-features

Marie Menken GO! GO! GO! 1962-64, 12 min, 16mm, silent. Preserved by Anthology Film Archives.

John Smith SLOW GLASS 1988-91, 40 min, 16mm

JACKIE RAYNAL PRESENTSSeptember 15 – 17This fall, Anthology welcomes back our dear friend Jackie Raynal, who will be mak...
09/02/2026

JACKIE RAYNAL PRESENTS
September 15 – 17

This fall, Anthology welcomes back our dear friend Jackie Raynal, who will be making a long-overdue visit back to New York, the city where she lived for many years, made several of her most memorable films, and where she programmed the legendary Bleecker Street and Carnegie Hall Cinemas throughout the 1970s-80s. Before relocating to NYC in 1974, Raynal had served as an actress and editor for filmmakers including Eric Rohmer, Jean-Daniel Pollet, Philippe Garrel, Ulrike Ottinger, and others; co-founded the radical filmmaking collective the Zanzibar Group; and soon began making films herself, such as her 1968 feature film, DEUX FOIS.

During her visit in September, Raynal will be here in person for three evenings, to present several of her own films – including DEUX FOIS and the rarely screened documentary shorts MY LAST INTERVIEW WITH ÉRIC ROHMER (2010) and GOUGNETTE (2008) – as well as films she admires and/or presented during her time as a programmer (such as Jim Jarmusch’s debut feature, PERMANENT VACATION).

See our website for full program details.

08/28/2026

TRUE NORTH
SPECIAL SCREENING – FILMMAKER MICHÈLE STEPHENSON IN PERSON!
September 8 at 7:00

“This propulsive cinematic confrontation with Canada’s anti-Black racism explores the pivotal, yet often overlooked, Canadian civil rights movement. Filmmaker Michèle Stephenson (AMERICAN PROMISE; STATELESS; GOING TO MARS: THE NIKKI GIOVANNI PROJECT) artfully weaves a haunting soundscape with dynamic archival footage and intimate new interviews, immersing us in Black life in 1960s Montreal. The film culminates in the 1969 Sir George Williams Affair, where 200 students, many of them Haitian immigrants fleeing the Duvalier regime, occupied a ninth-floor computer lab at Sir George Williams University (now Concordia) to protest blatant institutional bigotry. This rare footage feels hauntingly prescient against the backdrop of recent student protests, serving as a stark reminder that these cycles of resistance are deeply etched in our collective history. By shining a light on these unsung stories, Stephenson reframes the 1960s civil rights movement not as a strictly American phenomenon, but as a continent-wide, ongoing struggle for survival, justice, and dignity.” –FULL FRAME DOCUMENTARY FILM FESTIVAL

Preceded by Dawn Wilkinson's DANDELIONS

See our website for full program details.

WHAT GODMILOW TAUGHTSeptember 4-6Jill Godmilow, who passed away last fall at the age of 81, was a crucial part of the fi...
08/26/2026

WHAT GODMILOW TAUGHT
September 4-6

Jill Godmilow, who passed away last fall at the age of 81, was a crucial part of the film cultural community in New York and beyond, thanks to her work as a filmmaker; her parallel career as a teacher, scholar, and writer; and her founding in 1985 of the non-profit Laboratory for Icon & Idiom (which evolved into IndieCollect, an organization dedicated to the rescue, restoration and reactivation of independent cinema). Anthology presented a retrospective devoted to Jill’s work in 2021, and had the honor of commemorating her by hosting her memorial earlier this year. To further celebrate her life and career, we welcome another filmmaker whose work we’ve been devoted to over the years, and who was deeply influenced by Jill’s filmmaking, Mireia Sallarès, who will present her filmic tribute to and extended interview with Godmilow, WHAT GODMILOW TAUGHT (2010-14).

Alongside WHAT GODMILOW TAUGHT, we’ll be screening several of Godmilow’s other acclaimed films, as well as Sallarès’s extraordinary, five-hour documentary LAS MUERTES CHIQUITAS, a film that Godmilow passionately advocated for, and from which she in turn took inspiration. Up until her death, she was at work on a film that would’ve paid explicit homage to LAS MUERTES CHIQUITAS: ECSTATIC OR**SM, an excerpt of which we’ll be including in this program.

This series is presented with the support of the Institut Ramon Llull.

See our website for full program details.

MIX NYC PRESENTS: EARLY INTERIORITY – VINTAGE TRANS CINEMASeptember 3 at 7:30 & 9:30 (encore screening!)This program gat...
08/24/2026

MIX NYC PRESENTS: EARLY INTERIORITY – VINTAGE TRANS CINEMA
September 3 at 7:30 & 9:30 (encore screening!)

This program gathers rare vintage short films that open a portal to trans feminine interior life between 1967 and 1982. We meet these women in moments of quiet confidence, everyday mundanity, and enduring glamour. Through deeply intimate portraits, these films unearth buried pieces of trans history while illuminating how the world has long constricted trans women’s freedom to be. Made under a police state, these portraits mirror the experiences of trans femmes today. Each woman captured becomes a living testament to ancestral resilience and the enduring necessity of trans documentation.

This program is co-curated by Thee Rose and Rosalina Michele for MIX NYC, one of the oldest q***r experimental film festivals in the world.

For more details, see https://www.anthologyfilmarchives.org/film_screenings/calendar?view=list&month=09&year=2026 -62008

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