Nunu Fine Art

Nunu Fine Art Nunu Fine Art is dedicated to presenting a broad cross-section of international talent. https://linktr.ee/nunufineart

『路由藝術』成立於2014年的夏天，這個別具後現代之名取自於科技通訊一詞”路由器”, 『路由藝術』自許能有如同路由器的功能一般，”集結資訊，分享訊息”。這個藝廊呈現從歐洲到北美，從東北亞到東南亞當代藝術家其所最精粹的作品。透過在『路由藝術』的展演，提供台灣喜好當代藝術的朋友另一個觀展的優質空間。

『路由藝術』所代理和合作的藝術家除了早已得到歐美從大都會美術館，紐約當代美術館，龐畢度，倫敦泰德…等重要藝術機構所肯定的藝術家之外，更包括台灣、東南、東北亞中生代的創作者，更重要的事，我們不斷向歷史上重要的藝術家推手看齊，期許能不斷的挖掘並培養藝術新血。

Founded in 2014 by veteran art dealer Nunu Hung, Nunu Fine Art is dedicated to presenting a broad cross-section of both e

merging and established international artistic talent. The first contemporary art gallery in Taipei with a deeply multicultural outlook, Nunu Fine Art centers an innate sensibility to Asia’s cultural heritage, coupled with seasoned insight into the global contemporary art landscape. The gallery’s multifaceted program ranges from solo presentations to group exhibitions from a wide breadth of artistic endeavors across continents spanning the Americas, Europe, and Asia. Since its inception, Nunu Fine Art has presented over 50 solo exhibitions, including the first in Asia by artists Petah Coyne, Rosy Keyser, Rona Pondick, and Rose Wylie. Nunu Fine Art also works with artists Thordis Adalsteinsdottir, Ana Barboza, Kaspar Bonnén, ChiaoHan Chueh, Kees Goudzwaard, Maya Hewitt, Iabadiou Piko, and Peter Zimmermann among many others. As a platform for multidisciplinary storytelling, Nunu Fine Art is committed to presenting educational programming in tandem with artistic presentations.

Nunu Fine Art warmly invites you to visit “Material Extensions”, a group exhibition currently on view at Taipei Fine Art...
06/03/2026

Nunu Fine Art warmly invites you to visit “Material Extensions”, a group exhibition currently on view at Taipei Fine Arts Museum, featuring the works of artist Lu Guan-Hong.

The exhibition examines the role of materiality in contemporary society and the evolving relationship between people and objects. Through his signature blend of humor and absurdity, Lu Guan-Hong reflects on the contradictions of consumer culture, systems of production, and everyday life, encouraging viewers to reconsider their connection to the material world.

We invite you to experience the exhibition and explore Lu’s distinctive artistic perspective firsthand.

Image: Lu Guan-Hong,” Moon Blocks”, oil on canvas, 60*50cm, collection of the artist

“Material Extensions”
Venue: Galleries 2A & 2B, Taipei Fine Arts Museum
Dates: May 1 – August 16, 2026

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路由藝術誠摯邀請大家前往參觀藝術家盧冠宏參與的展覽「物質世界」，現正於台北市立美術館展出。

展覽聚焦物質在當代社會中的角色與影響，探討人與物之間不斷變化的關係。盧冠宏則透過帶有幽默與荒謬感的敘事場景，回應消費文化、生產機制與日常生活中的矛盾現象，引導觀者重新思考自身與物質世界的連結。

誠摯邀請大家走進展場，一同感受其作品獨特的視角與當代觀察。

圖片說明：盧冠宏，〈機會和命運〉，2025，油彩、畫布，60 × 50 公分，藝術家自藏

「物質世界」展覽資訊
展覽地點：台北市立美術館 2樓 2A、2B 展覽室
展覽日期：2026年5月1日至8月16日

We would like to sincerely thank Jonathan Odden for writing such a perceptive, engaging, and nuanced review of “Bellmer ...
06/02/2026

We would like to sincerely thank Jonathan Odden for writing such a perceptive, engaging, and nuanced review of “Bellmer Nauman Pondick: Material Desire,” the most recent exhibition on view at Nunu Fine Art New York. Odden’s review is featured in the Summer 2026 issue of Artforum and can be accessed both online and in print. A PDF version of the article can be downloaded from our website. We greatly appreciate the thoughtful coverage and support. Happy reading!

Link to article: https://www.artforum.com/events/material-desire-nunu-fine-art-new-york-review-1234751220/

Please join us in wishing Peter Zimmermann a very happy birthday! Born on this day in 1956 in Freiburg im Breisgau, Germ...
05/31/2026

Please join us in wishing Peter Zimmermann a very happy birthday! Born on this day in 1956 in Freiburg im Breisgau, Germany, Zimmermann is a painter and multi-media artist known for his epoxy resin works, which are derived from digital templates then distorted through graphical algorithms and transferred onto canvas in numerous layers. The artist’s work has been featured in both solo and group exhibitions in museums on an international scale. Today, he lives and works in Cologne.

Zimmermann’s show "Painting Rules" is currently on view at Nunu Fine Art Taipei. A collaboration with the Metropolitan Museum of Manila (The M), the exhibition centers on Zimmermann’s newly developed sticker-based installation works, presented alongside a new body of epoxy paintings. Together, these works reflect a significant shift and experimental turn in his recent practice. Through this dual presentation, the exhibition invites viewers to reconsider painting within a contemporary context shaped by the rapid evolution of digital imagery and artificial intelligence.

Departing from Zimmermann’s previous exhibitions, which focused primarily on canvas-based painting, Painting Rules introduces installation works that employ stickers as a core material. Treated as modular visual units, the stickers can be repeated, dismantled, and reconfigured to generate imagery directly within the exhibition space. This approach extends the artist’s long-standing exploration of image translation while simultaneously liberating painting from the confines of the canvas, transforming it into a spatial and collaborative mode of engagement.

Images:
1. Peter Zimmermann
2-3. Installation shots, Nunu Fine Art Taipei

Today, May 30, 2026, is the last chance to see the exhibition currently on view at Nunu Fine Art New York, “Bellmer Naum...
05/30/2026

Today, May 30, 2026, is the last chance to see the exhibition currently on view at Nunu Fine Art New York, “Bellmer Nauman Pondick: Material Desire.” Bringing together the work of Hans Bellmer, Bruce Nauman, and Rona Pondick, the exhibition creates an absurd and at times comic picture of three differing artists' engagement with the body. Bellmer’s original hand-colored gelatin silver prints question conceptions of femininity in Germany’s interwar period, Nauman’s video and photographic works subvert notions of artistic subjecthood, and Pondick’s surreal combinations of bodily fragments and found objects stir visceral feelings within the viewer.

The show will be on view today during the gallery’s usual open hours, 11 am - 6 pm. You can read more about the artists as well as reviews from the New York Times, Studio International, The Brooklyn Rail, Beyond Noise, ArtDaily, Our Culture Magazine, Gazzetta di Mantova, and The Creative Process on our website.

Following this exhibition, we will be closed until Friday, June 5, 2026, when our next show “Nancy Bowen: From A to Z and the Bodies in Between” opens. Please join us for the opening reception from 6 – 8 pm.

Installation photo by Martin Seck.

Peter Zimmermann’s works are characterized by fluid color fields and luminous surfaces. As light interacts with the laye...
05/29/2026

Peter Zimmermann’s works are characterized by fluid color fields and luminous surfaces. As light interacts with the layers of epoxy resin, the imagery subtly shifts depending on the viewer’s perspective, creating a visual state that oscillates between stillness and movement. The viewer’s gaze is drawn into the overlapping layers of color, blurring the boundaries between painting and digital imagery while transforming the act of viewing itself into an integral part of the artistic experience.

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辛默曼的作品以流轉的色彩與富有反光感的表面質地構成視覺特徵。當光線照射於環氧樹脂層時，畫面會因觀看角度不同而產生細微變化，形成介於凝結與變動之間的視覺感受。觀者的目光如同穿梭於重複交疊的色彩結構之中，不僅重新思考繪畫與數位影像之間的關係，也使「觀看」本身成為作品經驗的重要部分。

Nunu Fine Art is pleased to congratulate Taiwanese artist En-Man Chang on the acquisition of her work, “Snail Paradise,”...
05/28/2026

Nunu Fine Art is pleased to congratulate Taiwanese artist En-Man Chang on the acquisition of her work, “Snail Paradise,” by the Dallas Museum of Art. Chang’s work examines the entangled relationships between historical narratives, species migration, and cultural identity. Working across embroidery, video, and installation, she draws on detailed research to transform seemingly modest subjects into powerful lenses through which to reconsider colonial histories, global circulation, and Indigenous knowledge systems.

“Snail Paradise” traces the path of the Giant African Land Snail, a highly invasive species which spread from its origins in East Africa across global trade routes. In the 1930s, the snail was brought to Taiwan by the Japanese for food cultivation during their period of colonial rule. In her piece, Chang explores how the snail’s migration routes mirror the cartographies of imperial expansion, incorporating indigenous Taiwanese methods of cross-stitch embroidery to depict plants associated with snail cuisine.

This acquisition highlights the growing international recognition of Chang’s research-driven practice and her distinctive engagement with history, ecology, and cultural memory.

Image: Installation view of En-Man Chang's "Mapping Snail" at Nunu Fine Art New York, photograph by Martin Seck.

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路由藝術欣然祝賀台灣藝術家 張恩滿 的作品《蝸牛樂園》獲達拉斯美術館（Dallas Museum of Art ）典藏。

張恩滿的創作聚焦於歷史敘事、物種遷徙與文化認同之間錯綜複雜的關係，她運用刺繡、錄像與裝置等多元媒材，透過縝密研究，將看似平凡的主題轉化為重新思考殖民歷史、全球流動以及原住民知識體系的重要切入點。

《蝸牛樂園》追溯了非洲大蝸牛（Giant African Land Snail）的遷徙路徑，這種高度入侵性的物種起源於東非，並隨著全球貿易網絡擴散至世界各地。1930年代，日本殖民統治台灣期間，非洲大蝸牛被引入台灣作為食用養殖物種。在這件作品中，張恩滿探討蝸牛的遷徙軌跡如何映照帝國擴張的地理版圖，並結合台灣原住民族的十字繡工藝技法，描繪與蝸牛飲食文化相關的植物圖像。

此次典藏進一步彰顯張恩滿以研究為基礎的創作實踐在國際間日益受到肯定，也凸顯其作品對歷史、生態與文化記憶議題的獨特關注與深刻探討。

圖片說明：張恩滿作品《蝸牛地圖》，路由藝術 紐約展覽現場，攝影：Martin Seck。

Nunu Fine Art is honored to announce that Ray IV by American artist Mia Westerlund Roosen has officially entered the per...
05/27/2026

Nunu Fine Art is honored to announce that Ray IV by American artist Mia Westerlund Roosen has officially entered the permanent collection of the Wright Museum of Art at Beloit College, where it will be installed in front of the museum’s main entrance as a new public art landmark.

Born in New York in 1942, Westerlund Roosen has remained an active figure in American contemporary sculpture since the 1970s. Working across sculpture, painting, and public art, she explores the relationship between materiality, scale, and bodily perception. While her work developed within the contexts of Minimalism and Post-Minimalism, it does not fully adhere to their austere and depersonalized formal language. Instead, through the weight, texture, and structure of materials such as concrete and metal, her work reintroduces corporeality, tactility, and material experience. The acquisition of Ray IV not only marks an important milestone in the artist’s career but also adds a significant chapter to the museum’s collection of contemporary sculpture.

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路由藝術很榮幸宣布，美國藝術家米亞・維斯特倫德・羅森（Mia Westerlund Roosen）的作品《Ray IV》已正式獲美國伯洛伊特學院懷特藝術博物館（Wright Museum of Art, Beloit College）納入永久典藏，並將安置於博物館正門前，作為全新的公共藝術地標。

維斯特倫德・羅森1942年出生於紐約，自1970年代以來持續活躍於美國當代雕塑領域，並以雕塑、繪畫與公共藝術創作探問材質、尺度與身體感知之間的關係。她的作品雖發展於極簡主義與後極簡主義的語境之中，卻不完全遵循其冷峻、去個人化的形式規則，而是透過混凝土、金屬等材料的重量、肌理與結構，重新引入身體性、觸感與物質經驗。此次《Ray IV》納入館藏，不僅象徵藝術家創作歷程中的重要里程碑，也為該博物館的當代雕塑典藏脈絡增添關鍵篇章。

This is the last week to see “Bellmer Nauman Pondick: Material Desire,” an exhibition created in collaboration with Sonn...
05/26/2026

This is the last week to see “Bellmer Nauman Pondick: Material Desire,” an exhibition created in collaboration with Sonnabend and Ubu Galleries currently on view at Nunu Fine Art New York. Closing this Saturday, May 30, 2026, the show brings together the work of three accomplished artists: Hans Bellmer, Bruce Nauman, and Rona Pondick. Though working from differing perspectives, in a wide range of media, and during distinct time periods, together Bellmer, Nauman, and Pondick generate new conversations surrounding engagement with materiality and the human body, subverting preconceived notions and throwing into question the viewer’s reality. We are honored that the exhibition has been reviewed in the New York Times, Studio International, The Brooklyn Rail, Beyond Noise, ArtDaily, Our Culture Magazine, Gazzetta di Mantova, and The Creative Process. Visit our website for additional material on the exhibition.

Installation photos by Martin Seck.

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由路由藝術與 Sonnabend 及 Ubu 藝廊共同策劃的展覽「貝爾默 諾曼 龐迪克：物質慾望」目前正在紐約展出，本週也將迎來最後一週。展覽將於 2026 年 5 月 30 日（六）閉幕。

本展匯聚三位重要藝術家——漢斯・貝爾默、布魯斯・諾曼與羅娜・龐迪克的作品。三位藝術家雖以不同觀點、媒材與時代背景進行創作，但他們的作品共同開啟了關於物質性與人體之間的新對話，透過顛覆既定認知與感知經驗，進一步質疑觀看者對現實的理解。

我們很榮幸此次展覽獲得《The New York Times》、《Studio International》、《The Brooklyn Rail》、《Beyond Noise》、《ArtDaily》、《Our Culture Magazine》、《Gazzetta di Mantova》以及《The Creative Process》等媒體評論報導。

更多展覽相關資訊，歡迎參閱藝廊網站。

攝影：Martin Seck。

混合媒材藝術家南西‧鮑恩（ Nancy Bowen ）的個展「從 A 到 Z，以及那些交織其中的身體」（From A to Z and the Bodies in Between）將於 2026 年 6 月 5 日於路由藝術 紐約開幕。近日...
05/26/2026

混合媒材藝術家南西‧鮑恩（ Nancy Bowen ）的個展「從 A 到 Z，以及那些交織其中的身體」（From A to Z and the Bodies in Between）將於 2026 年 6 月 5 日於路由藝術 紐約開幕。近日，她接受了《Our Culture》雜誌的專訪，由 Gerda Krivaite 撰寫。訪談深入介紹了鮑恩目前在雕塑與繪畫上的創作實踐，也談及她早期的藝術啟發，以及她與材料之間的關係。

我們誠摯感謝 Gerda Krivaite 與《Our Culture》發表這篇細膩且引人入勝的專訪文章。

歡迎點擊下方連結閱讀完整內容，也誠摯邀請大家參與南西‧鮑恩個展的開幕活動，時間為 2026 年 6 月 5 日（星期五）晚間 6 點至 8 點。

完整文章連結：
https://ourculturemag.com/2026/05/22/artist-interview-nancy-bowen/

Please join us in wishing Nancy Bowen a very happy birthday! Born on this day in 1955 in Providence, Rhode Island, Bowen...
05/25/2026

Please join us in wishing Nancy Bowen a very happy birthday! Born on this day in 1955 in Providence, Rhode Island, Bowen is a mixed-media artist known for her eclectic mixtures of imagery and materials in both two and three dimensions. Her sculpture and drawing exist in an in-between zone of form and idea, abstraction and representation, offering poetic commentary on our rapidly changing material culture.
Next Friday, June 5, 2026, solo exhibition Nancy Bowen: From A to Z and the Bodies in Between will open at Nunu Fine Art New York. The show will feature recent collages as well as sculptural works that bring together an expansive range of materials drawn from nature and the artist’s personal archive. A self-proclaimed “artist-archaeologist,” Bown excavates, recombines and repurposes these elements to subvert long-held narratives surrounding the female body, craft traditions, language, and history. Please join us for the opening reception of this monumental exhibition on Friday, June 5, 2026, from 6-8 pm.
Nancy Bowen’s work has been included in solo and group exhibitions internationally at institutions including the Provincetown Art Association and Museum, Lesley Heller Gallery and Annina Nosei Gallery in NYC, Galerie Farideh Cadot in Paris, and more. Her work is included in collections at the Corning Museum of Glass, Corning, NY; the Peeler Art Center, Depauw University, Greencastle, IN; the Neuberger Museum, Purchase, NY; and the Weatherspoon Art Museum, Greensboro, NC. She has won awards from Anonymous was a Woman, the National Endowment of the Arts, the Jentel Foundation, the European Ceramic Work Center, and more. Her work has been written about in journals such as Art in America, Artforum, Glass Magazine, Sculpture Magazine, and a host of newspapers.
Congratulations Nancy, and happy birthday!

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Thursday 1pm - 6pm
Friday 1pm - 6pm
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Sunday 1pm - 6pm

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