Ogunquit Museum Of American Art

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Ogunquit Museum Of American Art A historic and cultural site where visitors encounter and think about modern and contemporary art.
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The Ogunquit Museum of American Art is the only museum in Maine devoted exclusively to the exhibition, preservation, and interpretation of American art. The Museum houses a permanent collection of important paintings, sculpture, drawings, prints, and photographs from the late 1800s to the present. Included in the collection is an extensive selection of works by artists associated with Ogunquit’s famous art colony of the early 20th century. Our collection includes a beautiful three-acre sculpture park with 17 gardens overlooking Narrow Cove and the Atlantic Ocean.

During the final week of the season, we look back with gratitude for the incredible speakers who brought greater scholar...
10/28/2026

During the final week of the season, we look back with gratitude for the incredible speakers who brought greater scholarly attention to the life, work and context surrounding the artist Carl Sprinchorn. Thank you to Dr. Jonathan D. Katz, Dr. Donna Cassidy, and Gordon Wilkins for sharing your knowledge and insights on a variety of topics with us!

If you missed these talks, click the link in our bio to watch the full recordings on YouTube.

Be sure to visit “Carl Sprinchorn: All the World Is a Painting” before the exhibition closes this Sunday!

The OMAA team would like to recognize and celebrate Anna Kristina Sawtelle for 37 years of dedicated service to the Muse...
10/26/2026

The OMAA team would like to recognize and celebrate Anna Kristina Sawtelle for 37 years of dedicated service to the Museum and its visitors.

As our longest-serving docent, Anna Kristina is known for her insightful Thursday gallery presentations, where she shares her incredible archive with humor and wit. Visitors from near and far often share how much they enjoy learning from her, and we are so grateful for her lasting contributions to the Museum and our community.

Here, Anna Kristina is pictured alongside artists who have exhibited at OMAA over the last few years.

Thank you, Anna Kristina, for 37 wonderful years!

It’s hard to believe, but we are just one week away from the end of our 73rd season!Be sure to visit now through Sunday,...
10/25/2026

It’s hard to believe, but we are just one week away from the end of our 73rd season!

Be sure to visit now through Sunday, November 1, to see “American Conversations,” “Carl Sprinchorn: All the World is a Painting,” and “Maggie Strater: In Her Own Light.”

10/22/2026

Take some time to enjoy the sights of fall in and out of the galleries! There’s just over a week left to see “Carl Sprinchorn: All the World is a Painting.”

OMAA is open daily from 10 AM to 5 PM through November 1.

Thanks to a group of generous supporters, our $30,000 Matching Gift Challenge is now underway. Every gift to our Annual ...
10/21/2026

Thanks to a group of generous supporters, our $30,000 Matching Gift Challenge is now underway. Every gift to our Annual Appeal will be doubled, and any increase over last year’s gift will be tripled. We hope you’ll help us unlock the full match and carry OMAA’s remarkable momentum into 2027. Go to ogunquitmuseum.org/give to donate!

Your support of the 2026 Annual Appeal helps to make our mission and programming possible. It allows OMAA to present ambitious exhibitions, welcome more people into the Museum, and create programs that bring our community together around modern and contemporary American art. We are deeply grateful for your past support and hope you will consider making a tax-deductible gift to the Annual Appeal by December 31.

10/20/2026

Life’s a Circus 🎪
 
During the first half of the twentieth century, the circus was one of the most popular forms of entertainment in the United States. Constantly on the move, it transformed cities and small towns alike, interrupting the rhythms of everyday life with spectacle and wonder.

The circus became a site of possibility, where imagination flourished and alternative ways of seeing the world could take shape. The artists brought together here capture the circus in all its complexity, revealing both the exhilaration of performance and the hardship, vulnerability, and humanity that existed behind the spectacle.

Visit “American Conversations” now through November 1. OMAA is open daily from 10 am to 5 pm.
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Walt Kuhn (1877–1949), “Clown with Dogs”, 1943, oil on canvas. Museum Purchase, 1966.1.

John Marin (1870–1953), “The Circus”, ca. 1950, graphite and colored pencil on paper. Gift of Marilee Raines and Daniel Snow, 2016.3.3.

10/17/2026

How do we make time to attend to family life, and what does it mean for art to emerge within its rhythms? Myths of the singular, autonomous artist often obscure the collective conditions—care, labor, and domestic life—that shape creative practice.

In this conversation, artists turn toward family as subject and structure. Their works dwell in the seemingly banal and unremarkable moments of domestic life, revealing how care itself becomes a generative force in shaping perception, memory, and artistic form.
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Bernard Karfiol (1886–1952), “Mimi and John Laurent at the Family Farm”, ca. 1924, oil on canvas. Gift of Owen W. and Anna H. Wells, 2002.5.

Stephen Pace (1918–2010), “Saturday Bath, #2, 98-8”, 1965, oil on canvas. Gift of the Stephen and Palmina Pace Foundation, 2023.2.5.

The Ogunquit Museum of American Art is thrilled to announce the permanent acquisition of Hank Willis Thomas’s “Duality (...
10/15/2026

The Ogunquit Museum of American Art is thrilled to announce the permanent acquisition of Hank Willis Thomas’s “Duality (Reflection)” (2022–2023)—a monumental stainless-steel sculpture now joining the Museum’s three-acre sculpture garden. ✨

Rising from the landscape, the sculpture’s raised arm can evoke peace, victory, protest, or affirmation. Its mirrored surface invites another kind of reflection, capturing visitors and making them part of the work itself.

Since its installation earlier this year in the exhibition “Looking for America”, the sculpture has already become beloved by the OMAA community. Schoolchildren, first-time visitors, and generations of returning audiences have spontaneously posed with the work, seeing themselves reflected in its surface. In doing so, “Duality (Reflection)” advances OMAA’s mission to bring national voices and local experiences into dynamic dialogue, grounded in the Museum’s singular setting on the coast of Maine.

“Duality (Reflection)” is the first large-scale sculpture by Hank Willis Thomas to enter a museum collection in Maine, bringing the work of one of the most significant contemporary American artists of his generation permanently to Ogunquit. 

We are incredibly grateful to all the supporters who made this acquisition possible, as well as Hank Willis Thomas, Pace Gallery, New York, and Jack Shainman Gallery, New York.

Elwyn George Gowen: Artist and Educator April 23 – November 14, 2027 The exhibition Elwyn George Gowen: Artist and Educa...
10/14/2026

Elwyn George Gowen: Artist and Educator
April 23 – November 14, 2027

The exhibition Elwyn George Gowen: Artist and Educator explores the networks of arts education that connected artists, designers, and institutions across early twentieth-century New England, through the career of Elwyn George Gowen (1895–1954). A graduate of the School of the Museum of Fine Arts, Boston, in 1918, where he received highest honors, Gowen was trained in the principles of color, composition, and design. He continued his studies at the New York School of Interior Decoration and worked as an assistant to Harvard’s Dr. Denman W. Ross, an influential theorist of color, as well as collaborating with Jay Hambidge on the principles of Dynamic Symmetry, a design theory. His design practice encompassed textiles and interior decoration, earning him the Degree of Master Craftsman from The Society of Arts & Crafts, Boston.

In 1932, Gowen joined an outdoor painting class with Charles H. Woodbury in Ogunquit, Maine, an experience that redirected his career toward landscape and seascape painting. In 1935, Woodbury invited him to become an instructor and associate at his Ogunquit and Boston studios. Gowen also taught at the School of the Museum of Fine Arts and other art schools and private studios throughout Maine and Massachusetts, eventually serving as Artist in Residence at Nasson College in Sanford, Maine. His career offers a distinctive lens through which to understand Ogunquit not as an isolated space of summer learning, but as part of a broader ecosystem of art education in New England, one in which ideas about design, color, composition, and painting circulated among schools, museums, artists, and independent studios.
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Elwyn George Gowen,” North West Day”, 1936, oil on canvas, 23 ¾ x 29 ¾ in. Courtesy of Ken Turino & Chris Mathias Collection.

10/12/2026

In honor of Indigenous Peoples’ Day, we are proud to highlight Nicholas Galanin’s “I Think It Goes Like This (Gold)” featured in “American Conversations.” Paired with Kara Walker, this conversational pair invite us to look more closely and to reflect on how we absorb, question, and remake history in our daily lives.  

For Indigenous peoples of the Pacific Northwest Coast, including Nicholas Galanin (Tlingit and Unangax̂), totem poles are ceremonial objects that record family histories, convey stories, and mark important events. In I Think It Goes Like This (Gold), a gold-leafed pole lies dismantled on the ground, unsettling expectations of cultural authenticity. The carving was originally produced by an Indonesian artist for the Alaskan tourist market. Through acts of disruption, reassembly, and gilding, Galanin critiques economies of cultural appropriation while reclaiming the object as Indigenous art.  

Thank you to Art Bridges Foundation for this important loan into the exhibition! Be sure to visit now through November 1. 

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Nicholas Galanin (b. 1979), “I Think It Goes Like This (Gold)”, 2019, wood, paint, and gold leaf. Art Bridges. 

Kara Walker (b. 1969), “Burning African Village Play Set with Big House and Lynching”, 2006, painted laser-cut steel. Collection of Fotene Demoulas and Tom Coté.

Address

543 Shore Road
Ogunquit, ME
03907

Opening Hours

Monday 10am - 5pm
Tuesday 10am - 5pm
Wednesday 10am - 5pm
Thursday 10am - 5pm
Friday 10am - 5pm
Saturday 10am - 5pm
Sunday 10am - 5pm

Telephone

+12076464909

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