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We stopped by the VIP preview this evening at Kunsthalle Praha for The Battle Between YES and NO by William Kentridge.Al...
04/14/2026

We stopped by the VIP preview this evening at Kunsthalle Praha for The Battle Between YES and NO by William Kentridge.

Always nice to catch a show like this before it gets crowded — you actually get the time to sit with the works and let them unfold a bit.

Kentridge’s practice moves between drawing, film, and installation, playing with language, contradiction, and that space between clarity and confusion. The whole exhibition feels a bit like stepping into his mind — layered, nonlinear, and constantly shifting.

We loved it so much we had to share a glimpse for those not in Prague — and if you are, definitely swing by in the coming days. Well worth it.

ArtExhibition ArtCollector ArtLovers VIPPreview ArtInPrague Drawing InstallationArt ArtWorldd

FINAL DAYS (LA) — don’t miss this.Kathleen Ryan’s Souvenir at Karma, Los Angeles is the kind of show that feels like a f...
01/06/2026

FINAL DAYS (LA) — don’t miss this.
Kathleen Ryan’s Souvenir at Karma, Los Angeles is the kind of show that feels like a fever dream: indulgent, decaying, glamorous, and strangely tender.

A rotting raspberry the size of a minivan (Dreamhouse).
Mattress-sized slabs that read as molding white bread (Sunset Strip, Starstruck)—beaded and stoned into something between opulence and spoilage.
Plus: cast-concrete peaches with their pits replaced by engines, and oversized rings that feel like relics from an alternate reality.

📍 — 7351 Santa Monica Blvd
🗓 On view through Saturday, Jan 10
Save this, send it to your LA friend, and go.

Warhol “Santa” for the Holidays 🎄🎁An unmistakable seasonal icon through Warhol’s lens — Santa (1981), a glittering scree...
12/23/2025

Warhol “Santa” for the Holidays 🎄🎁

An unmistakable seasonal icon through Warhol’s lens — Santa (1981), a glittering screenprint in colors with diamond dust on Lenox Museum Board. Signed in pencil, numbered from an edition of 200, with the artist’s copyright inkstamp on the reverse. 38 × 38 inches (96.5 × 96.5 cm).

Available now via ART PLEASE. DM us for details.

An artist that we wanted to highlight is Roy Adin. Roy is part of a new wave of artists using AI not as a shortcut, but ...
12/14/2025

An artist that we wanted to highlight is Roy Adin. Roy is part of a new wave of artists using AI not as a shortcut, but as a material.

With a background in animation, Adin builds images the way you’d build a scene: composing and layering multiple generative outputs into intimate, cinematic moments where the human figure blends into natural elements. The result isn’t “techy” — it’s quietly emotional, like a pause from the pace of everything around us.

FYI: Adin currently has a solo exhibition, “Windows of Hope,” up at in Tel Aviv — and it’s excellent. Final days: the show ends this Thursday, so if you’re in TLV, it’s worth making the stop.



Stuck in Miami Art Week traffic between Untitled, NADA and Art Miami? Here’s a little art-history quiz that we created t...
12/02/2025

Stuck in Miami Art Week traffic between Untitled, NADA and Art Miami? Here’s a little art-history quiz that we created to help you pass the time. 🍎
A couple of weeks ago we shared Japanese artist Ayame Wakabayashi’s brilliant series, where she turned the simple apple into an exploration of art history. Today we’re sharing our own take on the idea: 9 apples, each a tiny homage to a different artist’s visual language.
Can you guess who’s who?
Drop your guesses in the comments and tag a friend who’d get 9/9. We’ll share the answer key in Stories once the traffic clears.
These are inspired by the styles of these artists and by Wakabayashi’s project – not official collaborations, just affectionate tributes from art lovers to the legends who shaped how we see the world.

Stuck in Miami Art Week traffic between Untitled, NADA and Art Miami? Here’s a little art-history quiz created by  to he...
12/02/2025

Stuck in Miami Art Week traffic between Untitled, NADA and Art Miami? Here’s a little art-history quiz created by to help pass the time. 🍎

A couple of weeks ago we shared Japanese artist Ayame Wakabayashi’s brilliant series, where she turned the simple apple into an exploration of art history. Today we’re sharing our own take on the idea: 9 apples, each a tiny homage to a different artist’s visual language.

Can you guess who’s who?
Drop your guesses in the comments and tag a friend who’d get 9/9. We’ll share the answer key in Stories once the traffic clears.

These are inspired by the styles of these artists and by Wakabayashi’s project – not official collaborations, just affectionate tributes from art lovers to the legends who shaped how we see the world.

Today we’re proud to highlight Diango Hernández (.hernandez) – a Cuban-born artist living between Düsseldorf and Havana,...
12/01/2025

Today we’re proud to highlight Diango Hernández (.hernandez) – a Cuban-born artist living between Düsseldorf and Havana, and one of the most quietly powerful conceptual painters working today.

His works often feel like memories seen through water: windows, waves and figures that shimmer between nostalgia and the future, between personal stories and political histories. From early installations built from everyday materials to his more recent, refined paintings and drawings, Hernández keeps expanding what images can hold – longing, displacement, hope.

We’re honoured to share a selection of his works here, with his kind approval. Swipe to see a few of the pieces that have been on our mind lately. ✨

Today we’re giving thanks with one very pop guest at the table: Roy Lichtenstein’s Turkey (1961). Happy Thanksgiving 🦃!!...
11/27/2025

Today we’re giving thanks with one very pop guest at the table: Roy Lichtenstein’s Turkey (1961). Happy Thanksgiving 🦃!!!!

Painted just before his famous comic-book works, Turkey belongs to an early group of “everyday object” paintings – along with things like an electric cooker and a coiled cord – where Lichtenstein turned humble consumer goods into icons of Pop. A Sunday roast on a platter becomes a sharp little portrait of post-war American plenty, advertising, and supermarket culture. 

A few things we love about this work today:
• It looks like a simple still life, but its source is commercial imagery – the kind of food pictures you’d see in mid-century ads and packaging. 
• A classic family symbol (the turkey dinner) is flattened into bold lines, flat colour and graphic shapes, asking how much of our “traditions” are staged for the camera.
• The image later reappeared on a Lichtenstein Turkey Shopping Bag for the legendary 1964 “American Supermarket” exhibition, where a New York gallery was transformed into a full grocery store of Pop art. 

On a day that’s all about abundance and togetherness, it’s a reminder that what ends up on our tables – and in our images – is never just food. It’s history, desire, advertising, class, culture… all carved into one very graphic bird.

Today we’re thankful for:
• Artists who turn the ordinary into something we can’t forget
• The printers, framers, shippers and handlers who get art safely from studio to wall
• The museums, foundations and estates who care for these works
• And the viewers (you) who keep looking, questioning and sharing

Artwork credit:
Roy Lichtenstein, Turkey, 1961. Oil and graphite on canvas, 26 × 30 in.
© Estate of Roy Lichtenstein. All rights reserved. Image rights courtesy of the Roy Lichtenstein Foundation / DACS (where applicable). 

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Sculpture pop quiz 🗿✨From dotty pumpkins to HOPE – five sculptures from our camera roll.Can you guess the artists or at ...
11/26/2025

Sculpture pop quiz 🗿✨

From dotty pumpkins to HOPE – five sculptures from our camera roll.
Can you guess the artists or at least the “school” behind each one? Swipe through and drop your answers in the comments 👇

1️⃣ Pumpkin in armour
A bronze pumpkin covered in hypnotic dots, somewhere between sea creature and spaceship.
Fun fact: Pumpkins and dots started as childhood obsessions and became an entire universe for one Japanese megastar.
Hint: You’ve definitely seen her mirrored rooms and dot fields…

2️⃣ HOPE, stacked
A blocky four-letter word in glossy red and blue, like a sequel to one of the most famous text sculptures of the 20th century. The artist first unveiled this “HOPE” motif in the late 2000s as a kind of optimistic echo of his earlier LOVE image, turning a simple typographic tweak into a whole new icon.
Hint: Same American Pop artist who made LOVE a global logo.

3️⃣ Winged victory in blue
Another ancient icon, now in that same intense pigment with a velvety surface.
Fun fact: Re-colouring classical forms is a way of asking who “owns” art history.
Hint: famous for this shade of blue.

4️⃣ The embrace
Two heavy, gleaming figures locked in a slow dance. Soft curves, solid bronze, zero irony.
Fun fact: This style turns volume itself into subject matter – the bodies feel almost architectural.
Hint: Think of a Colombian master famous for rounding everything out…

5️⃣ The Hulk with a soundtrack
Comic-book rage meets organ pipes and keyboards. Part superhero, part musical instrument.
Fun fact: Sculpture doesn’t have to be quiet – a whole strand of contemporary work is built around sound and performance.
Hint: Contemporary mash-up of pop culture, design and music.
We’ll post the answer key in Stories – let’s see who gets 5/5 📝

Frida just rewrote the record books.Yesterday in New York, Frida Kahlo’s 1940 self-portrait El sueño (La cama) (The Drea...
11/21/2025

Frida just rewrote the record books.
Yesterday in New York, Frida Kahlo’s 1940 self-portrait El sueño (La cama) (The Dream (The Bed)) sold at Sotheby’s for $54.7 million, part of the “Exquisite Corpus” evening sale of Surrealist art. Estimated at $40–60 million, it was always poised to make history—and it did.

Painted in a pivotal year for Kahlo, the work shows her asleep in a floating bed, watched over by a grinning skeleton wrapped in dynamite: an unforgettable image of pain, mortality, and the thin line between dream and reality.

Last nights result doesn’t just beat her previous auction record of $34.9M for Diego y yo (Sotheby’s New York, 2021) — it also sets a new all-time record for any woman artist at auction, surpassing Georgia O’Keeffe’s $44.4M Jimson Weed/White Flower No. 1.

Moments like this are more than market fireworks; they’re a global acknowledgment of artists whose voices were sidelined for decades. Frida now stands at the crossroads of art history, cultural identity, and blue-chip collecting — and the ceiling for women and Latin American artists keeps moving higher.

What do you think: overdue recognition, or has the Frida market gone too far, too fast?

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