Oberlin Heritage Center

Oberlin Heritage Center The Oberlin Heritage Center is an accredited complex of historic sites and a historical society and 1:30 p.m. (last entry at 2:30 p.m.)

The Oberlin Heritage Center is an accredited complex of historic sites, a historical society and historic preservation organization that offers educational programs, tours, kids activities and workshops. Mailing address: PO Box 0455, Oberlin, OH 44074

Guided tours every Thursday and Saturday at 10:30 a.m. Self-guided tours Tuesday-Saturday, 10:00 a.m. - 3:00 p.m. History Walks in warmer months
Group tours available year-round

Alonzo Pease was born in Massachusetts in 1820, to Hiram and Lydia Pease. The family would move to Ohio, following in th...
05/22/2026

Alonzo Pease was born in Massachusetts in 1820, to Hiram and Lydia Pease. The family would move to Ohio, following in the footsteps of Hiram’s brother, Peter Pindar Pease. By 1831, the family was living in Lorain County. At the age of 12, Alonzo Pease was helping his father and uncle clear land for the new Oberlin colony, including the construction of the first buildings.

Attending Oberlin Preparatory School from 1840-1841, Pease only studied occasionally as he was more interested in pursuing his love of painting. Being self-taught, Pease spent the next twenty years of his life developing his skills as an artist. He spent time working in various capacities, lent his skills to the colorization of photographs. His portraits garnered the most praise out of all his work. Portrait commissions included Oberlin College presidents Charles Grandison Finney, Asa Mahan, and James Harris Fairchild.

In the 1850’s Pease joined the Ohio Militia and became commander of a company in Lorain County. At the start of the Civil War, Pease formed a military unit. In September 1861, Pease and 52 men headed to Cleveland’s Camp Wood. From there, the newly formed “Lorain Guards” became Company H of the 41st Ohio Volunteer Infantry. With Pease elected Captain, Company H soon found itself in Kentucky. The abolitionist sentiments of Pease and many of his men were challenged when two freedom seekers entered the 41st’s camp and Pease was directed to hand them over. He did so, but the event stuck with him, and by early 1862, he had resigned. Pease’s story for resigning struck a chord with Oberlinians, but there is evidence to suggest that Pease was not fit for military life, nor for being an officer.

After the war, Pease continued painting. He died in 1881 and is buried in Westwood Cemetery with a grave marker made of granite, depicting a large vase with flowers and leaves. An artist’s palette is carved into the base. His obituary reads, “Alonzo was a painter from his youth…All efforts to make a student of him were in vain.”

OHC is once again a participating member of the Blue Star Museums program in 2026. The program encourages museums, zoos,...
05/21/2026

OHC is once again a participating member of the Blue Star Museums program in 2026. The program encourages museums, zoos, botanical gardens, historic houses, etc. to offer free admission to active-duty military personnel and up to five family members. There are over 2,000 organizations that participate annually. The programlaunched nationally on Armed Forces Day, May 16 and will run through Labor Day, September 7. Thanks to a suggestion from an OHC member, we are delighted to also welcome active members of the Foreign Service and their families.

OHC also continues to be one of the over 1,600 participating museums in the Museums for All initiative, providing free admission for households that receive SNAP benefits. This is a year-round program.

Visitors can take advantage of these programs and register for any of our tours online. https://book.peek.com/s/4e04bde7-a5f4-4cea-b35b-2368aaeb2d75/REJDR

Located at 534 Morgan St. across from the Oberlin Golf Club, the Weltzheimer/Johnson House is a Frank Lloyd Wright Usoni...
05/20/2026

Located at 534 Morgan St. across from the Oberlin Golf Club, the Weltzheimer/Johnson House is a Frank Lloyd Wright Usonian House commissioned by the Weltzheimer Family in 1947, and completed in 1949. The house underwent several alterations after the Weltztheimers sold the home. In 1968, Oberlin College art professor Ellen H. Johnson bought the house, and together with her students and local contractors, set about restoring the home to Wright’s original design. This required several stages of conservation. Afterwards, Professor Johnson bequeathed the house to the College, and following her death in 1992, control of the house passed to the Allen Memorial Art Museum and the College’s Art Department.

The Weltzheimer/Johnson House is an excellent example of Wright’s Usonian design. It was Wright’s first Usonian house in Ohio and is one of the few examples in the nation that are open to the public. After the Second World War, there was a demand for beautiful and affordable middle-class housing; and Wright’s Usonian architecture reflects this. The Weltzheimer/Johnson House therefore is very much a typical Usonian house, and contains the style’s notable characteristics: a flowing floor plan with distinct public/private wings; a slab floor with grid pattern and radiant heat; a flat roof and cantilevered carport; a centralized masonry fireplace; board-and-batten ceilings with “sandwich” walls; built-in furniture; and tall glass windows and doors that open to the landscape. Interestingly, the Weltzheimer/Johnson House contains elements that are unusual for the Usonian architectural style. The house’s cornice is ornamented by wooden balls, and the perforated board windows utilize a curvilinear design. Finally, redwood is used throughout the interior and exterior, as opposed to the traditional cypress. Today, it can be toured by appointment through the Allen’s website. https://amam.oberlin.edu/flw-house

Commencement Weekend Tour Schedule:  https://oberlinheritagecenter.org/evnt/oberlin-college-commencement-reunion-special...
05/19/2026

Commencement Weekend Tour Schedule: https://oberlinheritagecenter.org/evnt/oberlin-college-commencement-reunion-special-weekend-tours/
The Oberlin Heritage Center is delighted to offer a slate of specially-scheduled tours and history walks in celebration of Oberlin College’s Commencement this weekend. Tours are open to the public as well as Commencement Weekend attendees. All guided tours require advance registration. OHC will have extended open hours for the weekend.

Friday, May 22
-10:00 a.m. - 4:00 p.m.: Self-Guided Tours of the Monroe House
-3:00 - 4:00 p.m.: Guided Tour of the Jewett House by F***y Jewett

Saturday, May 23
-10:00 a.m. - 4:00 p.m.: Self-Guided Tours of the Monroe House
-10:00 - 11:30 a.m.: Freedom’s Friends: Abolition & the Underground Railroad History Walk
-1:30 - 3:00 p.m.: Architecture History Walk
-3:30 - 5:00 p.m.: Civil War to Civil Rights History Walk

Sunday, May 24
-10:00 a.m. - 4:00 p.m.: Self-Guided Tours of the Monroe House
-10:00 - 11:15 a.m.: One Step More: Oberlin Women’s History Walk
-2:00 - 3:30 p.m.: Freedom’s Friends: Abolition & the Underground Railroad History Walk

“Giant Three-Way Plug (Cube Tap),” by Claes Oldenburg (1970)Located between the Venturi addition of the Allen Memorial A...
05/15/2026

“Giant Three-Way Plug (Cube Tap),” by Claes Oldenburg (1970)
Located between the Venturi addition of the Allen Memorial Art Museum (AMAM) and Oberlin College’s Hall Auditorium, Swedish-American sculptor Claes Oldenburg’s bronze and steel sculpture of a three-way plug evokes a feeling of connection. It is one of three created by Oldenburg, with the other two located at the Philadelphia Museum of Art and the St. Louis Art Museum.

The groundwork for the commissioning of the sculpture was laid in the early 1960’s. In 1963, Oldenburg’s work was featured in an exhibition at the AMAM, called Three Young Americans. Attempts to bring Oldenburg to the College’s campus in the early 1960’s had fallen through, but the contact had resulted in friendly relations between Oldenburg and AMAM. In January 1969, the College commissioned the work. Oldenburg worked closely with the College to finalize plans for the commissioned sculpture, and other objects were proposed before the work in its current form was decided upon. The sculpture was installed with assistance from Oldenburg, with its prongs facing Tappan Square.

In 1976, with the construction of the Venturi Art Building, “Three-Way Plug” had to be moved. The new site was chosen by Oldenburg himself, and this time the prongs faced the new art building. The sculpture was moved once more in 2008 in order for it to undergo conservation, as prolonged contact with different metals (the steel and bronze) had led to corrosion and the prongs beginning to bow inwards. The body of the sculpture was also damaged due to poor drainage. In May 2009, the sculpture was returned to the same spot.

Interpretation of the sculpture varies. Oldenburg proposed that it could be considered a monument to Thomas Edison and mentioned at the dedication that it resembled a piece of forgotten war machinery. He also commented on how plugs are about connection- the exposed prongs reminding viewers about contact. Much of Oldenburg’s work focuses on mundane objects made monumental and their interaction within the surrounding landscape. Oldenburg and his partner, Coosje van Bruggen, created numerous artistic landmarks, such as “Free Stamp” in Cleveland.

Located in Martin Luther King Jr. Park near Plum Creek, Athena Tacha’s 1976 sandstone and pumice sculpture evokes runnin...
05/13/2026

Located in Martin Luther King Jr. Park near Plum Creek, Athena Tacha’s 1976 sandstone and pumice sculpture evokes running water flowing over a hill. The sculpture is composed of a type of sandstone native to the area, called Berea Grit, and pumice. Varying sizes of sandstone blocks are interspersed with large pieces of pumice, which lends a sense of flowing water. When viewed, “Streams” invites the viewer to consider humankind’s relationship to the environment and reminds us that nature is a public resource.

“Streams” was one of the first landscape sculpture commissions created by Athena Tacha. Born in Greece, Tacha first came to the United States in the 1960s as a Fulbright grant recipient, where she attended Oberlin College and eventually received a degree in Art History. During this time, she became close friends with professor Ellen Johnson, whose teaching and pioneering ideas influenced the College’s art department and the Allen Memorial Art Museum (AMAM). Tacha spent time abroad, returning to Oberlin as an assistant curator for the AMAM under Chloe Hamilton Young. In 1967, she became Curator of Modern Art, and it was during this time that Tacha married Baroque Art professor Richard Spear, who taught at the College. In 1973, Tacha left her position as curator and became a professor of sculpture at the College, a position she would hold until 2000.

During her careers as curator and professor, Tacha made her own art, experimenting with site-specific environmental sculptures. These pieces of art were a first in the art world, shaping how people thought about, and made, monumental sculpture and land art. Tacha’s inspiration for monumental public sculpture was, in part, fueled by a sense of elitism in the art world that she felt needed to be curtailed. By using public outdoor sculpture as a medium, everyone could access her work- as opposed to art held privately, or in a museum where access is controlled. This enables people who usually would not be able to interact with art a chance to have public art influence their thoughts and perceptions. Today, Tacha’s sculptures can be seen in many public spaces, particularly in cities with little green space.

Join OHC tonight Tuesday, May 12, 6:30pm in the Oberlin Public Library Community Room in marking the 250th Anniversary o...
05/12/2026

Join OHC tonight Tuesday, May 12, 6:30pm in the Oberlin Public Library Community Room in marking the 250th Anniversary of the United States through the premiere screening of a series of mini documentaries produced by the Heritage Center. These short videos, ranging from 15-25 minutes each, highlight significant contributions Oberlin has made to national 19th century social movements and demonstrate the power of individual voices and actions. Learn about how the foundational roots of the community - both town and college - impacted and influenced ideas around universal education, abolition, Black Americans' legal and voting rights, and women's suffrage. Light refreshments will be provided by the Oberlin Public Library.

This project is funded in part by the America250-Ohio Commission. Any views, findings, conclusions or recommendations expressed in this series do not necessarily represent those of the America250-Ohio Commission.

Commencement Weekend Tour Schedule:  https://oberlinheritagecenter.org/evnt/oberlin-college-commencement-reunion-special...
05/09/2026

Commencement Weekend Tour Schedule: https://oberlinheritagecenter.org/evnt/oberlin-college-commencement-reunion-special-weekend-tours/
The Oberlin Heritage Center is delighted to offer a slate of specially-scheduled tours and history walks in celebration of Oberlin College’s Commencement Weekend. Tours are open to the public as well as Commencement Weekend attendees. All guided tours require advance registration. OHC will have extended open hours for the weekend.

Friday, May 22
-10:00 a.m. - 4:00 p.m.: Self-Guided Tours of the Monroe House
-3:00 - 4:00 p.m.: Guided Tour of the Jewett House by F***y Jewett

Saturday, May 23
-10:00 a.m. - 4:00 p.m.: Self-Guided Tours of the Monroe House
-10:00 - 11:30 a.m.: Freedom’s Friends: Abolition & the Underground Railroad History Walk
-1:30 - 3:00 p.m.: Architecture History Walk
-3:30 - 5:00 p.m.: Civil War to Civil Rights History Walk

Sunday, May 24
-10:00 a.m. - 4:00 p.m.: Self-Guided Tours of the Monroe House
-10:00 - 11:15 a.m.: One Step More: Oberlin Women’s History Walk
-2:00 - 3:30 p.m.: Freedom’s Friends: Abolition & the Underground Railroad History Walk

Oberlin’s Allen Memorial Art Museum is a principal center for the community to directly engage with the arts. Always fre...
05/08/2026

Oberlin’s Allen Memorial Art Museum is a principal center for the community to directly engage with the arts. Always free to the public and possessing a collection of more than 15,000 works, the Allen has been recognized as one of the best academic art museums in the nation.

In 1915, Oberlin College was presented with the unique opportunity to create a new art building to house its collections and advance its arts curriculum. Oberlin physician and graduate of the class of 1875, Dudley Peter Allen, gifted the college with the resources to develop the project. Dr. Allen greatly admired the design of Finney Chapel and consulted with its architect on the museum project through his last years. His widow Elizabeth Allen oversaw the project through to its completion in 1917.

The architect behind the Allen was Cass Gilbert, who was known for the Woolworth Building in New York City and the U.S. Supreme Court building in Washington, D.C. Its design emulates Tuscan Renaissance architecture to evoke inspirational art of the past. In 1937, Professor of Art History Clarence Ward, designed a needed addition for lecture rooms, an auditorium and office space. The building would undergo further expansion in 1976 with the addition of the Venturi Wing that integrated postmodern architectural features, as well as renovations to provide new sustainable infrastructure in 2011.

At the time of its opening in 1917, the Allen’s initial collection was largely built up through donations and gifts. Many of these early items included artworks brought from Asia by missionaries, in addition to Native American objects and American and European prints. Today, the artworks housed at the Allen span over 6,000 years of history. The Allen notes that some specific strengths of its collection is its African art, 17th century Dutch and Flemish artworks, its early to mid 20th century modern art, as well as its Japanese ukiyo-e prints.

The Allen’s exhibits are frequently changed and accompanied by notable guest speakers and programs that engage the public. For Oberlin, the Allen provides an amazing space for the community to appreciate original works of art and learn in the process.

Join OHC Tuesday, May 12, 6:30pm in the Oberlin Public Library Community Room in marking the 250th Anniversary of the Un...
05/07/2026

Join OHC Tuesday, May 12, 6:30pm in the Oberlin Public Library Community Room in marking the 250th Anniversary of the United States through the premiere screening of a series of mini documentaries produced by the Heritage Center. These short videos, ranging from 15-25 minutes each, highlight significant contributions Oberlin has made to national 19th century social movements and demonstrate the power of individual voices and actions. Learn about how the foundational roots of the community - both town and college - impacted and influenced ideas around universal education, abolition, Black Americans' legal and voting rights, and women's suffrage. Light refreshments will be provided by the Oberlin Public Library.

This project is funded in part by the America250-Ohio Commission. Any views, findings, conclusions or recommendations expressed in this series do not necessarily represent those of the America250-Ohio Commission.

One of the most special features of downtown Oberlin is its vibrant murals. The city of Oberlin has welcomed several new...
05/06/2026

One of the most special features of downtown Oberlin is its vibrant murals. The city of Oberlin has welcomed several new murals in the past few years.

The 2021 “We Are Oberlin” mural located on the back side of the former Oberlin bookstore is one of the most recognizable of these murals. “We are Oberlin” was not just painted by one artist, but was made with the contributions of over 100 Oberlin community members and college students. The project was conceived by organizer, photographer and Oberlin College alumni Tanya Rosen-Jones who was inspired by the former installation that had bee on the back of the bookstore since 1996. Her goal was to celebrate what makes Oberlin special while leaving something lasting that the whole community could feel ownership of.

In 2023, another mural arrived at the intersection between Vine and Main St on the side of the event venue Mill on Main. This work was a continuation of the Oberlin Community Mural Project initiated by Rosen Jones. Painted by local artist Jared Mitchell, the project came together with a partnership from FAVA that supports arts in the community. The mural reads “Oberlin” in massive text, evoking the design of vintage post cards, featuring city landmarks and Oberlin icons poking through its letters.

The newest addition to this growing collection can be found on South Main Street and is aptly titled, “Twilight on Main, In Yesterday’s Colors.” Also, by Jared Mitchell, the work was completed in October 2025. Unlike previous murals, this work was printed on acrylic vinyl rather than being directly painted on the side of the wall. Outlined by a drawn theater curtain, the mural enables viewers to peer into an Oberlin of the past with all the former elements one would’ve encountered. Mitchell was reportedly inspired by early 20th century photographs of Oberlin he discovered while conducting research at the Oberlin Heritage Center.

Since their arrival, these murals have worked to highlight how much Oberlin values the arts and are visible sings of the community’s unique character.

Address

73 1/2 South Professor Street
Oberlin, OH
44074

Opening Hours

Tuesday 10am - 3pm
Wednesday 10am - 3pm
Thursday 10am - 3pm
Friday 10am - 3pm
Saturday 10am - 3pm

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