Warnock Fine Arts

09/02/2026

Featured print — "Stricken Tower" by Rosalyn Richards. Fractured triangles and connective linework collide across the page, drawing on Richards' engagement with maps, charts, and diagrams — the visual language of science and technology reimagined as something more fragile and human. Etching with aquatint, edition of 12.

See it here: https://www.warnockfinearts.com/rosalyn-richards-products/stricken-tower

08/30/2026

Featured print — "Eye of the Sparrow" by Jos Sances. A close-up portrait of a sparrow set against a swirling field of blue and white, with a subtle red circle drawing focus to its watchful eye. Printed as a 14-color reduction screenprint — one of the most labor-intensive processes in printmaking, built layer by layer with a single block cut down between each color. Edition of 25.

See it here: https://www.warnockfinearts.com/jos-sances-products/eye-of-the-sparrow

08/24/2026

Featured resource — our new Printmaking page. Explore the major techniques behind original fine art prints — etching, aquatint, lithography, screenprint, woodcut, and more — alongside films and artist essays, with a glossary for anyone new to the medium.

Explore it here: https://www.warnockfinearts.com/printmaking

08/19/2026

Featured print — Yuji Hiratsuka's "Nocturnal Vision." A calm figure accompanied by a protective owl, a flower concealing a second, watchful eye — Hiratsuka's finely etched textures and luminous color build a world that feels both familiar and dreamlike. Etching and chine collé, 2026, edition of 15.

See it here: https://www.warnockfinearts.com/yuji-hiratsuka-products/nocturnal-vision

07/28/2026

A contemplative angelic figure, wings unfurled, reaches toward her own face amid a constellation of painted orbs and tangled barbed wire. A watchful crow looks on. Yuji Hiratsuka's "Meteor Ride" (2025) is an etching with chine collé that draws on ukiyo-e tradition and Zen philosophy, holding the familiar and the fantastical in the same breath — an image that resists easy resolution and rewards a second look.

07/21/2026

Featured print: "Saint Drastiko" by Hector Silva, 2007.

Silva is known for bold, dreamlike imagery that explores identity, faith, and resistance within the Chicano experience — and this piece is a striking example, blending religious symbolism with contemporary critique. Serigraph, signed and numbered from an edition of 85.

Image size: 20 x 16" | $300

See it here: https://www.warnockfinearts.com/hector-silva-products/saint-drastiko

07/15/2026

New to the gallery: "Antaño otra vez" (Once Again, Long Ago), a 1999 etching by Miguel Conde.

This piece explores memory and human connection through delicately etched lines and atmospheric tonal passages — built from copper plates using etching, direct bite, and drypoint techniques. Each impression is signed and numbered from an edition of just 38.

Image size: 15.8 x 13.4" (40 x 34 cm) | $500

Interested in the complete set of three Conde etchings? Ask us about special pricing. See it here: https://www.warnockfinearts.com/benveniste-miguel-conde/antano-otra-vez

07/08/2026

Many collectors are fascinated by a finished print but rarely have the opportunity to see how it evolves from the earliest stages. Part of an ongoing educational series from Warnock Fine Arts, this short film uses David Smith-Harrison's Cotoneaster to illustrate the role of progressive proofs in the etching process.

Progressive proofs have long been valuable to artists and printmakers, but I believe they're also one of the best ways to help collectors understand the creative decisions behind a finished print.

Watch the complete 2-minute film here:

A short video demonstrating how a color etching is created through ...

07/05/2026

Beach Hut by Jenny Robinson is a contemporary drypoint with monotype depicting a modern lifeguard tower through dramatic architectural form and rich atmospheric texture. Printed in an exceptionally small edition of five impressions. Explore this original fine art print at Warnock Fine Arts.
https://www.warnockfinearts.com/jenny-robinson-products/beach-hut

04/10/2026

Juan Fuentes’ Made in the USA (2000) presents a direct and unsettling image—an individual laboring in a field while bomb silhouettes fall from above. The contrast between grounded physical work and implied violence gives the print its force.

Executed as a screenprint, the composition relies on sharp linework and a restrained palette to carry its message clearly. A compelling work of political and social commentary.

25 x 18 inches
Screenprint, 2000
Available through Warnock Fine Arts.