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Tuesday 11am - 5:30pm Wednesday 11am - 5:30pm Thursday 11am - 5:30pm Friday 11am - 5:30pm Saturday 11am - 5pm

http://www.russoleegallery.com/

Russo Lee Gallery, 805 NW 21st Avenue, Portland, OR (2026)

05/21/2026

𝘛𝘳𝘢𝘯𝘴𝘤𝘦𝘯𝘥𝘦𝘯𝘤𝘦, 2026. ⁠
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Rooted in Margot Voorhies Thompson’s decades-long engagement with Oregon’s remote Northern Great Basin—Fort Rock, Summer Lake, Abert Rim, Hart Mountain, and the Warner Valley—the works in 𝘍𝘳𝘰𝘮 𝘵𝘩𝘦 𝘌𝘥𝘨𝘦 𝘰𝘧 𝘉𝘦𝘢𝘶𝘵𝘺 𝘢𝘯𝘥 𝘚𝘶𝘳𝘷𝘪𝘷𝘢𝘭 draw their palette directly from the desert’s lichen colonies, yielding colors of vermillion-orange, cochineal red, cadmium yellow, and brilliant green, alongside pigments the artist has collected on-site in the form of ditch dirt, minerals, and sand. The paintings explore themes of cosmology, survival, and cultural memory, informed by petroglyphs dating back 10,000 to 18,000 years that speak to the ingenuity of the region’s Paleolithic nomadic cultures. Accompanying the exhibition, two short documentary film clips—𝘌𝘢𝘳𝘭𝘺 𝘚𝘶𝘮𝘮𝘦𝘳 and 𝘓𝘢𝘵𝘦 𝘚𝘶𝘮𝘮𝘦𝘳—will stream on the gallery monitor, offering an intimate look at Thompson making art on location under the intense desert sun.⁠

Margot Voorhies Thompson’s 𝘍𝘳𝘰𝘮 𝘵𝘩𝘦 𝘌𝘥𝘨𝘦 𝘰𝘧 𝘉𝘦𝘢𝘶𝘵𝘺 𝘢𝘯𝘥 𝘚𝘶𝘳𝘷𝘪𝘷𝘢𝘭 is on view through May 30, 2026. ⁠
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Image: Margot Voorhies Thompson, 𝘛𝘳𝘢𝘯𝘴𝘤𝘦𝘯𝘥𝘦𝘯𝘤𝘦, 2026, gouache and charcoal on watercolor paper, 25 x 19 inches framed.⁠
Installation view: 𝘍𝘳𝘰𝘮 𝘵𝘩𝘦 𝘌𝘥𝘨𝘦 𝘰𝘧 𝘉𝘦𝘢𝘶𝘵𝘺 𝘢𝘯𝘥 𝘚𝘶𝘳𝘷𝘪𝘷𝘢𝘭 by Margot Voorhies Thompson, 2026.⁠
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For more information, please contact [email protected]

05/06/2026

Tomorrow evening, please join us at the gallery for the opening of 𝘛𝘩𝘦 𝘖𝘳𝘪𝘨𝘪𝘯, an exhibition of early works by Michael C. Spafford. The exhibition brings together a notable body of work spanning 1960 to 1967, comprising large-scale works on canvas alongside mixed media works on paper. Executed in a mostly monochromatic palette, the works in The Origin reveal a pivotal moment in Spafford’s development as an artist, one in which abstract technique expanded to encompass iconic and mythological themes. Spafford forged a visual language rooted in narrative and archetype that would define his practice for decades to come. These early works do more than document a beginning, they shape the artistic vision that would carry Spafford’s practice forward throughout his career of enduring significance.
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May 7—May 30, 2026⁠
𝙊𝙥𝙚𝙣𝙞𝙣𝙜 𝙍𝙚𝙘𝙚𝙥𝙩𝙞𝙤𝙣: May 7, 2026 | 5:00—7:00 PM⁠
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Images: Michael C. Spafford, 𝘐𝘤𝘢𝘳𝘶𝘴, 1964, oil on paper, 40.25 x 29.75 inches framed; 𝘖𝘳𝘪𝘨𝘪𝘯 𝘔𝘺𝘵𝘩 15, 1964, oil on canvas, 68 x 84.5 inches framed; 𝘖𝘳𝘪𝘨𝘪𝘯 𝘔𝘺𝘵𝘩 10, 1963, oil on canvas, 71.25 x 73.5 inches framed
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For more information, please contact [email protected]

05/06/2026

Tomorrow evening, please join us at the gallery for the opening of 𝘍𝘳𝘰𝘮 𝘵𝘩𝘦 𝘌𝘥𝘨𝘦 𝘰𝘧 𝘉𝘦𝘢𝘶𝘵𝘺 𝘢𝘯𝘥 𝘚𝘶𝘳𝘷𝘪𝘷𝘢𝘭, a new exhibition of paintings by Margot Voorhies Thompson. Rooted in Thompson’s decades-long engagement with Oregon’s remote Northern Great Basin—Fort Rock, Summer Lake, Abert Rim, Hart Mountain, and the Warner Valley—these works draw their palette directly from the desert’s lichen colonies, yielding colors of vermillion-orange, cochineal red, cadmium yellow, and brilliant green, alongside pigments the artist has collected on-site in the form of ditch dirt, minerals, and sand. The paintings explore themes of cosmology, survival, and cultural memory, informed by petroglyphs dating back 10,000 to 18,000 years that speak to the ingenuity of the region’s Paleolithic nomadic cultures. Accompanying the exhibition, two short documentary film clips—𝘌𝘢𝘳𝘭𝘺 𝘚𝘶𝘮𝘮𝘦𝘳 and 𝘓𝘢𝘵𝘦 𝘚𝘶𝘮𝘮𝘦𝘳—will stream on the gallery monitor, offering an intimate look at Thompson making art on location under the intense desert sun.⁠
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May 7—May 30, 2026⁠
𝙊𝙥𝙚𝙣𝙞𝙣𝙜 𝙍𝙚𝙘𝙚𝙥𝙩𝙞𝙤𝙣: May 7, 2026 | 5:00—7:00 PM⁠
𝘼𝙧𝙩𝙞𝙨𝙩 𝙏𝙖𝙡𝙠: May 16, 2026 | 11:00 AM⁠
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Images: Margot Voorhies Thompson, 𝘛𝘳𝘢𝘯𝘴𝘤𝘦𝘯𝘥𝘦𝘯𝘤𝘦, 2026, gouache and charcoal on watercolor paper, 25 x 19 inches framed; 𝘋𝘦𝘴𝘦𝘳𝘵 𝘗𝘰𝘦𝘮, 𝘓𝘢𝘯𝘥 𝘰𝘧 𝘔𝘺𝘵𝘩𝘴, 2026, gouache and charcoal on watercolor paper, 25 x 19 inches framed; 𝘏𝘪𝘨𝘩 𝘋𝘦𝘴𝘦𝘳𝘵 𝘓𝘪𝘤𝘩𝘦𝘯𝘴 4, 2026, gouache and charcoal on watercolor paper, 14.75 x 10.25 inches framed⁠
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For more information, please contact [email protected]

04/01/2026

Tomorrow evening, please join us for the opening of 𝘉𝘢𝘭𝘢𝘯𝘤𝘪𝘯𝘨 𝘈𝘤𝘵𝘴, an exhibition of new works by Betty Merken. With over thirty years dedicated to developing her artistic practice, Merken brings together abstract paintings, collages and monotypes that explore the dynamic interplay between structure and improvisation, color and architectural space. Her recent works are grounded in architectural underpinnings yet remain deeply painterly—forms emerge intuitively through color and structure, drawing inspiration from architecture, nature, and the rich history of twentieth-century art and design. The collages, often more intimate in scale, offer a poetic counterpoint to the larger works on canvas, their layered surfaces building quietly toward something essential. Throughout, Merken navigates a delicate tension between structure and fragility—a balancing act she invites viewers to recognize as a reflection of our shared human condition, where color and form evoke emotion and encourage contemplation.

April 2—May 2, 2026⁠
𝙊𝙥𝙚𝙣𝙞𝙣𝙜 𝙍𝙚𝙘𝙚𝙥𝙩𝙞𝙤𝙣: April 2, 2026 | 5:00—7:00 PM⁠
𝘼𝙧𝙩𝙞𝙨𝙩 𝙏𝙖𝙡𝙠: April 11, 2026 | 11:00 AM

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Images: Betty Merken, 𝘗𝘢𝘯𝘵𝘩𝘦𝘰𝘯 #02-26-11, 2026, oil on canvas, 59.75 x 59.75 inches; 𝘐𝘭𝘭𝘶𝘮𝘪𝘯𝘢𝘵𝘢 #01-26-03, 2026, oil on canvas, 49.75 x 56 inches; 𝘊𝘶𝘳𝘵𝘢𝘪𝘯 𝘊𝘢𝘭𝘭 #02-26-09, 2026, oil on canvas, 49.75 x 56.75 inches
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For more information, please contact [email protected]

04/01/2026

Please join us tomorrow evening for the opening of 𝘛𝘩𝘦 𝘕𝘦𝘪𝘨𝘩𝘣𝘰𝘳𝘪𝘯𝘨 𝘞𝘰𝘳𝘭𝘥 by Dan Gluibizzi. This exhibition brings together large-scale paintings on paper and free-standing two-sided sculpture paintings that draw from the vast reservoir of contemporary visual culture, including found photographs, digital clip art, and drawings of everyday objects. Gluibizzi’s process is one of patient accumulation, images are gathered and tended over time, forming a visual ecology where meaning emerges through proximity and care. Still life and the figure serve as recurring frameworks, while ancient myth, personal memory, and everyday imagery converge in the same pictorial territory. The result is a body of work that feels simultaneously familiar and dreamlike, where stylized flowers, humble objects, and the human form inhabit a neighboring world that is not something remote or imagined, but something already present in the images and objects that surround us.

April 2—May 2, 2026⁠
𝙊𝙥𝙚𝙣𝙞𝙣𝙜 𝙍𝙚𝙘𝙚𝙥𝙩𝙞𝙤𝙣: April 2, 2026 | 5:00—7:00 PM⁠
𝘼𝙧𝙩𝙞𝙨𝙩 𝙏𝙖𝙡𝙠: April 11, 2026 | 11:00 AM

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Images: Dan Gluibizzi, 𝘕𝘦𝘪𝘨𝘩𝘣𝘰𝘳𝘩𝘰𝘰𝘥, 2025, acrylic, gouache and colored pencil on paper, 46.5 x 84.5 inches framed; 𝘋𝘪𝘯𝘰𝘴𝘢𝘶𝘳, 2025, acrylic and gouache on paper, 54.5 x 46.5 inches framed; 𝘕𝘦𝘮𝘦𝘢𝘯 𝘓𝘪𝘰𝘯, 2026, acrylic and gouache on paper, 46.75 x 70.5 inches framed
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For more information, please contact [email protected]

03/04/2026

Tomorrow from 5—7 PM, please join us at the gallery to celebrate the opening reception of 𝘍𝘰𝘳𝘨𝘦𝘵𝘵𝘪𝘯𝘨 𝘢𝘯𝘥 𝘙𝘦𝘮𝘦𝘮𝘣𝘦𝘳𝘪𝘯𝘨, a new exhibition of paintings by invited artist Heather Lee Birdsong. This body of work explores deeply personal and universal themes—grief, memory, climate anxiety, and displacement—through a striking visual language that blends observed plants and real landscapes with imagined, dreamlike spaces. Several works take their titles from texts by Bethany C. Morrow, Pablo Neruda, and John Cage, whose ideas resonated with Birdsong’s process. Together, these paintings offer not answers, but quiet, luminous questions about what it means to be human, to remember, and to make a home in an uncertain world.

Heather Lee Birdsong (b. 1984 in Spring Valley, Nevada) is an artist based in Portland, Oregon since 2005. Birdsong received a BFA in Intermedia from the Pacific Northwest College of Art in 2011, and is the recipient of a Career Opportunity Program grant from the Oregon Art Commission (2026), along with three individual artist grants from the Regional Arts and Culture Council (2023, 2022, 2014). She was a member of Carnation Contemporary, an artist-run exhibition space, from 2022 through 2024 and was an artist-in-residence in Print Arts Northwest’s Emerging Printmakers Program in 2012.

March 5—March 28, 2026⁠
𝙊𝙥𝙚𝙣𝙞𝙣𝙜 𝙍𝙚𝙘𝙚𝙥𝙩𝙞𝙤𝙣: March 5, 2026 | 5:00—7:00 PM⁠
𝘼𝙧𝙩𝙞𝙨𝙩 𝙏𝙖𝙡𝙠: March 14, 2026 | 11:00 AM

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Images: Heather Lee Birdsong, 𝘓𝘢𝘯𝘥𝘴𝘤𝘢𝘱𝘦 𝘰𝘧 𝘔𝘦𝘮𝘰𝘳𝘺 (𝘞𝘪𝘯𝘵𝘦𝘳), 2026, flashe paint, Blue Lit pigment, acrylic on translucent Yupo (recto and verso), 44.25 x 31 1/8 inches framed; 𝘓𝘦𝘵 𝘵𝘩𝘦 𝘞𝘰𝘰𝘥𝘤𝘶𝘵𝘵𝘦𝘳 𝘈𝘸𝘢𝘬𝘦𝘯 𝘕𝘰. 2, 2026, flashe paint and acrylic on cradled panel, 7 x 5 x .75 inches; 𝘞𝘪𝘴𝘵𝘦𝘳𝘪𝘢 (𝘧𝘰𝘳 𝘗𝘰𝘭𝘭𝘺 𝘢𝘯𝘥 𝘡𝘢𝘤𝘬), 2025, acryla-gouache on hot pressed paper, 25 1/8 x 31 1/8 inches framed
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For more information, please contact [email protected]⁠
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03/04/2026

Tomorrow from 5—7 PM, please join us at the gallery to celebrate the opening reception of 𝘍𝘰𝘶𝘳 𝘋𝘦𝘤𝘢𝘥𝘦𝘴: 𝘞𝘰𝘳𝘬𝘴 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘌𝘴𝘵𝘢𝘵𝘦, an exhibition of paintings by Michael Dailey. Spanning work made between 1969 and 2009, the exhibition offers an opportunity to trace the arc of Dailey’s artistic vision—one defined by a lifelong devotion to the light, atmosphere, and expansive beauty of the Pacific Northwest. Working through abstraction, Dailey transformed land, sea, and sky into luminous, meditative images, building up layers of translucent color to create an inner glow that feels both intimate and boundless. Through the balance of line and color, Dailey’s paintings explore the nuances of space and landscape that shape our memories of time and place. His compositions are quietly architectural, using horizontal and vertical structures to frame generous open expanses, inviting the viewer to settle into something contemplative and still.

Originally from Iowa, Michael Dailey (1938–2009) moved to Seattle in 1963 to teach painting and drawing at the University of Washington. He was an influential teacher and artist whose select exhibitions included shows at the San Francisco Art Museum, Seattle Art Museum, Tacoma Art Museum, Frye Art Museum, Denver Art Museum, and the Smithsonian American Art Museum. In 2008, Dailey was honored with a major retrospective exhibition at the Hallie Ford Museum of Art in Salem, OR. His work is held in numerous public and corporate collections.

March 5—March 28, 2026⁠
𝙊𝙥𝙚𝙣𝙞𝙣𝙜 𝙍𝙚𝙘𝙚𝙥𝙩𝙞𝙤𝙣: March 5, 2026 | 5:00—7:00 PM⁠

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Images: Michael Dailey, 𝘗𝘢𝘭𝘦𝘸𝘦𝘭𝘭, 𝘔𝘰𝘰𝘯𝘭𝘪𝘨𝘩𝘵, 1994, acrylic on canvas, 22.25 x 31.5 inches framed; 𝘊𝘳𝘺𝘴𝘵𝘢𝘭 𝘉𝘦𝘢𝘤𝘩, 2005, acrylic on canvas, 19.25 x 29.75 inches framed; 𝘔𝘰𝘳𝘯𝘪𝘯𝘨 𝘈𝘸𝘢𝘺, 1969, oil on canvas, 64 x 55 inches framed
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For more information, please contact [email protected]⁠
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02/04/2026

Tomorrow from 5—7 pm, please join us at the gallery to celebrate the opening of 𝘐𝘯 𝘚𝘦𝘢𝘳𝘤𝘩 𝘰𝘧 𝘊𝘢𝘴𝘤𝘢𝘥𝘪𝘢 by Michael Paul Miller. ⁠
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This exhibition explores the sublimity of existence within dystopian environments shaped by disaster and destruction while retaining subtle indications of awe and hope. Miller’s practice is driven by a fascination with perseverance, which he views as both noble and suspect when survival unfolds along perilous paths with uncertain or bleak outcomes. Often described as imagined realism, Miller’s imagery is altered, conflated, and re-contextualized from firsthand observation, photographic reference, and invention, then realized through traditional hand-applied mediums refined over an extended studio process.
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February 5—February 28, 2026⁠
𝙊𝙥𝙚𝙣𝙞𝙣𝙜 𝙍𝙚𝙘𝙚𝙥𝙩𝙞𝙤𝙣: February 5, 2026 | 5:00—7:00 PM⁠

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Images: Michael Paul Miller, 𝘛𝘩𝘦 𝘏𝘦𝘪𝘳, 2023, pigment and wax on paper on cradled panel, 14 x 14 inches; Michael Paul Miller, 𝘛𝘩𝘦 𝘞𝘢𝘺𝘧𝘪𝘯𝘥𝘦𝘳 (detail), 2022, pigment and wax on paper on cradled panel, 24 x 36 inches; Michael Paul Miller, 𝘐 𝘈𝘮 𝘕𝘢𝘵𝘶𝘳𝘦, 2025, ink on paper, 15.5 x 15.5 inches
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For more information, please contact [email protected]⁠
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02/04/2026

Tomorrow from 5—7 pm, please join us at the gallery to celebrate the opening of 𝘔𝘢𝘨𝘯𝘪𝘧𝘪𝘤𝘦𝘯𝘵 𝘔𝘢𝘭𝘢𝘪𝘴𝘦 by Dirk Staschke. ⁠
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For the past eighteen years, Staschke’s practice has explored the space between painting and sculpture, producing works that include sculptures of paintings, vases, and ceramic paintings. Best known for his shadowbox sculptures that juxtapose virtuosic illusion with visibly rough construction, his earlier works function as observations on control and perception. This exhibition marks a shift toward a more formal investigation of beauty and a reflection of the artist’s own worldview. Drawing on the tradition of Vanitas still life painting—with its symbolism of transience, futility, and mortality—the current work seeks to transform this grim legacy into something more positive. Staschke describes his process as a construction of smaller pieces that form a larger whole. Lush ceramic surfaces soften foreboding forms, employing a transgressive beauty that finds elegance within the seemingly disturbing.
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February 5—February 28, 2026⁠
𝙊𝙥𝙚𝙣𝙞𝙣𝙜 𝙍𝙚𝙘𝙚𝙥𝙩𝙞𝙤𝙣: February 5, 2026 | 5:00—7:00 PM⁠

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Images: Dirk Staschke, 𝘈𝘤𝘤𝘶𝘮𝘶𝘭𝘢𝘵𝘪𝘰𝘯, 2021, ceramic, 20 x 17 x 6 inches; Dirk Staschke, 𝘍𝘭𝘶𝘹 11, 2018, ceramic, 24 x 20 x 3 inches; Dirk Staschke, 𝘏𝘰𝘭𝘥 𝘖𝘯 𝘛𝘪𝘨𝘩𝘵, 𝘠𝘰𝘶 𝘑𝘶𝘴𝘵 𝘔𝘪𝘨𝘩𝘵, 2019, ceramic, 16 x 14 x 4 inches
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For more information, please contact [email protected]⁠
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01/07/2026

To commence our 40th anniversary year, Russo Lee Gallery is pleased to present 𝘞𝘰𝘳𝘬𝘴 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘌𝘴𝘵𝘢𝘵𝘦 & 𝘗𝘳𝘪𝘷𝘢𝘵𝘦 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘰𝘯𝘴 by Michele Russo. This curated selection brings together rarely exhibited works spanning the late 1960s through the early 2000s, offering a comprehensive look at one of the region’s most enduring artists. Russo painted in well-established historical genres, including figuration, still life, and abstraction. His iconic figures are often presented within the classical figure/ground relationship, while his abstract compositions are best characterized by both simplification and monumentality. Russo’s keen understanding of visual structure and his distinctive minimalist sensibility lends itself to the large scale of his canvases, inviting viewers into compositions that feel at once contemplative and powerfully direct.

January 8—January 31, 2026⁠
𝙊𝙥𝙚𝙣𝙞𝙣𝙜 𝙍𝙚𝙘𝙚𝙥𝙩𝙞𝙤𝙣: January 8, 2026 | 5:00—7:00 PM⁠

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Images: Michele Russo, 𝘔𝘙265 𝘜𝘯𝘵𝘪𝘵𝘭𝘦𝘥 𝘈𝘣𝘴𝘵𝘳𝘢𝘤𝘵𝘪𝘰𝘯, ca. 1970s, acrylic on canvas, 57.75 x 50 inches framed; Michele Russo, 𝘔𝘙357 𝘗𝘦𝘳𝘴𝘪𝘴𝘵𝘦𝘯𝘤𝘦, 1995, acrylic on canvas, 70 x 60 inches framed; Michele Russo, 𝘜𝘯𝘵𝘪𝘵𝘭𝘦𝘥 𝘐 (𝘵𝘸𝘰 𝘧𝘪𝘨𝘶𝘳𝘦𝘴 𝘰𝘯 𝘣𝘭𝘢𝘤𝘬 𝘢𝘯𝘥 𝘨𝘳𝘢𝘺 𝘣𝘢𝘤𝘬𝘨𝘳𝘰𝘶𝘯𝘥), 1969, oil on canvas, 58.25 x 50.75 inches
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For more information, please contact [email protected]⁠
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12/04/2025

Russo Lee Gallery is pleased to announce our 𝘏𝘰𝘭𝘪𝘥𝘢𝘺 𝘎𝘳𝘰𝘶𝘱 𝘌𝘹𝘩𝘪𝘣𝘪𝘵𝘪𝘰𝘯, a presentation of new and recent works by our roster of gallery artists alongside selected guest artists. This exhibition brings together painting, sculpture, and works on paper, offering a comprehensive view of the artistic practices represented by Russo Lee. Highlighting both established and emerging voices, through a diverse range of materials, the annual group exhibition invites viewers to explore new perspectives, and revisit the work of longstanding gallery artists.

𝙋𝙖𝙧𝙩𝙞𝙘𝙞𝙥𝙖𝙩𝙞𝙣𝙜 𝘼𝙧𝙩𝙞𝙨𝙩𝙨: James Allen, Marlene Bauer, Heather Lee Birdsong, Michael Brophy, Sean Cain, G. Lewis Clevenger, Laura Domela, Ka’ila Farrell-Smith, Tom Fawkes, Gabe Fernandez, Julian V.L. Gaines, Dan Gluibizzi, James Lee Hansen, Roll Hardy, Lisa Jarrett, Jackie Johnson, Fay Jones, Mary Josephson, Mel Katz, Connie Kiener, Otis Kwame Kye Quaicoe, Willie Little, Brenda Mallory, Betty Merken, Michael Paul Miller, David Curt Morris, Richard Notkin, Whitney Nye, Stephen O’Donnell, Kim Osgood, Lucinda Parker, J.D. Perkin, Jack Portland, René Rickabaugh, Chris Russell, Anne Siems, Eric Stotik, Whiting Tennis, Margot Voorhies Thompson, Samantha Yun Wall, Gina Wilson, Sherrie Wolf, Ko Kirk Yamahira

December 4—December 20, 2025⁠
𝙊𝙥𝙚𝙣𝙞𝙣𝙜 𝙍𝙚𝙘𝙚𝙥𝙩𝙞𝙤𝙣: December 4, 2025 | 5:00—7:00 PM⁠

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Images: Dan Gluibizzi, September Gathering, 2025; Samantha Yun Wall, Diaspore No. 13, 2025; G. Lewis Clevenger, Copper Beech (Portland Heritage Tree), 2025; Gina Wilson, Terrarium, 2025; Eric Stotik, Untitled, 2025
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For more information, please contact [email protected]⁠
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ArtOpening portlandartgallery

Russo Lee Gallery

05/21/2026

05/06/2026

05/06/2026

04/01/2026

04/01/2026

03/04/2026

03/04/2026

02/04/2026

02/04/2026

01/07/2026

12/04/2025

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Tuesday	11am - 5:30pm
Wednesday	11am - 5:30pm
Thursday	11am - 5:30pm
Friday	11am - 5:30pm
Saturday	11am - 5pm